| Note on submissions | v |
| William F. Hodapp: An Introduction to Punishment, Penance, and Reward: The Case of Thomas Becket |
1 |
| R.W. Hanning: Prudential Penance |
14 |
| Drew Mannetter: Zeus's Reward and the Ambiguity of Eastern Decadence in Virgil's Aeneid |
43 |
| William F. Hodapp: Conquered by Babylon: Fate, Fortune, and Reward in Walter of Châtillon's Alexandreis |
64 |
| Nichole Sterling: Disposable Outsiders and Narrative Liability in Njáls Saga |
79 |
| Stefan Thomas Hall: Last Laughs: Torture in Medieval Icelandic Literature |
97 |
| Edward Risden: Plowing, Bowing, Burning, Journeying: Penance and Subverting Penance in Medieval Literature |
112 |
| Mickey Sweeney: Breaking the Romance: Identifying Sin, Earning Redemption, and the Gift of Mercy in Sir Gawain and the Green Knight |
124 |
| Mel Storm: The Green Knight and other Medieval Dismemberments |
140 |
| Stephen Yandell: Bearers of Punishment and Reward: Ahab's Prophets in Gower's Confessio Amantis |
153 |
| Edward Risden: Postscript |
166 |
| Editor's Note | v |
| Liam Felsen: Temporal Confusion: Christ I as Medieval Lyric |
1 |
| William F. Hodapp: Prolegomena: C.S. Lewis's Pedagogical Scholarship |
17 |
| Christopher Maslanka: Knighthood in a Carl's House: Chivalry and Domesticity in Sir Gawain and the Carl of Carlisle |
46 |
| John D. Cox: Shakespeare, Self-Deception, and the Moral Play |
65 |
| David Sprunger: A Pseudo-"Canterbury Tale": Chaucer in the Seventeenth Century |
100 |
| John Block Friedman: The Alliterative Morte Arthure and "Monstrous" Breton Geography |
124 |
| Review: Theodore K. Lerud, Memory, Images, and the English Corpus Christi Drama. Reviewed by William F. Hodapp | 152 |
| Editor's Forward | v |
| Note on Submissions | vi |
| Christopher Kleinheinz: Remembering Bob Kindrick |
vii |
| Karen R. Moranski: "Diverse Practyk in Many Sondry Werkes": Norm Hinton's Career |
xi |
| Nickolas Haydock: The Scottish Virgil (?): Henryson's Virgilian Career |
1 |
| William F. Hodapp: Reading the Narrator Reading Boethius: The Implied Audience of The Kingis Quair |
23 |
| Russell Rutter: The Sixteenth-Century Eclipse of Robert Henryson's "Fair Cresseid" |
36 |
| Stefan Thomas Hall: Dialogic Henryson |
55 |
| Peter H. Goodrich: Chivalric Pilgrimage and King Arthur's Court |
79 |
| E.L. Risden: Gawain's Ambivalent Christianity |
89 |
| Mickey Sweeney: Medieval Solomon and the Construction of Interpretation in Sir Gawain and the Green Knight |
101 |
| Mary Olson: Speaking Walls: Ekphrasis in Chaucer's House of Fame |
118 |
| Mel Storm: Rude Mechanicals and Minotaurs: Shakespeare and Chaucer Among the Mythographers |
139 |
| Benjamin Smith: Chiasmus and Prosification of the Cantar de mio Cid in the Crónica de Veinte Reyes |
152 |
| Editor's Note | v |
| E.L. Risden: Lost in the Not-So-Funhouse: Subversive Threads in the Medieval Narrative Labyrinth. |
1 |
| Melanie Hanan: Exotic, Demonic, or Economic: Using Black Africans for Political Gain in Western European Medieval Art, 1000-1400. |
24 |
| Carlos Hawley-Colon: Progress and Prejudice: Misarchaia, Scholarship, and the Pre-Modern Text. |
46 |
| Abraham Quintanar: Don Amor's Economy of Love: Time and Money in Matrimonial and Extra-Matrimonial Affairs. |
73 |
| Kristin Bovaird-Abbo: Lancelot Reborn: The Squire's Warning in The Canterbury Tales. |
104 |
| Review: Andrew Galloway, Medieval Literature and Culture: A Student Guide. Reviewed by Norbert A. Wethington. | 133 |
| Review: Barbara Reynolds, Dante: The Poet, the Political Thinker, the Man. Reviewed by Delmar C. Homan. | 135 |
| Review: E.L. Risden, Beowulf for Business: The Modern Warrior's Guide to Career Building. Reviewed by Rebecca Brunson. | 137 |
| Editor's Note | v |
| Note on Submissions | vi |
| Margaret Hostetler: Reading the Letters of Heloise: A Devotional Curriculum for Medieval Nuns. |
1 |
| Harriet Hudson: Linear or Nuclear? Family Patterns in Some Middle English Popular Romances |
26 |
| Lesley Allen: "Fro Spot my Spyryt ther Sprang in Space": Mapping Conversion in Pearl |
52 |
| Christina Christoforatou: The Iconography of Eros and The Politics of Desire in Komnenian Byzantium |
71 |
| Editor's Note | v |
| Alan T. Gaylord: Chaucer's Tragic Romance: Imagining Voices in Troilus & Criseyde |
1 |
| Daniel Pinti Language Play and Franciscan Propriety in the Chronicle of Salimbene de Adam |
26 |
| Amy Orf The Auxiliaries of the Spanish Progressive: Evidence from the Middle Ages |
39 |
| Alexander L. Kaufman To Write: Sir Thomas Malory and His Cautionary Narrative of Legimation |
61 |
| Denise E. Cole: Katherine and Henry: England's Dramatic Duo |
89 |
| Mark Taylor: "The King's Friend" in Richard II: With Friends like the King, Who Needs Enemies? |
107 |
| Editor's Note | v |
| Note on Submissions | vi |
| Roy Hagman: Reconstructing the Dantean Linguistic Universe: A Reconsideration of the De Vulgari Eloquentia |
1 |
| John P. Bequette: Conversion in Thomas of Celano's Vita Prima Sancti Francisci: Exemplar of Narrative Theology? |
12 |
| Brian S. Lee: Christian Adornment in The Man of Law's Tale |
31 |
| John B. Friedman: Costume and Transgressivity in the Pastourelle |
49 |
| Abraham Quintanar: The Thin Line Between Lust and Anger: Frustrated Emotion in Pedro de Escavias' "LLegando cansado yo" |
81 |
| Daniel Scavone: British King Lucius, the Grail, and Joseph of Arimathea: The Question of Byzantine Origins |
101 |
| E.L. Risden: Red and White and the Wars of the Roses: Shakespeare's Venus and Adonis and the Rape of Lucrece |
143 |
| Laura D. Barefield: Gender and the Creation of Lineage in Geofrrey of Monmouth's Historia Regum Britanniae |
|
| Melodie F. Harris: Alphonsus Bonihominis' Conversionary Letter from Rabbi Samuel to Rabbi Isaac |
|
| Joe Sullivan: Lady-in-Waiting Virtues in Middle High German Religious Biography |
|
| Dale Hample: Reflexive Argument, the Heart of Inquisitorial Procedures |
|
| Karl Fugelso: Appropriating Appropriation: John VIII Palaeologus in Pre-Modern Art and Modern Art History |
|
| Deanna Delmar Evans: Introducing Christine de Pizan into the Chaucer Course: Tales of Griselda as Textual Context |
|
| Norbert A. Wethington: Review: Marvels, Monsters, and Miracles: Studies in the Medieval and Early Modern Imaginations (Timothy S. Jones and David A. Sprunger, eds.) |
| Foreward | v |
| Editor's Note | vi |
| Yasuyo Moriya: Metrical Constraints in King Arthur's Round Table in The Alliterative Morte Arthure |
1 |
| Angela Laflen: Illuminating Spectatorship in Malory's Morte d'Arthur |
20 |
| Joan Herrington: Dreams of Bloody Deeds: Adapting Richard II |
36 |
| Edward L. Risden: Script-Based Semantic Theory of Humor and the Old English Riddles |
61 |
| Deborah Nelson-Campbell: Coping with Isolation: Strategies of Some Medieval French Noblewomen |
71 |
| Mary Olson: "He has Given Birth to Iniquity": Gender and the Reading Subject in Ms. Harley 603 |
85 |
| Heather Hill-Vásquez Reforming Response: Reception Aesthetics in the Chester Cycle |
120 |
| Foreward | v |
| Editor's Note | vi |
| Barbara I. Gusick: Ambrose's Idea of God's Superabundance and the Construction of Work in the Towneley Cycle |
1 |
| Jay Ruud: The Gifts of Fortune, Nature, and Grace and the Structure of Piers Plowman B.XI |
37 |
| Delmar C. Homan: Loss, Grief, Reminiscence, and Popular Culture in Chaucer's Book of the Duchess |
63 |
| William F. Woods: Custance as God's Merchant in the Man of Law's Tale |
84 |
| Jean E. Jost: An Androgynous Nun's Eye View: Feminine Pity and Masculine Determination in the Prioress' Tale |
108 |
| E.L. Risden: The World's Greatest Knight: Malory, Theme and Form |
126 |
| Raymond P. Tripp, Jr.: No Rest for the Wicked, a new Homiletic Reading of Grendel's Attack |
|
| Kathryn Jacobs: Extra-Marital Contracts in the Canterbury Tales |
|
| William R. Levin: "Lost Children," a Working Mother and the Progress of an Artist in the Florentine Misericordia in the Trecento |
|
| Carolyn B. Anderson: Constructing Royal Character: King Richard in Richard Coer de Lyon |
|
| Rebecca Barnhouse: Pictorial Exegesis in the Illustrated Old English Hexateuch |
|
| Alison Gulley: Not Tonight Dear, I have a Vow of Chastity: Sexual Abstinence and Marital Vocation in The Book of Margery Kempe |
| John B. Friedman: Thomas of Cantimpre's Animal Moralitates: A Conflation of Genres |
|
| Barbara A. Goodman: Physical Disfiguring and Body Forms in Middle English Metrical Romances |
|
| Emilio Englade: "Straw for youre Gentillesse!": Masculine Identity, Honor, and Dorigen |
|
| Kurtis B. Haas: Reading Genre Play between the Shipman's Tale and the Tale of Sir Thopas |
|
| William F. Hodapp: Philomena's Song: Pecham, Translatio, and a Fifteenth-Century English Poet-Translator |
|
| David A. Lopez: Holy Man and Holy Relic in the Fourth Century: Healer or Exorcist? |
|
| Jonathan Wilcox: Teaching Anglo-Saxon Paganism, circa 1000 |
| Michael D. Myers: A Butcher by any other Name is a ... Carter: The Reliability and Stability of Occupational Surnames in King's Lynn, c. 1400 |
|
| Robin R. Hass: Archetypus, Imaginatio, and Inventio: The Poet as Artifex and the Creation of a Feminized Language, Subject, and Text |
|
| Mary Frances Zambreno: "Pryce" Meats and Princes: The Feast as Proving Ground in the Alliterative Morte Arthure and Sir Gawain and the Green Knight |
|
| Daniel Hobbins: The Poet Laureate as Stabilizer: Bernard Andre and the Vita Regis Henrici Septimi |
|
| Pauline J. Alama: Ofermod and Hygeleast: An Anglo-Saxon Psychology of Sin in Genesis B |
|
| Margaret Sinex: "Hoc solum deliqui, quod vivo": Walter Map's Modernitas |
|
| Robert B. Rigoulot: Histoire vraysemblable: Medieval French History in Transition |
|
| Kristin Brandser: The Wife's Lament: A Riddel of Her own |
| E. L. Risden: The Gosforth Cross Narrative and Beowulf |
|
| Michael S. Nagy: A Reassessment of Unferd's Fratricide in Beowulf |
|
| Jonathan Wilcox: The Battle of Maldon and the Anglo-Saxon Chronicle, 979-1016: A Winning Combination |
|
| Thomas Tipton: The Toads on the Text: The Spirituality of Psalter Reading in the Life of Christina of Markyate |
|
| Molly Lynde-Recchia: Narrative Strategy as Auctoritas in the Thirteenth-Century Prose Version of the Roman de Thebes |
|
| Rosanne Gasse: Male Friendship in the Middle English Romance |
|
| Jean E. Jost: The Parson's Tale: Ending "Thilke parfit glorious pilgrymage that highte Jerusalem Celestial" |
|
| William Hodapp: The Judgement of Paris and Methods of Reading in John Lydgate's Reson and Sensuallyte |
|
| Steven Gauntt: La Sinrazon de Amor: A Mighty fine Argument against Love in Los siete Libros de la Diana |
| Foreward | v |
| Editor's Note | vii |
| Jonathan Wilcox: A Reluctant Translator in Late Anglo-Saxon England: Aelfric and Maccabees |
1 |
| Eileen Robertson Hamer: Eardisley Font: Images for the Eyes of the Heart |
19 |
| Randi Eldevik: Troia Redux: A Medieval Tradition, an Old Norse Mystery |
34 |
| Joyce Tally Lionarons: The Sign of a Hero: Dragon Slaying in Þiðreks saga af Bern |
47 |
| Caroline A. Jewers: Sentimental Education: The Roman de Flamenca and the Renaissance of the Ovidian Hero |
58 |
| Rosalind Clark: Sir Orfeo: The Otherworld vs. Faithful Human Love |
71 |
| Thomas J. Hatton: Chaucer's Miller's Curious Characters |
81 |
| Robert Graybill: Aristotelian Tragedy in Troilus and Criseyde |
90 |
| Theodore K. Lerud: Medieval Aristotelianism and the Poetics of the English Corpus Christi Drama |
99 |
| James J. Murphy: Prospects for a History of Medieval Literary Theory |
|
| Jeannette M. A. Beer: "Auctores" and "Auctoritas" in Li Fet des Romains |
|
| Ruth Dean: "To Shorten Tyme": Daniel 13 and Thomas Garter's Commody of Susanna |
|
| Robert B. Rigoulot: Breton Historiography and the Survival of Geoffrey of Monmouth |
|
| Mary Coker Joslin: A "Secular Scripture," the Genesis of Roger de Lille's Histoire Ancienne |
|
| Daniel J. Pinti: Words, Deeds, and Baptism: Efficacious Discourse in St. Erkenwald |
|
| Delmar C. Homan: Chaucer's Pardoner and the Grotesque |
|
| Peter C. Braeger: Interpretation in Poetry and Homily: Two Middle English Versions of the Parable of the Vineyard |
|
| Deanna Delmar Evans: Donald Oure and Bernard Stewart: Responding to a Villain and a Hero in William Dunbar's Poetry |
|
| Sarah J. Hill: Recovering Malory's Guenevere |
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