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Malta Study Center
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CATALOGUE OF MUSIC MANUSCRIPTS - CATHEDRAL MUSEUM, MDINA - MALTA(M-MDca Mus. Ms. 1-584)by Dr. Franco Brunihttp://www.brunifranco.it/
Table of Contents
Index (Opens in new window) Proper citation of this electronic publication consists of the name of the author, the title, the electronic publisher, and the url. Posted 17 November 1999 by Theresa M. Vann for the Malta Study Center, Hill Monastic Manuscript Library. IntroductionThe presence in the Mdina Cathedral Museum of an important music collection has strongly influenced scholarly activity. The availability of such rich documentation represents an endless stimulus for local and foreign researchers. Study of these archives has brought to light interesting documents related to past musical activities. Thanks to the work of Mons. John Azzopardi, Curator of the Mdina Cathedral Museum, who has organized, inventoried and made available to the public the music collections of the Cathedral Museum, these music archives today are definitely the richest ones on the Maltese islands and, in general, in the Mediterranean area.1 The richness of the Cathedral Museum has provided fertile ground for the development of scholarly research. In the last few years, an important project of cataloguing has been undertaken to make more people aware of these music sources, both in Malta and abroad.2 Following the aims of this project, I have decided to proceed in the cataloguing of the seventeenth- and eighteenth-century manuscript collection. This work actually represents the second volume of a three-volume doctoral thesis entitled La Cappella Musicale della Cattedrale di Malta nel diciassettesimo e diciottesimo secolo (The Musical Chapel of the Cathedral of Malta in the Seventeenth and Eighteenth Century), which I presented at the "Union Formation et Recherche - Musique et Musicologie" of the Sorbonne University, Paris, in May 1998. This collection, together with the printed one,3 represents the repertoire played at the Mdina Cathedral musical chapel, an institution which was founded in the 1620’s. In particular, this catalogue covers exclusively the seventeenth and eighteenth century (part of nineteenth century collections have been already catalogued and published).4 The works described in this catalogue include both Italian and Maltese music. The seventeenth century is represented mainly by Italian composers, several of whom belong to the Sicilian and the Roman polyphonic schools. Most of the manuscripts of this period are made up of single partbooks, while the scores are very rare. In comparison, the eighteenth-century collection is represented mainly by original full scores compiled by two Maltese composers, Benigno Zerafa and Francesco Azopardi, both chapel masters (the latter also organist) at the Mdina Cathedral in the second half of the century. This section is also characterized by a large number of instrumental and vocal parts, following the growth of the musical ensemble that in the eighteenth century became one of the biggest and better organized music institutions on the Maltese islands. Organization of the CatalogueThis catalogue adopts the international standard descriptions of musical manuscripts as established by R.I.S.M. (Repertoire Internationale des Sources Musicales). Two other irreplaceable manuals for cataloguing music manuscripts have been consulted, namely those written in collaboration by M. Donà, A. Zecca Laterza, E. Zanetti (1979) and M. Gentili Tedeschi (1984).5 The entries are ordered following the cataloguing number (Ms. 1-584) and each one is organized in the following areas:
The Uniform or Conventional Title6 includes the normalized title with synthetic notes about the music genre, scoring, and tonality (only for works dated after seventeenth century). The Title area carries the faithful transcription of the title as found in the source, including the original punctuation and mistakes. The Physical Area includes remarks about autograph or copy, date, number of pages of score and/or partbooks, and size. A separate list of voices and instruments is provided when the partbooks are missing or incomplete. The Notes Area gives all other relevant information about the presence of binding, notes of ex libris, dedications etc. The relation of the work to other copies (identical or with different arrangement) is also noted, as well as the presence of a printed copy.7
List of Abbreviations
Citations1See Paolo Emilio Carapezza, "La Sicilia ritrova a Malta le sue musiche." L’Ora, Palermo, 7 July 1979 (Engl. trans., Sicily rediscovers in Malta its own music in Vetera novaque concentus et carmina, concert programme, Malta, 22 September 1985). (Return) 2These concern the music of the Vella composers, whose collection has been catalogued by myself, and Carmelo Pace’s music, catalogued by Georgette Caffari and Marcel De Gabriele. Both catalogues have been published thanks also to the sponsors of the The Hill Monastic Manuscripts Library of St. Johns University. See G. Caffari-M. De Gabriele, Carmelo Pace. A Maltese Composer. Thematic, Annotated and Illustrated Catalogue of works (Marsa: Foundation for the promotion of the music of Carmelo Pace, 1991); F. Bruni, The Maltese Composers Dr Giuseppe Vella (1827-1912) and his sons Alberto (1866-1931) Luigi (1868-1950) and Paolo (1873-1948). Biographical notes and a complete catalogue of their works at the Cathedral Museum, Mdina - Malta (Collegeville, Minn.: Hill Monastic Manuscript Library, 1997). The seventeenth- and eighteenth-century music sources and the Nani collection will follow in the series. (Return) 3See F. Bruni, Stampe musicali italiane alla Cattedrale di Malta. Studio e catalogo della collezione (Mus. pr. 1-159) (Malta: PEG, 1999). (Return) 4See F. Bruni, The Vella Composers. (Return) 5Agostina Zecca Laterza, Mariangela Donà e Emilia Zanetti, "Regole per la catalogazione delle edizioni musicali", in Manuale di catalogazione musicale (Rome: ICCU, 1979) and Massimo Gentili Tedeschi, Guida a una descrizione catalografica uniforme dei manoscritti musicali (Roma; ICCU, 1984). (Return) 6See AACR2 Anglo-American Cataloguing Rules, 2nd ed. (Londra: M. Gorman, P. W. Winkler, 1982): 473-489. (Return) 7Several works included in some of the manuscript compilations available actually had been copied from seventeenth-century Italian century printed anthologies held in the Mdina Cathedral Museum Archives (ACM, Mus. Pr. 1-159). See Franco Bruni, "Seventeenth-century music prints at Mdina Cathedral, Malta," Early Music, XXII, 3 (1999): 467-479 and Franco Bruni, Stampe musicali italiane alla Cattedrale di Malta. Studio e catalogo della collezione (Mus. pr. 1-159) (Malta: PEG, 1999). (Return)
CATALOGUE OF MUSIC MANUSCRIPTS - CATHEDRAL MUSEUM, MDINA - MALTADr. Franco BruniAMATO, Vincenzo [Litanies B.M.V. 4 V (SSAB), org] Organo / Letania / à 4. / C.C. A B. / di D. Vincenzo / Amato - ms., 17th cent.; 4 partbooks: S1, S2, A, B, org (4, 4, 4, 4 ff.); 210x150 mm. On each part: di Amato A 4. Figured bass. M-MDca, Mus. Ms. 2 AMORE, Domenico [Lamentations. T, instr., G min.] Lamentazione / Ego vir videns / a Solo Tenore - ms., 18-19th cent.; score (20 ff.), 210x290 mm; 11 partbooks: 2 T+b, 2 vl1, 2 vl2, vla, 2 vlc obbl, 2 db (5, 4, 2, 3, 2, 3, 3, 2, 4, 4, 3 ff.), 230X320 mm. On f. 1r of the vocal part marked C: Domenico Amore / alla / Chiesa Cattedrale / Ego Vir Videns / Lamentazione del Giovedì Santo. Different copyists. M-MDca, Mus. Ms. 3 ARCONATI, Paolo [Salve regina. Antiphon. 3 V (ATB), org] Salve Regina / A 3. Voci / A. T. B. / Del Arconati - ms., 17th cent.; 4 partbooks: A, T, B, org (2, 2, 2, 2 ff.), 210x150 mm. Figured bass. M-MDca, Mus. Ms. 4 ARCONATI, Paolo [Ave regina caelorum. Antiphon. 3 V (CAT), org] A. 3. C. A. T. P. Arconati - ms., 17th cent.; 3 partbooks: C, A, T (2, 2, 2, 2 ff.), 210x155 mm. Figured bass. M-MDca, Mus. Ms. 5 ARIGONO, Jacopo [Deus charitas est et qui manet..qui peccavi sana anima mea quia peccavi. Motet. 3 V (ATB), bc] Concerto à 3. Del Sig.r Jacobo Arigonio / Organ.sta del Imperatore - ms., 17. sec. 1. metà; 4 partbooks: A, T, B, bc (2, 1, 1, 1 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 6 BONERBA, Pasquale [Dixit Dominus. Psalm 109. S, A, T, B, choir (SATB), 6 str., org, G] Organo / Dixit del Sig:re Pasquale Bonerba - ms., 18th cent.; 16 partbooks: S, A, T, 2 B, choir S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, org (2, 2, 2, 2, 2, 4, 4, 4, 4, 8, 8, 4, 4, 4, 4, 8). Figured bass. Different copyists. M-MDca, Mus. Ms. 7 BENEVOLI, Orazio [Misericordias Domini. Motet. 2 V (SS), bc] Mottetto A. 2. Canti / Misericordias D.ni / Del Sig. Horatio / Benevolo - ms., 17th cent.; 3 partbooks: S1, S2, bc (2, 2, 2 ff.), 225x160 mm. M-MDca, Mus. Ms. 8 CAGLIERO, Giovanni [Vespers for St. Luis. op. 84. 3 V, org/harm, F] Voce I. / Domine / di / Mons: Giovanni Cagliero. - ms., 20th cent. first half; 16 partbooks: V1, V2, V3 (Domine ad adjuvandum); V1, V2, V3 (Laudate pueri); V1, V2, V3 (Dixit Dominus); 2 V1, 3 V2, 2 V3 (Magnificat), (2, 2, 2, 2, 2, 2, 4, 4, 4, 5, 2, 4, 3, 2, 4, 2 ff.); 215-290x290-215 mm. The ms. is joint by the relative print: VESPRO DI S. LUIGI / A TRE VOCI / Con l'accompagnamento d'organo e d'harmonium / Di Monsignor / CAGLIERO GIOVANNI / Prop. dell'Editore / N. 489 / TORINO / LIBRERIA SALESIANA EDITRICE / 1897. pp. 72. M-MDca, Mus. Ms. 9 CAMPOCHIARO, Antonio [Omnis pulchritudo. Motet. 4 V (SATB), vl1, vl2, vla, bc] Concerto à 4. Voci, con le Sinfonie / del Campochiaro - ms., 17 cent.; 8 partbooks: S, A, T, B, vl1, vl2, vla, bc (1, 1, 1, 1, 1, 1, 1, 1 ff.), 245x180 mm. The part of vl2 is in soprano clef and the vla part in F clef. M-MDca, Mus. Ms. 10 CARISSIMI, Giacomo [Paratum cor meum Deus. Motet. S, vl/cnto, org] Voce sola, con un Violino, o Cornetto. del Sig:r Giacomo Carissimi. - ms., 17 cent.; 3 partbooks: S, vl/cnto, org (2, 1, 1 ff.), 245x180 mm. Figured bass. M-MDca, Mus. Ms. 11 CARISSIMI, Giacomo [Salve regina. Antiphon 3 V (SSB), org] Org. Tribus Vocibus. Del Sig.r Caris:mi - ms., 17th cent.; 4 partbooks: S1, S2, B, org (2, 2, 1, 2 ff.), 230x165 mm.; figured bass. M-MDca, Mus. Ms. 12 CARISSIMI, Giacomo [O ignis sancte. Motet. 2 V (SS), org] Organo à 2. Canti. Cariss.i - ms., 17. cent. 2nd half; 3 partbooks: S1, S2, org+V (1, 1, 2 ff.), 250x180 mm. Figured bass. The printed copy is available in the same archives in Mus. Pr. 14 (Rome: A. Belmonte, 1667). M-MDca, Mus. Ms. 13 CARISSIMI, Giacomo [Ecce Deus noster. Motet. S, vl, vla, lt/tba] Voce sola con sinf: / Ecce Deus noster / D. Jacobi Carissimi - ms., 17. cent. 2nd half; 5 partbooks: S, vl, vla, lt/tba, V+bc (1, 1, 1, 1, 1 ff.), 110-310x150-215 mm. Figured bass. M-MDca, Mus. Ms. 14 CARISSIMI, Giacomo [O bone Jesu. Motet. 3 V (SSS), org] Org. Tribus Can. Del Sig.r Giacomo Carissimi - ms., 17.th cent.; 5 partbooks: S1, S2, S3, 2 org+V (2, 2, 2, 2, 2 ff.), 235x170 mm.. Figured bass. M-MDca, Mus. Ms. 15 CARISSIMI, Giacomo [Emendemus in melius. Motet. 3 V (SAT), bc] Emendemus à 3. / C. A. T. - ms., 17th cent.; 4 partbooks: S, A, T, bc (1, 1, 1, 1 ff.); 240x175 mm. Figured bass. The soprano part is Mzs clef and bc in tenor clef. M-MDca, Mus. Ms. 16a CARISSIMI, Giacomo [Audite sancti. Motet. 3 V (SSB), org] B. 3. V. 2. C. et Basso Organo - ms., 17th. cent.; 4 partbooks: S1, S2, B, org (1, 1, 1, 1 ff.), 230x175 mm. Figured bass. The printed copy is availbale in the same archives in Mus. Pr. 50 (Rome: V. Mascardi, 1651). Same music in Ms. 16b M-MDca, Mus. Ms. 16b CARISSIMI, Giacomo [Audite si tradiverit. Motet. 3 V (SSB), org] A 3. Bassoo, è 2. Canti - ms., 17th. cent.; 4 partbooks: S1, S2, B, org (1, 1, 1, 1 ff.), 230x175 mm. Figured bass. Same music in Ms. 16a. M-MDca, Mus. Ms. 17 CARROZZA, Pasquale [Amantissime Jesu. Motet. 4 V (SATB), vla, org] Amantissime Jesu / Modulatio Quatuor Vocum / Don Paschalis Carrozza Sacerdos Messanensis / Die 12 9bris 1654 - ms., 1654; 6 partbooks: S, A, T, B, vla, org (1, 1, 1, 1, 1, 2 ff.), 245x180 mm. Figured bass. M-MDca, Mus. Ms. 18 CATALANO, Ottavio [Domine ad adjuvandum and Dixit Dominus. Verse and Psalm 109. 5 V (SSATB), org] Domine, et Dixit V. Vocum / D. Ott.i Catalani - ms., 17th cent.; 6 partbooks: S1, S2, A, T, B, org (1, 1, 1, 1, 1, 2 ff.), 215x155 mm. Figured bass. M-MDca, Mus. Ms. 19 CELANO, Giuseppe [Fremunt arma. Motet. 4 V (SSST), org] Org. 4 Voc. Del Sig:re Giuseppe Celano - ms., 17th. cent.; 5 partbooks: S1, S2, S3, T, org (4, 4, 4, 2, 2 ff.), 230-240x175 mm. Figured bass. M-MDca, Mus. Ms. 20 CELANO, Giuseppe [Aspicite terrarum. Motet. 3 V] Tenor 3 Voc. Del Sig:re Giuseppe Celano - ms., 17th. cent.; 2 partbooks: T, B (2, 2 ff.), 230x175 mm. Parts missing. M-MDca, Mus. Ms. 21 CHERUBINO [Virginis populi comparavere faustitate. Motet. 2 V, bc] Virginis populi Mottetto a 2 Soprani D. Cherubino - ms., 17th cent.; 3 partbooks: S1, S2, bc (2, 2, 2 ff.), 225x165 mm. M-MDca, Mus. Ms. 22 COSTANZI, Giovanni Battista [Miserere mei Deus. Psalm 50. 4 V (SATB), choir 4 V (SATB), violetta, db, C min.] Miserere mei Deus / A' Quattro Voci Concertato e Pieni / Del Sig:r Gio: Batta: Costanzi / Maestro di Cappella di S: Apollinare - ms., 18 cent.; vocal score (12 ff.), 210x270 mm.; 2 partbooks: violetta, db (2, 2), 225x310 mm.. Pasteboard binding with decorative frame and: Presso Gio: Batta: Cencetti In Roma All'Arco di Parma. M-MDca, Mus. Ms. 23 DEL VIOLINO, Carlo [Correte amanti a mirar un core. Madrigal. 3 V (SAT), bc] Correte Amanti à 3. / C. A. T. / Del S.r Carlo del Violino - ms., 17th cent.; 4 partbooks: S, A, T, bc (1, 1, 1, 2 ff.), 250x170 mm. Figured bass. M-MDca, Mus. Ms. 24 DRAGO, Antonio [Pastori al giubilo sorgete correte. Villanella. 3 V (ATB), bc] Villanella in Pastorale à 3. V. / Di D. Antonino Dragho - ms., 17 cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 2 ff.), 240x175 mm. Figured bass. M-MDca, Mus. Ms. 25 DRAGO, Antonio [Allegrezza pastori. Nenia pastorale. 4 V (SATB), org] Nenia Pastorale à 4. Organo. - ms., 17th. cent.; 5 partbooks: S, A, T, B, bc (2, 2, 1, 2, 3 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 26 FIORAVANTI, Valentino [L'Isola disabitata. Opera. Simphony. orch. D] Sinfonia con Violino Oboe / Corni da caccia e Violetta Oblig:a / Del Sig:re Fioravanti - ms., 19th cent. first half; 7 partbooks: vl1, vl2, ob1, ob2, chn1, 2 b (2, 2, 1, 1, 1, 2, 1 ff.), 230x320 mm. On f. 1r of the organ part: D. Giovanni Portelli / Pro[pietario] M-MDca, Mus. Ms. 27 [Motets. 3 V (ATB), org] Motetti del Carissimi / Floridus: - ms., 17. cent. 2nd half; 4 partbooks: A, T, B, org (16, 16, 16, 14 ff.). Figured bass. This compilation has been partially copied from the printed antology available in Mus. Pr. 55 (Rome: F. de Silvestri - A. Poggioli, 1655). 1. CARISSIMI, Giacomo [Vidi impium super exaltatum] Del Carissimi 2. C. DURANTE, Silvestro [Adest solemnitas inclyta] Del Sig:r Mario Sauioni Siluestro Durante. 3. BICILLI, Giovanni [Iubilemus exultemus] Del Sig:r Gioanni Bicilli: 4. CECCHELLI, Carlo [Omnes sancti] Cecchelli 5. TRICARICO, Giuseppe [O admirabile nomen Jesu] Pugliese Tricarico 6. MARGARINI, Francesco; [.Omnes in iubilo] Del Sig:r Fran:co Margarini 7. FABBRI, Stefano; [.Triumphum laudabilem] Del Sig:r Stefano Fabri 8. SILVESTRI, Florido de [Iubilemus in templo] Del Sig:r D: Florido 9. GRAZIANI, Bonifacio [Exaudi Domine] Del Sig:r Bonifatio Grattiani 10. BENEVOLI, Orazio [Sit mundo letissima] Del Sig:r Horattio Beneuoli 11. FOGGIA, Francesco [In memoria aeterna Del Sig:r Fran:co Foggia 12. MARCIANI, Giovanni [Quasi oliva pullulans] Del Sig:r Giouanni Marciani 13. [Quem vidistis pastores] Melos rusticum: M-MDca, Mus. Ms. 28 FOGGIA, Francesco [Ecce mater pulchrae. Motet. 5 V (SSATB), vl1, vl2, org] Organo à 5. con Sinf.a Foggia. - ms., 17th. cent.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, org (2, 2, 1, 1, 1, 1, 1, 3 ff.), 250x180 mm. Mus. Ms. 29, 30 GALLERANO, Leandro [Psalms. 8 V, org] Confitebor et Beatus Vir a 8. Voci / del Gallerano / di [minor] Con.le / S. Fran.co - ms., 17th. cent.; 1 part: org (2 ff.), 245x170 mm. It includes psalm 110 and 111. 1. [Confitebor tibi..in consilio. Psalm 110. 8 V, org] (ff. 1v-2r) A 8. 2. [Beatus vir qui timet. Psalm 111. 8 V, org, C] (ff. 1v-2v) A. 8 M-MDca, Mus. Ms. 31, 31A [Sacred vocal compositions. 5/8 V, org] Magnificat A 5 / con ripieni / Te Deus laudamus A 8 - ms., 17th. cent.; 1 bookpart: org (2 ff.), 245x170 mm. Includes two compositions. 1. BRUSCHI, Giulio [Te Deum. Hymn. 8 V, org] (c. 1r) A .8. del Pruscho The printed copy is available in Mus. Pr. 10 (Venice: A. Vincenti, 1639). 2. GALLERANO, Leandro [Magnificat. Canticle. 5 V, org] Magnificat A .5. con Ripieno Gallerano M-MDca, Mus. Ms. 32 GHIZZOLO, Giovanni [Magnificat. Canticle. 5 V (SSATB), org] Magnificat à 5: Voci. / Ghizzolo. - ms., 17th. cent.; 6 partbooks: S, S/T, A, T, B, org (1, 1, 1, 1, 1, 2 ff.), 250x180 mm. The printed copy is available in Mus. Pr. 78 (Venice: A. Vincenti, 1619). M-MDca, Mus. Ms. 33 GHIZZOLO, Giovanni [Mass. choir 1. 5 V (SATBQv), choir 2 ad lib. (SATB), org] MESSA A 9. e A 5. CONCERTATA / DEL GVIZOLO / ORGANO - ms., 17. cent. 2nd half; 2 partbooks: choir 1 (Qv=S2), org (I, 4, II; I, 3, II), 200x150 mm. Figured bass. The printed copy is available in Mus. Pr. 78 (Venice: A. Vincenti, 1619). M-MDca, Mus. Ms. 34 GIANSETTI, Giovanni Battista [Benignissime Jesu. Motet. 2 V (SMzs), org] Canto A 2 Del Sig.r Gio: Batt: Giansetti - ms., 17th cent.; 3 partbooks: S, Mzs, org (4, 4, 6 ff.). Figured bass. M-MDca, Mus. Ms. 35 GIANSETTI, Giovanni Battista [Quare Domine faciem tuam. Motet. 3 V (SSB), bc] A 3. 2. Canti è Basso. Del Sig.r Gio Batt: Giansetti - ms., 17th cent.; 4 partbooks: S1, S2, B, b+V (2, 2, 2, 6 ff.), 230x170 mm. M-MDca, Mus. Ms. 36 GRAZIANI, Bonifacio [Salve regina. Antiphon S, bc] Canto solo / Salve Regina / di / Bonifacio Gratiani - ms., 17. cent. 2nd half; 2 partbooks: S, S+bc (1, 4 ff.), 205-245x150-175 mm. M-MDca, Mus. Ms. 37 GRAZIANI, Bonifacio [Hic est panis qui de caelo. Motet. 2 V (SS), org] Organo à 2. Canto. di Boniatio Gratiani. - ms., 17 cent. 2nd half; 3 partbooks: S1, S2, org (1, 1, 2 ff.), 250x180 mm. Figured bass. The printed copy is available in Mus. Pr. 83 (Rome: G. Fei, 1624). M-MDca, Mus. Ms. 38a LEONARDIS, Felice [Zelo zelatus sum. Introit. T1, T2, B, db, org, F] Leonardis Introito - ms., 19th. cent.; vocal score (4 ff.), 3 partbooks: T1, T2, db (1, 1, 1 ff.), 220x290 mm. M-MDca, Mus. Ms. 38b LEONARDIS, Felice [Elias ascendit in verticem. Gradual. T1, T2, B, instr., A] Leonardis Graduale Luglio 6.1865 - ms., 1865, score (8 ff.), 5 partbooks: T1, T2, vl1, vl2, db (1, 1, 2, 1, 1 ff.), 220x290 mm.; scoring: T1, T2, B, vl1, vl2, fl, cl, hn, org. Parts of fl, cl and hn have not been compiled in the score. M-MDca, Mus. Ms. 38c LEONARDIS, Felice [Elias homo erat simili. Offertorio. T, instr., E] Leonardis Offertorio - ms., 19th cent.; partit. (8 ff.), T, vl1, vl2, db (1, 2, 1, 1 ff.), 220x290 mm.; scoring: T, vl1, vl2, fl, cl, hn, org. Parts of fl, cl and hn have not been compiled in the score. M-MDca, Mus. Ms. 39a LEONARDIS, Felice [Masses. Kyrie. T1, T2, B, instr., F] Kyrie 20 Giugno 1865 - ms., 1865, partit. (10 ff.); 6 partbooks: T1, T2, B, vl1, vl2, db (3, 1, 2, 2, 2, 1 ff.), 225x290 mm.; scoring: T1, T2, B, vl1, vl2, fl, cl1, cl2, hn1, hn2, org. M-MDca, Mus. Ms. 39b LEONARDIS, Felice [Mass. Gloria. T1, T2, B, instr., G] Leonardis Gloria 22 giugno 65 - ms., 1865-8, score (10 ff.); 6 partbooks: T1, T2, B, vl1, vl2, db (2, 2, 2, 2, 2, 1 ff.), 225x290 mm.; scoring: T1, T2, B, vl1, vl2, fl, cl1, cl2, hn1, hn2, org; in calce alla partit. Cattedrale. See also Mus. Mss. 39c-39g. M-MDca, Mus. Ms. 39c LEONARDIS, Felice [Gloria. Laudamus. T, instr., C] Leonardis Laudamus 24 Giugno 65 - ms., 1865-8, score (8 ff.); 4 partbooks: T, vl1, vl2, db (2, 2, 2, 1 ff.), 225x290 mm.; scoring: T, vl1, vl2, fl, cl in C, hn1 in C, hn2 in C, org. See also Mus. Mss. 39d-39g. M-MDca, Mus. Ms. 39d LEONARDIS, Felice [Gloria. Domine Deus. T, B1, B2, instr., Eb] Leonardis Laudamus 24 Giugno 65 - ms., ca. 1865, score (14 ff.); 6 partbooks: T1, T2, B, vl1, vl2, db (2, 2, 2, 2, 2, 1 ff.), 225x290 mm.; scoring:T1, T2, B, vl1, vl2, fl, cl Bb, hn1 in Eb, hn2 in C, org; See also Mus. Mss. 39e-39g. M-MDca, Mus. Ms. 39e LEONARDIS, Felice [Gloria. Qui tollis. T, instr., C min.] Leonardis qui Tollis 26 Giugno 1865 - ms., 1865, score (10 ff.); 7 partbooks: T, vl1, vl2, fl, cl, hn1+hn2, db (2, 2, 2, 1, 1, 1, 1 ff.), 225x290 mm.; scoring:T, vl1, vl2, fl, cl Sib, hn1in Mib, hn2 in Mib, org; watermark: vedi ms. 38b; PM FABRIANO. in calce alla partit. Cattedrale. Part of fl, cl e hn have been joint later (1900 ca.). See also Mus. Ms. 39f-g. M-MDca, Mus. Ms. 39f LEONARDIS, Felice [Gloria. Qui sedes. Quoniam. B, instr.., A] Leonardis Qui Sedes e Quoniam 1° Luglio 65 - ms., 1865, score (12 ff.); e partbooks: B, vl1, vl2, db (2, 2, 2, 3 ff.), 225x290 mm.; scoring: B, vl1, vl2, fl, cl in C, hn1in C, hn2 in C, org. See also Mus. Ms. 39g. M-MDca, Mus. Ms. 39g LEONARDIS, Felice [Gloria. Cum sancto spiritu. T1, T2, B, instr., F] Cum Sancto Spiritu / Tenore Primo / F. Leonardis ms., ca. 1865, score (8 ff.); 6 partbooks: T1, T2, B, vl1, vl2, db (2, 2, 2, 2, 2, 1 ff.), 225x290 mm.; scoring: T1, T2, B, vl1, vl2, fl, cl in Sib, hn1in F, hn2 in F, org; M-MDca, Mus. Ms. 40 LORENZANI, Paolo [Colpe mie venite a piangere. Cantata. A, bc, vl1, vl2] Cantata Alto solo. / con sinfonia. / Del Sig.r Paulo Lorenzani. - ms., 17th cent.; score (5 ff.); 3 partbooks: str1, str2, bc (1, 1, 1 ff.), 210x265x160-190 mm.. The two instruments are written in G clef (vl1, vl2?). M-MDca, Mus. Ms. 41 LUMINARIA, Carlo [Surgam et circuibo. Motet. 4 V (SATB), bc] Di Carlo Luminaria A 4 - ms., 17th cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 2 ff.), 220x160 mm. The Canto part is missing. M-MDca, Mus. Ms. 42 MERCADANTE, Saverio [Masses. Kyrie. Gloria. Credo. 3 V (TTB), db, org] Kyrie. / Tenore P.mo / Cav: S. Mercadante - ms., 19th-20th cent.; 11 partbooks: "Kyrie" T1, T2, B, db; "Gloria" T1, T2, B; "Credo" T1, T2, B, db (2, 2, 2, 2; 5, 5, 5; 6, 5, 5, 5 ff.), 290x215 mm. The ms. is joint by the relative edition: MESSA / A / TRE VOCI / PER / DUE TEN. e BASSO / PER CANTO E PIANOFORTE / ED / ORGANO / DI / Saverio MERCADANTE / N. 42 nette L. 2 / Torino / L. PEROSINO EDITORE / Via Garibaldi N. 6, 275x190 mm. pp. (I) + 60. M-MDca, Mus. Ms. 43 MERCADANTE, Saverio [Salve regina. Antiphon T, orch., F] Salve Regina / del / Cav.re Sav.rio Mercadante - ms., 19th-20th cent.; 21 partbooks: concertino, T+b, vl1, vl2, vla, fl, ob1+ob2, cl1, cl2 in B b, bsn1, bsn2, hn1in F, hn2 in F, tr1 in Bb, tr2 in Bb, trb1, trb2, trb3, ofi, vlc, db (4, 4, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2, 2 ff.), 215x290 mm. M-MDca, Mus. Ms. 44 MAZZOCCHI, Virgilio [Gaudete in domino semper. Motet. 3 V (SSA), org] Organo à 3 doi Canti et Alto. di Virgilio Mazzocchi M. D. C. D. L. P. - ms., 17. cent. 2nd half; 4 partbooks: S1, S2, A, org (1, 1, 1, 1 ff.), 240x170 mm. Figured bass. The printed copy is available in Mus. Pr. 103 (Rome: L. Grignani, 1640). M-MDca, Mus. Ms. 45 MAZZOCCHI, Virgilio [Vespers. 2 choirs, org] Organum / Virgilij Mazzocchij / In Vaticana Basilica / Musicae Praefecti / Psalmi Vespertini Binis Choris / Concinendi / Laudate Dominum a 5. 6. e 9. pag. i / Laudate Pueri a 9. / Lauda Jerusalem a 10. (il decimo è nel ten. secondo) / In conuertendo a 10 (il decimo è nel ten. secondo) / Credidi a 8. / Magnificat a 9. / - ms., 17. cent. 2nd half; 1 bookpart: org (10 ff.), 250x180 mm. Figured bass. The printed copy is available in Mus. Pr. 104 (Rome: L. Grignani, 1648). 1. [Laudate Dominum omnes gentes. Psalm 116. choir 1. (CATBV-nn), choir 2. (CATB), org] A 6. Con ripieno Sine Intonatione - Alto in Mzs clef, Tenor in A clef, Bass in T clef, Nonus in G clef (see Mus. Pr. 104). 2. [Laudate pueri. Psalm 112. choir 1. (SATBV-nn), choir 2. (SATB), org] A 9. Sine Intonatione 3. [Lauda Jerusalem. Psalm 147. choir 1. (SATBV-nn), choir 2. (SATBV-d), org] A 10. Sine Intonatione - The V-d part in S clef (see Mus. Pr. 104) 4. [In convertendo. Psalm 125. choir 1. (SATBV-nn), choir 2. (SATBV-d), org] A 10 Sine Intonatione - The V-d part in S clef (see Mus. Pr. 104) 5. [Credidi. Psalm 115. choir 1. (SATB), choir 2. (SATB), org] a 8. 6. [Magnificat. Cantico. choir 1. (SATBV-nn), choir 2. (SATB), org] a 9. Cum Intonatione - The V-nn part in S clef (see Mus. Pr. 104). M-MDca, Mus. Ms. 46 MAZZAFERRATA, Giovanni Battista [Laudate pueri. Psalm 112. 2 V (SB), vl1, vl2, vla, org] Laudate Pueri / à 2. C. e B. con Violini. / di Mazzaferrata / Organo. - ms., 17th cent.; 6 partbooks: S, B, vl1, vl2, vla, org (2, 2, 1, 1, 1, 2 ff.), 295x220 mm. Figured bass. M-MDca, Mus. Ms. 47 MONTEVERDI, Claudio [Ecce panis angelorum. Motet. 3 V (SST), vl1, vl2, bc] A 4. Con 2. Violini. Monte Verde. - ms., 17th cent.; 6 partbooks: S1, S2, T, vl1, vl2, bc (1, 1, 1, 1, 1, 1 ff.), 215x150 mm. This motet is a spiritual contrafactum of "Chiome d'oro", madrigal for two sopranos, two violins and bc from the 7th book of madrigals by C. Monteverdi. M-MDca, Mus. Ms. 48A INSANGUINE, Giacomo ("Monopoli"); [Christus factus est. Gradual. 4 V (SSAB), org, F] - ms., 18th cent.; score (4 ff.); 5 partbooks: S1, S2, S3, B, db (1, 1, 1, 1, 1 ff.), 220x280 mm. A second version of the gradual is available in Mus. Ms. 48b. M-MDca, Mus. Ms. 48B INSANGUINE, Giacomo (Monopoli) [Christus factus est. Gradual. 4 V (SSAA), org, Mib] Christus Factus est / Pronobis Obediens / Del Sig.e D: Giacomo Insanguine / D.to Monopoli - ms., 18. cent.; score (4 ff.); 5 partbooks: S1, S2, A1, A2, 2 db (2, 2, 2, 2, 1, 1 ff.), 220x280 mm. A second version of the gradual is available in Mus. Ms. 48a. M-MDca, Mus. Ms. 49 MUSCARI [Filippo] [Quis mihi det dulcissima virgo. Motet. 3 V, org] Quis mihi det dulcissima Virgo. / à 3. Voci con Sinf.a / Muschari. - ms., 17th cent.; 1 part: org (2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 50 MUSCARI, Filippo [Quae est ista quae ascendit. Antiphon. 5 V (SSATB), vla, org] Que est ista / quinque vocum / Filippi Muscari - ms., 17th cent.; 8 partbooks: S1, S2, A, T, B, 2 vla, org (1, 1, 1, 1, 1, 1, 2, 2 ff.), 245x185 mm. On the vla part: Filippo Muscari e Carrozza. M-MDca, Mus. Ms. 51 MUSCARI, Filippo [Fida sampogna mia. Pastoral dialogue. 3 V (ATB), org] Fida Sampogna / Dialogo Pastorale à 3. / A. T. B. / Muschari. - ms., 17 cent.; 4 partbooks: A, T, B, org (2, 2, 2, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 52 MUSCARI, Filippo [Sdegnar nol posso no. Aria. 3 V (ATB), cemb] Aria A. 3. Voci / Alto Tenore et Basso / Sdegnar nol posso nò / di / Filippo Muscari - ms., 17th cent.; 4 partbooks: A, T, B, cemb (1, 1, 1, 2 ff.), 250x185 mm. Figured bass. M-MDca, Mus. Ms. 53 MUSCARI, Filippo [Le Rose ch'hai nel seno. Madrigal. 2 V (TB), cemb] Madrigale / A. 2. tenore et basso / Le rose Ch'hai nel seno / di / Filippo Muscari - ms., 17th cent.; 3 partbooks: T, B, cemb (1, 1, 1, ff.), 250x185 mm. Figured bass. M-MDca, Mus. Ms. 54 MUSCARI, Filippo [Occhi stativi attenti. Canzone. 3 V (ATB), bc] Canzona A. 3. Voci / Occhi statiui attenti / di / Filippo Muscari - ms., 17th cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 1, ff.), 250x185 mm. Figured bass. M-MDca, Mus. Ms. 55 PITONI, Giuseppe Ottavio [Beatus vir qui non abiit. Psalm 1. 3 V (SAT), org, G] Beatus vir qui non abijt / A' 3. C. A. T. / Per ogni Tempo / Del Sig.r Ottavio Pitoni / Organo / 1696. - ms., 1696; 4 partbooks: S, A, T, org (2, 2, 2, 6 ff.), 240x180 mm. Figured bass. M-MDca, Mus. Ms. 56a PRINCIPATO, G. [Manum suam. Lamentation. S/Br, vl1, vl2, db, E min.] Manum suam. / Lamentazione terza / Del p.mo giorno di Settimana Santa - ms., 19th cent.; score (12 ff.); 5 partbooks: S, Br (version for baritone), vl1, vl2, db (2, 2, 2, 2, 2 ff.), 230x310 mm. On f. 1r of the score: Del Sig.r Principato Appartiene alla / Santa Chiesa Cattedrale Arcivescovile. Different copyist for the Br part. M-MDca, Mus. Ms. 56b PRINCIPATO, G. [Matribui suis. Lamentation. S, fl, vl1, vl2, db, G min.] Matribus suis / Lamentazione della Settima Santa / Del secondo giorno - ms., 19th cent.; Score (5 ff.); 5 partbooks: S, fl, vl1, vl2, db (3, 2, 2, 2, 2, 2 ff.), 230x310 mm. On f. 1r of the score: Del Sig.r Principato Appartiene alla / Santa Chiesa Cattedrale Arcivescovile. M-MDca, Mus. Ms. 57 [Sacred vocal compositions. choir 1. (SATB), choir 2. (SATB), org] - ms., 17th cent.; 6 partbooks: choir 1. S, A, B, choir 2. C, B, org (I-10-II, I-10-II, I-10-II, 9-I, I-9, I-9-II ff.), 205x155 mm. Binded parts; on the bindings: MESSA A 8, DEL RADESCA / ORGANO. 1. [Consolamini taurinenses. Motet. choir 1. (SATB), choir 2. (SATB), org] Alli Molti illustri signori sindici, & conseglieri della città / di Turino. Per la festa de santi protetori di essa citta. 2. RADESCA, Enrico Antonio [Mass VIII tono. choir 1. (SATB), choir 2. (SATB), org] Messa ottauo Tuono. del Radesca 3. [O quam suavis. Motet. choir 1. (SATB), choir 2. (SATB), org] De sanctissimo, sacramento. 4. [Gaudete omnes. Motet. choir 1. (SATB), choir 2. (SATB), org] in omnibus festiuitatibus beate marie Virginis. - on the B part (choir 2): Alli Molto illustri, & Molto Reuerendi Signori il Capitolo / di Sancta Maria Magiore di Fogia, in festa Beate Marie Virginis. 5. [Ave Sanctissima Maria regina caeli. Motet. choir 1. (SATB), choir 2. (SATB), org] A 8. 6. MEDICI, Lorenzo [Litanies B.M.V. choir 1. (SATB), choir 2. (SATB), org] A 8 voce del sig. Laurenti Medici 7. MEDICI, Lorenzo [Gaudens gaudebo. Motet. choir 1. (SATB), choir 2. (SATB), org] A hotto voce. del Medici 8. [Veni sponsa christi. Motet. choir 1. (SATB), choir 2. (SATB), org] M-MDca, Mus. Ms. 58a RIGATTI, Giovanni Antonio [Confitebor tibi..in consilio. Psalm 110. 6 V (SSATTB), instr., bc] A 6. Voci, e 2. Violini, con quatro Viole à beneplacito. Rigatti - ms., 17. cent. 2nd half; 13 partbooks: S1, S2, A, T1, T2, B, vl1, vl2, vla1, vla2, vla3, vla4, bc (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.), 260x190 mm. Another version in Mus. Ms. 58b. M-MDca, Mus. Ms. 58b RIGATTI, Giovanni Antonio [Confitebor tibi..in consilio. Psalm 110. 3 V (AAB), bc] A 3. Voci. Dui Alti, e Basso - ms., 17. cent. 2nd half; 4 partbooks: A1, A2, B (2, 2, 2, 2 ff.), 260x190 mm. Another verions in Mus. Ms. 58a. M-MDca, Mus. Ms. 59 RIGATTI, Giovanni Antonio [Salve regina. Antiphon. 6 V (SSATTB), org] Salve Regina. / à 6. Voci. - ms., 17. cent. 2nd half; 7 partbooks: S1, S2, A, T1, T2, B, org (1, 1, 1, 1, 1, 1, 2 ff.), 250x180 mm. A c. 1v dell'org A 6. Voci. Rigatti. Figured bass. M-MDca, Mus. Ms. 60 ROVETTA, Giovanni [Salve regina. Antiphon. A, vl, vla, violetta, org] Alto solo. con 2. Violini e 3. Viole à beneplacito. Rouetta. - ms., 17th cent. 2nd half; 5 partbooks: A, vl, vla, vltta, org (V+b), 260x185 mm. M-MDca, Mus. Ms. 61 SABINO, Francesco [Franciscus verus Christi pauper. Motet. 3 V (SAT), vl1, vl2, bc] Franciscus Xpi Pauper à 3. Con Sinf.a / Del S.r Fran.co Sabbino - ms., 17th cent.; 6 partbooks: S, A, T, vl1, vl2, bc (1, 1, 1, 1, 1, 2 ff.), 250x180 mm. M-MDca, Mus. Ms. 62 SABINO, Francesco [Ave virgo gloriosa. Motet. 3 V (SAT), vl1, vl2, bc] - ms., 17th cent.; 6 partbooks: S, A, T, vl1, vl2, bc, b (1, 1, 1, 1, 1, 1, 2 ff.), 250x180 mm. M-MDca, Mus. Ms. 63 SABINO, Giovanni Maria [O quam speciosa. Motet. 3 V (SAB), vl1, vl2, db, bc] O Qua(m) speciosa es à 3. Con Sinf.e / del S.r D.d Gio: Maria Sabino. - ms., 17th cent.; 6 partbooks: S, A, B, vl1, vl2, b, bc (1, 1, 1, 1, 1, 1, 2 ff.), 250x180 mm.; M-MDca, Mus. Ms. 64 SABBATINI, Pietro Paolo [Litanies B.M.V. 5/6 V (SSATQvB), bc] Letanie à 5. ò 6. con l'Alto ad libitu[m]. / Del Sabbatini. - ms., 17th cent.; 7 partbooks: S1, S2, A ad libitum, Vq (T), B, bc (2, 2, 1, 2, 2, 1, 2 ff.), 260x190 mm. Figured bass. M-MDca, Mus. Ms. 65a SOPRANO [Somne laborum dulce. Motet. 2 V (SA), bc] A 2. Voci Canto, et Alto. - ms., 17th cent.; 3 partbooks: S, A, bc (1, 1, 1 ff.), 250x180 mm. A second version is Mus. Ms. 65b. M-MDca, Mus. Ms. 65b SOPRANO [Somne laborum dulce. Motet. 2 V (SS), vl1, vl2, bc] A 2. Soprani e Violini del Sig.r Soprano - ms., 17th cent.; 5 partbooks: S, S, vl1, vl2, bc (2, 2, 2, 2, 2, ff.), 250x180 mm. Antother version is In Mus. Ms. 65a. The vl part is in S clef, bc in T clef. On f. 1r of the part of vl1: P.a Sinf.a la Pastorale che ua sonata dou'e notata nel part. On f. 1r of the part of vl2: Sinf.a 2.a la pastorale che ua sonata dou'e notata / nel Partimento. M-MDca, Mus. Ms. 66 FIAMENGO, Francesco [Poscia ch'el re crudel. Dialogo di Sofronia e Olindo. 4 V (SATB), bc] Dialogo a quattro voci / Di Sofronia et Olindo / del Tasso - ms., 17th cent.; 5 partbooks: S, A, T, B, bc (2, 2, 2, 2 ff.), 255x180 mm. Figured Bass. M-MDca, Mus. Ms. 67 TINAGLIA [Sempre a te parla la morte. Cantata. S, bc] Voce sola. Del Tinaglia - ms., 17th cent.; 1 bookpart: S+b (2 ff.), 260x190 mm. Figured bass. M-MDca, Mus. Ms. 68 TOZZI, Vincenzo [Masses. 5 V (SSATB), org] Organo Messa à 5. Voci d. V. Tozzi. - ms., 17th cent.; 6 partbooks: S, S, A, T, B, org (4, 4, 4, 4, 4, 4 ff.), 230x170 mm. Figured bass. M-MDca, Mus. Ms. 69 TOZZI, Vincenzo [Ave maris stella. Hymn. 8 V (SSAATTBB), vla1, vla2, org1, org2] Ave maris stella / A. 8. / D. Vincenzo Tozzi - ms., 17th cent.; 12 partbooks: S1, S2, A1, A2, T1, T2, B1, B2, org1, org2 (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2, 1 ff.), 250x180 mm. All bookparts carry: D.V.T. Figured bass. M-MDca, Mus. Ms. 70 TOZZI, Vincenzo [Iste confessor. Hymn. 9 V, org] Hijmno A. 9. / Iste Confessor. / D. Vincenzo Tozzi - ms., 17th cent.; 4 partbooks: choir 1. S1, S2, A, org (1, 1, 1, 2 ff.), 250x180 mm. All bookparts carry: D.V.T. Figured bass. M-MDca, Mus. Ms. 71 TOZZI, Vincenzo [Salve regina. Antiphon. S, vl1, vl2, bc] - ms., 17th cent.; 2 partbooks: S, bc (1, 1 ff.), 250x180 mm. String parts are missing. Figured bass. M-MDca, Mus. Ms. 72 TOZZI, Vincenzo [Salve regina. Antiphon. 2 V (SS), vl1, vl2, org] Salue Regina / à 2. Canti con Sinfonia. / Del Tozzi. - ms., 17th cent.; 5 partbooks: S1, S2, vl1, vl2, org (1, 1, 1, 1, 2 ff.), 250x170 mm. Figured bass. M-MDca, Mus. Ms. 73-74 [Alma redemptoris mater. Antiphon] Alma à 3. V. A. T. B. del Sig.r Foggia / Alma à 2. C. del Sig.r .i.Tozzi - ms., 17th cent.; 6 partbooks: A, T, B (Foggia); S1, S2 (Tozzi); org (Foggia+Tozzi), (1, 1, 1, 1, 1, 2 ff.), 260x190 mm. The org part include both version of the "Alma redemptoris" set to music by F. Foggia and V. Tozzi. 1. FOGGIA, Francesco [Alma redemptoris mater. Antiphon. 3 V (ATB), org] à 3. V. A. T. e B. 2. TOZZI, Francesco [Alma redemptoris mater. Antiphon. 2 V (SS), org] A 2. C. del Sig.r Tozzi M-MDca, Mus. Ms. 75 TOZZI, Vincenzo [Currite fideles. Motet. 3 V (MzsAB), org] Currite fideles / A 3. A. Mezzo Canto / e Baritono / del Sig.r Don Vincenzzo (sic) / Tozzi / Di Don Domenico Balzano - ms., 17th-18th cent.; 4 partbooks: C (Mzs), A, B (Br), org (2, 2, 2, 2 ff.), 200x150 mm. Figured bass. Domenico Balzano, mentioned in the title, was chapel master of the Mdina Cathedral. M-MDca, Mus. Ms. 76 TOZZI, Vincenzo [Invicta virgo. Motet. 3 V (STB), bc] Inuicta Virgo à 3. Voci. / Canto tenore e Basso / D. V.o Tozzi. - ms., 17th cent.; 4 partbooks: S, T, B, bc (2, 2, 2, 2 ff.) 250x175 mm. Figured bass. All parts carry: D.V.T. M-MDca, Mus. Ms. 77 TOZZI, Vincenzo [O lilium convallium. Motet. S, org] Canto solo / O Lilium Conuallium / Di / D. Vincenzo Tozzi - ms., 17th cent.; 2 partbooks: S, org (2, 2 ff.) 250x180 mm. Figured bass. Sulle due parti D.V.T. Stesso copista in Mss. 69 e 70. M-MDca, Mus. Ms. 78 TOZZI, Vincenzo [In caelestis viridario. Motet. 4 V (SATB), org] In celestis viridario / Motetto A 4 Voci / Per Il S.mo Rosario / D. Vincenzo Tozzi - ms., 17th cent.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 79 TOZZI, Vincenzo [Vidi speciosam. Motet. 3 V (SAB), vl1, vl2, vla, org] A di 25 Giugno 1650 / Vidi speciosam Mottetto A 3. Voci / Canto Alto Basso. / Con 4 Viole / D. Vincenzo Tozzi - ms., 1650; 7 partbooks: S, A, B, vl1, vl2, vla, org (2, 1, 1, 1, 1, 1, 2 ff.), 260x180 mm. Figured bass. M-MDca, Mus. Ms. 80a [TOZZI, Vincenzo] [In lectulo meo. Motet. 4 V (SATB), org] in lectulo meo / A quattro voce / Ca. Al. Te. Ba. - ms., 17th cent.; 5 partbooks: S, A, T, B, org (2, 1, 1, 1, 2 ff.), 200x150 mm. Figured bassA second version is in Mus. Ms. 80b. M-MDca, Mus. Ms. 80b TOZZI, Vincenzo [In lectulo meo. Motet. 3 V (SAT), org] in lectulo meo, / a 3 voce, Ca. Al. Te. - ms., 17th cent.; 4 partbooks: S, A, T, org (2, 1, 1, 2 ff.), 200x150 mm.Figured bass. A second version is in Mus. Ms. 80a. On f. 1r of the org: DVT. M-MDca, Mus. Ms. 81 TOZZI, Vincenzo [Nè per pianti e sospiri. Aria. 3 V (ATB), cemb] Aria A. 3. Voci. / Nè per pianti è sospiri. / Di / D. Vincenzo Tozzi - ms., 17th cent.; 4 partbooks: A, T, B, cemb (1, 1, 1, 1 ff.), 250x180 mm. All bookparts carry: D.V.T. Figured bass. M-MDca, Mus. Ms. 82 TOZZI, Vincenzo [Ah che pallido esangue. Aria. S, bc] Ah che pallido essangue. / Aria / Alto, ò vero Canto solo. / D. V. T. - ms., 17th cent.; 2 partbooks: S, bc (2, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 83 TOZZI, Vincenzo [Due begl'occhi guerrieri. Aria. 3 V (ATB), cemb] Aria A. 3. Voci Pari / Due begl'occhi guerrieri / Di / D. Vincenzo Tozzi - ms., 17th cent.; 4 partbooks: A, T, B, cemb (1, 1, 1, 2 ff.), 250x180 mm.; All bookparts carry: D.V.T. Figured bass. M-MDca, Mus. Ms. 84 TOZZI, Vincenzo [Stolta è l'alma che crede. Aria. 3 V (ATB), org] Aria A. 3. Voci / Stolta è l'alma che crede / Di / D. Vincenzo Tozzi - ms., 17th cent.; 4 partbooks: A, T, B, cemb (1, 1, 1, 1 ff.), 250x180 mm. All bookparts carry: D.V.T. Figured bass. M-MDca, Mus. Ms. 85 TOZZI, Vincenzo [Offeso Dio vendetta io chiedo. Aria. A, bc] Offeso Dio Vendetta. / Aria Alto solo / D.V.T. - ms., 17th cent.; 2 partbooks: A, bc (2, 2 ff.), 250x180 mm. Figured bass. A second version is in Mus. Ms. 86. M-MDca, Mus. Ms. 86 TOZZI, Vincenzo [Offeso Dio vendetta io chiedo. Aria. 2 V (SB), bc] Aria / A. 2. Canto è Basso / Offeso Dio Vendetta. / Di / D. Vincenzo Tozzi. - ms., 17th cent.; 3 partbooks: S, B, org (2, 2, 2 ff.), 250x180 mm. Figured bass. A second version is in Mus. Ms. 85. M-MDca, Mus. Ms. 87 TOZZI, Vincenzo [Senza Dio regni e tesori son miserie. Aria. S, org] Aria Canto solo / Senza Dio regni è thesori / Di / Don Vincenzo Tozzi - ms., 17th cent.; 2 partbooks: S, org (2, 2 ff.), 250x180 mm. M-MDca, Mus. Ms. 88 TOZZI, Vincenzo [O martirio d'amor che mi trafiggi. Aria. S, org] Aria Canto solo / O martirio D'amor / Di / D. Vincenzo Tozzi - ms., 17th cent.; 2 partbooks: S, org (2, 2 ff.), 250x180 mm.Figured bass. M-MDca, Mus. Ms. 89 TOZZI, Vincenzo [Rimembranza di morte. Aria. 3 V (ATB), bc] Rimembranza di Morte / Aria à 3. A, T, e B. / D.V.T. - ms., 17th cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 90 TOZZI, Vincenzo [Chi vide il mio bene. Aria. 2 V (SS), cemb] Chi vidde il mio bene / Aria Temp.le a 2. voci / D. Vincenzo Tozzi - ms., 17th cent.; 3 partbooks: S1, S2, cemb (1, 1, 2 ff.), 200x150 mm. Figured bass. M-MDca, Mus. Ms. 91 TOZZI, Vincenzo [Qual suono tempestivo. Pastoral Dialogue. 5 V (SATTB), vl1, vl2, bc] Qual suono. / Dialogo Pastorale à 5. con Sinf.a / D. Vic.o Tozzi. - ms., 17th cent.; 8 partbooks: S, A, T1, T2, B, vl1, vl2, bc (2, 2, 2, 2, 2, 1, 1, 3 ff.), 250x180 mm. M-MDca, Mus. Ms. 92 TOZZI, Vincenzo [Da i confini più vicini. Pastoral Dialogue. 4 V (SATB), org] Dà i confini più uicini. / Dialogo Pastorale à 4. / di D. Vinc.o Tozzi. - ms., 17th cent.; 5 partbooks: S, A, T, B, org (2, 2, 2, 1, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 93 TOZZI, Vincenzo [Ecco già l'antro correte pastori. Pastoral Dialogue. 5 V (SSATB), vl1, vl2, org] Ecco già l'Antro. / Dialogo Pastorale à 5. con sinf.a / D. Vinc.o Tozzi. - ms., 17th cent.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, bc (2, 1, 2, 2, 2, 2, 2, 4 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 94 TOZZI, Vincenzo [O bel suono fermati. Pastoral Dialogue. 5 V (SSATB), vl1, vl2, bc] Dialogo Pastorale à 5. con sinf.a D. V.o Tozzi. - ms., 17th cent.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, bc (2, 2, 2, 2, 2, 1, 1, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 95 TOZZI, Vincenzo [Dormi mio dolce Signore. Nenia. 2 V (S,Mzs), org] Dormi mio dolce Signore / Nenia à 2. Canto e mezzo Canto / Tozzi. - ms., 17th cent.; 3 partbooks: S1, Mzs, org (1, 1, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 96 TOZZI, Vincenzo [Scompagnato sospiro che vieni a me. Madrigal. 5 V (SSATB), bc] Madrigale à 5. Voci. / Scompagnato sospiro. / D. Vinc.o Tozzi. - ms., 17th cent.; 6 partbooks: S1. S2, A, T, B, bc (1, 1, 1, 1, 1, 1 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 97 TOZZI, Vincenzo [Occhi voi foste a me. Madrigal. 5 V (SSATB), bc] Madrigale à 5. Voci. / Occhi voi foste à me. / di D. V.o Tozzi. - ms., 17th cent.; 6 partbooks: S1, S2, A, T, B, bc (1, 1, 1, 1, 1, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 98 TOZZI, Vincenzo [Sommergetevi in pianto occhi languenti. Madrigal. 5 V (SSATB), bc] Madrigale / Sommergetevi in Pianto à 5. / di D. Vin.o Tozzi. - ms., 17th cent.; 6 partbooks: S1, S2, A, T, B, bc (1, 1, 1, 1, 1, 1 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 99 TOZZI, Vincenzo [Dimmi bella hor dì che fai. Madrigale. 3 V (ATB), bc] Dimmi Bella hor dì che farai. / à 3. A. T. B. / D. V.o Tozzi. - ms., 17th cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 1 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 100 VANNARELLI, Francesco Antonio [Litanies B.M.V. 3 V (SSB), org] Litania B.M.V. de Vannarelli / Tribus vocibus 2. Can. et B. - ms., 17. cent. 2nd half; 4 partbooks: S1, S2, B, org (2, 1, 1, 1 ff.), 260x190 mm. Figured bass. The printed copy is available in Mus. Pr. 153 (Rome: A. Belmonte, 1668). M-MDca, Mus. Ms. 101 VERDEROSA (padre) [Exultent caeli et gaudeant angeli. Pastoral Motet. 4 V (SATB), org] Pastorale à 4. Voci. / Del P.re Verderosa. - ms., 17th cent.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.), 235x175 mm. Figured bass. M-MDca, Mus. Ms. 102 VIGNOLA, Giuseppe [Mass. Kyrie. Gloria. 5 V (SSATB), vl1, vl2, org, C min.] Organo / Gloria à 5. Voci / con VV. e Ripieni / Vignola - ms., 17. cent. 2nd half; 9 partbooks: S1, S2, A, T, B, vl1, vl2, 2 org (4, 3, 4, 2, 2, 2, 2, 4, 4 ff. Figured bass. Different copyists. M-MDca, Mus. Ms. 103 ZANNETTI, Bernardino [Dixit dominus. Psalm 109. 5 V (SSATB), choir 5 V (SSATB), orch., org, E min.] Organo P.o / Dixit a 5. con Ripieni e VV e tromba Di B. Z. - ms., 18th cent. beginning; 22 partbooks: S1, 2 S2, A1, A2 rip, 2 T1, T2 rip, 2 B1, B2 rip, 2 vl1, 4 vl2, tr1, tr2, db, org/vla, org (3, 2, 3, 3, 2, 3, 2, 2, 3, 2, 2, 3, 2, 2, 3, 2, 2, 2, 2, 2, 4, 2, 4 ff.), 260-310x190-230 mm. Figured bass. Different copyists. On the vla/org part: Bernardino Zannetti. M-MDca, Mus. Ms. 104a-b ZANNETTI, Bernardino [Alma redemptoris mater. Antiphon. T, vl1, vl2, b, G] Alma Redemptoris Mater a voce sola con VV. di Ber:o Zanetti - ms., 18 sec. inizio; 2 scores (2, 2 ff.), 190x260 mm.; scoring: T, vl1, vl2, b. Figured bass. M-MDca, Mus. Ms. 105 ZANNETTI, Bernardino [Nimis honorati. Gradual. 2 V (SA), org] Organo / Graduale per la / Festiuità di S.o Mathia Apostolo / a 2 Voci, Canto, et Alto / di Bern:o Zanetti / Anno 1719 nella Notabile - ms., 1719; 260x190 mm.; 3 partbooks: S, A, org (1, 1, 2 ff.). M-MDca, Mus. Ms. 106 ZANNETTI, Bernardino [Si queris miracula. Motet. A, choir 4 V (SATB), vl1, vl2, bc] Si Queris alto solo / Coro VV. e Ripieni / di Bern:o Zanetti - ms., 18th cent. first half; 4 partbooks: A solo, vl1, vl2, bc (1, 1, 1, 2 ff.), 4 particelle: S, A, T, B (1, 1, 1, 1 ff.), 265x190 mm. M-MDca, Mus. Ms. 107 AMATO, Vincenzo [Magnificat. Canticle. 5 V (SSATB), org] Organo à 5. Voci. D.V.A. - ms., 17. cent. 2nd half; 6 partbooks: S1, S2, A, T, B, org (2, 2, 2, 2, 2, 2 ff.), 245x175 mm.; The printed copy is available in Mus. Pr. 4 (Palermo: G. Bisagni, 1656). M-MDca, Mus. Ms. 108 AMATO, Vincenzo [Tue promesse son fallaci. Aria. S, bc] Aria Spirituale. / Canto solo. / D.V.A. - ms., 17. cent. 2nd half; 2 partbooks: S, bc (2, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 109 AMATO, Vincenzo [Così vaga così pura. Aria. S, bc] Aria per Concett.e della B.ma Vergine. / A Voce sola. Canto / D.V.A. - ms., 17. cent. 2nd half; 2 partbooks: S, bc (1, 1 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 110 AMATO, Vincenzo [Mondo infame m'hai ingannato. Aria. S, bc] Aria Spirituale à 2. Canti. / D.V.A. - ms., 17. cent. 2nd half; 3 partbooks: S, bc (2, 2, 2 ff.), 250x180 mm. Figured bass. M-MDca, Mus. Ms. 111 [Motets. 4/5 V, org] Motteti A QVATRO VOCE, / ca. Al. Te. Ba. / ORGANO - ms., 17. cent. 2nd half; 5 partbooks: S, A, T, B, org (14, 15, 16, 12, 20 ff.), 210x150 mm. Parts bound. Figured bass. Includes 18 motets for S, A, T, B, org: 1. AGOSTINI, Paolo [Peccavimus impie] A 4. Del Sig. Paolo Agostini, già M. di cap. in S. Pietro 2. [O bone Jesu] A 4. del Sig. 3. BORGIANO, Domenico [Veni sancte spiritus] A 4. concertato del Sig. Domenico Borgiano. Romano 4. CRIVELLI, Giovanni Battista [Domine mi rex] A 4. del Criuelli 5. CRIVELLI, Giovanni Battista [Deus est charitas] 4. del Criuelli 6. CIFRA, Antonio [Non sunt loquele] A 4. del Sig. Antonio Cifra - The printed copy is available in Mus. Pr. 121 (Rome: V. Bianchi, 1638). 7. ANTONELLI, Angelo [Amor Jesu dulcissime] Del Sig. Antonelli, M. di cap. in S. Lorenzo e Damaso, Roma - The printed copy is available Mus. Pr. 59 (Rome: A. Fei, 1647). 8. AGOSTINI, Paolo [O Jesu cordis mei] A 4. Del Sig. Paolo Agostini, M. di cap. in S. Pietro 9. COLOMBINI, Francesco [Anima mea liquefacta est] A. 4. Voce del Colombini 10. COLOMBINI, Francesco [Gaude virgo gloriosa] A 4. del medesimo Autore 11. TARDITI, Orazio [Date domini eius] A 4. del Sig. Horatio Tarditi - The printed copy is available in Mus. Pr. 143 (Venice: A. Vincenti, 1652). 12. GIOVANNONI, Vincenzo [Spargite flores] A 4. del Sig. Gioannoni orga. in S. Lorenzo, e Damaso - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 13. COLOMBINI, Francesco [O dulcissime Jesu] A 4. del Colombini. 14. COLOMBINI, Francesco [Jesu sole serenior] A 4. del medesimo Autore 15. COLOMBINI, Francesco [Hodie Simon Petrus] A 4. del medesimo 16. [Salve Jesu pastor bone] A 4 Voce 17. COLOMBINI, Francesco [O domine Jesu Christe. 5 V] A 5. Canto, Alto, doi Tenor, e Basso. All bookparts carry: del Colombini. 18. COLOMBINI, Francesco [Te invocamus] A quatro voce, del Colombini, M-MDca, Mus. Ms. 112 [Motets. 5 V, org] Motteti, A CINQUE, / di molti Autori, / ORGANO - ms., 17. cent. 2nd half; 6 partbooks: S1, S2, A, T, B, org (10, 9, 7, 7, 7 ff.), 210x150 mm. Parts bound. Figured bass. Includes 6 motets and e 2 dialogues for S1, S2, A, T, B, bc. 1. FOGGIA, Francesco [O vos omnes] M. di cap. in S. ioani, in laterano. Roma Foggia Roma. A cinque voce, doi Canti, Alto Tenore & Basso, del signor don francesco - The printed copy is available in Mus. Pr. 62 (Rome: G. Fei, 1665). 2. [Venite gentes] A Cinque voce, doi Canti Alto Tenore & Basso The org par indicates: viola 3. [Gaudeamus omnes in domino diem] A Cinque voce due canti Alto Tenore & Basso 4. [O dolor heu dolore crucior. Dialogo] A 5 concertato in dialogo 5. [Lucia sponsa christi. Dialogo] A 5. concertato in Dialogo. 6. MAZZOCCHI, Virgilio [O pretiosum] A cinque voce, del signor Vergilio mazzochi in S. Pietro Roma 7. GRAZIANI, Bonifacio [Venite gentes] Fatto 1650 / A 5. di D. Bonifacio Gratiani, M. di cap. nel iesu / e seminario Romano 8. GRAZIANI, Bonifacio [O principes attolite] A 5. del medesimo. Auctore M-MDca, Mus. Ms. 113 [Motets. 3 V (SAT), org] MOTETI A TRE VOCE / CANTO, ALTO, TENORE - ms., 17. cent. 2nd half; 4 partbooks: S, A, T, org (A-9, T-9), 210x150 mm. Parts bound. Figured bass. 1. [Venite gentes] 2. MERULA, Tarquinio [Conceptio tua dei genitrix] A Tre voce, Canto, Alto Tenore, di Tarquinio Merula 3. MATARON, Aloisio [Dulcis amor iesu] A Tre voce, Canto Alto tenore, di Musu Mataron 4. CECCHELLI, Carlo [Salve regina] Del Sig. Carlo Ceccheli nel iesu roma. - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657) 5. [Haec dies quam fecit] 6. [O beatus virum] 7. LUIGI [Salve regina] A Tre voce, Ca. Al. Te. del sig. Luigio 8. [Placens mihi] M-MDca, Mus. Ms. 114 [Motets. 4 V (SATB), bc] MOTTETI A QVATRO VOCE, di molti Autore, / BASSO - ms., 17. cent. 2nd half;1 parte: B (14 ff.), 210x150 mm. Parts boud. Figured bass. 1. FOGGIA, Francesco [Virginis dei pare] A quatro voce del Fogia - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657). 2. CECCHELLI, Carlo [O admirabile commercium] A quatro voce del Cecchelli - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657). 3. MATARON, Aloisio [Gaudeamus omnes in domino diem] A quatro voce, di musu Mataron 4. [Dominus possedit me] A Quatro, Voce, Canto Alto Tenore & Basso 5. RINALDI, Andrea [Gaudeamus omnes in Domino..sanctae mariae] A quatro voce, del Renaldi - The printed copy is available in Mus. Pr. 124 (Palermo: G. Maringo, 1634). 6. TRIVISIO, Giovanni Battista [Dulcis amor Jesu] A quatro voce, del Gio. Battista Triuiso 7. [Cantate Domino canticum novum] 8. ANTONELLI, Angelo [Amor Iesu dulcissime;] A 4. voce, del sig. Antonelli Maestro di Capella di s. Lorenzo, / e Damaso. - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657). 9. DURANTE, Silvestro [Salve mater salvatoris] A quatro voce, del sig. Siluestro Durante, Ma. di cap. / in sancta Maria in Tresteuere, Roma - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657). 10. GIOVANNONI, Vincenzo [Spargite flores] Del sig. Gioannoni. Organista in S. Lorenzo, e Damaso - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657). 11. CIFRA, Antonio [Jubilate Deo omnis terrao] A quatro del chifra Romano - The printed copy is available in Mus. Pr. 121 (Rome: L. Grignani - V. Blanco, 1638). 12. [Hodie Christus natus est] A quatro, voce, del sig. 13. CIFRA, Antonio [Hodie nobis caelorum] A quatro voce del cifra - The printed copy is available in Mus. Pr. 121 (Rome: L. Grignani - V. Blanco, 1638). 14. [Venite omnes huc fideles] A quatro voce, con sinfonia di due violini & viola 15. MERULA, Tarquinio [Conceptio tua dei genitrix] A quatro voce, Del sig. Tarquinio Merula 16. BORGIANO, Domenico [Veni sancte spiritus] A quatro, voce, concertato Another manuscript copy is available in Mus. Ms. 111. M-MDca, Mus. Ms. 115 [Motets. 2 V (AB), bc] MOTETI A DVE / VOCE, Alto & Basso, / ORGANO - ms., 17. cent. 2nd half; 2 partbooks: A, org (3, 2 ff.), 210x150 mm. Parts bound. Figured bass. Includes a dialogue and a motet for A, B, org. 1. CASATI, Gasparo [Peccator ubi es] di Gasparo Casati, / Dialogo, / A due voce, Alto et Basso - The printed copy is available in Mus. Pr. 18 (Venice: Gardano, 1650). 2. [Dix mihi o bone Iesu] A due voce Alto Basso M-MDca, Mus. Ms. 116 [Motets. 2 V (SS), bc] MOTETI A DVE SOPRANI / Di Molti Autori / CANTO SECONDO - ms., 17. cent. 2nd half; 1 bookpart: S2 (14 ff.), 210x150 mm. Part bound. Figured bass. Different copyists. Includes 11 mottetti for S1, S2, org. 1. BORGIANO, Domenico [Beatus vir qui in ventus est sine macula] del sig. Domenico Borgiano, / Romano 2. F. ATANASIO da Pisticci [Venite angeli venite cantate] A Doi Canti D. F. Atanatio Da pistici 3. F. ATANASIO da Pisticci [Jubilate Deo omnis terra] A Due Canti o Tenori, de l'istesso Autore Pistici 4. CIFRA, Antonio [Quae est ista quae progreditur] A Doi Soprani, del Cifra Romano - The printed copy is available in Mus. Pr. 121 (Rom: L. Grignani - V. Blanco, 1638). 5. CIFRA, Antonio [Benedicite Dominum omnes angeli] A Doi Sopra-/ni del medesimo - The printed copy is available in Mus. Pr. 121 (Rome: L. Grignani - V. Blanco, 1638). 6. CIFRA, Antonio [Misericordias Domini] A Doi Soprani del medesimo - The printed copy is available in Mus. Pr. 121 (Rome: L. Grignani - V. Blanco, 1638). 7. CARISSIMI, Giacomo [Dominus illuminatio mea] Del Carissimi 8. [Dominus Deus salutis meae] 9. [O pia domina Margarita] A Due Canti 10. CRIVELLI, Giovanni Battista [Salve regina] Del Crivelli / A Due Canti, O vero Canto & Tenore, questa parte in Tenore 11. [O quam suavis] A Dui Canti 12. [Decantabat populus Israel] A Due Canti, o vero Tenore M-MDca, Mus. Ms. 117 [Motets. 3 V (ATB), org] MOTTETI A TRE VOCE DI Molti, / Autore, Alto, Tenore, & Basso, / ORGANO, - ms., 17. cent. 2nd half; 4 partbooks: S, A, B, org (4, 12, 10, 8 ff.), 210x150 mm. Parts bound. The S part includes the part of the Alto transposed in S clef from the motet "Quasi stella matutina" by G. Marciani. Figured bass. Includes 9 motets. 1. TRICARICO, Giuseppe [In voluntate ta domine] Del sig. Tricarico organista di pucuolo / A Tre Voce, Alto, Tenore e Basso 2. CATALANO, Ottavio [Jesu summa benignitas] A Tre voce, Al. Te. Ba. del Catalano 3. VANNARELLI, Francesco Antonio [O pretiosum] Del P. F. Francesco Vannarelli Maestro di capella in S. Apostoli. - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 4. MARCIANI, Giovanni [Quasi stella matutina] - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 5. VALENTINI, Carlo Giovanni [Ave regina caelorum] Del Sig. Gio. Carlo Valentini canonico di Rieti, e discipolo / del Ceccelli - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 6. [Nigra sum] Nigra sum 7. [Ut audivit salutanionem] 8. COLOMBINI, Francesco [Beata es virgo Maria] A 3. Alto, Tenore e basso del Colombini 9. COLOMBINI, Francesco [Anima mea liquefacta est] A 3. del medesimo Auctore M-MDca, Mus. Ms. 118 [Motets. 3 V (SSB), org] MOTTETI A TRE, VOCE, DI MOLTI AVTORI, / A DVE CANTI ET BASSO. / ORGANO. - ms., 17. cent. 2nd half;2 partbooks: S2, org (23, 16 ff.), 210x150 mm. Parts bound. Figured bass. Includes 17 motets for S, S, B and org. 1. TOZZI, Vincenzo [Guadete cum Maria] A Tre Voce Due Canti & basso del sig. D. Vicenzo Tozzi 2. FOGGIA, Francesco [Vidi angelum] ORGANVM TRIBVS VOCIBVS. Doi Canti, e Basso / Del sig. Francesco Fogia Maestro di capella in S. Gio. Laterano. - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 3. CARISSIMI, Giacomo [Alma redemptoris mater] Roma / Del sig. iacomo Carissimi M. di cappella di S. Apolinare - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 4. BENEVOLI, Orazio [Jubilate filiae Hierusalem] Del sig. Horatio Beneuoli Maestro di cappela in S. Maria On the S2 part: Maestro di capella in S. Maria Magiore. Roma- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 5. DURANTE, Silvestro [Anima Christi] Del sig. Siluestro Durante Maestro di cappella in S. Maria / Trasteuere A Due Canti & Basso - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 6. FOGGIA, Francesco [Regina caeli laetare] Del sig. francesco Foggia maestro di cappella in s. Gio. / Laterano Roma - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 7. MAZZOCCHI, Virgilio [Domus mea] A 2 Canti e Tenore. Del sig. Virgilio Mazzocchi Maestro. / di cappella in S. Pietro in Roma - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 8. CECCHELLI, Carlo [Gaudent in caeli] A 3. Del sig. Carlo Cecchelli. M. di cap. del Giesù, e semenario - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 9. CARPANI, Giovanni Antonio [Liberasti nos domine] Del Sig. Gio. Ant. Carpani M. di cap. di s. spirito Roma - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 10. FABBRI, Stefano [Domine in furore tuo] A Due Canti, e Basso. Del sig. Stefano Fabri Maestro. di cappella / in S. Luigi de Franzesi, Roma, - The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647). 11. BORGIANO, Domenico [Ingredimini fideles] Del sig. Domenico Borgiano. Romano, Belli & Moderni delanno 1646 / A Tre VOce, Due Canti & Basso 12. BORGIANO, Domenico [Anima christi] Del Sig. Domenico Borgiano, Romano 13. BORGIANO, Domenico [Benedictus es domino] De listesso Autore 14. [In caelus hodie] A Tre Voce. 2. Ca. & Ba. per la fasta (sic) di S.ta Lucia 15. [Vidi spetiosam] A Due Canti e basso 16. [Vulnerasti cor meum] 17. [Alma redemptoris mater] M-MDca, Mus. Ms. 119 [Motets. 4 V (SATB), org] SALMI A QVATRO, / de Molti Autori, - ms., 17. cent. 2nd half; 2 partbooks: A, B (8, 7 ff.), 210x150 mm. Parts bound. Includes 8 motets. 1. GHIZZOLO, Giovanni [Domine ad adjuvandum] A Quatro voce, del Guizolo - The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624). 2. GHIZZOLO, Giovanni [Dixit dominus. Psalm 109 Octauo Tono, - The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624). 3. MATARON, Aloisio [Confitebor tibi..in consilio] del sig. Aluigio Mataron 4. GHIZZOLO, Giovanni [Beatus vir qui timet. Psalm 111] Terzo Tono Beatus vir del Guizolo, - The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624). 5. FOGGIA, Francesco [Laudate pueri. Psalm 112] Decimo Tono, Laudate pueri, del Foggia - The printed copy is available in Mus. Pr. 66 (Rome: I. de Lazaris, 1660) 6. GHIZZOLO, Giovanni [Laudate Dominum omnes gentes. Psalm 116] Quinto Tono Laudate Dominu(m) omnes / del Guizolo, - The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624). 7. GHIZZOLO, Giovanni [Magnificat] Primo Tono, Magnificat del Guizolo, - The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624). 8. MATARON, Aloysio [Lauda jerusalem. Psalm 147] QVARTI TVONI, / del sig. luigio Mataron [Mass. 8 V (SATB-SATB), org] Messa à 8. - ms., 17th cent.; 240x180 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (3, 3, 3, 3, 2, 2, 2, 2, 3 ff.). Figured bass. M-MDca, Mus. Ms. 121 [Mass. 8 V (SATB-SATB), org] Messa à .8. Voci. - ms., 17th cent.; 260x190 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (8, 8, 8, 8, 8, 8, 8, 8, 8, ff.). On f. 1r of the organ part: Si averti che il Crucifixus si concerti a 2. C et 2 Alti. Figured bass. M-MDca, Mus. Ms. 122 [Mass. 8 V (SATB-SATB), org] Messa à .8. Voci. - ms., 17th cent.; 290x210 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (2, 2, 2, 2, 2, 2, 2, 2, 2, ff.). Different copysts. M-MDca, Mus. Ms. 123 [Mass pastorale. 5/6 V (SSATTB), vl1, vl2, org, G] Messa Pastorale à 5. ò 6. Voci con Sinf.a - ms., 17th cent.; 250x180 mm.; 9 partbooks: S1, S2, A, T, T aggiunto, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 1, 1, 2 ff.). On f. 1r of the organ part: si può sonare / la Ciarambella. M-MDca, Mus. Ms. 124 [Mass. 4 (SATB), vl1, vl2, vla, org, G] Missa A 4. con due Violini concertata - ms., 17th cent.; 250x180 mm.; 8 partbooks: S, A, T, B, vl1, vl2, vla/bc, bc (4, 4, 4, 3, 2, 2, 4, 1 ff.). Different copysts. The vla part is in F clef including occasionally the figuring; the bc part includes only "Kyrie" and "Gloria". M-MDca, Mus. Ms. 125 [Mass. 5 (SSATB] - ms., 17th cent.; 220x160 mm.; 5 partbooks: S1, S2, A, T, B (4, 4, 4, 4, 4 ff.). M-MDca, Mus. Ms. 126 [Mass. 3 V (ATB), org] - ms., 17th cent.; 240x180 mm.; 1 part: org (4 ff.). Figured bass. Vocal parts are missing. M-MDca, Mus. Ms. 127 [Mass] - ms., 17th cent.; 210x150 mm.; 3 partbooks: S rip, A rip, T rip (4, 4, 4 ff.). The S rip part originally marked as Mus. Ms. 232. M-MDca, Mus. Ms. 128 [Vespers. 8 V (SATB-SATB), bc] Vesperi a 8. Voci. - ms., 17th cent.; 240x180 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B (4, 2, 2, 2, 2, 2, 2, 2, 2 ff.);
2. [Dixit Dominus. Psalm 109] Dixit D.nus P.o Tono M-MDca, Mus. Ms. 129 BONAVENTURA, Rubino [Vespers. 3/4 V (SSAB), org] A 3. e 4. voci concer.to - ms., 17th cent.; 260x190 mm.; 5 partbooks: S1, S2, A a beneplacito, B, org (4, 4, 4, 4, 2 ff.). Figured bass. "Dixit" and "Magnificat" are set to same music. A printed copy of the "Domine ad adiuvandum" is available in Mus. Pr. 135.
M-MDca, Mus. Ms. 130 [Vespers. 1 V (S/A), vl1, vl2, bc] - ms., 17th cent.; 260x180 mm.; 4 partbooks: S/A, vl1, vl2, bc/b-vla (14, 6, 6, 11 ff.). Figured bass. Includes 9 psalms.
M-MDca, Mus. Ms. 131 [Vespers. 4 V (SATB), vl1, vl2, bc] - ms., 17th-18th cent.; 300x230 mm.; 11 partbooks: S, A, T, B, S rip, A rip, T rip , B rip, vl1, vl2, org (4, 4, 3, 3, 2, 2, 2, 2, 3, 2, 4 ff.). Figured bass.
M-MDca, Mus. Ms. 132 [Magnificat. Canticle. 5 V (SSATB), vl1, vl2, org, A] Magnificat A 5. Voci Concertata Con Violini - ms., 17th-18th cent.; 220x160 mm.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 2, 4 ff.). Figured bass. M-MDca, Mus. Ms. 133 [Magnificat. Canticle. 8 V (SATB-SATB), bc], vl1, vl2, org, C] Magnificat à 8. Voci. - ms., 17th cent.; 300x210 mm.; partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, vl1, vl2, org 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.). Figured bass. The string parts seem to be joint later. M-MDca, Mus. Ms. 134 MONTEVERDI, Claudio [Beatus vir. Psalm 111. 6 V (SSATTB), vl1, vl2, org, C] Beatus Vir A 6 Voci / Con Violini - ms., 17th cent.; 220x160 mm.; 9 partbooks: S1, S2, A, T1, T2, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 2, 2, 4 ff.). The psalm has been attributed through the comparison with the relative printed copy of the "Selva morale et spirituale" by Monteverdi available in Mus. Pr. 111. M-MDca, Mus. Ms. 135 [Miserere mei Deus. Psalm 50. 5 V (SSATB), org] - ms., 17th cent.; 220x160 mm.; 6 partbooks: S1, S2, A, T, B, org (2, 2, 2, 2, 2 ff.). Figured bass. M-MDca, Mus. Ms. 136 [Nisi Dominus. Psalm 126. V (SSATB), org, VIII tono] Nisi Dnus / à 5. Voci. - ms., 17th cent.; 260x190 mm.; 6 partbooks: S, S, A, T, B (1, 1, 1, 1, 1, 2 ff.). Figured bass. M-MDca, Mus. Ms. 137 [Nisi dominus. Psalm 126. 3 V (ATB), org] - ms., 17th-18th cent.; 265x190 mm.; 4 partbooks: A, T, B, org (1, 1, 1, 1 ff.). Figured bass. M-MDca, Mus. Ms. 138 [Laudate pueri. Psalm 147. A, vl1, vl2, vla, org, D] Laudate Pueri. / Alto solo con sinf.a - ms., 17th cent.; 250x180 mm.; 5 partbooks: A, vl1, vl2, vla, org (2, 1, 1, 1, 2 ff.). Different copysts. Figured bass. M-MDca, Mus. Ms. 139 [Laudate pueri. Psalm 147. 3 V (SST), vl1, vl2, org, D] A 3. Voci. Doi Canti, e Tenore, con sinf.a - ms., 17th cent.; 250x185 mm.; 6 partbooks: S1, S2, T, vl1, vl2, org (2, 2, 2, 2, 2, 2 ff.). Figured bass. M-MDca, Mus. Ms. 140 [Laudate pueri. Psalm 147. 3 V (SSB), vl1, vl2, org, G min.] A 3. 2. C. e B, con violini. - ms., 17th cent.; 260x195 mm.; 6 partbooks: S1, S2, B, vl1, vl2, org (1, 1, 1, 1, 1, 2 ff.). Figured bass. M-MDca, Mus. Ms. 141 [Laudate pueri. Psalm 147. 3 V (SSB), vl1, vl2, org, G] Laudate Pueri à 3. Voci con Sinf.a - ms., 17th cent.; 260x190 mm.; 6 partbooks: S1, S2, B, vl1, vl2, org (1, 1, 1, 1, 1, 2 ff.). Figured bass. M-MDca, Mus. Ms. 142 A [Laudate Dominum omnes gentes. Psalm 116. Double choir, bc, Bb] - ms., 17th cent.; 245x175 mm.; 1 part: bc (2 ff.). Figured bass. Vocal parts are missing. M-MDca, Mus. Ms. 142 B-C [Jubilate dominum hodie. C] - ms., 17th cent.; 225x150 mm.; 2 partbooks: vl1, vl2 (2, 2, ff.). Vocal parts missing M-MDca, Mus. Ms. 142 D [Confitebor tibi. Psalm 110. A, choir, instr., D] - ms., 17th cent.; 225x150 mm.; 1 part: vla (2 ff.); scoring: A, choir and instruments. M-MDca, Mus. Ms. 143 [Laudate Dominum omnes gentes. Psalm 116. 8 V (SATB-SATB), db, org, V tono] Laudate Dnum omnes gentes. / à otto Voci Quinti toni - ms., 17th cent.; 230x170 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, bc (1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). The db part has been joint later. On f. 3r of the bc part carries the music of a "Dixit Dominus" for double choir. Figured bass. M-MDca, Mus. Ms. 144 [Laudate Dominum in sanctis eius. Psalm 150. 2 V (SS), vl1, vl2, bc, G min.] A 2. Canti, e 2. Violini. - ms., 18th cent.; 250x180 mm.; 5 partbooks: S1, S2, vl1, vl2, bc (1, 1, 1, 1, 1 ff.). Figured bass. M-MDca, Mus. Ms. 145 [Lauda Jerusalem. Psalm 147. 8 V (SATB-SATB), org1, org2] Lauda Jerusalem / 8. Voc. - ms., 17th cent.; 240x175 mm.; 11 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, 2 org1, org2 (1, 1, 1, 1, 1, 1, 1, 1, 2, 1, 1 ff.). One of the org1 parts has been joint later. Figured bass. M-MDca, Mus. Ms. 146 [Lauda Jerusalem. Psalm 147. 8 V (SATB-SATB), org] Lauda Jerusalem. / à 8. Voci. - ms., 17th cent.; 290x210 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). Figured bass. M-MDca, Mus. Ms. 147 [Lauda Jerusalem. Psalm 147. 8 V (SATB-SATB), org] Lauda Jerusalem. / à 8. - ms., 17th cent.; 245x175 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (2, 2, 2, 2, 1, 1, 1, 1, 2 ff.). Vocal parts are written respectively in G, Mzs, A and Br clefs. Figured bass. M-MDca, Mus. Ms. 148 [Confitebor tibi..in consilio. Psalm 110. 3 V (SAB), org] Confitebor tibi Dne / à 3. Voci. C. A e B. - ms., 17th cent.; 295-260x215-185 mm.; 4 partbooks: S, A, B, org (1, 1, 1, 1 ff.). Figured bass. M-MDca, Mus. Ms. 149 [Confitebor tibi..in consilio. Psalm 110] - ms., 17th cent.; 250x190 mm.; 1 part: A (4 ff.). Vocal and instrumental parts missing. Includes two versions of Psalm 149. The alto part is identical in both versions.
M-MDca, Mus. Ms. 150 [Confitebor tibi Domine rex. Motet. 4 V (SATB), vl1, vl2, vla, bc] - ms., 17th cent.; 240x170 mm.; 8 partbooks: S, A, T, B, vl1, vl2, vla, bc (1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 151a [GRISTI, Pietro, attrib.] [Motets for San Gregorio. 4-5 V, vl1, vl2, org] Originale / Mottetti per la Processione / di San Gregorio / 1719 - autograph (?) ms., 1719; 285x200 mm.; score (23 ff.); 230x320 mm.; 7 partbooks: S, A, T, B, vl1, vl2, org (2, 2, 2, 2, 4, 4, 4 ff.). Some amendments are visible on ff. 7r a 9r of the score. Parts written by different copyist. In 1719 don Pietro Gristi was chapel master at the Mdina Cathedral. Includes 5 motets.
M-MDca, Mus. Ms. 151b [Ad Cantus ad plausus. Motet. 2 V (SS), org] Ad Cantus ad plausus. / à 2. Canti. ms., 17th cent.; 235x175 mm.; 3 partbooks: S1, S2, org (2, 2, 2 ff.). M-MDca, Mus. Ms. 152 [Sacred cantatas . 5 V (SSATB), vl1, vl2, org] - ms., 17th cent.; 250x180 mm.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, org (4, 4, 3, 4, 3, 1, 1, 8 ff.). Includes three cantatas.
M-MDca, Mus. Ms. 153 [Amici nostri audite nos. Motet. 4 V (SATB), bc] Amici nostri audite nos. - ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, bc+B (1, 1, 1, 2 ff.). Figured bass. M-MDca, Mus. Ms. 154 [Ave Maria. Motet. T, vl1, vl2, bc, A min.] Ave Maria à voce sola con 2. Violini / Tenore - ms., 17th cent.; 250x180 mm.; 4 partbooks: T, vl1, vl2, bc (2, 1, 1, 2 ff.). Figured bass. M-MDca, Mus. Ms. 155a [MAROTTA, Erasmo attrib.] [Ave, que est ista. Salutatio Angelica. Dialogue. 2-3 V (SAB), org] Salutatio Angelica / à 2. Voci. - ms., 17th cent.; 245-230x175 mm.; 6 partbooks: 2 S, A+S, B+bc, 2 org (1, 1, 1, 1, 2, 2 ff.). One of the Cantus part has a different copyst. The dialogue is divided in two sections: the first one for S, A and the second one for S, S, B. The two soprano parts include the music of the first and last part of the dialogue ("Ave gratia plena..", "Dabit illi dominus.."); the bass is included only in the final verse "Dabit illi dominus deus..". On f. 1v of the bass part is also included the organ part indicating A due Alti. o Tenori. One of the organ part carries same music one tone lowered. The organ part correponding to the verse "Dabit illi" is identical to the same part available in Mus. Ms. 155b. In the 1709 music inventory, held in the Mdina Cathedral Archives, an omonymous work is attributed to Marotta. M-MDca, Mus. Ms. 155b [Ave, que est ista. Salutatio Angelica. Dialogo. 2 V (SAB), org] - ms., 17th cent.; 260x190 mm.; 3 partbooks: S, A, org (1, 1, 1 ff.). The music included in both vocal parts ends with the verse of the Soprano "Ecce ancilla domini.."; the org part includes also the music of the last verse "Dabit illi dominus deus"; the music of the last section is identical to the same section in Mus. Ms. 155a. Probably the original ms. is the one found in Mus. Ms 155a while the three parts marked as Mus. Ms. 155b have been joint in a second time. M-Mdca, ACM, Mus. Ms. 156a [Ave regina caelorum. Motet. 4 V (SATB), org] Ave regina caelorum / a 4.o Voci - ms., 17th-18th cent.; 215x170 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 1 ff.). Figured bass. M-MDca, Mus. Ms. 156b [Benedicite gentes. 3 V (SAB), org] Benedicite gentes / à 3. C. A. e B. - ms., 17th cent.; 250x175 mm.; 4 partbooks: S, A, B, org (1, 1, 1, 2 ff.). Figured bass. M-MDca, Mus. Ms. 157 BALZANO, Domenico [Chi mi soccorre olà. Gioco a Tresette con Filli. A, bc] Gioco a Trisette con Filli. - ms. prob. autogr., 17th-18th cent.; 210x150 mm.; spartito (4 ff.). On f. 4v: D. Dom.co Balzano. The composition is divided in instrumental "passacaglie" interwoven by the following arias: "Chi mi soccorre olà?", "Fatto schiavo a due luci serene", "Come voglio li frutti sperare", "Se si perde con vezzosa". M-MDca, Mus. Ms. 158 [Curre ad virginem. Motet. S, vl1, vl2, vla, org, G min.] - ms., 17th cent.; 255x195 mm.; 5 partbooks: S, vl1, vl2, vla, org (2, 1, 1, 1, 1 ff.). Figured bass. On the organ part: A voce sola con violini. M-MDca, Mus. Ms. 159 [Da pacem domine. Motet. 8 V (SATB-SATB), org] Da Pacem dne à 8. 1667 - ms., 1667; 255x175 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 160 [Dalle celesti sfere. Cantata. S, choir, bc] - ms., 17th-18th cent.; 200x275 mm.; vocal score (6 ff.). The vocal score suggests the presence of the choir. Figured bass. M-MDca, Mus. Ms. 161 [BALZANO, Giuseppe attrib.] [Det tuba clangore ad arma ad iras. Motet. 8 V (SSAATTBB), vl1, vl2, vla, org, F] A 8. con instr.ti / Xaverius - ms., 17-18; 250xx180 mm.; 12 partbooks: S1, S2, A1, A2, T1, T2, B1, B2, vl1, vl2, vla, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). Figured bass. The 1709 music inventory records an omonymous work for double choir and strings by G. Balzano. M-MDca, Mus. Ms. 162 [Dilexit deum. Motet. 3 V] Altus 3 Voc. - ms., 17th cent.; 230x170 mm.; 1 part: A. Vocal parts missing. M-MDca, Mus. Ms. 163 [BALZANO, Giuseppe attrib.] [Ecce servus Dei. Motet. 4 V (SSAT), vl1, vl2, org, A] Ecce servus Dei. / à 4. con 2. Violini. - ms., 17. cent. 2nd half;215x155 mm.; 7 partbooks: S1, S2, A, T, vl1, vl2, org (1, 1, 1, 1, 1, 1, 2 ff.); Figured bass. The 1709 music inventory records an omonymous work by G. Balzano. M-MDca, Mus. Ms. 164 [BALZANO Domenico attrib.] [Motets for San Gregorio] - ms., 1700; 295-270x210-195 mm.; 4 partbooks: choir 1 T, S2, choir 2 A, org (2, 1, 1, 2+2 ff.); On f. 1v of the T (choir 1): 1700. Different copyists, The partbooks include: A (incomplete) "Ecce sacerdos", "O populi fideles"; S2 "O populi fideles", "Himnum dicite"; T choir 1 "Sancta Maria", "Ecce sacerdos", "Himnum dicite", "O populi fideles", "Jubilemus omnes", "O doctor optime"; org (fasc. 1) "Ecce sacerdos", "Himnum dicite", (fasc. 2) "Iste est qui ante", "Jubilemus omnes", "O doctor optime", "O populi fideles". The vocal partbooks of "Jubilemus omnes" and "O Doctor optime" are to be found in Mus. Ms. 172. The date 1700 suggests D. Balzano as the probable composer of the cycle. Includes 7 motets.
M-MDca, Mus. Ms. 165 [BALZANO Domenico] [Ego ille quondam opulentus. Motet. 8 V (SATB-SATB), vl1, vl2, org] A 8. con sinfonie - ms., 17th-18th cent.; 250x180 mm.; 11 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 3 ff.); On the partbooks: A 8. Con Sinfonie. Figured bass. The 1709 music inventory records an omonymous work by D. Balzano. M-MDca, Mus. Ms. 166 [Eia Pastores surgite. Motet. 5 V (SSATB), vl1, vl2, vla, org, G] Pastorale à 5. Voci con sinf.a - ms., 17th-18th cent.; 250x180 mm.; 9 partbooks: S1, S2, A, T, B, vl1, vl2, vla, org (1, 1, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 167 [Electa ex milibus. Motet] - ms., 18th cent.; 210x150 mm.; 1 parte: bc (2 ff.). M-MDca, Mus. Ms. 168 [Gaudete ed exultate celebrantes solemnitatem. Motet. 3 V (SAT), 3 instr/choir 3 V (SAB)] Cantilena à 3. Voci. - ms., 17th-18th cent.; 240x175 mm.; 6 partbooks: (parte necessaria) S, A, T; (Choro per strumenti, o Voci à beneplacito) S, A, B (1, 1, 1, 1, 1, 1 ff.). The parts a beneplacito may be played alternatively by three voices or instruments. M-MDca, Mus. Ms. 169 [Motets. 2 V (MzsT), bc] Hor chi gratie desia. / Giesù mio. / à 2. Voci. - ms., 17th-18th cent.; 300x210 mm.; 3 partbooks: Mzs, T, bc (1, 1, 1 ff.). Includes 2 motets.
- Only the organ part is available while the Mzs part is incomplete. M-MDca, Mus. Ms. 170 [Iste homo. Motet. 3 V (SSS), bc] - ms., 17th-18th cent.; 200x135 mm.; 4 partbooks: S1, S2, S3, bc (2, 2, 2, 2 ff.). Figured bass. M-MDca, Mus. Ms. 171 [BALZANO Giuseppe attrib.] [Jubila propera. Dialogo di Jesus e Anima. 2 V (SS), vl1, vl2, bc/cemb, C] Dialogo / à due Canti e 2 Violini. / Cembalo - ms., 1693; 240x175 mm.; 5 partbooks: S (Anima, S (Jesus), vl1, vl2, cemb (2, 2, 1, 1, 4 ff.). Figured bass. A c. 4r del cemb: 1693. The year 1693 suggests G. Balzano as the probable composer. M-MDca, Mus. Ms. 172 [Motets for San Gregorio. 8 V (SATB-SATB)] - ms., 17th-18th cent.; 260x190 mm.; 8 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B (2, 2, 2, 2, 2, 2, 2, 2 ff.). Same music in Mus. Ms. 164. Include 3 motets for San Gregorio:
M-MDca, Mus. Ms. 173 [BALZANO Domenico attrib.] [Litaniae Beatae Mariae Virginis. Litanies. S, choir (STB), org] Litaniae / Ad honorem Beatae Mariae / semper Virginis / Vulgo nuncupata / la litania spagnuola. / Voce sola Canti / contexta / cum tribus vocibus concentus / et repieni / 1700 - ms., 1700; 220x160 mm.; 5 partbooks: S, choir S2, T, B, org (2, 2, 2, 2, 2 ff.). The organ part was originally marked as Mus. Ms. 233. The year 1700 suggests D. Balzano as the probable composer.
M-MDca, Mus. Ms. 174 [Laetabunda et laudans. Motet. 3 V (SSS), vl1, vl2, vla, org, C min.] A 6. Tre Canti, Doi Violini, e Viola - ms., 17th cent.; 250x190 mm.; 7 partbooks: S1, S2, S3, vl1, vl2, vla, org (2, 2, 2, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 175 [Maria gratias tibi humanum genus. Motet. S, bc] A V.ce sola con sinfonia - ms., 17th cent.; 230x170 mm.; spartito (4 ff.). M-MDca, Mus. Ms. 176 [Non t'amo più. Aria napoletana. 3 V (ATB), bc] Aria a 3 Voci ATB / Napolitana / Non t'amo più - ms., 17th cent.; 240x180 mm.; 4 partbooks: A, T, B, bc (1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 177 [O anima miseranda. Motet. 2 V (SA), org] O Anima miseranda - ms., 17th cent.; 230x170 mm.; 3 partbooks: S, A, org (2, 2, 2 ff.). M-MDca, Mus. Ms. 178 [O dies felicissimae. Motet. 2 V (SS), org] A 2. Canti. - ms., 17th cent.; 250x180 mm.; 3 partbooks: S, S, org (2, 2, 1 ff.). M-MDca, Mus. Ms. 179 [O giorni miei ridenti. Madrigal. 3 V (ATB), bc] Madrigale a 3. voci. / O giorni miei ridenti - ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B, bc (1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 180 [O jucunda dies. Motet. 3 V (SSB), org] O Iucunda dies / Concerto a 3. Voci. - ms., 17th cent.; 240x180 mm.; 3 partbooks: S, S, B, org (1, 1, 1, 2 ff.). The title O Iucunda dies has been joint recently. M-MDca, Mus. Ms. 181 [Chi lo sa me lo dica. Dialogue. 3 V (SSB), bc] Dialogo A 2. Homo, e Voce - ms., 17th cent.; 240x170 mm.; vocal score (6 ff.); 3 partbooks: S, S, B (2, 1, 1 ff.). M-MDca, Mus. Ms. 182 [Motets. 2 V (SA), org] - ms., 17th cent.; 260x190 mm.; 3 partbooks: S, S, org (8, 8, 5 ff.). Includes 8 motets.
M-MDca, Mus. Ms. 183 [O virgines beatae. Dialogo. 3 V (SAT), bc] - ms., 17th cent.; 260x190 mm.; 4 partbooks: S, A, T, bc (1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 184 [Peccator crud' e rio. Madrigal. 3 V (ATB), bc] Peccator crud'e rio. / a 3. A. T. B. - ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, bc (1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 185 [Motets] - ms., 17th cent.; 200x150 mm.; 2 partbooks: S, A (2, 2 ff.). Parts missing. Includes two motets.
M-MDca, Mus. Ms. 186 [Quid esset mundus. Motet. 3 V (SSB), org] A 3. Voci 2. C. et Basso. - ms., 17th cent.; 200x150 mm.; 4 partbooks: S1, S2, B, org (2, 1, 1, 2 ff.). M-MDca, Mus. Ms. 187 [Quis est hic Johannes. Dialogo per la natività di S. Giovanni Battista. 3 V (SST), org] Dialogo a 3. Due Canti, e Tenore / per la Natività di / S. Gio. Batta. - ms., 17th cent.; 250x180 mm.; 4 partbooks: S1, S2, T, bc (1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 188 [Quid est o mortales. Pastoral Motet. 3 V (ATB), org] Pastorale a 3. A.T.B. - ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B, org (2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 189 [MUSCARI Filippo attrib.] [Quis mihi det dulcissima virgo. Motet. 3 V (ATB), vl1, vl2, vla] A 3. Voci con sinf.a - ms., 17th cent.; 250x180 mm.; 6 partbooks: A, T, B, vl1, vl2, vla (2, 2, 1, 1, 1, 1 ff.). The vla part has been joint later. The 1709 music inventory records an omonymous work attributed to F. Muscari.
M-MDca, Mus. Ms. 190 [Sassosa rupe. Sonetto. 4 V (SATB), bc] Sonetto a. 4. Voci. - ms., 17th cent.; 250x180 mm.; 5 partbooks: S, A, T, B, bc (1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 191 [Tribularer. Motet. 3 V (ATB), bc] Tribularer a 3. - ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B, bc (1, 1, 1, 1 ff.). The capital letter in the bass part is decorated. M-MDca, Mus. Ms. 192 [Veni domine Jesu. Motet. 2 V (SS), org] Tribularer a 3. - ms., 17th cent.; 160-250x220-180 mm.; 3 partbooks: S1, S2, org (1, 1, 1 ff.). M-MDca, Mus. Ms. 193 [BALZANO Giuseppe attrib.] [Pugnantum proceres trepidi. Motet. 4 v (SATB), choir4 V (SATB), vl1, vl2, bc] Mottetto per S. Franc.co Borgia A 4. Vo[ci] / 1688 - ms., 1688; 300x220 mm.; score (5 ff.). The ms. is partially damaged and incomplete. The year 1688 suggests G. Balzano as probable composer. M-MDca, Mus. Ms. 194 [Motets 3 V (SATB), 3 V (ATB), bc] Mottetti per ogni tempo - ms., 17th cent.; 240x170 mm.; 4 partbooks: A, T, B, bc (18, 18, 18, 18 ff.). Parts bound. A loose sheet includes the bass part of the "Surrexit", while the Bass partbook carries same music written in Tenor clef. Includes 28 motets.
M-MDca, Mus. Ms. 195 [Motets. 3 V (ATB), org] - ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B org (12, 12, 12, 12 ff.); Includes 18 motets.
M-MDca, Mus. Ms. 196 [Responsories for Christmas. 6 V (SSATTB), org] Responsorii Pastorale - ms., 17th cent.; 260x190 mm.; 8 partbooks: S1, S2, A, T1, T2, B, db,org (4, 4, 4, 4, 4, 4, 4, 2 ff.). The db part has been joint in the 18th cent.; on f. 2v of the same part a music fragment for kbd with alphabetic notation has been joint. On the partbooks: Responsorii à 6. Voci. Includes 7 responsories
M-MDca, Mus. Ms. 197 [Lectiones for Christmas. 1 V, b] - ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, b (2, 2, 2, 2 ff.). Includes the three lectiones for the first nocturne of the Christmas feast.
M-MDca, Mus. Ms. 198 [Passio Domini nostri Jesu Christi secundum Matthaeum. Turba. Dominica in Palmis. 4 V] - ms., 17th cent.; 240x175 mm.; 4 partbooks: S, A, T, B;. Includes 20 polyphonic interventions of the Turba from St. Matthew’s Passion.. M-MDca, Mus. Ms. 199 [Responsories. Nocturnes of Feria V (in Coena Domini), VI (in Parasceve), Sabato Sancto. 4 V] ms., 17th cent.; 235x180 mm.; 1 part: S (7 ff.). Vocal parts missing. Includes 27 responsories for the nocturnes of Thrusday, Friday and Saturday of the Holy Week.
M-MDca, Mus. Ms. 200 [Responsories. Nocturnes for Feria V (in Coena Domini), VI (in Parasceve), Sabato Sancto. 4 V] ms., 17th cent.; 235x175 mm.; 15 partbooks: Feria V S, A, T, B, org (4, 4, 4, 4, 4 ff.), Feria VI + Sabato Santo 2 S, 2 A, 2 T, 2 B, org (6, 4, 6, 4, 6, 4, 6, 4, 6 ff.), Sabato Sancto S, A, T, B (3, 3, 3, 3, 4 ff.). Some parts are very damaged. Includes 27 responsories for the nocturnes of Thrusday, Friday and Saturday of the Holy Week.
M-MDca, Mus. Ms. 201 [AMATO, Vincenzo attrib.] [Passio Domini nostri Jesu Christi sec. Johannem. 3 V (TTA), choir (SATB), org] - ms., 17th cent 2. parte; 8 partbooks: T (Evangelist), T (Cristo), A (Fariseo), choir (Turba) S, A, T, B, bc+V (6, 2, 1, 2, 2, 2, 2, 14 cc.), 150-300x210 mm. On 2v of the S part (turba) is also included the part of the "Ancilla" 109, 110. Composition attributed by Prof. Roberto Pagano in 1978. M-MDca, Mus. Ms. 202 [Office of Holy Saturday. A, b] Per la Messa di Sabbato Santo - ms., 17th cent.; 205x150 mm.; 2 partbooks: A, b (1, 2 ff.). On the b part: Dopo l'epistola il celebrante insonerà 3. volte l'alleluia, 3 volte [...] risponderà il choro, e canterà quel che siegue. Includes the alleluiatic verse, the tractus, two antiphons and psalm 116.
M-MDca, Mus. Ms. 203a [Deus tuorum militum. Hymn. 4 V (SATB), vl1, vl2, org, E] - ms., 17th cent.; 110-150x150-205 mm.; 10 partbooks: A, T, B, 2 vl1, 2 vl2, 3 org (2, 2, 2, 1, 1, 1, 1, 1, 1, 1 ff.). The S part is missing. Another version is available in Mus. Ms. 203b. M-MDca, Mus. Ms. 203b [Deus tuorum militum. Hymn. 4 V (SATB), org, E] A 4. Voci - ms., 17th cent.; 240x180 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 1 ff. Another version is available in Mus. Ms. 203a. Parts restored. M-MDca, Mus. Ms. 204 [Hymns. 8 V (SATB-SATB)] - ms., 17th cent.; 250x180 mm.; 8 partbooks: choir1 S, A, T, B, choir2 S, A, T, B (1, 1, 1, 1, 1, 1, 1, 1 ff.). Includes 2 hymns.
M-MDca, Mus. Ms. 205 [BALZANO, Giuseppe attrib.] [Te splendor et virtus. 4 V (SATB), org] Te Splendor S. Micheli - ms., 17th cent.; 250x180 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 1 ff.). The 1709 music inventory includes an omonymous work by G. Bazano. M-MDca, Mus. Ms. 206 [Jesu redemptor omnium. Hymn] - ms., 17th cent.; 110x175 mm.; 3 partbooks: S1, S2, T (1, 1, 1 ff). M-MDca, Mus. Ms. 207 [Ad regias agni dapes. Hymn. 4 V, b] Ad Regias Agni dapes - ms., 17th cent.; 130x180 mm.; 7 partbooks: 2 S, A, T, B, 2 b (1, 1, 1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 208 [BALZANO, Giuseppe attrib.] [Jesu redemptor omnium. Hymn.4 V (SATB)] - ms., 17th cent.; 145x290 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). The 1709 music inventory includes an omonymous work by G. Bazano. M-MDca, Mus. Ms. 209 [Salve Jesu pastor. Hymn. 4 V (SATB), bc] Salve Jesu à 4 Voci. - ms., 17th cent.; 220x160 mm.; 4 partbooks: S, A, T, B, bc (1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 210 [Quicumque Christum queritis. Hymn. S, vl1, vl2, org, G min.] Quicumque Xpum queritis. - ms., 18th cent.; 260x195 mm.; 4 partbooks: S, vl1, vl2, org (1, 1, 1, 1 ff.) M-MDca, Mus. Ms. 211a [Antiphons. In festo Pentecostis in I. et II Vesperis. 4 V (SATB)] A 4. - ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). A second copy is in Mus. Ms. 211b. Includes 5 antiphons for the vespers of Whitsunday.
M-MDca, Mus. Ms. 211b [Antiphons. In festo Pentecostis in I et II Vesperis. 4 V (SATB)] Antifone Sollenni. - ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). A second copy is in Mus. Ms. 211a. Includes 5 antiphons for the vespers of Whitsunday.
M-MDca, Mus. Ms. 211c [Antiphons. Festum omnium sanctorum. 4 V (SATB)] - ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, B (2, 2, 2, 2 ff.). A second copy is in Ms. 211d. Includes 5 antiphons for All Saints.
M-MDca, Mus. Ms. 211d [Antiphons. Festum omnium sanctorum. 4 V (SATB)] - ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, 2 B (1, 1, 2, 1, 1 ff.). A second copy is in Ms. 211c. S and A parts are incomplete. Includes 5 antiphons for All Saints. M-MDca, Mus. Ms. 212 [Damasci praepositus. Antiphon. 2 V (AA)] - ms., 17th cent.; 235x175 mm.; 3 partbooks: A1, A2, org. Decorated capital letter. M-MDca, Mus. Ms. 213a [Antiphons for Christmas. 4 V (SATB)] - ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, 2 B (1, 1, 1, 1, 2 ff.). A second copy is in Ms. 213b. One of the B parts is incomplete. Includes 5 antiphons for Christmas’ vespers.
M-MDca, Mus. Ms. 213b [Antiphons for Christmas. 4 V (SATB)] - ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). A second copy is in Ms. 213a. The S part is incomplete. Includes 5 antiphons for Christmas’ vespers. M-MDca, Mus. Ms. 214 [Nos autem gloriari. Antiphon. 3 V (ATB), b] Nos autem gloriari. - ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, B, b (1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 215 [Sacred vocal compositions. 4 V (SATB)] - ms., 17th cent.; 235x170 mm.; 4 partbooks: S, A, T, B, b (1, 1, 1, 1 ff.). Decorated capital letters. Includes one antiphon and one psalm.
M-MDca, Mus. Ms. 216 [Dixit Dominus. Juravit Dominus. Psalm 109. B, bc] - ms., 17th cent.; 235x170 mm.; 2 partbooks: B, vocal score (1, 1 ff.) M-MDca, Mus. Ms. 217 [Hodie completi sunt. Antiphon. 4 V (SATB), bc] - ms., 17th cent.; 145x210 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 218 [Salve regina. Antiphon. 4 V (SATB)] - ms., 17th cent.; 250x180 mm.; 3 partbooks: S, A, T (1, 1, 1 ff.). Bass part missing. M-MDca, Mus. Ms. 219 [Salve regina. Antiphon. S, bc] Salve Regina. Canto solo. - ms., 17th cent.; 180x255 mm.; 2 partbooks: S, bc (2, 2 ff.). M-MDca, Mus. Ms. 220 [Salve regina. Antiphon. 4 V (SATB), org] Salve Regina à 4. spezzata. - ms., 17th cent.; 240x190 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 221 [Salve regina. Antiphon. 3 V (ATB), org] A 3. voci pari. - ms., 17th cent.; 250-65x190 mm.; 4 partbooks: A, T, B, org (1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 222a [Salve regina. Antiphon. 5 V (SSATB), org] Salve Regina / à 5. Voci. - ms., 17th cent.; 250x180 mm.; 6 partbooks: S1, S2, A, T, B, org (1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 222b [Salve regina. Antiphon.] - ms., 17th cent.; 250x180 mm.; parte: T2. Parts missing. M-MDca, Mus. Ms. 223a [Salve regina. Antiphon. 2 V (BB), vl1, vl2, C] A 2 Bassi. - ms., 17th cent.; 220-265x160-185 mm.; 4 partbooks: B1, B2, vl1, vl2 (1, 1, 1, 1 ff.). The bc part is missing. M-MDca, Mus. Ms. 223b [Salve regina. Antiphon. 4 V (SATB)] Salve Regina à 4. - ms., 17th cent.; 260x190 mm.; 3 partbooks: S, A, T (1, 1, 1 ff.). M-MDca, Mus. Ms. 224 [Salve regina. Antiphon. 2 V (SS), vl1, vl2, bc, A min.] Basso Continuo con 2. Canti e 2. Violini - ms., 17th-18th cent.;285x210 mm.; 4 partbooks: S1, S2, vl1, bc (2, 2, 1, 2 ff.). The vl2 part is missing. M-MDca, Mus. Ms. 225a [Salve regina. Antiphon. 4 V (SATB), bc] A. 4. - ms., 17th cent.; 205x150 mm.; 5 partbooks: S, A, T, B, bc (2, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 225b [Salve regina. Antiphon. 3 V (VAB)] A. 3. - ms., 17th cent.; 205x150 mm.; 2 partbooks: A, B (2, 2 ff.). The third voice is missing. M-MDca, Mus. Ms. 226 [Alma redemptoris. Antiphon. 2 V (ST), org] Alma Redemptoris Mater / a. 2 Can. e Ten. - ms., 17th cent.; 245x180 mm.; 3 partbooks: S, T, org (1, 1, 2 ff.) M-MDca, Mus. Ms. 227 [Salve regina. Antiphon. 3 V (ATB), bc] Salve Regina a Tre voce / canto alto tenore. - ms., 17th cent.; 205x150 mm.; 4 partbooks: S, A, T, org (1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 228 [Alma redemptoris. Antiphon. S, bc] Alma Redemptoris a voce sola di / Soprano - ms., 1742 sec.; 225x300 mm.; 2 partbooks: S, org (2, 1 ff.) On f. 1r of S: Dec. 1742. M-MDca, Mus. Ms. 229 [Alma redemptoris. Antiphon. S, bc] - ms., 18th cent.;290-310x230 mm.; 2 partbooks: S, S+bc (2, 2 ff.). Different copysts. M-MDca, Mus. Ms. 230 [Alma redemptoris. Antiphon. B, bc] Organo / Alma / Voce Sola di Basso - ms., 18th cent.;210-150 mm.; 2 partbooks: B, bc (1, 1 ff.). M-MDca, Mus. Ms. 231 [Litanies. 5 V (SATTB), org] Letania a 5. Voci del Sig.r B. - ms., 17th cent.; 210-150 mm.; 4 partbooks: S, A, B, org (2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 232 see: M-MDca, Mus. Ms. 127 M-MDca, Mus. Ms. 233 see: M-MDca, Mus. Ms. 173 M-MDca, Mus. Ms. 234 [Litanies] - ms., 17th cent.; 240x175 mm.; 1 part: T. Other parts missing. M-MDca, Mus. Ms. 235 [Salve regina. Antiphon. S, bc] - ms., 17th cent.; 205x150 mm.; vocal score (2 ff.). M-MDca, Mus. Ms. 236a [Salve regina. Antiphon. 2 V (SS/TT)] - ms., 17th cent.; 265x190 mm.; 1 part: S1+T1 (1 f.). Includes two versions of the "Salve Regina". Parts missing.
M-MDca, Mus. Ms. 237b [Salve regina. Antiphon. S, b] J. M. J. - ms., 17th cent.; 275x215 mm.; vocal score (2 ff.). The composition is incomplete. M-MDca, Mus. Ms. 237a [In exitu Israel. Psalm 113. 4 V (SATB), org] Organo / In exitu Israel de Egipto - ms., 17th-18th cent.; 275x190, 230x295 mm.; 7 partbooks: S, A, T, 3 B, org (1, 1, 1, 1, 1, 1, 2 ff.). Parts show different copysts and dates. M-MDca, Mus. Ms. 238 RISPOLI, Salvatore [Christus. Gradual. Verse. 2 V (SS), vlc, db,b, Bb min.] Originale / Christus / Del Sig.r D. Salvadore Rispoli - ms., 18th cent.; 220x300 mm.; 6 partbooks: S1, S2, 2 db,vlc, vocal score (1, 1, 1, 1, 1, 2 ff.). Different copysts. M-MDca, Mus. Ms. 239 JOMMELLI, Nicolò [Alleluiatic verses and Sequence for Whitsunday] Graduale, e Sequenza / per la Solennità del Pentecoste del Sig.r / D. Nicola Jommelli / 1786 - ms., 1786; 220x300 mm.; vocal score (4 ff.), 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db,org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.). The first alleluiatic verse is missing in both vocal parts.
M-MDca, Mus. Ms. 240 BALZANO Giuseppe [Vesper. 8 V (SSAATTBB), org] Salmi à otto voci del Sig.r D. Giuseppe Balzano - ms., 17th cent 2. metà; 205x150 mm.; 1 part: org (4 ff.). Vocal parts missing.
M-MDca, Mus. Ms. 241 BALZANO Giuseppe [Motets. 3 V, bc] Beatus vir Il Sig.r D. Giuseppe Balzano 1652. - autograph (?), ms. 1652; 250x180 mm.; 4 partbooks: T1+A, T2, B+A, bc (1, 1, 1, 1 ff.). Includes two motets.
M-MDca, Mus. Ms. 242 BALZANO Domenico [Venite omnes. Motet. 2 V (SA), vla] Mottetto à due voci Canto et Alto / 1680 / D. D.co Balzano. / Magister Cappelae Catedralis / Melivetane, Diocesis - ms., 1680; 205x150 mm.; 3 partbooks: S, A, vla (2, 2, 2 ff.); On f. 3r of the vocal parts: D. Dom.co Balzano. ZERAFA, Benigno [Mass. 8 V (SATB-SATB), orch., org] Organo Primo Coro / di / Benigno Zerafa / Messa à due Cori con VV.ni / Trombe di caccia / e Oboè / 1743 - partially autograph ms., 1743; 220x280 mm., score (64 ff.); 310x225 mm.; 24 partbooks: soloists S, A, 2 T, B; choir 1 S, A, T, B; choir 2 S, A, T, B; 2 vl1, 2 vl2, vlc, db, ob1, ob2, cor-cac1, cor-cac2, org (1, 1, 1, 1, 1; 4, 4, 4, 4; 4, 2, 2, 4; 8, 8, 8, 8, 10, 10, 2, 2, 2, 2, 10 ff.). On f. 64v of the score: Finis Laus Deo / A. G. et / B. M. V. / li 22 di 7bre / 1743. M-MDca, Mus. Ms. 244 ZERAFA, Benigno [Requiem Mass. 4 V (SATB), choir rip. (SATB), orch., org] Organo / Messa de Morti à quattro voci / con violini / di Benigno Zerafa 1744 - partially autograph ms., 1744; 220-300x290-230 mm.; 17 partbooks: S, A, T, B, choir rip. S, A, B, 2 vl1, 2 vl2, hn1, hn2, vlc, db, hn+b), org (5, 4, 4, 5, 2, 2, 3, 4, 6, 5, 4, 1, 1, 6, 5, 4, 8 ff.). M-MDca, Mus. Ms. 245a ZERAFA, Benigno [Mass. Kyrie. Gloria. 4 V (SATB), choir rip. (SATB), orch., org] Organo / Messa à 4. Voci con VV. / di Benigno Zerafa / 1744 - partially autograph ms., 1744; 220-300x290-230 mm.; 14 partbooks: 2 S, A, T, B, choir rip. S, 2 B, vl1, vl2, ob, hn1, hn2, org (4, 2, 4, 3, 2, 1, 1, 2, 4, 4, 2, 1, 1, 8 ff.); filigrana: stemma con lettere S A (?). On f. 7r of the organ part: L D B V. Doctoriq. gentium / Die P.ma obris 1744 hoc libellum exaratum eff. Mus. Ms. 245b includes the scoreof this mass. M-MDca, Mus. Ms. 245b ZERAFA, Benigno [Mass. 4 V (SATB), choir rip. (SATB), orch., org] Credo / Breve / à 4.tro / di Benigno / Zerafa - autograph ms. 1743; 220x290 mm.; score (40 ff.): vl1, vl2, S, A, T, B, b. On f. 16v: Finis laus Deo / li nove di 8bre 1743. The "Credo" is followed by "Kyrie", "Gloria", "Sanctus" and "Agnus Dei"; the "Kyrie" and "Gloria" are identical to Mus. Ms. 245a. M-MDca, Mus. Ms. 246 ZERAFA, Benigno [Messa. 4 V (SATB), choir rip. (SATB), orch., org] Organo / Messa à 4. voci con VVni e / Trombe di caccia / di / Benigno Zerafa / 1745 - partially autograph ms., 1745; 230x300 mm., score (60 ff.); 220-300x290-230 mm.; 20 partbooks: S, S ("Quoniam") A, T, 2 B, choir rip. S, A, T, 2 B, 2 vl1, 2 vl2, vlc, ob1, ob2, hn1, hn2, db, org (4, 1, 4, 4, 4, 1, 1, 1, 1, 2, 8, 8, 8, 8, 4, 2, 1, 2, 2, 5, 6 ff.). M-MDca, Mus. Ms. 247 ZERAFA, Benigno [Mass. 5 V (SSATB), choir rip. (SATB), orch., org] Organo / Messa à cinque voci con / stromenti di Benigno Zerafa / 1745 - partially autograph ms., 1745; 230x300 mm., score (60 ff.); 300x2230 mm.; partbooks: S1, S2, S ("Laudamus"), A, T, 3 B, B ("Domine"), B ("Quoniam"), ob1, ob2, cor-cac1, cor-cac2, 2 vl1, 2 vl2, vlc, db, org (2, 2, 1, 1, 2, 2, 2, 2, 2, 1, 2, 2, 2, 2, 6, 4, 4, 4, 4, 8, 6 ff.). Very damaged score. M-MDca, Mus. Ms. 248 ZERAFA, Benigno [Pastoral Mass. 4 V (SATB), choir rip. (SATB), orch., org] Organo / Messa in Pastorale à 4. Voci con stromenti / di Benigno Zerafa / 1746. - partially autograph ms., 1744; 270x210 mm., score (25 ff.), 310x230 mm.; 13 partbooks: S, A, T, 2 B, choir rip. 2 B, vl1, vl2, cor-cac1, cor-cac2, db, org (2, 2, 2, 4, 2, 1, 1, 4, 3, 2, 2, 4, 4 ff. On f. 4r of the org part: LDBV. Doctoriq. gent. M-MDca, Mus. Ms. 249 ZERAFA, Benigno [Mass. 5 V (SSATB), orch., org] Organo / Messa à cinque Voci con VV.ni / ed Istromenti di fiato di Benigno / Zerafa. / 1747 - partially autograph ms., 1747; 310x220 mm. score (24 ff.); partbooks: S1, S1 ("Laudamus"), S2, S ("Domine"), A, T, T ("Domine"), 2 B, B ("Domine") B ("Quoniam"), B ("Cum sancto spiritu"), 2 B rip, 2 vl1, 2 vl2, ob, cor-cac1, cor-cac2, vlc, db, org (2, 1, 2, 1, 2, 1, 1, 2, 1, 1, 1, 1, 1, 1, 4, 4, 4, 4, 2, 1, 1, 2, 4, 4 ff.);. On f.24r of the score: Finis Laus Deo B.M.V. / Doctorique Gentium / li 25 giugno 1747. On the score corni da caccia are indicated as trombe lunghe. M-MDca, Mus. Ms. 250 ZERAFA, Benigno [Mass. 4 V (SATB), choir rip. (SATB), orch., org] Organo / Messa / à quattro voci con Violini, e Stromenti di fiato / di / Benigno Zerafa / 1751 - partially autograph ms., 1751; 300x210 mm, score (41 ff.); 220-300x290-230 mm.; 22 partbooks: S, S ("Laudamus"), A, A ("Quoniam"), T, B, B ("Qui tollis"), choir rip S, T, B, 2 vl1, 2 vl2, fl1, fl1 ("Qui tollis"), fl2, fl2 ("Qui tollis"), hn1, hn2, vlc, org (2, 1, 2, 1, 2, 2, 1, 2, 2, 1, 4, 4, 4, 4, 2, 1, 2, 1, 2, 2, 4, 4 ff.); On f. 41r of the score: Laus Deo B.M.V. / Doctorique Gentium / die 28. Junij 1732. M-MDca, Mus. Ms. 251 ZERAFA, Benigno [Mass. 8 V (SATB-SATB), orch., org] Organo / Primo Coro / Messa à due Cori obligati / con VV.ni e diversi altri stromenti anche obligati / di / Benigno Zerafa / 1752 - partially autograph ms., 1752; 450x310 mm., score ( 82 ff.); 300x210 mm.; 25 partbooks: choir 1: S, S ("Laudamus"), A, T, B, B rip, vl1, vl2, vlc, org; choir 2: S, A, T, B, B ("Qui tollis"), vl1, vl2, vlc; vlta1, vlta2, ob1, ob2, tr-cac (cor-cac1), tr2-cac (cor-cac2) (6, 1, 4, 4, 6, 2, 9, 4, 4, 4, 6, 1, 10, 10, 10, 6, 6, 4, 4, 4, 4 ff.); filigrana: tre mezze lune descrescenti. On f. 80r of the score: Finis Laus Deo, B.M.V. / Doctorique Gentium, atque / Beato Joanni / die 21. Aprilis. 1752. On f. 82r: La lunghezza dell'orchestra che si fa per i SS. Pietro, e Paolo, è di palmi ventinove, e un terzo, oppure tre canne, e mezza, un palmo, e un terzo. Il risalto che fa dal pilastro, è di palmi sette. In the B solo part is suggested that the solo part should be performed by 4 basses (f.. 53v.). M-MDca, Mus. Ms. 252 ZERAFA, Benigno [Messa. 4 V (SATB), choir rip. (SATB), orch., org] Organo / Messa à 4. voci con stro-/menti di Benigno Zerafa / 1753 - partially autograph ms., 1753; 300x210 mm., score (16 ff.); 310x230 mm.; partbooks: S, A, T, 2 B, B rip, vl1, vl2, hn1, hn2, db, org (2, 2, 2, 2, 1, 1, 2, 2, 1, 1, 2, 4 ff.). On f. 16v of the score: li 12. 7bre 1753. M-MDca, Mus. Ms. 253 ZERAFA, Benigno [Mass. 8 V (SATB-SATB), orch., org] Organo Primo Coro / Messa à due cori con stromenti di / Benigno Zerafa 1756. - partially autograph ms., 1756; 310x225 mm., score ( 82 ff.); 27 partbooks: choir 1: 2 S, S ("Domine"), 2 A, A ("Laudamus"), T, B, B ("Quoniam"), vl1, vl2, org1; choir 2: S, 2 A, T, B, vl1, vl2, org2; vlta1, vlta2, vlc, ob1, ob2, cor1, cor2 (2, 1, 1, 2, 1, 1, 2, 2, 1, 6, 6, 6, 2, 2, 1, 2, 2, 6, 6, 6, 4, 4, 4, 4, 4, 2, 2 ff.). On f. 82v of the score: Finis / Laus Deo / BMV. / Doctorique / Gentium / oggi li 25. / Giugno 1756. M-MDca, Mus. Ms. 254 ZERAFA, Benigno [Mass. 8 V (SATB-SATB), orch., org] Organo Primo Coro / Messa à / due cori con stromenti di / Benigno Zerafa / 1758 - partially autograph ms., 1758; 310x225 mm., score ( 82 ff.); 26 partbooks: choir 1: S, S ("Laudamus"), A, T, B, B ("Domine"), vl1, vl2, vlc, org1; choir 2: S, A, T, T ("Qui tollis"), B, B ("Domine"), vl1, vl2, org2; vlta1, vlta2, ob1, ob2, tr1 (cor-cac), tr2 (cor-cac) (4, 1, 4, 2, 2, 1, 8, 8, 8, 6, 2, 2, 2, 1, 2, 1, 6, 6, 6, 4, 4, 4, 4, 4, 4 ff.). On f. 82v of the score: Finis / Laus Deo BMV. / Doctorique Gentium / oggi li 21. Giugno / 1758. M-MDca, Mus. Ms. 255 ZERAFA, Benigno [Mass. 3 V (SSB), orch., org] Organo / Messa à tre voci con / stromenti / Del Signor Don Benigno Zerafa / 1764 - partially autograph ms., 1764; 310x225 mm.; 14 partbooks: S1, S2, 2 B, S1 rip, S2 rip, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 2, 4, 4, 1, 1, 1, 1, 2, 4 ff.). On f. 4r of vl1: Finis / Laus Deo B.M.V. / Doctorique Gentium atque Beato Benedicto / 1764. M-MDca, Mus. Ms. 256 ZERAFA, Benigno [Mass. 5 V (SSATB), orch., org] Org[ano] / Messa à cinque voci con stro-/menti / non obligati per / la Commemorazione di tutti i Morti / ed altri funerali solenni / di Benigno Zerafa / 1765 - partially autograph ms., 1765; 360x260 mm., score (48 ff.); 310x225 mm.; 16 partbooks: choir 1: S1, S2, A, T, B, B rip, 2 vl1, 2 vl2, ob1, ob2, Tr1 (cor-cac1), tr2 (cor-cac2), db, org (6, 6, 8, 6, 6, 6, 10, 10, 10, 10, 4, 4, 8, 10 ff.). On f. 47v of the score: Finis / Laus Deo BMV Doctorique Gentium, atque B.o Benedicto / Ad Animarum quoque Fidelium defunctorum suffragium. / oggi li 29. Novembre 1765. On f. 10v of the org: Siegue il Resp.rio Libera me Dne da cantarsi nelle cappelle ardenti, ed in tutt'altri funerali. Several part are damaged. M-MDca, Mus. Ms. 257 ZERAFA, Benigno [Masses. 4 V (SATB), org] Organo / Messe à quattro voci senza strom.ti / del Sig.e Don Benigno Zerafa - partially autograph ms., 1779; 310x225 mm.; score (39 ff.); 9 partbooks: Messa prima S, A, T, B; Messa seconda S, A, T, B (4, 4, 4, 8, 6, 6, 6, 6, 12 ff.). On f. 38r of the score: Finis / Laus Deo B.M.V. Doctorique Gentium. / 2. Novembre 1779. 1. [Mass. 4 V (SATB), org] 2. [Mass. 4 V (SATB), org] Messa Seconda 3. [Mass. 4 V (SATB), org] Messa terza 4. [Mass. 4 V (SATB), org] Messa quarta 5. [Mass. 4 V (SATB), org] Messa quinta M-MDca, Mus. Ms. 258 ZERAFA, Benigno [Mass. 4 V (SATB), orch., org] - autograph ms.,1772; 230x310 mm.; score (73 ff.); 11 partbooks: S, A, T, B, tr1 (cor-cac1), tr2 (cor-cac2), ob1, ob2, vl1, vl2, b. On f. 72v of the score: Laus Deo, BMV. Doctorique Gentium, atque B. Benedicto. Die 11 Junii 1772. M-MDca, Mus. Ms. 259 ZERAFA, Benigno [Mass. Credo. 4 V (SATB), strings, org] - partially autograph ms., 1743; 230x310 mm.; 16 partbooks: S, A, T, B, S rip, A rip, T rip, 2 B rip, 2 vl1, 2 vl2, vla, vlc, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2, 1, 2 ff.). On f.2v of the organ part:Finis / L. DBMV Doctorique Gentium. M-MDca, Mus. Ms. 260 ZERAFA, Benigno [Mass. Credo. 4 V (SATB), orch, org] Organo / Credo a 4.o voci con vv.ni, e Trombe, / di caccia di Benigno Zerafa / 1753 - partially autograph ms., 1753; 310x230 mm.; 15 partbooks: S, A, T, B, S rip, A rip, T rip, B rip, vl1, vl2, db, tr1 (cor-cac1), tr2 (cor-cac2), 2 org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2, 2, 2 ff.). One org part includes the continuo figuring. On f. 2r of the org (E2): Finis / L. DBMV Doctorique Gentium. M-MDca, Mus. Ms. 261 ZERAFA, Benigno [Mass. Credo. 4 V (SATB), orch, org] Organo / Credo a quattro voci con / stromenti di / Benigno Zerafa / 1758 - partially autograph ms., 1758; 310x230 mm.; score (18 ff.); 20 partbooks: S, A, T, 2 B, S rip, A rip, 3 vl1, 3 vl2, vlc, db, ob1, ob2, hn1, hn2, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On f. 18r of the score: Finis Laus Deo BMV Doctorique Gentium oggi li 9. Gennaro 1758. The score misses the first two pages. M-MDca, Mus. Ms. 262 ZERAFA, Benigno [Graduals. Offertories. Alleluiatic verses] - autograph ms., [1754]; 290x200 mm.; guide-part (85 ff.). Relative parts are to be found in Mus. Ms. 263 (vocal parts, org, vl1, vl2, db), Ms. 264 (A, T, org for the verse and the offertory "Confitebuntur caeli"), Ms. 265 (vl1, vl2, vlc, db, cor1 for the gradual and offertory "Constitues eos", gradual "Qui operatus" and offertory "Mihi autem" cor2). Includes 30 compositions. 1. [Confitebuntur caeli. Alleluiatic verse. A, vl1, vl2, db, org, D] Mottetti per S. Marco / Graduale 2. [Confitebuntur caeli. Offertory. 2 V (AT), vl1, vl2, db, org, D] Offertorio / a 2. 3. [Ascendit Deus. Alleluiatic verse. A, vl1, vl2, db, org, B min.] In die Ascensionis / Domini Graduale 4. [Ascendit Deus. Offertory. 2 V (AT), vl1, vl2, db, org, D] Offertorio 5. [Confirma hoc. Offertory. A, vl1, vl2, cor-cac1, cor-cac2, db, org, G] In Festo / Pentecostes / Per la prima Festa / Offertorio 6. [Intonuit de caelo. Offertory. A, vl1, vl2, cor-cac1, cor-cac2, db, org, F] Per la seconda Festa / Offertorio 7. [Portas caeli. Offertory. A, vl1, vl2, cor-cac1, cor-cac2, db, org, F] Per la terza Festa / Offertorio 8. [Sacerdotes Domini. Offertory. A, vl1, vl2, cor-cac1, cor-cac2, db, org, F] In solemnitate / Corporis Christi. / Offertorio 9. [Constitues eos. Gradual. S, vl1, vl2, cor-cac1, cor-cac2, vlc, db, org, G] In Festo SS. / Apostolorum / Petri et Pauli / Graduale 10. [Constitues eos. Offertory. S, vl1, vl2, cor-cac1, cor-cac2, vlc, db, org, D] Offertorio 11. [Qui operatus est. Gradual. T, vl1, vl2, cor-cac1, cor-cac2, vlc, db, org, G] In Festo Commemo-/rationis Sancti / Pauli / Apostoli / Graduale 12. [Mihi autem. Offertory. S, vl1, vl2, cor-cac1, cor-cac2, vlc, db, org, F] Offertorio 13. [Dilexisti justitiam. Gradual. 3 V (STB), vl1, vl2, cor-cac1, cor-cac2, db, org, G] In Festo / Sanctae / Annae / Matris B.M.V. 14. [Filiae regum. Offertory. 3 V (STB), vl1, vl2, cor-cac1, cor-cac2, db, org, G] Offertorio 15. [Propter veritatem. Gradual. 3 V (SAB), vl1, vl2, Tr lunga1, tr lunga2, db, org, D] In Festo / Assum-/ptionis / Beatae / Mariae / Virginis / Graduale 16. [Assumpta est. Offertory. 3 V (SAB), vl1, vl2, tr lunga1, tr lunga2, db, org, D] Offertorio 17. [Benedicta et venerabilis. Gradual. 3 V (SAB), vl1, vl2, tr lunga1, tr lunga2, db, org, D] In Nativitate / Beatae Mariae Vir-/ginis, eiusque conce-/ptione atque / Desponsatione 18. [Beata es virgo. Offertorio. 3 V (SAB), vl1, vl2, tr lunga1, tr lunga2, db, org, G] Offertorio 19. [Locus iste. Gradual. B, vl1, vl2, Tr lunga (cor-cac1), tr lunga2, db, org, D] In Festo / Dedicatio-/nis Ecclesiae 20. [Domine Deus. Offertory. T, vl1, vl2, tr lunga1, tr lunga2, db, org, G] Offertorio 21 [Timete Dominum. Gradual. T, vl1, vl2, Tr lunga (cor-cac1), tr lunga2, db, org, D] In Festo / omnium / sanctorum / Graduale 22. [Justorum animae. Offertory. T, vl1, vl2, tr lunga1, tr lunga2, db, org, D] Offertorio 23. [Tecum principium. Gradual. B, vl1, vl2, cor-cac1, cor-cac2, db, org, F] In Festo / Na-/tivitatis Domini / nostri Jesu / Christi / Graduale / Per la notte 24. [Laetentur caeli. Offertory. T, vl1, vl2, tr lunga1, tr lunga2, db, org, D] Offertorio 25. [Viderunt omnes. Gradual. S, vl1, vl2, cor-cac1, cor-cac2, db, org, F] Per la terza / Mass. / Graduale 26. [Tui sunt caeli. Offertory. B, vl1, vl2, tr lunga1, tr lunga2, db, org, D min] Offertorio 27. [Sederunt principes. Gradual. A, vl1, vl2, cor-cac1, cor-cac2, db, org, G] In Festo / Sancti Stephani / protomartiris / / Graduale 28. [Elegerunt apostoli. Offertory. A, vl1, vl2, tr lunga1, tr lunga2, db, org, E min] Offertorio 29. [Exiit sermo. Gradual. B, vl1, vl2, cor-cac1, cor-cac2, db, org, G] In Festo Sancti / Joannis Apostoli / et Evangelistae / Graduale 30. [Justus ut palma. Offertory. B, vl1, vl2, tr lunga1, tr lunga2, db, org, G] Offertorio M-MDca, Mus. Ms. 263 ZERAFA, Benigno [Graduals. Offertories. Alleluiatic verses] Organo / Graduali ed Offertori per / le Sollennità dell'anno con strom.ti / in parte, ed in parte senza, di / Benigno Zerafa / 1754 - autograph ms., [1754]; 310x230 mm.; 8 partbooks: S, A, T, B, vl1, vl2, db, org (8, 8, 8, 8, 12, 12, 12, 16 ff.). The guide-part is in Mus. Ms. 262. Other parts are available in Mus. Mss. 264 e 265. Includes 30 compositions (see Mus. Ms. 262). M-MDca, Mus. Ms. 264 ZERAFA, Benigno [Confitebuntur caeli. Alleluiatic verse. Confitebuntur caeli. Offertory. 1/2 V (AT), vl1, vl2, db, org, D] Organo / Graduale, ed Offertorio à 2. Alto, e / Tenore, per la Festa di S. Marco. - autograph ms., [1754]; 310x230 mm.; 3 partbooks: A, T, org (1, 1, 2 ff.). The guide-part is in Mus. Ms. 262; instrumental parts are in Mus. Ms. 263. M-MDca, Mus. Ms. 265 ZERAFA, Benigno [Graduals. Offertories. Alleluiatic verses] - autograph ms.,[1754]; 310x230 mm.; 5 partbooks: vl1, vl2, vlc, hn1, hn2, (1, 1, 2 ff.). Includes the instrumental parts of the gradual and offertory "Constitues eos", gradual "Qui operatus", offertory "Mihi autem" cor2). Vocal parts and organ are in Mus. Ms. 263; guide-part is in Mus. Ms. 262. M-MDca, Mus. Ms. 266 ZERAFA, Benigno [Benedicta sit. Introit. 4 V (SATB), org, C] Introito per la Messa / votiva della SS. Trinità / Pontificale sollenne in ringra-/ziamento per la nascita del / Figlio del Re di Napoli 1775 - autograph ms.,1755; 220x280 mm., vocal score (2 ff.); 140-280x220 mm.; 8 partbooks: S, A, T, B, S rip, T rip, B rip, org (1, 1, 1, 1, 1, 1, 1, 1 ff.). Ripieno parts are identical to the other parts. On f. 1r of the vocal score : 16 Febraro 1775. Originale. Introit followed by Psalm "Domine Dominus noster". M-MDca, Mus. Ms. 267 ZERAFA, Benigno [Charitas Dei diffusa. Introit. 3 V (SSB)] Introito per la Messa di S. Francesco di Paula in ringraziamento per la nascita del / Figlio del Re di Napoli li 13. Maggio 1775 - autograph ms.,1755; 220x280 mm., vocal score (2 ff.); 140-280x220 mm.; 3 partbooks: S1, S2, B (1, 1, 1 ff.). The organ part has not been compiled. Introit followed by Psalm "Quam bonus Israel". M-MDca, Mus. Ms. 268 ZERAFA, Benigno [Introit, Alleuiatic verse, Introit. Dominica in Albis. 1-4 V, org, F] Introito, Graduale, ed Offertorio per la Domenica in Albis. li 24, Aprile 1756 - partially autograph ms., 1756; 230x320 mm., vocal score (4 ff.); 290x220 mm.; 5 partbooks: S, 2 A, T, B (1, 1, 1, 1, 1 ff.). On f.1r of the partbooks: Introito per la Domenica in Albis li 24 Aprle 1776, e presentato nell'anno 1775, sotto i 23 Aprile, per l'esaltazione di nostro Signore Pio Sesto. 1. [Quasi modo. Introit. 4 V (SATB), org, F] 2. [Exsultate Deo. Psalm 4 V (SATB), org, F] Psalm o 3. [Messa. Alleluiatic Verse. A, org, F] Graduale The organ part has not been compiled. 4. [Angelus Domini. Offertoy. A, org, F] M-MDca, Mus. Ms. 269 ZERAFA, Benigno [Te Deum. Hymn. 4 V (SATB), orch., org, D] Organo / Te Deum laudamus à 4. voci con VV.ni / Stromenti di fiato di / Benigno Zerafa / 1746 - partially autograph ms., 1746; 270x190 mm., score (20 ff.); 310x210 mm.; 23 partbooks: S, A, T, 2 B, S rip, A rip, T rip, 2 B rip, 4 vl1, 4 vl2, tr1 (cor-cac), tr2 (cor-cac), vlc, db, org (2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2, 2, 2, 2, 4, 2, 2, 2, 2, 1, 1, 2, 2, 4 ff.). M-MDca, Mus. Ms. 270 ZERAFA, Benigno [Veni sancte spiritus. Hymn. 4 V (SATB), vl1, vl2, db, org, G] Organo / Veni Sancte spiritus a quattro voci con / Viol.ni, e senza di Benigno Zerafa / 1753 - partially autograph ms., 1753; 280x200 mm., score (4 ff.); 300x210 mm.; 10 partbooks: S, A, T, 2 B, B rip, 2 vl, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 271 ZERAFA, Benigno [Lauda Sion. Sequence. 4 V (SATB), vl1, vl2, db, org, LA] Organo / Lauda Sion Salvatorem à 4 / Voci con Violini di Benigno Zerafa / 1753 - partially autograph ms., 1753; 280x200 mm., score (21 ff.); 300x210 mm.; 10 partbooks: S, A, T, 2 B, B rip, vl1, vl2, db, org (2, 2, 2, 2, 2, 1, 2, 2, 2, 4 ff.). On f.3v of the organ part: LDBV. Doctorique gentium. M-MDca, Mus. Ms. 272 ZERAFA, Benigno [Victime paschali. Sequence. 4 V (SATB), vl1, vl2, db, org, D] Sequenza per la Sollennità della Pasqua - partially autograph ms., 1754; 285x225 mm., score (4 ff.); 150x220 mm.; 9 partbooks: S, A, T, B, B rip, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 2 ff.). On f. 1r of the score: Il verso, che deve fare l'organo per il coro prima della presente Sequenza dev'essere in Delasolre # 3. Author and dates are indicated on the parts. M-MDca, Mus. Ms. 273 ZERAFA, Benigno [Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, G] Organo / Dne ad adjvandum a / 4. con stromenti di fiato e vv.ni / di Benigno Zerafa / 1744 - partially autograph ms., 1744; 310x220 mm., score (12 ff.); 19 partbooks: S, A, 2 T, 2 B, S rip, A rip, T rip, B rip, 2 vl1, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.) M-MDca, Mus. Ms. 274 ZERAFA, Benigno [Domine ad adiuvandum. 4 V (SATB), orch., org, G] Dne ad adjuvandum a 4 / con VV.ni di Benigno Zerafa / 1744 - partially autograph ms., 1744; 150-300x220 mm., score (6 ff.); 10 partbooks: S, A, T, 2 B, vl1, vl2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 2 ff.) M-MDca, Mus. Ms. 275 ZERAFA, Benigno [Domine ad adiuvandum. Verse.4 V (SATB), orch., org, D] Organo / Dne ad adjuvandum con stromenti di / Benigno Zerafa / 1756 - partially autograph ms., 1756; 290x190 mm., score (2 ff.); 85-150x205-225 mm.; 19 partbooks: S, A, T, 2 B, S rip, A rip, T rip, 2 vl1, 2 vl2, vlc, ob1, ob2, tr1 (cor-cac), tr2 (cor-cac), db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). Ripieno parts joint later and including identical music as other vocal parts. On f.1v of the score a fragment of a "Domine ad adjuvandum" for 4 voice and orch whose only the vocal parts of Bass, Tenor and Alto have been compiled. M-MDca, Mus. Ms. 276 ZERAFA, Benigno [Dixit Dominus. Psalm 109. A, T, B, 8 V (SATB-SATB), orch., org, F] - autograph ms.,1755; 460x310 mm., score (60 ff.); scoring: choir 1 S, A, T, B, vl1, vl2, vlta1, choir 2 S, A, T, B, vl1, vl2, vlta2, b On f.59v: Finis Laus Deo BMV. Doctorique Gentium li 22. Giugno 1755. M-MDca, Mus. Ms. 277 ZERAFA, Benigno [Psalms. 4 V (SATB), orch., org, D] Organo / Dixit e Confitebor brevi à quattro / voci con stromenti di Benigno Zerafa / 1755 - partially autograph ms., 1755; 290-310x220 mm., score (8 ff.); 10 partbooks: S, A, T, 2 B, vl1, vl2, tr1 (cor-cac), tr2 (cor-cac), org (1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.) On f.3v: Finis Laus Deo BMV. Doctorique Gentium oggi li 29. 8bre 1755. Includes two psalms. 1. [Dixit Dominus. Psalm 109] 2. [Confitebor...in consilio. Psalm 110] Verses alternatively set to music. M-MDca, Mus. Ms. 278 ZERAFA, Benigno [Confitebor...in consilio. Psalm 110. 4 V (SATB), orch., org, G] Confitebor / a quattro voci con violini di Benigno / Zerafa 1753 / Organo - partially autograph ms., 1753; 270x195 mm., score (16 ff.); 310x220 mm.; 17 partbooks: S, A, T, 2 B, S rip, A, rip, T rip, B rip, 2 vl1, 2 vl2, vlc, 2 db, org (2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2, 2, 1, 4 ff.) On f. 16v: Finis Laus Deo BMV. Doctorique Gentium die p.mo 8bre 1753. M-MDca, Mus. Ms. 279 ZERAFA, Benigno [Beatus vir. Psalm 111. 4 V (SATB), orch., org, E min.] Organo / Beatus vir breve à 4 voci con / stromenti di Benigno Zerafa / 1754 - partially autograph ms., 1754; 290x200 mm., score (6 ff.); 160-310x220 mm.; 17 partbooks: S, A, T, 2 B, B rip, 4 vl1, 4 vl2, 2 db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.) On f. 6v of the score: Finis Laus Deo BMV. Doctorique Gentium oggi p.mo Gennaro 1754. M-MDca, Mus. Ms. 280 ZERAFA, Benigno [Beatus vir. Psalm 111. B, orch., org, F] Beatus vir/ à Basso solo / per SS. Pietro e / Paolo dell'/ anno 1745 - partially autograph ms., 1745; 270x195 mm., score (20 ff.); 310x220 mm.; 12 partbooks: B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 2, 3, 2, 1, 1, 1, 1, 2, 2, 4 ff.) On f. 20v of the score: Finis Laus Deo li 3. decembre 1745. M-MDca, Mus. Ms. 281 ZERAFA, Benigno [Beatus vir. Psalm 111. 4 V (SATB), orch., org, D] Organo / Beatus vir breve à 4 voci con strom.ti / di Benigno Zerafa / 1753 - partially autograph ms., 1753; 280x200 mm., score (12 ff.); 160-310x220 mm.; 15 partbooks: S, A, T, 2 B, B rip, 2 vl1, 2 vl2, vlc, tr1 (cor-cac), tr2 (cor-cac), db, org. On f.12v of the score: Finis Laus Deo BMV. Doctorique Gentium li 27. 7bre 1753. M-MDca, Mus. Ms. 282 ZERAFA, Benigno [Laetatus sum. Psalm 121. 4 V (SATB), orch., org, D] Organo / Laetatus à 4 voci con stromenti / di Benigno Zerafa / 1754 - partially autograph ms., 1754; 290x210 mm., score (8 ff.); 160-310x220 mm.; 9 partbooks: S, A, T, 2 B, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 2 ff.) On the score the trombe di caccia have not been compiled. On f.8v of the score: Finis Laus Deo B.M.V. oggi li 28. Gennaro 1753. M-MDca, Mus. Ms. 283 ZERAFA, Benigno [Laudate pueri. Psalm 112. 4 V (SATB), orch., org, F] Organo / Laudate pueri a 4 voci con / stromenti di Benigno Zerafa / 1753 - partially autograph ms., 1753; 300x210 mm., score (8 ff.); 310x220 mm.; 18 partbooks: S, A, T, 2 B, S rip, A, rip, T rip, B rip, 2 vl1, 2 vl2, vlc, db, hn1, hn2, org. On f.8v of the score: Finis Laus Deo BMV. Doctorique Gentium li 29. 7bre 1753. M-MDca, Mus. Ms. 284 ZERAFA, Benigno [Laudate Dominum omnes gentes. Psalm 116. 4 V (SATB), orch., org, F] - autograph ms.,1754; 285x190 mm., score (4 ff.); scoring: S, A, T, B, vl1, vl2, b. On f. 2r of the score: Finis Laus Deo BMV. Doctorique Gentium oggi li 4. Gennaro 1754. Parts available in Mus. Ms. 285. M-MDca, Mus. Ms. 285 ZERAFA, Benigno [Laudate Dominum omnes gentes. Psalm 116. 4 V (SATB), orch., org, F] Laudate Dnum omnes gentes à 4 voci con stromenti di Benigno Zerafa 1754 - autograph ms.,1754; 160x220 mm.; 11 partbooks: B rip, 4 vl1, 4 vl2, vlc, db (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). On all partbooks: Finis L D BMV. Doct. Gent. Score in Mus.Ms. 284. M-MDca, Mus. Ms. 286 ZERAFA, Benigno [In exitu Israel. Psalm 113. 4 V (SATB), orch., org, F Organo / In exitu Israel à quattro voci con / stromenti di Benigno Zerafa / 1754 - partially autograph ms., 1754; 290x210 mm., score (12 ff.); 10 partbooks: S, A, T, 2 B, B rip, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On f.11r of the score: Finis Laus Deo BMV. Doctorique Gentium oggi li 5. marzo 1754. M-MDca, Mus. Ms. 287 ZERAFA, Benigno [Laudate pueri. Psalm 112. S, orch., org, D] Laudate pueri a voce sola di soprano con vv.ni di Benigno Zerafa - autograph ms. ?, 18th cent. 2.nd half; 220x280 mm., score (18 ff.); 280x220 mm.; 7 partbooks: S, 2 vl1, 2 vl2, vlc, db (2, 2, 2, 2, 2, 2, 2 ff.) M-MDca, Mus. Ms. 288 ZERAFA, Benigno [Dixit Dominus. Psalm 109. S, A, T, B, 8 V (SATB-SATB), orch., org, G] - autograph ms.,1743; 220x280 mm., score (37 ff.): tr1 (cor-cac), tr2 (cor-cac), ob1, ob2, choir 1 vl1, vl2, choir 2 vl1, vl2, choir 1 (SATB), choir 2 (SATB), b. On f. 37v: Finis Laus Deo ad gloriam B.M.V. S. Virgi. Zerafa Fecit l'anno 1473 l'1 di giugno. Parts in Mus. Mus. 289. M-MDca, Mus. Ms. 289 ZERAFA, Benigno [Dixit Dominus. Psalm 109. 8 V (SATB-SATB), orch., org, G] Organo / Dixit / a 2. cori con Violini, / corni di caccia, e 2. Oboé / obligati di Benigno Zerafa / 1743 - partially autograph ms., 1743; 275x230 mm.; 22 partbooks: choir 1 S solo, A solo, S, A, T, B, vl1, vl2, choir 2 S solo, S, A, T, B, vl1, vl2, tr1 (cor-cac), tr2 (cor-cac), ob1, ob2, vlc, db, org (1, 1, 4, 4, 4, 4, 6, 6, 1, 2, 2, 2, 2, 6, 6, 2, 2, 2, 2, 4, 4, 8 ff). On f.7r dell'organo: Finis Laus Deo. Io Filippo Cherubini scrisse per uno suo amico Benigno Zerafa [...] 1743. On f.2v of cor-cac1 a spell has been written: mur di vidi che, è finito finito mur cridelo malora malora cridilo con tutti li diavoli e malora è finito. Score in Mus. Mus. 288. M-MDca, Mus. Ms. 290 ZERAFA, Benigno [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, G] Organo / Dixit Dominus / quattro voci con Violini, e stromenti di fiato / Benigno Zerafa / 1745 - partially autograph ms., 1745; 270x190 mm.; 310x220 mm.; 23 partbooks: S, A, 2 T, 2 B, S rip, A rip, T rip, B rip, 3 vl1, 3 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 2, 2, 1, 4, 1, 1, 1, 1, 2, 8, 4, 4, 4, 4, 8, 2, 2, 2, 2, 6, 6, 6 ff.) On f.1r of the score: Per la festa de SS. Pietro e Paolo del 1745. M-MDca, Mus. Ms. 291 ZERAFA, Benigno [Dixit Dominus. Psalm 109. S, T, B, choir 5 V (SSATB), orch., org, D] Organo / Dixit a cinque voci con strom.ti / di / Benigno Zerafa / 1745 - partially autograph ms., 1745; 310x215 mm., score (44 ff.); 21 partbooks: S1, S2, S2 solo, A, 2 T, 2 B, B solo, B rip, 2 vl1, 2 vl2, ob1, ob2, tr1 (cor-cac), tr2 (cor-cac), vlc, db, org (2, 2, 1, 1, 1, 2, 1, 1, 1, 1, 4, 4, 4, 4, 1, 1, 1, 1, 2, 5, 4 ff.) On f.44v of the score: Finis Laus Deo Zerafa cepit et perfecit fec die 18. januarij 1745. M-MDca, Mus. Ms. 292 ZERAFA, Benigno [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, F] Organo / Dixit Dominus à 4. voci con / violini, e stromenti di fiato di / Benigno Zerafa / 1751 - partially autograph ms., 1751; 310x225 mm., score (32 ff.); 16 partbooks: S solo, A solo, S, A, T, B, B rip, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 2, 2, 2, 2, 1, 4, 4, 2, 2, 2, 2, 4, 2, 4 ff.) On f.32r of the score: Laus Deo B. M. V. Doctorique Gentium die 24. Junij 1751. On f.23r of the score the part a fl traverso has been added for the aria of the Bass on the verse "Juravit Dominus". M-MDca, Mus. Ms. 293 ZERAFA, Benigno [Dixit Dominus. Psalm 109. S, A, B, choir 4 V (SATB), orch., org, G] Dixit a 4.° con strumenti di Benigno Zerafa - partially autograph ms., 1753; 300x210 mm., score (10 ff.); 22 partbooks: S, A, T, 2 B, S rip, A rip, T rip, B rip, 3 vl1, 3 vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 2, 1, 1, 1, 1, 1, 1, 1, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 4 ff.) On f. 10v of the score: Finis Laus Deo BMV Doctorique Gentium li 24. 7bre 1753. M-MDca, Mus. Ms. 294 ZERAFA, Benigno [Dixit Dominus. Psalm 109. S, A, B, choir 4 V (SATB), orch., org, F] Organo / Dixit à quattro voci con / stromenti di Benigno Zerafa / 1754 - partially autograph ms., 1754; 280x200 mm., score (8 ff.); 310x220 mm.; 12 partbooks: S, A, T, 2 B, B rip, vl1, vl2, hn1, hn2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.) On f. 8v of the score: Finis Laus Deo BMV. Doctorique Gentium Oggi li 30. xbre 1753. M-MDca, Mus. Ms. 295 ZERAFA, Benigno [Dixit Dominus. Psalm 109. S, A, T, 8 V (SATB-SATB), orch., org, G] Organo Primo Coro / Dixit à due cori con stromenti / di Bengno Zerafa / 1756 - partially autograph ms., 1756; 290x210 mm., score (60 ff.); 310x220 mm.; 29 partbooks: choir1 A solo, T solo, 2 S, 2 A, 2 T, B, vl1, vl2, vlc, org, choir2 2 S, 2 A, 2 T, B vl1, vl2, vlc, org, vlta1, vlta2, ob1, ob2, cor1, cor2 (1, 1, 4, 1, 2, 1, 2, 1, 2, 4, 4, 4, 6, 2, 1, 2, 1, 2, 1, 2, 4, 4, 3, 4, 4, 4, 2, 2, 2 ff.) On f. 60r of the score: Laus Deo. BMV. Doctorique Gentium oggi li 10. giugno 1756. M-MDca, Mus. Ms. 296 ZERAFA, Benigno [Dixit Dominus. Psalm 109. choir 4 V (SATB), orch., org, D] Organo / Dixit Dominus à quattro voci / con stromenti / di Benigno Zerafa / 1757 - partially autograph ms., 1757; 290x210 mm., score (16 ff.); 310x220 mm.; 14 partbooks: S, A, T, 2 B, S rip, vl1, vl2, ob1, ob2, tr1 (cor-cac), tr2 (cor-cac), db, org (2, 1, 1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 4 ff.) On f.16v of the score: Finis Laus Deo BMV. Doctorique Gentium oggi li 30 xbre 1757. M-MDca, Mus. Ms. 297 ZERAFA, Benigno [Confitebor tibi...in consilio. Psalm 110. S, vlc obbl, orch., org, D] Organo / Confitebor a voce sola di Soprano con Violon-/cello obligato, VV.ni, e stromenti di Fiato senz'obligo / di Benigno Zerafa 1765 - autograph ms.,1765; 360x250 mm., score (30 ff.); 230x320 mm.; 5 partbooks: S, vlc obbl, vl1, vl2, org (4, 8, 4, 4, 4 ff.). On the score the wind section (first two staves) are not compiled. On f.30v: Finis. Laus Deo, BMV, Doctorique Gentium, Atque B.o Benedicto 16 agosto 1765. M-MDca, Mus. Ms. 298 ZERAFA, Benigno [Beatus vi qui timet. Psalm 111. S, vlc obbl, orch., org, F] Beatus vir à voce sola di Soprano con Violoncello obligato. Originale - autograph ms.,1765; 360x250 mm., score (33 ff.); 230x320 mm.; 5 partbooks: S, vlc obbl, vl1, vl2, org (4, 6, 5, 10, 6 ff.). On f.33r of the score: Finis. Laus Deo BMV Doctorique Gentium atque B.o Benedicto oggi li 24. settembre 1765. M-MDca, Mus. Ms. 299 ZERAFA, Benigno [Beatus vi qui timet. Psalm 111. B, vlc obbl, orch., org, Eb] Organo / Beatus vir a Basso solo con VV.ni e stromenti / di fiato di Benigno Zerafa 1766. - autograph ms.,1766; 360x250 mm., score (28 ff.); 230x320 mm.; 5 partbooks: B, vlc obbl, vl1, vl2, org (4, 6, 6, 12, 4 ff.) On f.33r of the score: Finis. Laus Deo, BMV, Doctorique Gentium, atque B.o Benedicto li 8. gennaro 1766. M-MDca, Mus. Ms. 300 ZERAFA, Benigno [Laudate Dominum omnes gentes. Psalm 116. 4 V (SATB), orch., org, D min.] Organo / Laudate Dnum omnes gentes à / quattro voci con stromenti / di Benigno Zerafa / 1753 - autograph ms.,1753; 160x230 mm.; 16 partbooks: S, A, T, 2 B, S rip, A rip, T rip, B rip, 2 vl1, 2 vl2, vlc, db, org (1, 1, 1 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.) On all partbooks: Finis LDBMV Doctorique Gentium. M-MDca, Mus. Ms. 301 ZERAFA, Benigno [Laudate pueri. Psalm 112. 4 V (SATB), orch., org, G] Organo / Laudate pueri breve à 4 voci con stromenti di / Benigno Zerafa 1754 - autograph ms.,1754; 160x230 mm.; 9 partbooks: S, A, T, B, 2 vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1 ff.) On all partbooks: Finis LDBMV Doctorique Gentium. M-MDca, Mus. Ms. 302 ZERAFA, Benigno [Nisi Dominus. Psalm 126. 4 V (SATB), orch., org, F] Organo / Nisi Dnus a 4 voci con strom.ti / di Benigno Zerafa / 1755 - autograph ms.,1755; 150x210 mm.; 9 partbooks: S, A, T, 2 B, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On all partbooks: Finis LDBMV Doctorique Gentium. M-MDca, Mus. Ms. 303 ZERAFA, Benigno [Vespers. 3 V (SSB), orch., org] Organo / Dne ad adjuvandum, Dixit Dnus, Laudate / pueri, e Magnificat à tre voci con stromenti / di / Benigno Zerafa / 1764 - partially autograph ms., 1764; 230x320 mm.; score (72 ff.); 17 partbooks: S1, S2, 2 B, S1 rip, S2 rip, 2 vl1, 2 vl2, ob1, ob2, cor-cac1, cor-cac2, vlc, db, org (4, 4, 4, 4, 2, 2, 4, 4, 4, 4, 2, 2, 2, 2, 4, 3, 6, ff.). On f.37r after the "Dixit": 30. gennaro 1764. On f. 53r After the "Laudate pueri": 3. Febraro 1764. On f.70r after the canticle: Finis Laus Deo, BMV Doctorique Gentium, atque B.o Benedicto 5. Febraro 1764. 1. [Domine ad adjuvandum. Verse.F] 2. [Dixit Dominus. Psalm 109. F] 3. [Laudate pueri. Psalm 112. D] 4. [Magnificat. Canticle. G] M-MDca, Mus. Ms. 304 ZERAFA, Benigno [Laudate pueri. Psalm 112. S, vlc obbl, orch., org, G] Laudate pueri à voce sola di Soprano. di Benigno Zerafa 1764. Originale - autograph ms.,1764; 230x310 mm., score (44 ff.); 9 partbooks: S, vl1, vl2, ob1, ob2, tr1 (cor-cac), tr2 (cor-cac), vlc obbl, org (4, 4, 4, 2, 2, 1, 1, 8, 4 ff.) On f. 43v of the score: Finis Laus Deo, BMV, Doctorique Gentium, atque B.o Benedicto. li 3 luglio 1764. M-MDca, Mus. Ms. 305 ZERAFA, Benigno [Nisi Dominus. Psalm 126. S, mand, orch., org, G] Nisi Dominus à Canto solo di Benigno Zerafa 1764. Originale - autograph ms.,1764; 230x310 mm.; score (16 ff.): S, mand obbl, vl1, vl2, org; 4 partbooks: S, vl1, vl2, org (2, 4, 4, 4 ff.) On f.16v of the score: Finis Laus Deo, BMV, Doctorique Gentium, atque B.o Benedicto. li 20 7bre 1764. M-MDca, Mus. Ms. 306 ZERAFA, Benigno [Dixit Dominus. Psalm 109. choir 4 V (SATB), orch., org, G] - autograph ms.,1773; 220x290 mm., score (62 ff.): tr1 (cor-cac), tr2 (cor-cac), vl1, vl2, S, A, T, choir S, A, T, B, bc. On f.62v of the score: Laus Deo, BMV. Doctorique Gentium, atque B. Benedicto 13. Giugno 1773. M-MDca, Mus. Ms. 307 ZERAFA, Benigno [Magnificat. Canticle. 5 V (SSATB), choir rip. 5 V (SSATB), orch., org, A min.] Organo / Magnificat a 5. di Benigno / Zerafa / 1744 - autograph ms.,1744; 310x220 mm., score (14 ff.); 18 partbooks: S1, S2, A1, A2, T1, T2, 2 B1, B2, 2 vl1, 2 vl2, vla, tr1+cor1, tr2+cor2, db, org (2, 2, 2, 1, 2, 1, 2, 1, 1, 2, 2, 2, 2, 2, 1, 1, 2, 4 ff.). On f.14v of the score: Finis Laus Deo. The trumpet parts have been joint later. M-MDca, Mus. Ms. 308 ZERAFA, Benigno [Magnificat. Canticle. 4 V (SATB), orch., org, G] Organo / Magnificat à 4. voci con stromenti / di Benigno Zerafa / 1753 - partially autograph ms., 1753; 270x190 mm., score (30 ff.); 310x220 mm.; 19 partbooks: S1, S2, A, A rip, T, T rip, 2 B, B rip, 2 vl1, 2 vl2, hn1, hn2, vlc, 2 db, org (2, 1, 2, 1, 2, 1, 1, 2, 2, 4, 4, 4, 4, 1, 1, 4, 2, 2, 4 ff.) On f.1r of the score: Per la festa de SS. Pietro e Paolo 1745; On f.29v: Finis Laus Deo BMV Doctorique Gentium Oggi li 22 xmbre 1753. M-MDca, Mus. Ms. 309 ZERAFA, Benigno [Magnificat. Canticle. 4 V (SATB), orch., org, D] Organo / Magnificat à 4. voci con strom.ti di / Benigno Zerafa / 1754 - partially autograph ms., 1754; 290x200 mm., score (12 ff.); 310x220 mm.; 18 partbooks: S, S rip, A, A rip, T, T rip, 2 B, B rip, 2 vl1, 2 vl2, tr1 (cor-cac), tr2 (cor-cac), vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.) The score is in Mus. Ms. 711. On f.10v of the score: Finis Laus Deo BMV Doctorique Gentium oggi li 9. Giugno 1754. The trumpet parts have been joint later. M-MDca, Mus. Ms. 310 ZERAFA, Benigno [Magnificat. Canticle. 4 V (SATB), orch., org, F] Organo / Magnificat à quattro voci / con stromenti / di Benigno Zerafa / 1758 - partially autograph ms., 1758; 290x200 mm., score (10 ff.); 310x220 mm.; 13 partbooks: S, A, T, 2 B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff) On f.10v of the score: Finis Laus Deo BMV Doctorique Gentium oggi primo Gennaro 1758. M-MDca, Mus. Ms. 311 ZERAFA, Benigno [Responsories. Nocturne Feria V (in Coena Domini), Feria VI (in Parasceve), Sabato Sancto. 4 V (SATB), org] Organo / Responsori à 4° voci / per la Settimana S.ta di / Benigno Zerafa / 24 marzo 1746 - partially autograph ms., 1746; 270x190 mm., score (68 ff.); 310x220 mm.; 10 partbooks: S, S rip, 2 A, T, 2 B, 2 B rip, org (12, 8, 12, 12, 10, 12, 8, 16, 6, 14 ff.) On f. 67v of the score: Ipse qui coepit, hoc, auxiliante Dei gratia, opus perfecit die X. Martii 1746. Includes 27 responsories for Holy Week. 1. [In monte Oliveti] Responsorio p.mo del p.mo nott.o mercordì santo da sera 2. [Tristis est.] Responsorio 2.do del p.mo notturno 3. [Ecce vidimus] Resp.rio 3.o del p.mo notturno 4. [Amicus meus] Responsorio p.mo del 2.do notturno 5. [Judas mercator] Responsorio secondo del secondo notturno 6. [Unus ex discipulis] Responsorio terzo del 2.do notturno 7. [Eram quasi agnus] Respon.rio P.mo del 3.o nott.no 8. [Una hora] Respon.rio 2.do del 3.o notturno 9. [Seniores] Respon.rio 3.o del 3.o nottu.no 10. [Omnes amici] Giovedì Santo da sera / Responsorio p.mo del p.mo notturno 11. [Velum templi] Responsorio 2.o del p.mo notturno 12. [Vinea mea] Responsorio 3.o del p.mo notturno 13. [Tamquam ad latronem] Responsorio p.mo del 2.do notturno 14. [Tenebrae factae sunt] Responsorio 2.do del 2.do notturno 15. [Animam meam] Responsorio 3.o del 2.do notturno 16. [Tradiderunt] Responsorio p.mo del 3.o notturno 17. [Jesum tradidit] Responsorio 2.do del 3.o notturno 18. [Caligaverunt] Responsorio 3.o del 3.o notturno 19. [Sicut ovis] Venerdì Santo da Sera / Responsorio p.mo del p.mo notturno 20. [Jerusalem] Responsorio 2.do p.mo del notturno 21. [Plange quasi virgo] Responsorio 3.o del p.mo notturno 22. [Recessit pater noster] Responsorio p.mo del 2.do notturno 23. [O vos omnes] Responsorio 2.do del 2.do notturno 24. [Ecce quomodo] Responsorio 3.o del 2.o notturno 25. [Astiterunt reges] Responsorio p.mo del 3.o nott.o 26. [Aestimatus sum] Responsorio 2.do del 3.o notturno 27. [Sepulto Domino] Responsorio 3.o del 3.o notturno M-MDca, Mus. Ms. 312 ZERAFA, Benigno [Reproaches. Feria VI (in Parasceve). 4 V (SATB), org] Organo / Improperi per il Venerdì Santo / à quattro voci senza stromenti / di Benigno Zerafa / 1754 - partially autograph ms., 1754; 290x205 mm., score (16 ff.); 310x220 mm.; 7 partbooks: S, A, T, 2 B, B rip, org (2, 4, 2, 2, 2, 1, 4 ff.) Includes: "Popule meus", "Agios o Theos", "Quia eduxite", "Quid ultra debui", "Agios o Theos", "Ego propter", "Crucem tuam", "Deus misereatur" (Psalm 66), "Crucem tuam" (da capo). On f.16r of the score: Finis Laus Deo B.M.V. Doctorique Gentium. oggi li 26. marzo 1754. M-MDca, Mus. Ms. 313 ZERAFA, Benigno [Miserere mei Deus secundum. Psalm 50. 4 V (SATB), org, Bb] Organo / Miserere à quattro voci di / Benigno Zerafa / 1754 - autograph ms.,1754; 290x220 mm., score (6 ff.); 7 partbooks: S, A, T, 2 B, B rip, org (2, 4, 2, 2, 1, 4 ff.). On f.6r of the score: Finis. Laus Deo. BMV. Doctorique Gentium ogggi li 29. marzo 1754. M-MDca, Mus. Ms. 314 ZERAFA, Benigno [Responsories. Nocturne Feria V (in Coena Domini). 8 V (SATB-SATB), org] Responsori / della Settimana Santa / di / Don Benigno Zerafa - ms., XIX sec. fine; 210x290 mm., score (16 ff.). Vocal and instrumental parts in Mus. Ms. 315. Includes the first two responsories of the first Norcturne of Feria V (Thrusday) of the Holy Week. 1. [In monte Oliveti. D min.] Responsorio 1mo 2. [Tristis est. Bb] Responsorio 2.do M-MDca, Mus. Ms. 315 ZERAFA, Benigno [Responsories. Nocturnes Feria V (in Coena Domini), VI (in Parasceve), Sabato Sancto. 8 V (SATB-SATB)), org] Organo Primo / Coro / Responsorii della Settimana / Santa / di Benigno Zerafa 1764 - autograph ms.,1764; 210x290 mm., 10 partbooks: choir 1 S, A, T, B, org1, choir 2 S, A, T, B, org2 (12, 12, 10, 12, 14, 10, 12, 10, 12, 11 ff.);filigrana: tre mezze lune decrescenti. La partitura dei primi due responsori si trova in Mus. 314. Molte delle parti riportano nell'ultimo foglio: Finis. L(aus). D(eus) B(eatae) M(ariae) V(irginis) D(octorique) G(entium). Includes 27 responsories for Holy Week. 1. [In monte Oliveti. D min.] Mercordì Santo da sera / Responsorio Primo / del p.mo nott.o 2. [Tristis est. Bb] Resp. 2do / del p.mo nott.o 3. [Ecce vidimus. Gb min.] Resp.rio terzo / del p.mo nott.o 4. [Amicus meus. Bb] Resp.rio Primo / del 2.do nott.o 5. [Judas mercator. Eb] Resp.rio secondo / del 2do nott.o 6. [Unus ex discipulis. G min.] Resp.rio terzo / del 2.do nott.o 7. [Eram quasi agnus. C min.] Respon.rio P.mo / del 3.o nott.no 8. [Una hora. F min.] Resp.rio secondo / del 3.o notturno 9. [Seniores. C min.] Resp.rio terzo / del 3.o nott.o 10. [Omnes amici. Eb] Giovedì Santo da sera / Resp.rio Primo / del p.mo notturno 11. [Velum templi. SIb] Resp.rio secondo / del p.mo nott.o 12. [Vinea mea. MIb] Resp.rio terzo / del p.mo nott.o 13. [Tamquam ad latronem. G min.] Resp.rio Primo / del 2.do nott.o 14. [Tenebrae factae sunt. Eb] Resp.rio secondo / del 2.do nott.o 15. [Animam meam. C min.] Resp.rio terzo / del 2.o nott.o 16. [Tradiderunt F min.] Resp.rio Primo / del 3.o nott.o 17. [Jesum tradidit. MIb] Resp.rio secondo / del 3.o nott.o 18. [Caligaverunt. MIb] Resp.rio terzo / del 3.o nott.o 19. [Sicut ovis. G min.] Venerdì Santo da Sera / Resp.rio primo / del p.mo nott.o 20. [Jerusalem. Eb] Resp.rio secondo / del p.mo nott.o 21. [Plange quasi virgo. C min.] Resp.rio terzo / del primo nott.o 22. [Recessit pater noster. Eb] Resp.rio Primo / del 2.o nott.o 23. [O vos omnes. G min.] Resp.rio secondo / del 2.o nott.o 24. [Ecce quomodo. C min.] Resp.rio terzo / del 2.o nott.o 25. [Astiterunt reges. G min.] Resp.rio Primo / del 3.o nott.o 26. [Aestimatus sum. D min.] Resp.rio secondo / del 3.o nott.o 27. [Sepulto Domino. Bb] Resp.rio terzo / del 3.o nott.o M-MDca, Mus. Ms. 316 ZERAFA, Benigno [Laeta surge dulcissima. Motet. 4 V (SATB), orch., org, F] Mottetto à 4. voci con violini e strom. / di fiato di Benigno Zerafa / 1749 - autograph ms.,1749, 175-310x220 mm.; 15 partbooks: S, S rip, A, A rip, T, T rip, B, 2 B rip, vl1, vl2, tr1 (cor-cac), tr2 (cor-cac), db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.) On all partbooks: L.D.B.V. Doctorique Gentium. M-MDca, Mus. Ms. 317 ZERAFA, Benigno [Motets. 2 V (SA), org] Mottetti à 2. Canto , et Alto in pastorale di Benigno Zerafa / 1753. Originale - partially autograph ms., 1753, 220x290 mm., score (14 ff.); 3 partbooks: S, A, org (3, 3, 4 ff.), Includes 4 motets. 1. [Rorate caeli. A] Mottetto Pmo 2. [Super te Jerusalem. D] Mottetto 2.o 3. [Ecce veniet Dominus. G] Mottetto 3.o 4. [Ecce apparebit. F] Mottetto 4.o 5. [Jerusalem gaude. F] Mottetto 5.o 6. [Montes et omnes colles. A min.] Mottetto 6.o M-MDca, Mus. Ms. 318 ZERAFA, Benigno [Ad astra ad sydera. Motet. 4 V (SATB), orch., org, B min.] Organo / Mottetto à 4. voci con strom.ti / di Benigno Zerafa 1753 - partially autograph ms., 1753, 155-310x220 mm.; 18 partbooks: S, S rip, A, A rip, T, T rip, 2 B, B rip, 2 vl1, 2 vl2, tr1 (cor-cac), tr2 (cor-cac), vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2, 1, 2 ff.). On all partbooks: L.D.B.V. Doctorique Gentium. M-MDca, Mus. Ms. 318a ZERAFA, Benigno [Mottetti. 4 V (SATB), vl, org] Organo / Mottetti Per la Processione del / Corpus Dni - partially autograph ms., 1753, 290x215 mm.; 7 partbooks: S, A, 2 T, B, vl, org (2, 2, 2, 2, 2, 1, 2 ff.). Includes 4 motets. 1. [O quam suavis est Domine. F] Mottetto P.o 2. [Ego sum panis. C] Mottetto 2.o 3. [O Sacrum convivium. G] Mottetto 3.o M-MDca, Mus. Ms. 319 ZERAFA, Benigno [Mottetti. 4 V (SATB), vl, org] Originale delli Mottetti della Ascensione li 28. maggio 1753 / di Benigno / Zerafa - partially autograph ms., 1753; 280x195 mm., score (6 ff.); 310x225 mm.; 7 partbooks: S, A, T, B, B rip, vl, org (2, 2, 2, 2, 1, 2, 2 ff.) The organ part also includes the Bass part of the "Tantum ergo". The score and the violin part includes only the first two motets. On f.5v of the score: Finis Laus D.B.M.V. Doctorique Gentium. Includes two motets and two hymns reapeted twice. 1. [Ascendit Deus.. Motet. D] Mottetto Primo 2. [O Rex gloriae. Motet. B min.] Mottetto 2.o 3. [Salutis humane sator. Hymn. F] Inni per la processione 4. [Aeternae rex altissime. Hymn. F] 5. [Salutis humane sator. Hymn. F] 6. [Aeternae rex altissime. Hymn. F] 7. [Tantum ergo. Hymn. F] Te Deum Laudamus M-MDca, Mus. Ms. 320 ZERAFA, Benigno [Rorate caeli. Motet. B, orch, org, F] Organo / Mottetti in pastorale à voce sola / di Basso con stromenti di / Benigno Zerafa 1757 - partially autograph ms., 1757; 280x195 mm., score (4 ff.); 160-310x225 mm.; 7 partbooks: B, vl1, vl2, hn1, hn2, db, org (1, 1, 1, 1, 1, 1, 2 ff.). On f.4v of the score: Finis oggi li 9. xbre 1757. M-MDca, Mus. Ms. 321 ZERAFA, Benigno [Motets. S, orch, org] Organo / Mottetti à voce sola di Sopra-/no con stromenti di / Benigno Zerafa / 1758 - partially autograph ms., 1757-8; 280x195 mm., score (8 ff.); 310x225 mm.; 9 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 1, 1, 1, 1, 2, 4 ff.). On f.7v of the score: Laus Deo. BMV. Doctorique Gentium Oggi li 29. xbre 1757. Includes two aria with recitatives. The second aria in incomplete ly the vl part has been compiled). 1. [Felices animae. F] 2. [Omnes ergo via] Aria Seconda M-MDca, Mus. Ms. 322 ZERAFA, Benigno [Antiphons. Introits. 4 V (SATB), orch, org] - partially autograph ms., 1758; 285x200 mm., score (8 ff.); 230-310x160-225 mm.; 8 partbooks: S, A, T, B, vl1, vl2, tr1 (cor-cac), tr2 (cor-cac), org (1, 1, 1, 1, 1, 1, 1, 1, 8 ff.) Sulla score: sono indicati, tra un brano e l'altro, la successione degli eventi liturgici. On f.6r of the score: Finis Laus Deo BMV Doctorique Gentium oggi li 26. Giugno 1758. Includes two antiphons and one introit for the "Possesso" (Possession) of the Bishops. 1. [Sacerdos et pontifex. Antiphon. D] Sacerdos et Pontifex à 4. per il Possesso de Vescovo di Benigno Zerafa 1758 2. [Sancte Paule. Antiphon. D] Sancte Paule à 4. voci con strom.ti di Benigno Zerafa 1758 3. [Benedicta sit. Introito. F] Introito per la SS.a Trinità / Introito per il pos-/sesso del vescovo, o pure / del primo ingresso / nella Diocesi M-MDca, Mus. Ms. 323 ZERAFA, Benigno [Ad faustum ad festum accurrite. Motet. 4 V (SATB), orch, org, D] - partially autograph ms., 1759; 288x190 mm., score (17 ff.); 225x310 mm.; 13 partbooks: S, A, T, 2 B, 2 vl1, 2 vl2, ob1, ob2, tr1 (cor-cac), tr2 (cor-cac), db (2, 2, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2 ff.) On f.14r of the score: oggi li 4. maggio 1759. M-MDca, Mus. Ms. 324 ZERAFA, Benigno [Motets. 4 V (SATB), org] Organo / Mottetti à 4. voci senza stromenti / Del Sig.r Don Benigno Zerafa / 1775 - partially autograph ms., 1775, 225x295 mm, score (38 ff.); 5 partbooks: S, A, T, B, org (6, 8, 6, 6, 8 ff.). On f.38r of the score: Laus Deo BMV Doctorique Gentium atque B.o Genedicto Abbati. 11. Marzo. 1775. Includes six motets. 1. [Magnus Dominus. G] Mottetto Primo 2. [Magnificentiam gloriae. D] Mottetto 2.o 3. [Et virtutem terribilium. C] Mottetto 3.o 4. [Memoriam abundantiae. F] Mottetto 4.o 5. [Miserator Dominus. D min.] Mottetto 5.o 6. [Suavis Dominus. D] Mottetto 6.o M-MDca, Mus. Ms. 325 ZERAFA, Benigno [Posui adiutorium. Motet. 4 V (SATB), orch., org, D] Responsorio per il possesso del Eminentis.o Degnis.o Gran Maestro De Rohan 1776. Originale / [...]ico, e singolaris.o nella universalis.a accettazzione, congratulazione, e festini - partially autograph ms., 1776, 225x295 mm, score (8 ff.); 145-290x220 mm.; 12 partbooks: S, A, T, 2 B, vl1, vl2, ob1, ob2, tr1 (cor-cac), tr2 (cor-cac), org (1, 1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2 ff.). On f.2v of the organ liturgical indications about the placement of the musicians are included. M-MDca, Mus. Ms. 326 ZERAFA, Benigno [Motets. 4 V (SATB), org] Originale 1.° / Mottetti per ogni tempo, in servigio della / S. Catedrale di malta di Don Benigno Zerafa M.o di Capp. / della medesima / 1781. - partially autograph ms., 1781, 230x355 mm., score (32 ff.); 5 partbooks: S, A, T, B, org (6, 6, 6, 6, 7 ff.). On f.32v of the score: Laus Deo BMV Doctorique Gentium 16. Giugno 1781. Includes 6 motets. 1. [Fidelis Dominus. C] 2. [Allevat Dominus. C] Mottetto 2.do 3. [Oculi omnium. F] Mottetto 3.o 4. [Aperis animarum Memoriam abundantiae. Bb] Mottetto 4.o 5. [Justus Dominus. G min.] Mottetto quinto 6. [Prope est Dominus. G min.] Mottetto sesto M-MDca, Mus. Ms. 327 ZERAFA, Benigno [Litanies BMV. 4 V (SATB), org] Organo / Due Letanie della Bma Vergine con / un altra Pastorale à quattro voci / Del Signor Don Benigno Zerafa / 1782. - autogr. ms.(?), 1782, 230x315 mm., score (6 ff.); 5 partbooks: S, A, T, B, org (6, 6, 4, 4, 6 ff.). On all partbooks: LDBMV Doctorique Gentium. Includes 3 motets. 1. [Litanie della BMV. E min.] Letania Prima 2. [Litanie della BMV. G] Letania seconda 3. [Litanie della BMV. C] Letania terza Pastorale M-MDca, Mus. Ms. 328 ZERAFA, Benigno [Litanies BMV. 2 V (SA), vl1, vl2, org, G] Organo / Litania a 2. Canto e Alto / con violini di Benigno Zerafa 1744 - autograph ms.,1744, 305x230 mm., score: (4 ff.); 5 partbooks: S, A, vl1, vl2, org (2, 1, 2, 2, 2 ff.). M-MDca, Mus. Ms. 329 ZERAFA, Benigno [Alma redemptoris mater. Antiphon. B, org, C] Organo / Alma à voce sola di Basso / del Sig.r Don Benigno Zerafa - ms., 18th cent. 2nd half; 180-210x300-310 mm., 2 partbooks: B, org (1, 1 ff.). On f.1v of the organ part: Finis LDBVDG. M-MDca, Mus. Ms. 330 ZERAFA, Benigno [Salve regina. Antiphon. 3 V (SSB), org, G] Salve Regina à 3. di Benigno Zerafa 1764 Originale - partially autograph ms., 1764; 210x275 mm, score: (4 ff.); 220x310 mm.; 4 partbooks: S1, S2, B, org (1, 1, 1, 2 ff.). On f.4v of the score: Finis. Laus Deo, BMV, Doctorique Gentium, atque B.o Benedicto li 17. Giugno 1764. auctore Benigno Zerafa. M-MDca, Mus. Ms. 331 ZERAFA, Vincenzo [Magnus Dominus et laudabilis. Motet. 4 V (SATB), org, C] Organo / Mottetto à 4. con tutti i stromenti senza / obligo / di Vincenzo Zerafa / 1767 / 16 Agosto 1767 - ms. autogr. (?) 1767, 225x310 mm.; 4 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.) On f.2r of the organ part: Finis L. D. B. M. V. Atque B.o Vincentio simul et Apostolo. M-MDca, Mus. Ms. 332 ZERAFA, Vincenzo [Misereator et misericors. Motet. 4 V (SATB), org, F] Organo / Mottetto à 4. voci con tutti i stromenti / senz'obligo / di Vincenzo Zerafa / 1767 / 17 Agosto 1767 - autogr. ms. (?), 1767; 225x310 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.). AZOPARDI, Francesco [Ouvertures. orch., org, D] Originale Azopardi / Overtura / con organo obligato, VV.ni e / stromenti di fiato / 1782 - autograph ms.,1782; 223x300 mm., score (20 ff.); 7 partbooks: vl1, vl2, ob1, ob2, hn1, hn2, b (4, 2, 1, 2, 1, 1, 2 2 ff.). On the ob2 part: Overtura / con organo o clarinetto obbligato. An 19th century arrangement is available in Mus. Ms. 336. M-MDca, Mus. Ms. 336 AZOPARDI, Francesco [Ouvertures. orch., org, D] Overtura / con Organo obligato, Violini / e / strumenti di fiato / del M. Azzopardi - ms., XIX sec.; 223x300 mm., score (20 ff.); 7 partbooks: vl1, vl2, fl, cl, hn1, hn2, db (3, 3, 2, 2, 2, 2, 3 ff.). The original orchestral arrangement, dated 1782, is available in Mus. Ms. 335. M-MDca, Mus. Ms. 337 AZOPARDI, Francesco [Symphonies. orch., org, C] Originale Azopardi / Sinfonia - autograph ms.,1797; 220x310 mm., score (21 ff.); 6 partbooks: vl1, vl2, ob1, ob2, bsn, db/org (2, 2, 1, 1, 1, 2 ff.) On the partbooks: 1797. M-MDca, Mus. Ms. 338 AZOPARDI, Francesco [Symphonies. orch., org, D] Originale Azopardi / Sinfonia con oboe obbligato / 1799 - autograph ms.,1799; 200x315 mm., score (14 ff.); 11 partbooks: 2 vl1, 2 vl2, ob obbl, ob2, hn1, hn2, vlc, db, bc (2, 2, 2, 2, 4, 2, 2, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 339 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale / Messa à 4. Voci con VV. / e stromenti da fiato / di Francesco Azopardi / 1768 - partially autograph ms., 1768; 210x270 mm., score (65 ff.); 24 partbooks: Kyrie + Gloria (cum sancto spiritu) S, A, 2 T, 2 B; "Domine Deus" S, A, B; S solo (Gratias), S solo (Qui tollis), S solo (Quoniam), A solo (Qui sedes), B solo (Qui tollis), 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, org (4, 4, 4, 4, 4, 4, 1, 1, 1, 2, 1, 2, 1, 1, 10, 10, 10, 10, 4, 6, 2, 2, 8, 8 ff.). M-MDca, Mus. Ms. 340 AZOPARDI, Francesco [Masses 4 V (SATB), orch., org] Kyrie, e Gloria / del Sig.r M.ro di Capella Francesco Azopardi / dal med.mo rappresentate nel dì sollenne della commemoraz.ne di S. Paolo / nella Cattedrale nel 1772 / e dal med.mo donate al Rmo Capitolo di d.ta S. Chiesa - ms., 1772; 220x315 mm., score (1-2, 69, 3-4 ff.); 21 partbooks: S, A, T, B (Kyrie. Gloria. cum sancto spiritu), S, A (Domine Deus), B solo (Quoniam), S, A, T (Qui tollis); 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, 2 db, org (5, 4, 4, 4, 1, 2, 2, 1, 1, 1, 8, 8, 8, 8, 4, 4, 4, 4, 8, 8 ff.). Score bound in parchment. M-MDca, Mus. Ms. 340b AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Messa à 4. voci con strom.ti Azopardi / Violoncello - ms., 18th cent. 2nd half; 300x220 mm.; 3 partbooks: vlta, vlc, db. M-MDca, Mus. Ms. 341 AZOPARDI, Francesco [Masses. 8 V (SATB-SATB), orch., org] Originale Azopardi / Messa a 8. voci / con stromenti da fiato e 4 / violini obligati. / del 1775 - partially autograph ms., 1775; 430x270 mm., score (1-2, 94, 3-4 ff.); 38 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B; Domine Deus S, A; Qui tollis S1, S2, A, T, B1, B2; Gratias S solo, Domine deus S solo, Qui sedes S solo, Quoniam B solo, B solo + b; choir 1 vl1, vl2, hn1, hn2, org; choir 2 vl1, vl2, hn1, hn2, tr1 (cor-cac), tr2 (cor-cac), ob1, ob2, bsn, db, org/db, org (6, 6, 5, 6, 4, 5, 5, 6, 2, 2, 2, 2, 2, 2, 2, 2, 4, 4, 3, 4, 2, 2, 12, 12, 6, 6, 12, 12, 12, 2, 2, 4, 4, 6, 6, 12, 12, 12, 12 ff.). Parts of T choir 1 and S choir 2 are damaged. On f.94v of the score: Gratia vel re, vel verbis, vel habetur amore Re nequeo, et verbis, cuncta repentat amor. M-MDca, Mus. Ms. 342 AZOPARDI, Francesco [Masses. 8 V (SATB-SATB), orch., org] Messa / a 8. voci cioè à due cori / del 1776 - partially autograph ms., 1776; 430x270 mm., score (91 ff.); 53 partbooks: choir 1 2 S, 2 A, 2 T, 2 B, choir 2 2 S, 2 A, 2 T, 2 B; Gratias S solo, Domine Deus S, A; Domine Deus B solo; Qui tollis S, A, T, B; Quoniam B solo; Qui tollis S, A, T, B; choir 1 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org; choir 2 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org, org (final fugue) (4, 4, 4, 4, 4, 4, 4, 4, 3, 2, 2, 3, 2, 2, 2, 2, 4, 4, 4, 4, 4, 4, 4, 4, 4, 2, 2, 2, 2, 8, 12, 11, 12, 12, 5, 5, 5, 5, 11, 13, 10, 12, 12, 12, 12, 6, 5, 6, 6, 10, 10, 10, 2 ff.). On f.90v of the score: Finis Laus deo B. M. V. D. G. die 23 Januarii 1776. M-MDca, Mus. Ms. 343 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa a 4.o / 1777 - partially autograph ms., 1777; 235x320 mm., score (103 ff.); 33 partbooks: 2 S, 2 A, 2 T, 2 B; Domine Deus 2 S solo; Qui tollis 2 S1, 2 S2; Qui sedes 2 S solo; Quoniam 2 B solo; 2 vl1, 2 vl2, 2 ob1, 2 ob2, hn1, hn2, cor1+cor2, bsn, vlc, db, org (4, 4, 4, 4, 4, 2, 4, 3, 3, 1, 2, 2, 2, 2, 3, 1, 4, 1, 9, 9, 9, 9, 5, 4, 5, 4, 4, 4, 4, 8, 8, 8, 8 ff.). M-MDca, Mus. Ms. 344 AZOPARDI, Francesco [Masses. Credo. 4 V (SATB), orch., org] Originale Azopardi / Credo in Pastorale / 1778. - partially autograph ms., 1778; 230x320 mm., score (24 ff.); 12 partbooks: S, A, T, B, vl1, vl2, fl1 picc, fl2 picc, cor-cac1, cor-cac2, 2 org (4, 2, 2, 2, 4, 4, 2, 2, 2, 2, 4, 2 ff.). M-MDca, Mus. Ms. 345 AZOPARDI, Francesco [Masses. 3 V (SSB), orch., org] Originale Azopardi / Messa a 3. / 1779. - partially autograph ms., 1779; 225x310 mm., score (74 ff.); 21 partbooks: S1, S2, B; Domine Deus B solo; Qui tollis S1, S2; Qui sedes S solo; Quoniam B solo; 2 vl1, 2 vl2, ob1, ob2, cor-cac1, cor-cac2, vlc, 2 vlc+ob (Quoniam), db, org (4, 4, 4, 2, 5, 5, 2, 2, 8, 8, 8, 8, 4, 3, 2, 2, 3, 3, 8, 8, 8 ff.). M-MDca, Mus. Ms. 346 AZOPARDI, Francesco [Masses. Credo 4 V (SATB), orch., org] Originale Azopardi / Credo / 1780. - partially autograph ms., 1780; 230x320 mm., score (20 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 347 AZOPARDI, Francesco [Masses. 4 V (SATB), org] - partially autograph ms., 1786; 225x310 mm., score (72 ff.); 4 partbooks: S, A, T, B (16, 16, 16, 16. The date 1786 is reported on the binding. Score and parts bound.
M-MDca, Mus. Ms. 348 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa a 4. Voci / 1782 - partially autograph ms., 1782; 230x310 mm., score (72 ff.); 15 partbooks: S, A, T, B; Domine Deus B solo; Qui tollis S solo; Qui sedes S solo; vl1, vl2, 2 hn1, hn2, cor1+cor2 bsn, org (4, 4, 4, 4, 2, 3, 3, 7, 7, 3, 1, 7, 9 ff.). M-MDca, Mus. Ms. 349a AZOPARDI, Francesco [Masses. Credo 4 V (SATB), orch., org] Credo Azopardi - autograph ms.,18th cent. 2nd half; 235x330 mm., 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 349b AZOPARDI, Francesco [Masses. Credo 4 V (SATB), orch., org] Originale Azopardi / Credo / 1780 - autograph ms.,1780; 230x320 mm., score (18 ff.): vl1, vl2, ob1, ob2, hn1, hn2, S, A, T, B, bc. M-MDca, Mus. Ms. 350 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa / 1785 - partially autograph ms., 1785; 230x310 mm., score (84 ff.); 19 partbooks: S, A, T, B; Domine Deus S solo; Qui tollis S, A, T, B; Qui sedes S solo; Quoniam S solo; vl1, vl2, ob1, ob2, tr1, tr2, vlc, org (4, 4, 4, 4, 2, 2, 1, 1, 1, 2, 2, 11, 10, 4, 4, 4, 4, 8, 8 ff.). M-MDca, Mus. Ms. 351 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa Pastorale / 1786 - partially autograph ms., 1786; 230x310 mm., score (57 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (4, 4, 4, 4, 6, 4, 4, 4, 3, 3, 6, 6 ff.). On f. 51v of the score: 18 10bre 1786. M-MDca, Mus. Ms. 352 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa a 4.o / 1787 - partially autograph ms., 1787; 230x310 mm., score (112 ff.); 26 partbooks: 2 S, 2 A, 2 T, B; Gratias agimus S solo; Domine Deus S1, S2; Qui tollis S, A, T, B; Qui sedes S solo; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 1, 4, 4, 4, 4, 2, 2, 1, 4, 1, 1, 4, 10, 9, 9, 9, 6, 5, 5, 5, 8, 8, 1 ff.). Organ part damaged. M-MDca, Mus. Ms. 353 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa a 4.o / 1790 - partially autograph ms., 1790; 230x310 mm., score (155 ff.); 27 partbooks: S, 2 A, 2 T, B; Gratias agimus S solo; Domine Deus S1, S2; Qui tollis S, A, T, B; Qui sedes S solo; 2 vl1, 2 vl2, ob1, ob2, ob solo, tr1, tr2, bsn, vlc, db, org (5, 5, 4, 4, 5, 4, 6, 4, 2, 2, 2, 2, 2, 2, 4, 15, 13, 13, 13, 7, 5, 6, 6, 9, 9, 8, 10 ff.). M-MDca, Mus. Ms. 354 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa a 4.o / 1791 - partially autograph ms., 1791; 230x310 mm., score (152 ff.); 19 partbooks: S, A, T, B; Gratias agimus S solo; Qui tollis S1, S2, T, B; Qui sedes S solo; 2 vl1, vl2, ob1, ob2, ob obbl, bsn, db, org (6, 6, 5, 6, 4, 2, 2, 2, 2, 4, 10, 10, 10, 8, 6, 2, 9, 10, 10 ff). M-MDca, Mus. Ms. 355 AZOPARDI, Francesco [Requiem Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa de morti a 4.o / 1792. - partially autograph ms., 1792; 230x310 mm., score (152 ff.); 30 partbooks: 2 S, A, 2 T, 2 B, B rip; Oro suplex S solo; Juste judex S solo; Preces mea S solo; Qui Mariam A solo; Tuba mirum T solo; Quantus tremor B solo; 3 vl1, 3 vl2, vlta, fl-tr1, fl-tr2, hn1, hn2, bsn, vlc, 2 db, org (8, 9, 9, 7, 8, 8, 10, 6, 2, 2, 2, 2, 2, 2, 12, 12, 12, 12, 12, 12, 10, 7, 6, 6, 6, 1, 10, 9, 8, 11, 11 ff.). M-MDca, Mus. Ms. 355a [Requiem Mass] ms., 19-20 sec. 1 part: cor. Title and composer not specified. M-MDca, Mus. Ms. 356 AZOPARDI, Francesco [Requiem Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa de morti a 4.o / 1792. - partially autograph ms., 1792; 230x310 mm., score (79 ff.), vocal score (32 ff.); partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db (6, 10, 6, 4, 10, 10, 5, 4, 4, 4, 7 ff.); lettere. A second copy of this work is available in the Archives of the "Commissariato della Terra Santa", Valletta, Malta. M-MDca, Mus. Ms. 357 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa a 4.o / 1792 - partially autograph ms., 1792; 235x315 mm., score (147 ff.); 27 partbooks: S, A, T, B; Domine Deus S, A,; Qui tollis S, A, T, B; Qui sedes S solo; Quoniam S solo; 2 vl1, 2 vl2, ob1, ob2, ob obbl (Qui sedes), hn1, hn2, 2 bsn, vlc, vlc obbl (Qui sedes), db, org (5, 6, 4, 4, 2, 2, 2, 2, 2, 2, 3, 3, 11, 10, 11, 11, 8, 7, 2, 6, 6, 10, 2, 10, 2, 10, 10 ff.). The vlc and ob ("Qui sedes") parts are written by another copyst and carry the initials: A.B. M-MDca, Mus. Ms. 358 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa / 1794. - partially autograph ms., 1794; 235x315 mm., score (190 ff.); 24 partbooks: S, A, T, B; Gratias agimus S solo; Domine Deus S1, S2; Qui tollis S, A, T, B; Qui sedes S solo; Quoniam B solo; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (5, 5, 5, 5, 5, 2, 2, 2, 2, 3, 2, 3, 6, 15, 15, 15, 15, 10, 9, 8, 8, 11, 10, 12 ff.). M-MDca, Mus. Ms. 359 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa / 1795 - partially autograph ms., 1795; 230x310 mm., score (100 ff.); 27 partbooks: S, A, T, B; Gratias agimus S solo; Domine Deus S, A, T, B; Qui tollis S1, S2; Qui sedes S solo; Quoniam B solo; 2 vl1, 2 vl2, vl obbl (Qui sedes), ob1, ob2, cl (Qui tollis), hn1, hn2, bsn, bsn obbl (Quoniam), vlc, db, org (5, 5, 5, 6, 3, 2, 2, 2, 2, 3, 3, 3, 4, 14, 13, 14, 14, 3, 10, 6, 3, 8, 8, 11, 3, 13, 12, 12 ff.). On the score, horn parts are alternated with those of the trumpets. M-MDca, Mus. Ms. 359a [AZOPARDI, Francesco attrib.] [Compositions. Eb] Clarino - ms., 18th cent. 2nd half; 230x310 mm.; 1 part: cl. Handriting is identical to Francesco Azzopardi’s autographs. M-MDca, Mus. Ms. 360 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa a 4.o Voci / 1796 - partially autograph ms., 1796; 230x310 mm., score (170 ff.); 22 partbooks: 2 S, A, T, B, B2; Gratias agimus B solo; 2 vl1, 2 vl2, 2 ob1, 2 ob2, tr1 (cor-cac), 2 tr2 (cor-cac), vlta, vlc, db, org (5, 5, 5, 5, 6, 3, 4, 14, 14, 14, 14, 9, 7, 5, 6, 7, 4, 4, 12, 12, 1, 2 ff.) Org and db parts are damaged. On the score, horn parts are alternated with those of the trumpets. M-MDca, Mus. Ms. 361 AZOPARDI, Francesco [Masses. 8 V (SATB-SATB), orch., org] Originale Azopardi / Messa a due cori obligati / cioè Kyrie, Gloria, e cum Sancto spiritu / 1798 / Le parti, à solo B prendono d'altre messe à piacere del maestro - partially autograph ms., 1798; 430x270 mm., score (87 ff.); 43 partbooks: Kyrie e Gloria choir 1 S, A, T, B, vl1, vl2, ob1, ob2, cor1, cor2; Cum sancto spiritu S, A, T, B, vl1, vl2, ob1, ob2, cor1, cor2; Kyrie e Gloria choir 2 S, A, T, B, vl1, vl2, cl1, cl2, tr1, tr2; Cum sancto spiritu S, A, T, B, vl1, vl2, cl1, cl2, tr1, tr2, vlc, db, org (4, 3, 3, 4, 5, 5, 4, 4, 3, 3, 3, 4, 4, 4, 5, 6, 4, 3, 3, 4, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 6 ff.) On the score, a clarino part is joint. M-MDca, Mus. Ms. 362 AZOPARDI, Francesco [Masses. Credo 4 V (SATB), orch., org] Originale Azopardi / Credo sollen(n)e / 1800 - partially autograph ms., 1800; 240x325 mm., score (34 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (2, 2, 2, 2, 3, 4, 4, 3, 2, 2, 2, 2, 2, 2, 2, 4 ff.). M-MDca, Mus. Ms. 363 AZOPARDI, Francesco [Masses. 2/3 V (SSB), orch., org] Originale Azopardi / Mass. a 3., o pure a due voci. / 1803. - partially autograph ms., 1803; 230x320 mm., score (31 ff.); 9 partbooks: S1, S2, B, vl1, vl2, ob1, ob2, cor1+cor2, db (4, 4, 4, 4, 4, 2, 2, 2, 4 ff.). M-MDca, Mus. Ms. 364 AZOPARDI, Francesco [Masses. Credo 4 V (SATB), orch., org] Originale Azopardi / Credo sollen(n)e / 1804 - partially autograph ms., 1804; 240x315 mm., score (34 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 4, 4, 4, 4, 2, 2, 2, 4, 4, 4 ff.). M-MDca, Mus. Ms. 364 AZOPARDI, Francesco [Masses. Sanctus 4 V (SATB), orch., org] Sanctus del 1804 Azopardi / Originale / Sollenne con strumenti - partially autograph ms., 1804; 240x315 mm., score (21 ff.); 12 partbooks: S, A, T, B, 2 vl1, 2 vl2, cl1, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.). Damaged score. M-MDca, Mus. Ms. 365 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa a 4.o Voci / 1805 - partially autograph ms., 1805; 230x310 mm., score (92 ff.); 21 partbooks: S, A, T, B; Domine Deus B solo; Qui tollis S, A, 2 T, B; Qui sedes S solo; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, db, org (4, 4, 4, 4, 2, 2, 2, 2, 2, 2, 2, 8, 8, 8, 8, 6, 4, 4, 4, 6, 6 ff.). M-MDca, Mus. Ms. 366 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Originale Azopardi / Messa a 4.o Voci / 1806 - partially autograph ms., 1806; 235x315 mm., score (116 ff.); 24 partbooks: S, A, T, B; Domine Deus S, A, T, B; Qui tollis S1, S2; Qui sedes S solo; 2 vl1, 2 vl2, vl (Qui sedes), ob1, ob2, ob (Qui sedes), hn1, hn2, vlc, db, org (4, 4, 4, 4, 2, 2, 2, 2, 2, 2, 4, 9, 9, 9, 9, 2, 6, 4, 2, 4, 4, 8, 8, 10 ff.). On the ob obbl part: Oboe in vece del violino. On the score the duet "Qui tollis" is accompanied by a clarino. M-MDca, Mus. Ms. 367 AZOPARDI, Francesco [Masses. Credo 4 V (SATB), orch., org] Azopardi / Controbasso. / Credo / a 4.o voci con strum.ti - ms., 18th cent. 2nd half; 225x310 mm., 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 368 AZOPARDI, Francesco [Masses . 4 V (SATB), org] Messe de Azopardi / Organo. / della S.ta Chiesa Cad.le - ms., 18th cent. 2nd half /19th-20th cent.; 205x275 mm.; score (77 ff.); 305x215 mm.; 4 partbooks: S, A, T, B (8, 15, 16, 12, 16 ff.). The 19/20th cent. score is bound. Damaged parts.
M-MDca, Mus. Ms. 369 AZOPARDI, Francesco [Masses. 4 V (SATB), orch., org] Azopardi Originale 1776 - partially autograph ms., 1776; 220x280 mm., score (62 ff.); 24 partbooks: S, A, T, B; Gratias agimus S solo; Domine Deus S, A; Qui tollis S, A, T, B; Qui sedes S solo; Quoniam B solo; 2 vl1, 2 vl2, ob1, ob2, cor1, cor2 (4, 4, 4, 4, 2, 1, 1, 1, 1, 1, 1, 2, 2, 10, 10, 10, 10, 4, 4, 4, 4 ff.). M-MDca, Mus. Ms. 370 AZOPARDI, Francesco [Nunc scio vere. Introit. 4 V (SATB), db, org, C] Introito / Per S. Pietro e Paolo - partially autograph ms., 1785; 235x315 mm., score (4 ff.); 6 partbooks: S, A, T, B, db, org (1, 1, 1, 1, 1, 2 ff.) On the partbooks: Azupardi. M-MDca, Mus. Ms. 371 AZOPARDI, Francesco [Terribilis est. Introit. 4 V (SATB), org, Bb] Introito / Per A Festa della dedicazione / d'Azzopardi / Organo / 1787 - ms., 1787; 230x315 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.) M-MDca, Mus. Ms. 372 AZOPARDI, Francesco [Vidimos stellam. Gradual. 4 V (SATB), orch., org, A] Originale Azopardi / Graduale per l'Epifania / 1787. - partially autograph ms., 1787; 230x315 mm.; score (16 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 2, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 373 AZOPARDI, Francesco [Benedicta et venerabilis. Gradual. 4 V (SATB), orch., org, A] Originale Azopardi / Graduale per A SS. Concezzione / 1787 - partially autograph ms., 1787; 230x315 mm.; score (14 ff.); 17 partbooks: 2 S, A, T, B, B rip, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, 2 db, org (2, 2, 1, 2, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff.). M-MDca, Mus. Ms. 374 AZOPARDI, Francesco [Tecum principium. Gradual. 4 V (SATB), orch., org, Bb] Originale Azopardi / Graduale per A notte del SS. Natale / 1787. - partially autograph ms., 1787; 230x315 mm.; score (16 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 375 AZOPARDI, Francesco [Viderunt omnes. Gradual. 4 V (SATB), orch., org, Bb] Originale. Azopardi / Graduale per A terza messa del SS. Natale / 1787. - partially autograph ms., 1787; 230x315 mm.; score (16 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 2, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 376 AZOPARDI, Francesco [Ascendit Deus. Gradual. 4 V (SATB), orch., org, C] Originale Azopardi / Graduale per l'Ascenzione / 1788. - partially autograph ms., 1788; 230x315 mm.; score (14 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, 2 db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 377 AZOPARDI, Francesco [Sederunt principes. Gradual. 4 V (SATB), orch., org, D] Originale Azopardi / Graduale per S. Stefano / 1789 - partially autograph ms., 1789; 230x315 mm.; score (13 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (2, 2, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 378 AZOPARDI, Francesco [Benedicta et venerabilis. Gradual. 4 V (SATB), org, Eb] Graduale / Benedicta, et Venerabilis / del Sig.r Francesco Azzopardi / Organo - ms., 18th cent. 2nd half; 230x315 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 379 AZOPARDI, Francesco [Locus iste. Gradual. 4 V (SATB), orch., org, D] Originale Azopardi / Graduale per A consagrazione della chiesa. / 1787. - partially autograph ms., 1787; 230x315 mm.; score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 380 AZOPARDI, Francesco [Timete Dominum. Gradual. 4 V (SATB), orch., org, Bb] Originale Azopardi / Graduale per tutti i Santi / 1787 - partially autograph ms., 1787; 230x315 mm.; score (13 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 381 AZOPARDI, Francesco [Propter veritatem. Gradual. 4 V (SATB), orch., org, D] Originale Azopardi / Graduale per l'Assunta / 1788 - partially autograph ms., 1788; 230x315 mm.; score (15 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (2, 2, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 382 AZOPARDI, Francesco [Qui operatus est. Gradual. 4 V (SATB), orch., org, Bb] Originale Azopardi / Graduale per A commemorazione di S. Paolo / 1788 - partially autograph ms., 1788; 230x315 mm.; score (14 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, bsn, db, org (2, 1, 2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2 ff.). Same music in Mus. Ms. 388. M-MDca, Mus. Ms. 383 AZOPARDI, Francesco [Constitues eos. Gradual. 4 V (SATB), orch., org, A] Originale Azopardi / Graduale per S. Pietro e Paolo / 1788 - partially autograph ms., 1788; 230x315 mm.; score (16 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 384 AZOPARDI, Francesco [Justus ut palma. Gradual. 4 V (SATB), orch., org, D] Originale Azopardi. / Gradual. Justus ut palma florebit. / Com. Conf. non Pontif. / 1801 - partially autograph ms., 1801; 230x315 mm.; score (16 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, 2 db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 385 AZOPARDI, Francesco [Prius quam te formarem. Gradual. 4 V (SATB), orch., org, Bb] Originale Azopardi / Graduale per S. Gio. Batta. - partially autograph ms., 1805; 230x315 mm.; score (17 ff.); 14 partbooks: S, A, T, B, 2 vl1, vl2, ob/clnto, ob2, hn1, hn2, vlc, db, org (2, 1, 2, 1, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.). On the partbooks: 1805. M-MDca, Mus. Ms. 386 AZOPARDI, Francesco [Sacerdotes eius. Gradual. 4 V (SATB), orch., org, A] Originale Azopardi / Graduale / in Anniversario electionis sue consecrationis episcopi. / 1808 - partially autograph ms., 1808; 230x315 mm.; score (15 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 2, 2, 2, 1, 1, 1, 1, 1, 2 f.). Two loose sheets include liturgical indications. M-MDca, Mus. Ms. 387 AZOPARDI, Francesco [Constitues eos. Gradual. 4 V (SATB), orch., org, Bb] Originale Azopardi / Graduale per S. Pietro e Paolo - partially autograph ms., 18th-19th cent.; 230x315 mm.; score (19 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob2, hn1, hn2, clnto, vlc, db, org (2, 1, 2, 1, 2, 2, 2, 2, 1, 1, 1, 2, 1, 1, 2 ff.). M-MDca, Mus. Ms. 388 AZOPARDI, Francesco [Qui operatus est. Gradual. 4 V (SATB), orch., org, Bb] Graduale per A Conversione / di S. Paolo per A septuagesima - partially autograph ms., 1788; 230x315 mm.; score (14 ff.); 4 partbooks: S, A, T, B (2, 1, 2, 1 ff). The score is not complete (only the voices, bc and partially the first violin have been compiled). Same music in Mus. Ms. 382. M-MDca, Mus. Ms. 389 AZOPARDI, Francesco [Gradual and Offertory for St Anna. 4 V (SATB), org] ] Originale Azopardi / Grad. ed Offert: per S. Anna / 1804 - partially autograph ms., 1804; 225x315 mm.; vocal score (8 ff.); 5 partbooks: S, A, T, B, org (2, 2, 2, 2, 2 ff).
M-MDca, Mus. Ms. 390 AZOPARDI, Francesco [Gradual and Offertory for SS. Fabiano e Sebastiano. 4 V (SATB), org] ] Originale Azopardi / Graduale ed Offertorio per i S. Fabiano, e Sebastiano - autograph ms.,1807; 235x320 mm.; vocal score (7 ff.); 5 partbooks: S, A, T, B, org (2, 2, 2, 2, 1 ff); Org part is damaged.
M-MDca, Mus. Ms. 391 AZOPARDI, Francesco [Gradual and Offertory for St Agata. 4 V (SATB), org] ] Originale Azopardi / Graduale ed Off. / per S. Agata / 1808 - partially autograph ms., 1808; 235x320 mm.; vocal score (8 ff.); 6 partbooks: S, A, T, B, db, org (2, 2, 2, 2, 2, 2 ff).
M-MDca, Mus. Ms. 392 [AZOPARDI, Francesco attrib.] [Gradual, Alleluiatic verse, Offertory and Communio fr St Cecilia] Graduale, e Offertorio / di S. Cecilia - partially autograph ms., 18th-19th cent.; 235x320-160 mm.; vocal score (8 ff.); 7 partbooks: S solo, S1, S2, A, B, db, org (1, 1, 1, 1, 1, 1, 2 ff.). Handwriting identical to Azopardi’s manuscripts.
M-MDca, Mus. Ms. 393 AZOPARDI, Francesco [Veni sancte spiritus. Sequence. 4 V (SATB), orch., org, G] Originale Azopardi / Veni Sancte Spiritus / 1782 - partially autograph ms., 1782; 230x320 mm.; score (12 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff.). M-MDca, Mus. Ms. 394 AZOPARDI, Francesco [Victimae paschali laudes. Sequence. 4 V (SATB), orch., org, A] Originale Azopardi / Victimae Paschali / 1786 - partially autograph ms., 1786; 230x320 mm.; score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 395 AZOPARDI, Francesco [Laeta quies magni ducis. Sequence. 4 V (SATB), orch., org, A] Originale Azopardi / Sequenza per S. Benedetto / 1788 - partially autograph ms., 1788; 230x320 mm.; score (16 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 396 AZOPARDI, Francesco [Lauda Sion. Sequence. 4 V (SATB), orch., org, A] Originale Azopardi / Lauda Sion. / 1793 - partially autograph ms., 1793; 235x320 mm.; score (52 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (4, 4, 4, 4, 4, 4, 3, 3, 2, 2, 4, 4 ff.). M-MDca, Mus. Ms. 397 AZOPARDI, Francesco [Veni sancte spiritus. Sequenza. 4 V (SATB), orch., org, F] Originale Azopardi / Veni Sancte Spiritus / 1798 - partially autograph ms., 1798; 230x320 mm.; score (18 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 398 AZOPARDI, Francesco [Terra tremuit. Offertory. 4 V (SATB), orch., org, Eb] Originale Azopardi / Offertorio per A Resurrezzione / 1788 - partially autograph ms., 1788; 230x315 mm.; vocal score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 399 AZOPARDI, Francesco [Angelus Domini. Offertory. S, orch., org, Eb] Originale Azopardi / Offertorio per il sec.do giorno di Pasqua Res. / 1788 - partially autograph ms., 1788; 230x315 mm.; score (14 ff.); 9 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, db, org (3, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 400 AZOPARDI, Francesco [Ascendit Deus. Offertory. S, orch., org, Eb] Originale Azopardi / Offertorio per l'Ascensione / 1788 - partially autograph ms., 1788; 230x315 mm.; score (13 ff.); 14 partbooks: 2 S, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, 3 db, org (3, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 401 AZOPARDI, Francesco [Sacerdotes Domini. Offertory. S, orch., org, C] Originale Azopardi / Offertorio del Corpus Dni / 1788 - partially autograph ms., 1788; 230x320 mm.; score (16 ff.); 8 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, org (4, 2, 2, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 402 AZOPARDI, Francesco [Confirma hoc Deus. Offertory. 4 V (SATB), orch., org, Bb] Originale Azopardi / Offertorio per Pentecoste / 1788 - partially autograph ms., 1788; 230x320 mm.; score (13 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 403 AZOPARDI, Francesco [Intonuit de coelo. Offertory. 4 V (SATB), orch., org, D] Originale Azopardi / Offertorio per il secondo giorno di Pentecoste / 1788 - partially autograph ms., 1788/1832; 230x320 mm.; score (12 ff.); 12 partbooks: S, 2 A, T, B, vl1, vl2, ob1, hn1, hn2, db, org (2, 1, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2 ff.). Org part is dated 1832. M-MDca, Mus. Ms. 404 AZOPARDI, Francesco [Reges Tharsis. Offertory. 4 V (SATB), orch., org, F] Originale Azopardi / Offertorio per l'Epifania / 1789 - partially autograph ms., 1789; 230x320 mm.; score (13 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 405 AZOPARDI, Francesco [Sacerdotes Domini. Offertory. 4 V (SATB), orch., org, Bb] Originale Azopardi / Offertorio per l'ottavario del Corpus. / 1791 - partially autograph ms., 1791; 230x320 mm.; score (6 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 406 AZOPARDI, Francesco [Beata virgo Maria. Offertory. 4 V (SATB), orch., org, D] Originale Azopardi / Offertorio per A SS. Concezzione / 1787 - partially autograph ms., 1787; 235x320 mm.; score (16 ff.); 15 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, bsn, 2 db, 2 org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 3, 2 ff.). M-MDca, Mus. Ms. 406a [Beata virgo Maria. Offertory. S, bc, C] Offertorio per A Concezione / Canto Solo - ms., 18th cent.; 235x320 mm.; vocal score (4 ff.). M-MDca, Mus. Ms. 407 AZOPARDI, Francesco [Laetentur caeli. Offertory. 4 V (SATB), orch., org, Bb] Originale Azopardi / Offertorio per A Notte del SS Natale / 1788 - partially autograph ms., 1788; 235x320 mm.; score (14 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 1, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 408 AZOPARDI, Francesco [Tui sunt caeli. Offertory. 4 V (SATB), orch., org, A] Originale Azopardi / Offertorio per A 3.a Messa del SS. Natale / 1788 - partially autograph ms., 1788; 235x320 mm.; score (19 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 1, 2, 2, 2, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 409 AZOPARDI, Francesco [Elegerunt apostoli Stephanum. Offertory. S, 4 str., org, C] Originale Azopardi / Offertorio per S. Stefano / 1769 - partially autograph ms., 1769; 230x320 mm.; score (8 ff.); 6 partbooks: S, vl1, vl2, ob, db, org (4, 2, 2, 2, 2, 1, 2 ff.). M-MDca, Mus. Ms. 410 AZOPARDI, Francesco [Ave Maria. Offertory. 4 V (SATB), orch., org, F] Originale Azopardi / Ave Maria / 1789 / Offertorio per A Novena del SS. Natale - partially autograph ms., 1789; 230x320 mm.; score (8 ff.); 9 partbooks: fl-tr, 2 vl1, 2 vl2, hn1, hn2, db, org (2, 2, 2, 2, 2, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 411 AZOPARDI, Francesco [Beata es virgo. Offertory. S, orch., org, Bb] Originale Azopardi / Offertorio per A SS. Concezzione - partially autograph ms., 1791; 230x315 mm.; score (20 ff.); 15 partbooks: S, 3 vl1, 3 vl2, ob1, ob2, hn1, hn2, vlc, db, 2 org (4, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 412 AZOPARDI, Francesco [Justorum animae. Offertory. S, orch., org, Bb] Originale Azopardi / Offertorio per tutti i Santi / 1787 - partially autograph ms., 1787; 230x315 mm.; score (12 ff.); 9 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 413 AZOPARDI, Francesco [Domine Deus in simplicitate. Offertory. 4 V (SATB), orch., org, C] Originale Azopardi / Offertorio per A Consagrazione della Chiesa / 1787 - partially autograph ms., 1787; 235x310 mm.; score (14 ff.); 14 partbooks: S, A, T, B, vl1, vl2, ob obbl, ob rip, ob2, hn1, hn2, bsn, db, org (1, 1, 1, 1, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff.). On the score, horn parts are indicated as trombe. M-MDca, Mus. Ms. 414 AZOPARDI, Francesco [Assumpta est Maria. Offertory. S, 3 str., org, Bb] Originale Azopardi / Offertorio per l'Assunta / 1788 - partially autograph ms., 1788; 235x310 mm.; score (8 ff.); 5 partbooks: S, vl1, vl2, db, org (4, 2, 2, 1, 2 ff.). M-MDca, Mus. Ms. 415 AZOPARDI, Francesco [Mihi autem. Offertory. S, orch., org, Eb] Originale Azopardi / Offertorio per A Conversione e Commemorazione / di S. Paolo / 1788 - partially autograph ms., 1788; 235x310 mm.; score (20 ff.); 13 partbooks: S, 2 vl1, 2 vl2, vlta, ob1, ob2, hn1, hn2, vlc, db, org (4, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). On f.19r-20v of the score is included a fragment of the hymn "Sancte Paule" (soprano part). M-MDca, Mus. Ms. 416 AZOPARDI, Francesco [Consitues eos. Offertory. S, orch., org, C] Originale Azopardi / Offertorio per A S. Pietro e Paolo. / 1788. - partially autograph ms., 1788; 235x310 mm.; score (22 ff.); 13 partbooks: 2 S, 2 vl1, 2 vl2, ob obbl, hn1, hn2, bsn, vlc, db, org (4, 4, 2, 2, 2, 2, 2, 1, 1, 2, 2, 2, 4 ff.). M-MDca, Mus. Ms. 417 AZOPARDI, Francesco [Consitues eos. Offertory. S, orch., org, A] Originale Azopardi / Offertorio per S. P. e Paolo / 1793 - partially autograph ms., 1793; 235x310 mm.; score (20 ff.); 13 partbooks: S, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (4, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 418 AZOPARDI, Francesco [Mihi autem. Offertory. 4 V (SATB), orch., org, A] Originale Azopardi / Offertorio per A Conversione, e Commemo. di S. P. / 1801 - partially autograph ms., 1801; 235x310 mm.; score (23 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 2, 2, 2 ff.). M-MDca, Mus. Ms. 419 AZOPARDI, Francesco [Justus ut palma. Offertory. S, orch., org, Eb] Originale Azopardi / Offertorio per A Natività di S. Gio. Batta. - partially autograph ms., 1801; 235x310 mm.; score (18 ff.); 11 partbooks: S, vl1, vl2, vl3, ob, clnto, hn1, hn2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 2, 2, 2 ff.) ff.). M-MDca, Mus. Ms. 420 AZOPARDI, Francesco [Veritas mea. Offertory. S, orch., org, Eb] Originale Azopardi / Veritas mea Off. de Com. Conf. non Pon. / In annivers. electionis seu consecrationis episcopi / 1801 - partially autograph ms., 1801; 235x310 mm.; score (20 ff.); 12 partbooks: S, 2 vl1, 2 vl2, clnto1, ob2, hn1, hn2, 2 db, org (3, 2, 2, 2, 2, 2, 2, 1, 1, 2, 2, 2 ff.). On the score the clnto and ob parts are both indicated as clarinetti. M-MDca, Mus. Ms. 421 AZOPARDI, Francesco [In virtute tua. Offertory. S, orch., org, Eb] Offertorio per A decollazione di S. Gio: Batta / Originale - partially autograph ms., 1805; 235x310 mm.; score (16 ff.); 10 partbooks: S, 2 vl1, vl2, clnto, ob, hn1, hn2, db, org (3, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 422 AZOPARDI, Francesco [Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, G] Originale Azopardi / Dne ad adiuvandum / 1772. - partially autograph ms., 1772; 230x320 mm.; score (8 ff.); 17 partbooks: S, A, 2 T, 2 B, 2 vl1, 2 vl2, ob, hn1, hn2, bsn, 2 db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 423 AZOPARDI, Francesco [Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, Eb] Originale Azopardi / Dne ad adiuvandum / 1778. - partially autograph ms., 1778; 230x320 mm.; score (8 ff.); 17 partbooks: S, A, T, B, 2 vl1, 3 vl2, ob1, ob2, hn1, hn2, vlc, 2 db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 424 AZOPARDI, Francesco [Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, G] Originale Azopardi / Dne ad adiuvandum / 1782 - partially autograph ms., 1782; 230x320 mm.; score (8 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). Damaged score. M-MDca, Mus. Ms. 425 AZOPARDI, Francesco [Domine ad adiuvandum. Verse.4 V (SATB), orch., org, F] Originale Azopardi / Domine / 1783 - partially autograph ms., 1783; 230x320 mm.; score (7 ff.); 6 partbooks: T, vl1, vl2, ob2, cor1, cor2 (1, 1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 426 AZOPARDI, Francesco [Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, D] Originale Azopardi / Domine - partially autograph ms., 1786; 230x320 mm.; score (8 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 427 AZOPARDI, Francesco [Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, C] Originale Azopardi / Domine / 1789 - partially autograph ms., 1789; 230x320 mm.; score (14 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 428 AZOPARDI, Francesco [Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, G] Originale Azopardi / Domine ad adiuvandum. / 1791. - partially autograph ms., 1791; 230x320 mm.; score (12 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 429 AZOPARDI, Francesco [Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, C] Originale Azopardi / Domine / 1793 - partially autograph ms., 1793; 230x320 mm.; score (10 ff.); 12 partbooks: S, A, T, B, vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 430 AZOPARDI, Francesco [Domine ad adiuvandum. Verse. 4 V (SATB) orch., org, D] Originale Azopardi / Domine / 1800 - partially autograph ms., 1800; 230x320 mm.; score (10 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 431 AZOPARDI, Francesco [Gloria patri. Doxology. S, orch., org, F] Organo / Gloria Patri / a Canto solo / del Sig.r Francesco Azopardi / 1772 - ms., 1772; 290x210 mm.; 13 partbooks: S, 2 vl1, 2 vl2, fl-tr1, fl-tr2, hn1, hn2, vlc, 2 db, org (2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2 f.). M-MDca, Mus. Ms. 432 AZOPARDI, Francesco [Gloria patri. Doxology. S, orch., org, Eb] Originale Azopardi / Gloria con eco - partially autograph ms., 1783; 230x320 mm.; score (14 ff.); 11 partbooks: vl1, vl2, ob, hn1, hn2, cor1 d'eco, cor2 d'eco, bsn, vlc, db, org (2, 2, 1, 1, 1, 1, 1, 2, 1, 1, 2 ff.). M-MDca, Mus. Ms. 433 AZOPARDI, Francesco [Gloria patri. Doxology. T, choir (SATB), orch., org, G] Originale Azopardi / Gloria Patri a solo con Ripieni / 1789 - partially autograph ms., 1789; 230x320 mm.; score (12 ff.); 18 partbooks: S, A, T, B, 2 vl1, 2 vl2, 2 fl-tr1, 2 fl-tr2, hn1, hn2, bsn, vlc, db, org (1, 1, 2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2, 1, 1, 2 ff.). M-MDca, Mus. Ms. 434 AZOPARDI, Francesco [Gloria patri. Doxology. 4 V (SATB), orch., org, C] Gloria Patri con Ripieni d'Azopardi / Organo - partially autograph ms., 18th cent. 2nd half; 230x320 mm.; 13 partbooks: S, A, T, B, 2 vl1, 2 vl2, fl-tr, cor1+cor2, vlc, db, org (1, 1, 1, 1, 2, 1, 2, 1, 1, 1, 1, 1, 2 ff.) . M-MDca, Mus. Ms. 435 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, D] Dixit / à 4. voci / con VV.ni e strumenti di fiato / del Sig.r Francesco Azopardi / del 1772 / dal med.mo rappresentato nella sollennità de' SS. Apli Pietro, e Paolo, / e donato al Rmo Capitolo della Chiesa Cattle. - ms., 1772; 210x310 mm.; score (I-II, 36, III ff.); 13 partbooks: S, A, T, B; Tecum principium 2 S solo; De torrente T, B; 3 vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 1, 1, 1, 1, 6, 6, 6, 6, 6, 4, 4, 4, 4, 6, 6, 6 ff.). Score bound with parchmen. M-MDca, Mus. Ms. 436 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, C] Originale Azopardi / Dixit / a / Quattro Voci / 1776 - partially autograph ms., 1776; 220x310 mm.; score (70 ff.); 18 partbooks: S, A, T, B; De torrente S solo; Tecum principium B solo; 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (4, 4, 4, 4, 4, 2, 6, 6, 5, 6, 5, 4, 4, 4, 6, 6, 6, 6 ff.). M-MDca, Mus. Ms. 437 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, Eb] Dixit del 1777. / à 4. Voci / con VV.ni e strom.ti di Fiato / e Violoncello Obligato / del Sig.r Francesco Azopardi / Organo - ms., 1777; 220x310 mm.; 15 partbooks: S, A, T, B; Tecum principium B solo; De torrente S solo; vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 4, 6, 6, 4, 4, 4, 4, 6, 6, 6 ff.). M-MDca, Mus. Ms. 438 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, D] originale Azopardi / Dixit / 1780 - partially autograph ms., 1780; 220x310 mm.; score (53 ff.); 13 partbooks: S, A, T, B; Tecum principium S solo; De torrente S solo; vl1, vl2, ob1, ob2, cor1, db, org (4, 4, 4, 4, 4, 4, 4, 4, 3, 4, 4, 4, 5 ff.). On the score: Corni, o Trombe in D.A .G .re. Damaged score (the final "Amen" is missing). M-MDca, Mus. Ms. 439 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, G] Originale Azopardi / Dixit Dominus / 1780 - partially autograph ms., 1780; 220x310 mm.; score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 440 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, F] Dixit del 1784 con stromenti Azopardi / Controbasso / Organo - partially autograph ms., 1784; 220x310 mm.; 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 441 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, C] Originale Azopardi / Dixit / 1787 - partially autograph ms., 1787; 220x310 mm.; score (25 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, vlc, org (2, 2, 4, 2, 3, 3, 2, 2, 2, 3, 4 ff.) The horn parts are indicated on the score as Trombe. M-MDca, Mus. Ms. 442 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, Bb] Originale Azopardi / Dixit / 1788 - partially autograph ms., 1788; 220x310 mm.; score (25 ff.); 21 partbooks: 2 S, 2 A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, 2 cor1, 2 cor2, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 3, 3, 3, 3, 2, 2, 1, 1, 2, 1, 3, 3, 6 ff.). On the organ part: Giuseppe Agius Mauro Pa[vone]. M-MDca, Mus. Ms. 443 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, G] Originale Azopardi / Dixit a 4.o / 1789 - partially autograph ms., 1789; 220x310 mm.; score (85 ff.); 20 partbooks: S, A, T, B; Tecum principium S solo; Juravit Dominus S1, S2; De torrente S solo; 2 vl1, 2 vl2, ob1, ob2, ob2 (De torrente), hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 2, 2, 4, 8, 8, 8, 8, 4, 4, 1, 4, 4, 6, 6, 8 ff.). The score includes a basson part. M-MDca, Mus. Ms. 444 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, G] Originale Azopardi / Dixit / 1790 - partially autograph ms., 1790; 230x310 mm.; score (100 ff.); 20 partbooks: S, S rip, A, T, B; Virgam virtutis S solo; Juravit Dominus B solo; Dominus a dextris S1, S2, B; De torrente S solo; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 2, 3, 4, 4, 4, 4, 2, 2, 2, 4, 8, 8, 8, 8, 6, 4, 4, 4, 8, 8, 7 ff.). The score includes a few passages for flute traversiere and basson. M-MDca, Mus. Ms. 445 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, D] Originale Azopardi / Dixit / 1792 - partially autograph ms., 1792; 230x310 mm.; score (105 ff.); 19 partbooks: S, A, T, B; Juravit Dominus S1, S2; De torrente S solo; Tecum principium B solo; 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, vlc, db, org (4, 4, 4,4 2, 2, 4, 4, 8, 8, 8, 8, 6, 5, 5, 4, 6, 6, 6 ff.). The score includes the basson part; the trumpets are sometimes substituted by the horns. M-MDca, Mus. Ms. 446 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, D] Originale Azopardi / Dixit. / 1794. - partially autograph ms., 1794; 230x310 mm.; score (116 ff.); 22 partbooks: S, A, T, B; Juravit Dominus S, A, T, B; Tecum principium S solo; De torrente S, B; 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (4, 3, 3, 4, 2, 2, 2, 2, 4, 3, 2, 9, 8, 8, 8, 7, 5, 4, 4, 8, 8, 7, 8 ff.). On the score the trumpets are sometimes substituted by the horns. M-MDca, Mus. Ms. 447 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, C] Originale Azopardi / Dixit. / 1800. - partially autograph ms., 1800; 230x310 mm.; score (34 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, vlc, db, org (2, 2, 2, 2, 3, 3, 2, 2, 2, 2, 2, 2, 4 ff.) On the score the trumpets are sometimes substituted by the horns. M-MDca, Mus. Ms. 448 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, F] Originale Azopardi / Dixit / 1805 - partially autograph ms., 1805; 230x310 mm.; score (67 ff.); 19 partbooks: S, A, T, B; Juravit Dominus S1, S2, B; De torrente S solo; Gloria patri S solo; 2 vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (3, 3, 3, 3, 2, 2, 1, 3, 2, 7, 7, 7, 4, 4, 3, 4, 5, 6 ff.). The score includes a clarinetto part. M-MDca, Mus. Ms. 449 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, C] Dixit con strumenti d'Azopardi / Organo - partially autograph ms., 18th cent. 2nd half; 230x310 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 450 AZOPARDI, Francesco [Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, Bb] Dixit con strumenti d'Azopardi / Organo - partially autograph ms., 18th cent. 2nd half; 230x310 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 451 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. S, orch., org, Bb] Originale Azopardi / Confitebor / a / voce sola. / 1776 - partially autograph ms., 1776; 230x310 mm., score (29 ff.); 13 partbooks: S, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (8, 4, 4, 4, 4, 2, 2, 2, 2, 5, 4, 4, 5 ff.). M-MDca, Mus. Ms. 452 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. S1, S2, orch., org, Bb] Originale Azopardi / Confitebor. a 2. / 1778. - partially autograph ms., 1778; 230x310 mm., score (21 ff.); 10 partbooks: S1, S2, 2 vl1, 2 vl2, bsn, vlc, db, org (4, 4, 4, 4, 4, 4, 3, 4, 4, 4 ff.). M-MDca, Mus. Ms. 453 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. 4 V (SATB), orch., org, C] Originale Azopardi / Confitebor a 4. / 1780. - partially autograph ms., 1780; 230x310 mm., score (18 ff.); 10 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, db, org (1, 1, 2, 1, 2, 2, 1, 1, 2 ff.). The score includes two trumpets. M-MDca, Mus. Ms. 454 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. S, orch., org, C] Originale Azopardi / Confitebor a solo in C. G . F ut / 1780 - partially autograph ms., 1780; 230x310 mm., score (42 ff.); 13 partbooks: S, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (10, 6, 6, 6, 6, 3, 3, 3, 3, 6, 6, 6, 6 ff.). The score includes the violetta and two horns. M-MDca, Mus. Ms. 455 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. S, orch., org, Eb] Originale Azopardi / Confitebor in e.A .F / 1783. - partially autograph ms., 1783; 230x310 mm., score (45 ff.); 13 partbooks: S, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (10, 4, 4, 4, 4, 1, 1, 1, 1, 4, 4, 4, 4 ff.). The score includes two horns instead of two trumpets. M-MDca, Mus. Ms. 456 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. S1, S2 orch., org, A] Originale Azopardi / Confitebor a 2. / 1786. - partially autograph ms., 1786; 230x310 mm., score (20 ff.); 10 partbooks: S1, S2, 2 vl1, 2 vl2, bsn, vlc, db, org (4, 4, 4, 4, 4, 4, 4, 4, 4, 4 ff.). M-MDca, Mus. Ms. 457 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. S, 4 V (SATB), orch., org, Eb] Originale Azopardi / Confitebor a solo con ripieni. / 1787. - partially autograph ms., 1787; 230x310 mm., score (18 ff.); 22 partbooks: 2 S, 2 A, 2 T, 2 B, 3 vl1, 2 vl2, ob1, 2 ob2, cor1+2, 2 vlc, 2 db, org (2, 1, 2, 1, 2, 1, 2, 1, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 1, 2, 2, 2 ff.). M-MDca, Mus. Ms. 458 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. 4 V (SATB), orch., org, A] Originale Azopardi / Confitebor / 1792 - partially autograph ms., 1792; 230x310 mm., score (18 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, cor1+2, vlc, 2 db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 459 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. S, 4 V (SATB), orch., org, A] Originale Azopardi / Confitebor a solo / con ripieni. / 1791 - partially autograph ms., 1791; 230x310 mm., score (42 ff.); 15 partbooks: S, A, T, B, 2 vl1, vl2, ob1, ob2, hn1, hn2, fl-tr, bsn, db, org (4, 2, 2, 2, 4, 4, 4, 4, 2, 2, 2, 1, 4, 4, 4 ff.). M-MDca, Mus. Ms. 460 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. S, 4 V (SATB), orch., org, A] Originale Azopardi / Confitebor a solo con ripieni. / 1793. - partially autograph ms., 1793; 230x310 mm., score (36 ff.); 18 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob1 (Gloria), ob2, hn1, hn2, bsn, vlc, vlc (Gloria), db, org (4, 2, 2, 2, 4, 4, 4, 4, 2, 1, 2, 1, 1, 3, 4, 1, 4, 4 ff.). M-MDca, Mus. Ms. 461 AZOPARDI, Francesco [Confitebor tibi...in consilio. Psalm 110. S, 4 V (SATB), orch., org, A] Originale Azopardi / Confitebor a solo con ripieni. / 1793. - partially autograph ms., 1793; 230x310 mm., score (16 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 462 AZOPARDI, Francesco [Credidi. Psalm 115. 4 V (SATB), archi, org, Bb] Originale Azopardi / Credidi / 1770. - partially autograph ms., 1770; 230x290-310 mm., score (16 ff.); 11 partbooks: S, A, T, B, 2 vl1, 2 vl2, vlc, db, org (1, 1, 1, 1, 2, 2, 2, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 463 AZOPARDI, Francesco [Credidi. Psalm 115. 4 V (SATB), orch., F] Originale Azopardi / Credidi / 1786 - autograph ms.,1786; 230x310 mm., score (12 ff.): 4 voices, vl1, vl2, ob1, ob2, hn1, hn2, bc. Only the vocal parts and the bc have been notated. M-MDca, Mus. Ms. 464 AZOPARDI, Francesco [Laudate pueri. Psalm 112. S, orch., G] 1775 / Originale Azopardi / Laudate a solo. - partially autograph ms., 1775; 230x310 mm., score (36 ff.); 10 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, vlta, db, org (4, 5, 4, 3, 3, 2, 2, 4, 4, 2 ff.) The score includes two trumpets and two flautini. M-MDca, Mus. Ms. 465 AZOPARDI, Francesco [Laudate pueri. Psalm 112. S, orch., Eb] Originale Azopardi / Laudate pueri / 1776 - partially autograph ms., 1776; 230x310 mm., score (20 ff.); 9 partbooks: S, vl1, vl2, fl-tr1, fl-tr2, hn1, hn2, db, org (4, 4, 4, 2, 2, 1, 1, 2, 4 ff.). M-MDca, Mus. Ms. 466 AZOPARDI, Francesco [Laudate pueri. Psalm 112. 4 V (SATB), orch., org, G] Originale Azopardi / Laudate pueri / 1780 - partially autograph ms., 1780; 230x310 mm., score and vocal score (9, 4 ff.); 21 partbooks: 2 S, 2 A, 2 T, 2 B, 2 vl1, 2 vl2, 2 ob1, 2 ob2, 2 cor1+cor2, db, 2 org (1, 1, 1, 1, 1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2, 2 ff.). On f.1r of the vocal score: Padrone Giuseppe .i.Agius. M-MDca, Mus. Ms. 467 AZOPARDI, Francesco [Laudate pueri. Psalm 112. 4 V (SATB), orch., org] Organo / Laudate Pueri / a 4.o Voci / Del Sig.r Francesco Azupardi / Del 1782 - ms., 1782; 230x310 mm.; 18 partbooks: S, S solo+b, S solo+b (Excelsus), A, T, B, vl1, vl2, ob1, ob2, cor1, cor2; "Suscitans a terra" ob1, ob2, cor1, cor2; vlc, db, org (4, 8, 4, 4, 3, 4, 6, 7, 2, 2, 2, 2, 1, 1, 1, 1, 6, 6, 6 ff.). Includes two versions of psalm 112: first version in D to be found on ff.1v-2r and 6v (doxology) of org, vl1, vl2, db and vlc parts; a second version in G is to be found on f.2v of the same parts. The canto parts correspond to the second version. Other vocal parts include the music for the first version. The 4 oboe parts as well as the horn parts include respectively the first and second version of the Psalm. M-MDca, Mus. Ms. 468 AZOPARDI, Francesco [Laudate pueri. Psalm 112. S, orch., Bb] Originale Azopardi / Laudate a voce sola in B.F . / 1781 - partially autograph ms., 1781; 230x310 mm., score (27 ff.); 10 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, bsn, vlc, org (8, 3, 4, 2, 2, 2, 2, 4, 4, 4 ff.). The score inlcudes a violetta part (in alto clef). M-MDca, Mus. Ms. 469 AZOPARDI, Francesco [Laudate pueri. Psalm 112. S, orch., Bb] Originale Azopardi / Laudate pueri / 1783. - partially autograph ms., 1783; 230x310 mm., score (34 ff.); 7 partbooks: S, vl1, vl2, ob, cor1+cor2, bsn, vlc (4, 6, 6, 2, 2, 4, 4 ff.). M-MDca, Mus. Ms. 470 AZOPARDI, Francesco [Laudate pueri. Psalm 112. T, 4 V (SATB), orch., org, A] Originale Azopardi / Laudate / con ripieni a Flotta / 1786 - partially autograph ms., 1786; 230x310 mm., score (26 ff.); 25 partbooks: 2 S rip, 2 A rip, T solo, 2 T rip, 2 B rip, 3 vl1, 3 vl2, 2 ob1, ob2, hn1, hn2, bsn, vlc, db, 2 org (2, 2, 2, 2, 3, 4, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 1, 2, 2, 2, 2, 2, 2, 4, 6 ff.). M-MDca, Mus. Ms. 471 AZOPARDI, Francesco [Laudate pueri. Psalm 112. S, 4 V (SATB), orch., org, C] Originale Azopardi / Laudate pueri / a solo con ripieni / 1787. - partially autograph ms., 1787; 230x310 mm., score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 472 AZOPARDI, Francesco [Laudate pueri. Psalm 112. S, 4 V (SATB), orch., org, Bb] Originale Azopardi / Laudate pueri a solo con Ripieni / 1789 - partially autograph ms., 1789; 230x310 mm., score (75 ff.); 20 partbooks: S solo, S solo (Quis sicut); S, A, T, B; (Suscitans) S1, S2; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (4, 3, 2, 2, 2, 2, 2, 2, 10, 8, 8, 10, 4, 4, 4, 6, 6, 6, 5 ff.). The final missing sheets of the org part have been replaced with 19th cent. music sheets. On the score the oboe is sometimes substituted by a traversiere flute. M-MDca, Mus. Ms. 473 AZOPARDI, Francesco [Laudate pueri. Psalm 112. S, 4 V (SATB), orch., org, C] Originale Azopardi / Laudate a solo, con Ripieni. / 1793 - partially autograph ms., 1793; 230x310 mm., score (76 ff.); 16 partbooks: S solo, A, T, B, 2 vl1, vl1 (Quis sicut), 2 vl2, ob1, ob2, tr1, tr2, bsn, db, org (5, 4, 4, 4, 5, 5, 5, 5, 4, 4, 3, 3, 5, 5, 6 ff.). M-MDca, Mus. Ms. 474 AZOPARDI, Francesco [Laudate pueri. Psalm 112. S, 4 V (SATB), orch., org, G] Originale Azopardi / Laudate a solo con ripieni / 1796 - partially autograph ms., 1796; 230x310 mm., score (53 ff.); 15 partbooks: S solo, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (5, 2, 2, 2, 4, 4, 4, 4, 2, 2, 2, 2, 4, 4, 4 ff.). M-MDca, Mus. Ms. 475 AZOPARDI, Francesco [Laudate pueri. Psalm 112. 4 V (SATB), orch., org, Bb] Originale Azopardi / Laudate. / 1800. - partially autograph ms., 1800; 230x310 mm., score (20 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 476 AZOPARDI, Francesco [Nisi Dominus. Psalm 126. 4 V (SATB), orch., org, Bb] Nisi Dominus à 4.o Voci / con VV:ni e / Strumenti di Fiato del / Sig.r Francesco Azupardi / Organo - ms., 1777; 230x310 mm.; 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 477 AZOPARDI, Francesco [Nisi Dominus. Psalm 126. 2 V (SA), vl1, vl2, db, org, F] Originale Azopardi / Nisi Dominus / a 2. - partially autograph ms., 1780; 230x310 mm.; 6 partbooks: S, A, vl1, vl2, db, org (2, 2, 2, 2, 2, 1 ff.). M-MDca, Mus. Ms. 478 AZOPARDI, Francesco [Nisi Dominus. Psalm 126. 4 V (SATB), orch., org, A min.] Nisi Dominus. 1781 d'Azopardi / Organo - partially autograph ms., 1781; 230x310 mm.; 10 partbooks: S, A, T, B, vl1, vl2, ob1, bsn, vlc, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 479 AZOPARDI, Francesco [Nisi Dominus. Psalm 126. 4 V (SATB), orch., org, A] Originale Azopardi / Nisi Dominus. / 1791. - partially autograph ms., 1791; 230x310 mm., score (10 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 480 AZOPARDI, Francesco [Nisi Dominus. Psalm 126. 4 V (SATB), orch., org, F] Originale Azopardi / Nisi Dominus. / 1800 - partially autograph ms., 1800; 230x310 mm., score (10 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 2, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 481 AZOPARDI, Francesco [Nisi Dominus. Psalm 126. A, T, archi, F] Originale Azopardi / Nisi Dominus - partially autograph ms., 18th cent. 2nd half.; 210x290 mm., score (12 ff.); 6 partbooks: S, A, vl1, vl2, vlc, db (2, 2, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 482 AZOPARDI, Francesco [Domine probasti me. Psalm 138. 4 V (SATB), orch., org, D] Originale Azopardi / Domine probasti / 1772. - partially autograph ms., 1772; 230x320 mm., score (38 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, bsn, db, org (4, 4, 4, 4, 4, 4, 2, 2, 2, 2, 2, 4, 4 ff.). The first five bars have been erased on the score. On the score trumpets are sometimes substituted by the horns. M-MDca, Mus. Ms. 483 AZOPARDI, Francesco [Domine probasti me. Psalm 138. 4 V (SATB), orch., org, D] Originale Azopardi / Domine probasti me / 1800. - partially autograph ms., 1800; 230x320 mm., score (35 ff.); 10 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1, cor2 (2, 2, 2, 2, 4, 4, 2, 2, 1, 1 ff.). M-MDca, Mus. Ms. 484 [Domine probasti me. Psalm 138. 4 V (SATB), orch., org, D] Domine probasti me / Organo / 1819 - ms., 1819; 230x320 mm.; 10 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 485 AZOPARDI, Francesco [Beatus vir. Psalm 111. 4 V (SATB), orch., org, F] Originale Azopardi / Beatus vir. / 1775 - partially autograph ms., 1775; 230x320 mm., score (14 ff.); 18 partbooks: S, A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (1, 1, 1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 486 AZOPARDI, Francesco [Beatus vir. Psalm 111. 4 V (SATB), orch., org, D] Originale. Azopardi. / Beatus vir. / 1778. - partially autograph ms., 1778; 230x320 mm., score (24 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, bsn, org (1, 1, 1, 4, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 487 AZOPARDI, Francesco [Beatus vir. Psalm 111. S, orch., C] Originale Azopardi / Beatus vir. / a solo / 1783. - partially autograph ms., 1783; 230x320 mm., score (43 ff.); 10 partbooks: S solo, vl1, vl2, ob1, ob2, hn1, hn2, vlc, bsn/db, org (10, 4, 6, 2, 2, 2, 2, 4, 4, 4 ff.). A reduction for 4 voices and orch. is in Mus. Ms. 487a. This arrangement presents different music in the doxology. M-MDca, Mus. Ms. 487a AZOPARDI, Francesco [Beatus vir. Psalm 111. 4 V (SATB), orch., C] Originale Azopardi - partially autograph ms., 1783; 230x320 mm., score (11 ff.); 17 partbooks: S (Gloria et divitiae), A, T, B, vl1, 2 vl1 (Gloria et divitiae patri), vl2, 2 vl2 (Gloria et divitiae), ob1, ob2, hn1, hn2, vlc (Gloria et divitiae), bsn/db (Gloria et divitiae), org (Gloria et divitiae) (1, 2, 2, 2, 4, 1, 1, 6, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). The music in S, vl1 and vl2 parts ("Gloria et divitiae") has been transposed in A min. tonality while all other parts are in G min. A reduction for Soprano and orch. is Mus. Ms. 487. M-MDca, Mus. Ms. 488 AZOPARDI, Francesco [Beatus vir. Psalm 111. B, 4 V (SATB), orch., org, F] Originale Azopardi / Beatus vir. / a solo con duettini / 1777. - partially autograph ms., 1777; 230x320 mm., score (15 ff.); 9 partbooks: S, A, T, B, vl1, vl2, ob1, db, org (1, 1, 1, 1, 2, 2, 1, 2, 2 ff.) M-MDca, Mus. Ms. 489 AZOPARDI, Francesco [Beatus vir. Psalm 111. B, 4 V (SATB), orch., org, F] Originale Azopardi / Beatus vir. a solo con ripieni / 1793 - partially autograph ms., 1793; 230x320 mm., score (22 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (2, 2, 2, 3, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 490 AZOPARDI, Francesco [Beatus vir. Psalm 111. B, 4 V (SATB), orch., org, F] Azopardi Beatus vir / Fagotto / - partially autograph ms., 2. metà 18th cent.; 230x320 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, cor1+cor2, bsn/db, vlc, db, (1, 1, 1, 1, 1, 2, 2, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 491 AZOPARDI, Francesco [Laetatus sum. Psalm 121. 4 V (SATB), archi, org, D] Originale Azopardi / Laetatus sum in his. 1776 - partially autograph ms., 1776; score (16 ff.), 210x285 mm.; 10 partbooks: S, A, T, B, 2 vl1, 2 vl2, db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 2 ff.). M-MDca, Mus. Ms. 492 AZOPARDI, Francesco [Laetatus sum. Psalm 121. 4 V (SATB), orch., org, Bb] Azopardi Laetatus del 1781. / Violino Secondo - partially autograph ms., 1781; 230x330 mm.; 8 partbooks: S, A, T, B, vl1, vl2, ob1, bsn (1, 1, 1, 1, 2, 2, 1, 1 ff.). On the ob part is to be found a fragment of a soprano part on the text "E' nato pastori lo dio degl'amori" to be dated between end of 17th and beginning of 18th cent. M-MDca, Mus. Ms. 493 AZOPARDI, Francesco [Laetatus sum. Psalm 121. 4 V (SATB), orch., org, G] Azopardi Laetatus del 1787. / Controbasso - partially autograph ms., 1787; 230x330 mm.; 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 494 AZOPARDI, Francesco [Laetatus sum. Psalm 121. 4 V (SATB), orch., org, G] Originale Azopardi / Letatus. / 1800 - partially autograph ms., 1800; 230x330 mm.; score (13 ff.): S1, S2, A, B, vl1, vl2, ob1, ob2, hn1, hn2, bc. M-MDca, Mus. Ms. 495 AZOPARDI, Francesco [Lauda Jerusalem. Psalm 147. 4 V (SATB), orch., org, G] Originale Azopardi / Lauda Jerusalem. / 1772. - partially autograph ms., 1772; 220x290 mm.; score (16 ff.); 18 partbooks: 2 S, A, T, 2 B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (1, 1, 1, 1, 1, 1, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). On f.16v of the score: Finis Laus Deo. M-MDca, Mus. Ms. 496 AZOPARDI, Francesco [Lauda Jerusalem. Psalm 147. S, orch., org, Bb] Originale Azopardi / Lauda Jerusalem / 1781 - partially autograph ms., 1781; 230x310 mm.; score (24 ff.); 9 partbooks: S, vl1, vl2, mand1, mand2, fl-tr, bsn, db, org (6, 3, 4, 4, 3, 4, 4, 4, 4 ff.). The score includes the parts of two horns and one violetta. M-MDca, Mus. Ms. 497 AZOPARDI, Francesco [Lauda Jerusalem. Psalm 147. 4 V (SATB), orch., org, Bb] Lauda Jerusalem. 1781. d'Azopardi / Organo - partially autograph ms., 1781; 230x290 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1+tr2, db, org (2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 498 AZOPARDI, Francesco [Lauda Jerusalem. Psalm 147. S, choir 4 V (SATB), orch., org, A] Originale Azopardi / Lauda Jerusalem solo con ripieni. / 1791 - partially autograph ms., 1791; 230x310 mm.; score (25 ff.); 12 partbooks: S solo, A rip, T rip, B rip, vl1, vl2, ob1, ob2, hn1, hn2, db, org (4, 2, 2, 2, 4, 4, 2, 2, 2, 2, 2, 4 ff.). M-MDca, Mus. Ms. 499 AZOPARDI, Francesco [Lauda Jerusalem. Psalm 147. 4 V (SATB), orch., org, C] Originale Azopardi / Lauda Jerusalem. / 1800. - partially autograph ms., 1800; 230x310 mm.; score (11 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 500 AZOPARDI, Francesco [Laudate Dominum. Psalm 116. 4 V (SATB), orch., org, G] Azopardi / Laudate Dominum. / 177[7] - partially autograph ms., 1777; 220x280 mm.; score (12 ff.); 19 partbooks: 2 S, 2 A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 501 AZOPARDI, Francesco [Laudate Dominum. Psalm 116. 4 V (SATB), orch., org, G] Originale Azopardi / Laudate Dominum. / 1778 - partially autograph ms., 1778; 230x310 mm.; score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, bsn, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 502 AZOPARDI, Francesco [Laudate Dominum. Psalm 116. 4 V (SATB), orch., org, Bb] Azupardi Laudate D(omi)num. / Violino Primo - ms. 18th-19th cent.; 230x310 mm.; 7 partbooks: S, A, T, B, vl1, vl2, ob (1, 1, 1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 503 AZOPARDI, Francesco [In exitu. Psalm 113. 4 V (SATB), orch., org, C] Originale Azopardi / In exitu. / 1773 - partially autograph ms., 1773; 230x310 mm.; score (24 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (3, 2, 2, 2, 2, 2, 1, 1, 1, 1, 4, 3 ff.). The score includes also two trumpet parts. M-MDca, Mus. Ms. 504 AZOPARDI, Francesco [In exitu. Psalm 113. 4 V (SATB), orch., org, Bb] In exitu Azopardi / Violoncello / Organo - partially autograph ms., 1787; 230x310 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2 ff.). The org part is bound with a 17th century music fragment carrying a figured continuo part. M-MDca, Mus. Ms. 505 AZOPARDI, Francesco [In convertendo. Psalm 125. 4 V (SATB), orch., org, F] Originale Azopardi / In convertendo / 1786. - partially autograph ms., 1786; 230x310 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, vlc, db (1, 1, 1, 1, 2, 2, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 506 AZOPARDI, Francesco [In convertendo. Psalm 125. 4 V (SATB), orch., org, Eb] Originale Azopardi / In convertendo / 1801 - partially autograph ms., 1801; 230x310 mm.; 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 2, 1, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 507 AZOPARDI, Francesco [Beati omnes. Psalm 127. S, orch., org, G] Originale Azopardi / Beati omnes. / Laudate. / 1776 - partially autograph ms., 1776; 230x310 mm.; 13 partbooks: S solo, vl1, vl2, mand1 (or vl1 pizzicato), mand2 (o vl2 pizzicato), ob obbl, ob1, ob2, hn1, hn2, bsn, db, org (6, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff.). M-MDca, Mus. Ms. 508 AZOPARDI, Francesco [Memento domine. Psalm 131. 4V (SATB), orch., org, C] Originale Azopardi / Memento / 1773 - partially autograph ms., 1773; 210x290 mm.; 9 partbooks: S, T, B, vl1, vl2, ob1, ob2, vlc, org (2, 2, 2, 2, 2, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 509 AZOPARDI, Francesco [De profundis. Psalm 129. S, orch., org, Eb] Originale Azopardi / De profundis / 1781 - partially autograph ms., 1781; 230x310 mm.; 9 partbooks: S solo, vl1, vl2, fl-tr1, fl-tr2, hn1, hn2, db, org (4, 4, 3, 2, 2, 2, 2, 2, 3 ff.). M-MDca, Mus. Ms. 510 AZOPARDI, Francesco [Vespers. 4 V (SATB), org] Salmi Azzopardi / Per / A S.ta Chiesa Catedrale. / 1786 - partially autograph ms., 1784-6; 230x310 mm.; score (86 ff.); 5 partbooks: S, A, T, B, org (I,22,II; I,16,II; I,20,II; I-II,28,III-IV, I-II,20,III-IV ff.). Bound score. Includes 12 compositions.
M-MDca, Mus. Ms. 511 AZOPARDI, Francesco [Vespers. 4 V (SATB), org] Salm[i] d'Azzopardi / 1780 / [...] Chiesa [...] - partially autograph ms., 1780; 230x310 mm.; score ( ff.); 5 partbooks: S, A, T, B, org (I,36,II; 34, 17, 18, I,32 ff.). Bound score. On f.72v of the score is included an index. Includes 11 compositions.
M-MDca, Mus. Ms. 512 AZOPARDI, Francesco [Magnificat. Canticle. 4 V (SATB), orch., org, G] Originale Azopardi / Magnificat / 1772 - partially autograph ms., 1772; 230x310 mm.; score (24 ff.); 24 partbooks: S solo, B solo, 2 S, 2 A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, 2 cor1, 2 cor2, bsn, 2 db, org (1, 1, 2, 2, 2, 2, 2, 2, 2, 2, 4, 4, 4, 4, 1, 1, 1, 1, 1, 1, 4, 4, 4, 4 ff.). On f.23v of the score an incomplete orchestration of the verse "Suscepit Israel" for 4 voices. strings and bc is included. M-MDca, Mus. Ms. 513 AZOPARDI, Francesco [Magnificat. Canticle. 4 V (SATB), orch., org, F] Originale Azopardi / Magnificat / 1781 - partially autograph ms., 1781; 230x310 mm.; score (22 ff.); 13 partbooks: S solo ("Suscepit"), S solo ("Sicut locutus"), S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, vlc, org (1, 1, 2, 2, 2, 2, 4, 4, 1, 1, 1, 2, 4 ff.). M-MDca, Mus. Ms. 514 AZOPARDI, Francesco [Magnificat. Canticle. 4 V (SATB), orch., org, F /Bb] Originale Azopardi / Magnificat. / 1781. - partially autograph ms., 1781; 230x320 mm.; score (30 ff.); 37 partbooks: 2 S solo ("Suscepit"), 2 S solo ("Sicut locutus"), 3 S, 2 A, 2 T, T rip, 2 B, B rip, 4 vl1, 4 vl2, 2 ob1, 2 ob2, 2 cor1, 2 cor2, bsn, vlc, 3 db, org (1, 2, 1, 2, 4, 3, 2, 3, 2, 4, 3, 2, 3, 3, 2, 4, 5, 4, 4, 4, 4, 4, 4, 2, 2, 2, 2, 2, 2, 2, 2, 3, 4, 4, 4, 3, 8 ff.). M-MDca, Mus. Ms. 515 AZOPARDI, Francesco [Magnificat. Canticle. 4 V (SATB), orch., org, F] Originale Azopardi / Magnificat. / 1784. - partially autograph ms., 1784; 230x310 mm.; score (24 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, 2 db, org (4, 2, 2, 2, 2, 2, 2, 1, 1, 1,1 2, 2 ff.). M-MDca, Mus. Ms. 516 AZOPARDI, Francesco [Magnificat. Canticle. 4 V (SATB), orch., org, Bb] Originale Azopardi / Magnificat. / 1786. - partially autograph ms., 1786; 230x310 mm.; score (27 ff.); 12 partbooks: S solo ("Suscepit Israel"), S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 4, 4, 2, 2, 2, 2, 4 ff.). M-MDca, Mus. Ms. 517 AZOPARDI, Francesco [Magnificat. Canticle. 4 V (SATB), orch., org, F] Originale Azopardi / Magnificat / 1800 - partially autograph ms., 1800; 230x310 mm.; score (41 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 4, 4, 4, 2, 2, 2, 2, 4, 4, 4 ff.). M-MDca, Mus. Ms. 518 AZOPARDI, Francesco [Egregie doctor. Hymn. 4 V (SATB), orch., org, G] Originale Azopardi / Egregie Doctor. - partially autograph ms., 1776; 230x310 mm.; score (8 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 519 AZOPARDI, Francesco [Decora lux. Hymn. 4 V (SATB), orch., org, C] Originale Azopardi / Decora lux. / 1785 - partially autograph ms., 1785; 230x310 mm.; score (12 ff.); 17 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, 2 db, 2 org (1, 1, 1, 1, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On the score the trumpets substitute the horns. M-MDca, Mus. Ms. 520 AZOPARDI, Francesco [Decora lux. Hymn. S, 4 V (SATB), orch., org, C/F] Originale Azopardi. / Decora lux. / 1772 - partially autograph ms., 1772; 220x290 mm.; score (18 ff.): S solo; S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, b. M-MDca, Mus. Ms. 521 AZOPARDI, Francesco [Te Joseph celebrent. Hymn. 4 V (SATB), orch., org, A min.] Originale Azopardi / Te Joseph celebrent. / 1787 - partially autograph ms., 1787; 230x310 mm.; score (12 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, vlc, db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 522 [AZOPARDI, Francesco attrib.] [Ut queant laxis. Hymn. 4 V (SATB), 3 str., org, G] Ut queant laxis. / per A Natività di S. Gio: Batta. - partially autograph ms., 18. sec. 2. metà; 230x310 mm.; 8 partbooks: S, A, T, B, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 1 ff.). Handwriting identical to F. Azopardi’s. M-MDca, Mus. Ms. 523 AZOPARDI, Francesco [Ut queant laxis. Hymn. 4 V (SATB), A min] Azuprdi Ut queant laxis / Violincello - partially autograph ms., 18. sec. 2. metà; 230x310 mm.; 10 partbooks: 2 S, 2 A, 2 T, 2 B, vl1, vlc (1, 1, 1, 1, 1, 1, 1, 1, 2, 2 ff.). M-MDca, Mus. Ms. 524 AZOPARDI, Francesco [Laudibus cives. Hymn. 4 V (SATB), orch., org, A min.] Originale Azopardi / Inno di S. Benedetto - partially autograph ms., 1787; 230x310 mm.; score (8 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.). The oboe parts have been notated in pencil in a later period. Similar music in Mus. Ms. 525. M-MDca, Mus. Ms. 525 AZOPARDI, Francesco [Laudibus cives. Hymn. 4 V (SATB), orch., org, A min.] Originale Azopardi / Inno di S. Benedetto / 1790. - partially autograph ms., 1790; 230x310 mm.; score (16 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff. ). Similar music in Mus. Ms. 524. M-MDca, Mus. Ms. 526 AZOPARDI, Francesco [Te spelendor et virtus. Hymn. 4 V (SATB), vlc, G] Azopardi Inno Te splendor - partially autograph ms., [1782]; 230x310 mm.; score (4 ff.); 5 partbooks: S, A, T, B, vlc (1, 1, 1, 1, 1 ff.). Same music in Mus. Ms. 527-8 M-MDca, Mus. Ms. 527 AZOPARDI, Francesco [Coelestis urbis. Hymn. 4 V (SATB), orch., G] Originale Azopardi / Coelestis Urbs Jerusalem / 1782 - partially autograph ms., 1782; 230x310 mm.; score (10 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, db, vlc, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2, 2, 2 ff.). Same music in Mus. Ms. 526-8. M-MDca, Mus. Ms. 528 AZOPARDI, Francesco [Iste confessor. Hymn. 4 V (SATB), G] Iste confessor - partially autograph ms., [1782]; 230x310 mm.; vocal score (4 ff.); 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). Same music in Mus. Ms. 526-7. M-MDca, Mus. Ms. 529 AZOPARDI, Francesco [Ave Maris stella. Hymn. 4 V (SATB), orch., D] Originale 1772 Azopardi / Ave maris stella. - partially autograph ms., 1772; 230x310 mm.; score (21 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, tr1, tr2, bsn, db, org (1, 1, 1, 1, 2, 2, 2, 1, 1, 2, 2, 2 ff.). On the score the trumpets substitute the horns. M-MDca, Mus. Ms. 530 AZOPARDI, Francesco [Ave Maris stella. Hymn. 4 V (SATB), orch., D] Originae Azopardi / Ave Maris Stella. / 1779 - partially autograph ms., 1779; 230x310 mm.; score (8 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, 2 cor1+cor2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 531 AZOPARDI, Francesco [Ave Maris stella. Hymn. 4 V (SATB), orch., D] Originale Azopardi. / Ave maris stella. / 1801 - partially autograph ms., 1801; 230x310 mm.; score (20 ff.); 10 partbooks: S, A, T, B, vl1, vl2, ob1, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 2 ff.). M-MDca, Mus. Ms. 532 AZOPARDI, Francesco [Salutis humanae sator. Hymn. 4 V (SATB), orch., G , D] Originale Azopardi / Inno del Ascensione - partially autograph ms., 1773; 230x310 mm.; score (10 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 533 AZOPARDI, Francesco [Salutis humanae sator. Hymn. 4 V (SATB), 3 str., D] Originale Azopardi / Salutis humanae sator. / 1795 - partially autograph ms., 1795; 230x310 mm.; score (7 ff.); 8 partbooks: S, A, T, B, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 2 ff.). On f. 1v of the db part some theoretical explanation with musical examples are included. M-MDca, Mus. Ms. 534 AZOPARDI, Francesco [Salutis humanae sator. Hymn. 4 V (SATB), org., F] - partially autograph ms., 18th cent. 2nd half; 230x160-310 mm.; 5 partbooks: S, A, T, B, b+voices (1, 1, 1, 1, 1 ff.). M-MDca, Mus. Ms. 535 AZOPARDI, Francesco [Veni creator spiritus. Hymn. 5 V (SSATB), orch., G] Originale Azopardi. / Veni creator. - partially autograph ms., 1776; 230x310 mm.; 21 partbooks: S1, S2, A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, 2 cor1, 2 cor2, bsn, vlc, db, org (2, 2, 1, 1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 536 AZOPARDI, Francesco [Veni creator spiritus. Hymn. 4 V (SATB), orch., G] Originale Azopardi. / Veni creator / 1782 autograph ms.,1782; 230x310 mm.; score (10 ff.): S, A, T, B, vl1, vl2, fl-tr1, fl-tr2, hn1, hn2, b. Final sheets of the score missing. Same music in Mus. Ms. 537. M-MDca, Mus. Ms. 537 AZOPARDI, Francesco [Veni creator spiritus. Hymn. 4 V (SATB), orch., G] Veni creator / Azzoppardi / organo / 1782 ms., 1782; 230x310 mm.; score (16 ff.); 14 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.). The autograph copy is in Mus. Ms. 537. M-MDca, Mus. Ms. 538 AZOPARDI, Francesco [Veni creator spiritus. Hymn. 4 V (SATB), 4 str., G] Originale Azopardi / Veni creator spiritus - partially autograph ms., 1790; 230x310 mm.; score (18 ff.); 8 partbooks: S, A, T, B, bsn, vlta1+vlta2, vlc, db (2, 2, 2, 2, 2, 3, 2, 2 ff.). Similar vocal parts in Mus. Ms. 535. The score includes only the vocal parts. M-MDca, Mus. Ms. 539 AZOPARDI, Francesco [Veni creator spiritus. Hymn. 5 V (SSATB), orch., Bb] Originale Azopardi / Veni creator spiritus. / 1806. - partially autograph ms., 1806; 230x310 mm.; score (16 ff.); 11 partbooks: S1, S2, A, T, B, vlta1, vlta2, bsn, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 540 AZOPARDI, Francesco [Pange lingua. Hymn. 3 V (SSB), orch., G min.] Originale Azopardi / Pange lingua. a 3. / 1803 - partially autograph ms., 1803; 230x310 mm.; score (16 ff.); 8 partbooks: S1, S2, B, vl1, vl2, ob1, db, org (2, 2, 2, 2, 2, 1, 2, 2 ff.). M-MDca, Mus. Ms. 541 AZOPARDI, Francesco [Pange lingua. Hymn. 4 V (SATB), orch., G min.] Originale Azopardi / Pange lingua - partially autograph ms., 18th-19th cent.; 230x310 mm.; score (18 ff.); 14 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, 2 bsn, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 542 AZOPARDI, Francesco [Invicte martir unicum. Hymn. 4 V (SATB), orch., G] Originale Azopardi / Invicte martir, unicum. / 1787 - partially autograph ms., 1787; 230x310 mm.; score (12 ff.); 16 partbooks: vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 1, 1, 1, 1, 1, 2 ff.); S, A, T, B ("Placare Christi"); S, A, T, B ("Crudelis herodes") (1, 1, 1, 1, 1, 1, 1, 1 ff.). Vocal parts include alternatives texts to be sung with same music. M-MDca, Mus. Ms. 543 AZOPARDI, Francesco [Jesu redemptor omnium. Hymn. 4 V (SATB), orch., C] Jesu Redemptor Omnium Azopardi / Canto ms., 1787; 230x310 mm.; 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, 2 db (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 544 AZOPARDI, Francesco [Hymn and Responsory. Dominica in palmis. 4 V (SATB), org, D min.] Originale Azopardi / Gloria, laus, et honor / 1795 / per Domenica Palmarum - partially autograph ms., 1795; 230x310 mm.; score (6 ff.); 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.); GFA, etc.
Followed by the verse "Cumque audisset". M-MDca, Mus. Ms. 545 [AZOPARDI, Francesco attrib.] [Turba. Passio Domini nostri Jesu Christi secundum Matthaeum. Dominica in palmis. 4 V (SSTB), org, D] Turba della / Domenica delle Palme / a quattro voci coll'accompagnamento / del Violincello e Controbasso / B accompagna in alamire - ms., 18th cent.; 230x310 mm.; score (8 ff.); 5 partbooks: S, A, T, B, vlc (2, 2, 2, 2, 2 ff.). Attribution based on the 1809 inventory listing all Azopardi’s music. Includes 20 interventions of the turba. M-MDca, Mus. Ms. 546a/1 AZOPARDI, Francesco [Vau. Et egressus est. Lamentations. Lectio II Feria V. S, bc] Azupardi / Lamentazione 2.da / Del P.° Giorno - ms., 1783 sec.; 230x310 mm.; 2 vocal scores (4, 4 ff.). The vocal scores are indentical. M-MDca, Mus. Ms. 546a/2 AZOPARDI, Francesco [Jod. Manun suam. Lamentations. Lectio II Feria V. S, bc] Originale Azopardi / Manum suam. 3. del P. giorno / 1783 / Tenore / A. M. P. autograph ms., 1783/18th cent.; 230x310 mm.; 2 vocal scores (4, 4 ff.). One score is autograph (1783, sigla C1). On f.1r of the score: A.M.P. M-MDca, Mus. Ms. 546b AZOPARDI, Francesco [Christus factus est. Antiphon. 4 V (SATB), 5 str., Bb min.] Originale Azopardi / Chistus P.° giorno / 1789 - partially autograph ms. 1789; 230x310 mm.; score (4 ff.); 9 partbooks: S, A, T, B, vl1, vlta1+2, 2 db, org (1, 1, 1, 1, 1, 2, 1, 1, 2 ff.). Only vocal parts have been notated on the score. M-MDca, Mus. Ms. 547a AZOPARDI, Francesco [De lamentatione Jeremiae prophetae. Lamentations Feria VI. S, bc, C min.] Originale Azopardi / Chistus P.° giorno / 1789 - partially autograph ms. 1789; 230x310 mm.; 4 vocal scores (4, 4, 4, 4 ff.). M-MDca, Mus. Ms. 547b AZOPARDI, Francesco [Lamed. Matribus suis. Lectio II. Lamentations. Feria VI. S, bc, C min.] Orginale Azopardi / Tenore Matribus suis / 2. del 2. giorno. / 1783 - partially autograph ms., 1783; 230x310 mm.; 4 scores (4, 4, 4, 4 ff.) On the title the indication Tenore has been joint later. M-MDca, Mus. Ms. 547c AZOPARDI, Francesco [Christus factus est. Antiphon. 4 V (SATB), 6 str., F min.] Originale Azopardi / Chistus 2. giorno / 1801 - partially autograph ms. 1801; 230x310 mm.; score (6 ff.); 10 partbooks: 2 S, A, T, B, vl1, vlta1+2, vlc, db, org (1, 1, 1, 1, 1, 1, 2, 1, 1, 2 ff.). M-MDca, Mus. Ms. 548 [AZOPARDI, Francesco attrib.] [Turba. Passio Domini nostri Jesu Christi secundum Joannem. Feria VI. 4 V (SSTB), 4 str.] Turba del Venerdi / Santo / Organo ms., 18th cent.; 230x310 mm.; 8 partbooks: S1, S2, T, B, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 2 ff.). Attribution based on the 1809 inventory listing all Azopardi’s music. Includes 14 interventions of the turba. M-MDca, Mus. Ms. 549a AZOPARDI, Francesco [Misericordia Domini. Lamentations Sabato Sancto. S, bc, C min.] Originale Azopardi / Misericordiae Dni / P.a del 3.o giorno. / 1783 autograph ms.,1783; 230x310 mm.; 2 vocal scores (4, 4 ff.). On f.1r: Arcaro. Pasquale Arcaro was a castrato employed in the Cathedral music chapel between 1780 and 1790. M-MDca, Mus. Ms. 549b AZOPARDI, Francesco [Aleph. Quomodo. Lamentations Sabato Sancto. S, bc, C min.] Originale Azopardi / Quomodo. / 2.a del 3.o giorno / Forte, e Piano - partially autograph ms., 1783; 230x310 mm.; 5 scores (4, 4, 4, 2, 4 ff.). On f.11r of the scores: Ten. M-MDca, Mus. Ms. 549c AZOPARDI, Francesco [Incipit oratio Jeremiae prophetae. Lamentations Sabato Sancto. B, bc, D min.] - partially autograph ms., 18. sec.; 230x310 mm.; 2 scores (2, 2 ff.); 1 part: B (1 f.). M-MDca, Mus. Ms. 549d AZOPARDI, Francesco [Christus factus est. Antiphon. 4 V (SATB), 5 str., C min.] Originale Azopardi / Chistus factus est 3.o giorno / 1783 - partially autograph ms. 1783; 230x310 mm.; vocal score (4 ff.); 9 partbooks: S, A, T, B, vl1, vl2, vlta1+2, 2 db (1, 1, 1, 1, 1, 1, 2, 1, 1 ff.). M-MDca, Mus. Ms. 550 [AZOPARDI, Francesco attrib.] [Vespers for Holy Saturday. 4 V (SATB), vl1, vl2, org] Originale / Vespere di Sabbato Sancto / Azopardi - partially autograph ms., 18th cent. 2nd half; 230x310 mm.; score (16 ff.); 7 partbooks: S, A, T, B, vl1, vl2, org (3, 3, 3, 3, 3, 3, 2 ff.) Attribution based on the 1809 inventory listing all Azopardi’s music. Include 5 compositions.
M-MDca, Mus. Ms. 551 AZOPARDI, Francesco [Responsories. Matin of Feria V (in Coena Domini). 4 V (SATB), 3 str.] Azopardi / Responsorij. / del / Mercordi Santo. / 1782. - ms. 1782 sec.; 270x190 mm., score (46 ff.); 310x220 mm.; 7 partbooks: S, A, T, B, vl2, vla1, db (8, 6, 8, 6, 7, 5, 7, 6 ff.). Same music in Mus. Ms. 551a.
M-MDca, Mus. Ms. 551a AZOPARDI, Francesco [Responsories. Matins of Feria V (in Coena Domini). 4 V (SATB), 3 str.] Responsori per Mercoredi Santo / Del Sig.r Maestro Francesco Azzopardi - ms. 19 sec.; 270x190 mm., score (46 ff.); 310x220 mm.; 7 partbooks: S, A, T, B, vl1, vl2, db (6, 5, 6, 5, 8, 7, 7 ff.). On the score the term violetta is written next to the violin staves. Same music in Mus. Ms. 551. Manuscript donated to the Cathedral by Mro Paul Nani in 1979.
M-MDca, Mus. Ms. 552 AZOPARDI, Francesco [Responsories. Matin of Feria VI (in Parasceve. 4 V (SATB), orch.] Originale Azopardi / Responsorij / del Giovedì Santo / 1783. - partially autograph ms., 1783; 270x190 mm., 2 scores (28, 26 ff.); 310x220 mm.; 8 partbooks: S, A, T, B, vl1, vl2, vlta1+vlta2, vlc (5, 5, 6, 6, 5, 6, 10, 6 ff.). Same music available in the Archive of the "Commissariato della Santa Terra", Valletta, Malta.
M-MDca, Mus. Ms. 553 AZOPARDI, Francesco [Responsories. Matin of Sabato Sancto. 4 V (SATB), orch.] Azopardi. / Responsorij. / del / Venerdì Santo. / 1785. - ms., 1785; 270x190 mm.; vocal score (22 ff.); 310x220 mm.; 8 partbooks: S, A, T, B, vl1, vl2, db, org (7, 6, 6 6, 5, 6, 6, 6 ff.). Same music avaialble in the Archive of the "Commissariato della Santa Terra", Valletta, Malta. 1. [Sicut ovis. C min.] Responsorio 1.o / del / 1.o Notturno 2. [Jerusalem. F min.] Responsorio 2.o / del / 1.o Notturno 3. [Plange quasi virgo. Bb min.] Responsorio 3.o / del / 1.o Notturno 4. [Recessit pater noster. G min.]] Responsorio 1.o / del / 2.o Notturno 5. [O vos omnes. Eb] Responsorio 2.o / del / 2.o Notturno 6. [Ecce quomodo. C min.] Responsorio 3.o / del / 2.o Notturno 7. [Astiterunt reges. Bb] Responsorio 1.o / del / 3.o Notturno 8. [Aestimatus sum. Eb] Responsorio 2.o / del / 3.o Notturno 9. [Sepulto Domino. F min.] Responsorio 3.o / del / 3.o Notturno M-MDca, Mus. Ms. 554 AZOPARDI, Francesco [Popule meus. Reproach. 4 V (SATB), orch., C min.] Originale Azopardi / Popule meus. / 1794. - partially autograph ms., 1794; 230x310 mm.; score (58 ff.); 9 partbooks: S, A, T, B, vl1, vl2, vlta1+vlta2, vlc, org (5, 5, 5, 5, 5, 5, 10, 4, 6 ff.). The score includes only the violette parts. M-MDca, Mus. Ms. 555 AZOPARDI, Francesco [Vexilla regis. Hymn. 4 V (SATB), orch., G min.] Originale Azopardi / Vexilla. / 1792. - partially autograph ms., 1792-19 sec.; 230x310 mm.; score (12 ff.); 10 partbooks: 2 S, A, T, 2 B, vl1, vl2, db, org (1, 1, 1, 1, 1, 2, 1, 1, 1, 2 ff.) On the Bass part (19th cent.): quando si canta senza accompagnamento. The score includes 2 horns and 2 oboes. M-MDca, Mus. Ms. 556 AZOPARDI, Francesco [Te Deum. Hymn. 4 V (SATB), orch., C] Te Deum 1775 Azzopardi / Organo - partially autograph ms., 1775; 230x310 mm.; 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, org (2, 2, 2, 2, 3, 3, 3, 3, 2, 2, 2, 2, 4, 4, 4 ff.). M-MDca, Mus. Ms. 557 AZOPARDI, Francesco [Te Deum. Hymn. 4 V (SATB), orch., G] Originale Azopardi / Te Deum / 1776 - partially autograph ms., 1776; 230x310 mm.; score (40 ff.); 18 partbooks: S1, S2, A, T1, T2, B; A rip, T, rip, B rip, vl1, vl2, ob1, ob2, hn1, hn2, cor1/tr1, cor2/tr2, db, org (4, 3, 4, 4, 4, 4, 2, 2, 2, 4, 4, 2, 2, 2, 2, 2, 4, 4 ff.); the autograph score includes: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, tr1, tr2, bsn, b. The second vocal parts have been joint later for an alternative performance for 6 voices. On the score some Alto passages are written in Soprano clef. M-MDca, Mus. Ms. 558 AZOPARDI, Francesco [Te Deum. Hymn. 4 V (SATB), orch., F] Originale Azopardi / Te Deum / 1798 - partially autograph ms., 1798; 230x310 mm.; score (48 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, hn1, hn2, ob1/cl1, ob2/cl2, vlc, db, org (4, 4, 3, 4, 4, 4, 4, 4, 3, 3, 4, 3, 4, 4, 4 ff.). M-MDca, Mus. Ms. 559 AZOPARDI, Francesco [Sancte Paule. Antiphon. 4 V (SATB), orch., Bb] Originale Azopardi / Sancte Paule / 1780 - partially autograph ms., 1780; 230x310 mm.; score (6 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On f.1r of the score: Doppo il Te Deum B dicono le seguenti risposte [...] doppo questo B sona l'organo sin a tanto, che finisce l'osculo, e poi B dice l'Antiphona Sancte Paule et. c. On f.6r: doppo questa Antiphona B F A Benedizione e doppo B sona nuovam.te l'organo sin'a tanto che s'incomincia Terza. M-MDca, Mus. Ms. 560 AZOPARDI, Francesco [Vade Anania. Antiphon. S, orch., Bb] Azzopardi / Vade Anania / 1803 - partially autograph ms., 1803; 230x310 mm.; score (9 ff.); 10 partbooks: S, vl1, vl2, ob1, ob2, cor1, cor1+cor2, vlc, db, org (2, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On the org part: Per A Translazione della Reliquia nella Festa della Conversione di S. Paolo. M-MDca, Mus. Ms. 561 AZOPARDI, Francesco [Gloriosi principes. Antiphon. 4 V (SATB), 3 str., Bb] Azzopardi / Antiphona per A Processione / di S. Pie. e Paolo che B F nella Chiesa / di S. Paolo fuori le Mura. / Glioriosi Principes Terrae / 1800. - partially autograph ms., 1800-1832; 230x310 mm.; score (6 ff.); 7 partbooks: S, A, T, B, vl1, vl2, org (1, 1, 1, 1, 1, 1, 2 ff.). On f.1r of the score: Ricopiate nel 1832 [...]. M-MDca, Mus. Ms. 562 AZOPARDI, Francesco [Petrus apostolus. Antiphon. 4 V (SATB), orch., Bb] Originale Azopardi / Petrus Apostolus / 1808 - partially autograph ms., 1808; 230x310 mm.; score (8 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On f. 1r of the organ part: Nella traslazione della reliquia per A vigilia de SS. Pietro e Paolo; a matita segue: e dopo A processione. M-MDca, Mus. Ms. 563 AZOPARDI, Francesco [Joseph filii david. Antiphon. 4 V (SATB), orch., Eb] Originale Azopardi / Joseph filii David / 1784. - partially autograph ms., 1784; 230x310 mm.; score (8 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 564 AZOPARDI, Francesco [Sacerdos et pontifex. Antiphon. 4 V (SATB), orch., G] Sacerdos et Pontifex / fatto a flotta / 1780. - partially autograph ms., 1780; 230x310 mm.; score (8 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, 2 vlc, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 1, 2 ff.). On f. 9v of the score: Doppo quest'Antiphona B cantano quei salmi che ordinerà il Mro di Ceremonie, cioè salmi d'allegrezza, come per esempio il Benedictus. M-MDca, Mus. Ms. 565 AZOPARDI, Francesco [Sacerdos et pontifex. Antiphon. 4 V (SATB), orch., G] Originale Azopardi / Sacerdos et Pontifex / 1808. - partially autograph ms., 1808; 230x310 mm.; score (8 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 566 AZOPARDI, Francesco [Confirma hoc deus. Antiphon. 4 V (SSTB), orch., Bb] Originale Azopardi / Antif. Confirma. / senza Alleluia / 1784 / per l'apertura della visita. - partially autograph ms., 1784; 230x310 mm.; score (4 ff.); 11 partbooks: S1, S2, T, B, vl1, vl2, ob1, ob2, hn1, hn2, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). M-MDca, Mus. Ms. 567 AZOPARDI, Francesco [O sacrum convivium. Antiphon. 4 V (SATB), orch., Bb] Originale Azopardi / O sacrum convivium. / 1782 - partially autograph ms., 1782; 230x310 mm.; score (8 ff.); 10 partbooks: S, A, T, B, vl1 obbl, vl2 obbl, hn1, hn2, fl-tr, db (1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). The score includes also a basson part. M-MDca, Mus. Ms. 568 AZOPARDI, Francesco [Jam non dicam. Antiphon. 4 V (SATB), b, G min.] Originale Azopardi / Responsorio. / Jam non dicam vos servos. / 1781 - partially autograph ms., 1781; 230x310 mm.; score (6 ff.). M-MDca, Mus. Ms. 569 AZOPARDI, Francesco [Jam non dicam. Antiphon. 4 V (SATB), b, Bb] Originale Azopardi / Responsorio. / Jam non dicam vos servos. / 1806 - partially autograph ms., 1806; 230x310 mm.; score (17 ff.); 9 partbooks: S, A, T, B, vla1, vla2, vlc, db, org (2, 1, 1, 2, 2, 2, 2, 2, 2 ff). On the score the viola parts are indicated as violette. M-MDca, Mus. Ms. 570a AZOPARDI, Francesco [Responsories. I Nocturne. Officium defunctorum. 4 V (SATB), orch.] Originale Azopardi / Responsori per i Morti del P.mo Not. / 1793 - partially autograph ms., 1793; 230x310 mm.; score (32 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db (6, 6, 6, 6, 9, 9, 4, 4, 4, 4, 6, 4 ff.). Relative scores for the II and III nocturne are available in Mus. Mss. 570b e 570c.
M-MDca, Mus. Ms. 570b AZOPARDI, Francesco [Responsories. II Nocturne. Officium defunctorum. 4 V (SATB), orch.] Originale Azopardi / Responsori per i Morti del 2.o Nott.o / 1793 - partially autograph ms., 1793; 230x310 mm.; score (26 ff.) Partbooks available in Mus. Ms. 570a.
M-MDca, Mus. Ms. 570c AZOPARDI, Francesco [Responsories. III Nocturne. Officium defunctorum. 4 V (SATB), orch.] Originale Azopardi / Responsori per i Morti del 3.o Nott.o / 1793 - partially autograph ms., 1793; 230x310 mm.; score (25 ff.). Partbooks available in Mus. Ms. 570a.
M-MDca, Mus. Ms. 571 AZOPARDI, Francesco [Responsories. I Nocturne. Officium defunctorum. 4 V (SATB), orch.] Resp. Azupardi / Subvenite. Qui Lazarum. Dne quod veneris. / Ne recorderis - partially autograph ms., 1800; 230x310 mm.; 15 partbooks: S, A, T, B, 2 vl1, vl2, vlta, ob1, ob2, cor1+cor2, cor1+cor2, cor1+cor2, b/bsn, db (3, 3, 4, 4, 4, 5, 4, 4, 3, 3, 2, 1, 1, 3, 4 ff).
M-MDca, Mus. Ms. 572 AZOPARDI, Francesco [Qui Lazarum. Requiem aeterna. Responsory and Verse.4 V (SATB), orch.] Requiem / D'Azzopardi er il qui Lazzarum / Responsorio Qui Lazarum serve per / tutti i morti e quando B farà A Cappella / Ardente / Organo - partially autograph ms., 1800; 230x310 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). Same music in Mus. Ms. 271. "Requiem" is by a different copyist.
M-MDca, Mus. Ms. 573 [AZOPARDI, Francesco attrib.] [Miserere mei deus....secundum. Psalm 50. 4 V (SATB), b] Miserere / a Quattro voci ms., 1790; 230x310 mm.; score (18 ff.); 7 partbooks: S, A, T, B, b, db, org (4, 4, 6, 2, 4, 4, 4 ff.). On f.18r: Finis laus Deo BVM Doctorique Gentium die xvi Martij 1790. The date corresponds to Azopardi’s permanence at the Cathedral as a maestro. M-MDca, Mus. Ms. 574 AZOPARDI, Francesco [Miserere mei deus....secundum. Psalm 50. 4 V (SATB), 3 str., org, G min.] Originale Azopardi / Miserere con violette / 1793 ms. autgr. in parte, 1793; 230x310 mm.; score (60 ff.); 8 partbooks: S, A, T, B, vlta1, vlta2, db, org (6, 6, 6, 6, 5, 6, 6, 5 ff.). M-MDca, Mus. Ms. 575 AZOPARDI, Francesco [Miserere mei deus....secundum. Psalm 50. 4 V (SATB), 6 str., org, D] Originale Azopardi / Miserere / 1801 ms. autgr. in parte, 1801; 230x310 mm.; score (20 ff.); 9 partbooks: S, A, T, B, vl1, vlta1+vlta2, vlc, db, org (2, 2, 2, 2, 2, 2, 4, 2, 2 ff.). The score does not include the violin part. M-MDca, Mus. Ms. 576 AZOPARDI, Francesco [Miserere mei deus....secundum. Psalm 50. 4 V (SATB), 5 str., org, G min.] Originale Azopardi / Miserere / 1782 ms. autgr. in parte, 1782; 230x310 mm.; vocal score (10 ff.); 8 partbooks: S, A, T, B, vl1, vlta1+vlta2, db, org (3, 3, 4, 2, 3, 3, 4, 2 ff.). M-MDca, Mus. Ms. 577 [Miserere mei deus....secundum. Psalm 50. 4 V (SATB), vlc] Miserere / Violoncello ms., 18. sec.; 230x310 mm.; 5 partbooks: S, A, T, B, vlc (2, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 578a AZOPARDI, Francesco [O populi fideles. Motet. 4V (SATB), vl1, vl2, db, D] Originale Azopardi / Mottetti per S. Gregorio. / 1792 / O populi fideles - partially autograph ms., 1792-19 sec.; 285x200 mm.; score (12 cc.); 230x320 mm.; 7 partbooks: S, A, T, B, vl1, vl2, db (4, 3, 4, 4, 4, 4, 4 ff.). On f.1r of the db part: Ricopiato nel 1832 [...]. The parts also include the music of the 4 motets to be found in Mus. Ms. Mus. 578b-e. M-MDca, Mus. Ms. 578b AZOPARDI, Francesco [Ad cantus. Motet. 4V (SATB), vl1, vl2, db, G] Originale Azopardi / 2.o Mottetto per S. Gregorio. / 1792 / Ad cantus - ms. autogr. 1792; 285x200 mm.; score (8 cc.); Partbooks available in Mus. Ms. 578a. M-MDca, Mus. Ms. 578c AZOPARDI, Francesco [Veni sponsa. Motet. 4V (SATB), vl1, vl2, db, Bb] Originale Azopardi / 3.o Motet. 1792. / Veni sponsa - ms. autogr. 1792; 285x200 mm.; score (6 cc.). Partbooks available in Mus. Ms. 578a. M-MDca, Mus. Ms. 578d AZOPARDI, Francesco [Jubilemus. Motet. 4V (SATB), vl1, vl2, db, G] Originale Azopardi / 3.o Mottetto per S. Gregorio / 1793. / Jubilemus - ms. autogr. 1793; 285x200 mm.; score (8 cc.); Partbooks available in Mus. Ms. 578a. M-MDca, Mus. Ms. 578e AZOPARDI, Francesco [O doctor optime. Motet. 4V (SATB), orch., C] Originale Azopardi / 5.o Mottetto O doctor opitme / 1792 - ms. autogr. 1792; 285x200 mm.; score (8 cc.): S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, b. Partbooks available in Mus. Ms. 578a. M-MDca, Mus. Ms. 579 [GRISTI, Pietro attrib.] [Motets for St Gregorio. 4-5 V, vl1, vl2, org] - ms., 1719; 230x320 mm.; 7 partbooks: S, A, T, B, vl1, vl2, org (2, 2, 2, 2, 4, 4, 4 cc.). The parts have been joined with the score marked as Mus. Ms. 151a. Includes 5 motets (see Mus. Ms. 151a).
M-MDca, Mus. Ms. 580 AZOPARDI, Francesco [Motets for the Ascension. 4 V (SATB), orch.] D'Azopardi / 2 Mottetti per A process: dell'Ascensione / 1800. - partially autograph ms., 1800/1832; 230x310 mm.; 2 scores (8, 8 ff); 7 partbooks: S, A, T, B, vl1, vl2, b (1, 1, 1, 1, 1, 1, 2 ff.). Each score includes one motet. On both scores: Ricopiato nel 1832 [...]. 1. [Ascendit Deus. C] D'Azzoppardi / Mottetto P.o / per A Processione dell'Ascensione / 1800 / Ascendit Deus 2. [O Rex gloriae. G] D'Azzoppardi / Mottetto 2.o / per A Processione dell'Ascensione / 1800 / O Rex Gloriae M-MDca, Mus. Ms. 581 AZOPARDI, Francesco [Motets for Corpus Domini. 4 V (SATB), orch.] Originale Azopardi / 2 Mottetti per A process: del Corpus / 1800. autograph ms.,1800; 230x310 mm.; score (10 ff.) 7 partbooks: S, A, T, B, vl1, vl2, org (1, 1, 1, 1, 1, 1, 2 ff.).
M-MDca, Mus. Ms. 582 AZOPARDI, Francesco [Litanies BVM. 4 V (SSTB), orch., G min.] Letanie del Signor / Azzopardi / Propietà della Sacr. Chiesa Cattedrale ms., autogr. in parte, 18. sec. 2. metà; 230x310 mm.; vocal score (11 ff.); 8 partbooks: S1, S2, T, B, vl1, vl2, ob1, org (3, 3, 2, 2, 2, 2, 1, 2 ff.). M-MDca, Mus. Ms. 583 AZOPARDI, Francesco [Alma redemptoris. Antiphon. S, 4 V (SATB), orch., Eb] Originale Azopardi / Alma Redemptoris Mater. / 1794. - partially autograph ms., 1794; 230x310 mm.; score (18 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (4, 1, 1, 1, 2, 2, 2, 2, 2, 1, 2, 2, 2, 2, 2, 2 ff.). M-MDca, Mus. Ms. 584 AZOPARDI, Francesco [Salve regina. Antiphon. S, orch., Eb] Originale Azopardi / Salve Regina. / 1791 - partially autograph ms., 1791; 230x310 mm.; score (18 ff.); 10 partbooks: S, vl1, vl2, fl-tr1, fl-tr2, hn1, hn2, bsn, db, org (4, 2, 2, 1, 1, 1, 1, 2, 2 2 ff.).
Index of the CATALOGUE OF MUSIC MANUSCRIPTS
CATHEDRAL MUSEUM, MDINA - MALTA Note: The index follows this criteria (ex.): Aestimatus sum by anon. AGOSTINI Paolo
Alleluia by anon. Alma redemptoris by anon. AMATO Vincenzo
General Index
AZOPARDI Francesco -
ZERAFA Benigno -
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