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CATALOGUE OF MUSIC MANUSCRIPTS - CATHEDRAL MUSEUM, MDINA - MALTA

(M-MDca Mus. Ms. 1-584)

by Dr. Franco Bruni

http://www.brunifranco.it/

 

Table of Contents

Index (Opens in new window)

Proper citation of this electronic publication consists of the name of the author, the title,  the electronic publisher, and the url.

Posted 17 November  1999 by Theresa M. Vann for the Malta Study Center, Hill Monastic Manuscript Library. 

Introduction

The presence in the Mdina Cathedral Museum of an important music collection has strongly influenced scholarly activity. The availability of such rich documentation represents an endless stimulus for local and foreign researchers. Study of these archives has brought to light interesting documents related to past musical activities. Thanks to the work of Mons. John Azzopardi, Curator of the Mdina Cathedral Museum, who has organized, inventoried and made available to the public the music collections of the Cathedral Museum, these music archives today are definitely the richest ones on the Maltese islands and, in general, in the Mediterranean area.1

The richness of the Cathedral Museum has provided fertile ground for the development of scholarly research. In the last few years, an important project of cataloguing has been undertaken to make more people aware of these music sources, both in Malta and abroad.2  Following the aims of this project, I have decided to proceed in the cataloguing of the seventeenth- and eighteenth-century manuscript collection. This work actually represents the second volume of a three-volume doctoral thesis entitled La Cappella Musicale della Cattedrale di Malta nel diciassettesimo e diciottesimo secolo (The Musical Chapel of the Cathedral of Malta in the Seventeenth and Eighteenth Century), which I presented at the "Union Formation et Recherche - Musique et Musicologie" of the Sorbonne University, Paris, in May 1998.

This collection, together with the printed one,3 represents the repertoire played at the Mdina Cathedral musical chapel, an institution which was founded in the 1620’s. In particular, this catalogue covers exclusively the seventeenth and eighteenth century (part of nineteenth century collections have been already catalogued and published).4   The works described in this catalogue include both Italian and Maltese music. The seventeenth century is represented mainly by Italian composers, several of whom belong to the Sicilian and the Roman polyphonic schools. Most of the manuscripts of this period are made up of single partbooks, while the scores are very rare. In comparison, the eighteenth-century collection is represented mainly by original full scores compiled by two Maltese composers, Benigno Zerafa and Francesco Azopardi, both chapel masters (the latter also organist) at the Mdina Cathedral in the second half of the century. This section is also characterized by a large number of instrumental and vocal parts, following the growth of the musical ensemble that in the eighteenth century became one of the biggest and better organized music institutions on the Maltese islands.

Organization of the Catalogue

This catalogue adopts the international standard descriptions of musical manuscripts as established by R.I.S.M. (Repertoire Internationale des Sources Musicales). Two other irreplaceable manuals for cataloguing music manuscripts have been consulted, namely those written in collaboration by M. Donà, A. Zecca Laterza, E. Zanetti (1979) and M. Gentili Tedeschi (1984).5

The entries are ordered following the cataloguing number (Ms. 1-584) and each one is organized in the following areas:

  1. Cataloguing number
  2. Uniform title
  3. Title
  4. Physical description
  5. Notes

The Uniform or Conventional Title6 includes the normalized title with synthetic notes about the music genre, scoring, and tonality (only for works dated after seventeenth century). The Title area carries the faithful transcription of the title as found in the source, including the original punctuation and mistakes. The Physical Area includes remarks about autograph or copy, date, number of pages of score and/or partbooks, and size. A separate list of voices and instruments is provided when the partbooks are missing or incomplete. The Notes Area gives all other relevant information about the presence of binding, notes of ex libris, dedications etc. The relation of the work to other copies (identical or with different arrangement) is also noted, as well as the presence of a printed copy.7

 

List of Abbreviations

  • A: alto, contralto (voice)
  • ACM: Archives of the Cathedral of Malta
  • anon.: anonymous
  • arr.: arrangement
  • autogr.: autograph
  • B: bass (voice)
  • b: bass (instrumental bass)
  • bc: basso continuo
  • b-dr: bass drum
  • Br: baritone (voice)
  • bsn: bassoon
  • cen.: century
  • ca.: circa, about
  • cl: clarino/clarinetto
  • cor-cac: corno da caccia (hunting horn)
  • db: double-bass
  • f., ff.: folio(s)
  • fl: flute
  • harm: harmonium
  • hn: horn
  • inst.: instrument(s)
  • mand: mandola
  • Mzs: mezzosoprano (voice)
  • min.: minor
  • ms.: manuscript
  • ob: oboe
  • obbl.: obbligato
  • op.: opus
  • orch.: orchestra
  • org: organ
  • pft: pianoforte
  • picc: piccolo
  • r: rectus
  • rip.: ripieno
  • S: soprano (voice)
  • T: tenor (voice)
  • tpt: trumpet
  • trb: trombone
  • V: voice
  • v: versus
  • vla: viola
  • vlc: violoncello (cello)
  • vl: violin

Citations

1See Paolo Emilio Carapezza, "La Sicilia ritrova a Malta le sue musiche." L’Ora, Palermo, 7 July 1979 (Engl. trans., Sicily rediscovers in Malta its own music in Vetera novaque concentus et carmina, concert programme, Malta, 22 September 1985). (Return)

2These concern the music of the Vella composers, whose collection has been catalogued by myself, and Carmelo Pace’s music, catalogued by Georgette Caffari and Marcel De Gabriele. Both catalogues have been published thanks also to the sponsors of the The Hill Monastic Manuscripts Library of St. Johns University. See G. Caffari-M. De Gabriele, Carmelo Pace. A Maltese Composer. Thematic, Annotated and Illustrated Catalogue of works (Marsa: Foundation for the promotion of the music of Carmelo Pace, 1991); F. Bruni, The Maltese Composers Dr Giuseppe Vella (1827-1912) and his sons Alberto (1866-1931) Luigi (1868-1950) and Paolo (1873-1948). Biographical notes and a complete catalogue of their works at the Cathedral Museum, Mdina - Malta (Collegeville, Minn.: Hill Monastic Manuscript Library, 1997). The seventeenth- and eighteenth-century music sources and the Nani collection will follow in the series.  (Return)

3See F. Bruni, Stampe musicali italiane alla Cattedrale di Malta. Studio e catalogo della collezione (Mus. pr. 1-159) (Malta: PEG, 1999).  (Return)

4See F. Bruni, The Vella Composers.   (Return)

5Agostina Zecca Laterza, Mariangela Donà e Emilia Zanetti, "Regole per la catalogazione delle edizioni musicali", in Manuale di catalogazione musicale (Rome: ICCU, 1979) and Massimo Gentili Tedeschi, Guida a una descrizione catalografica uniforme dei manoscritti musicali (Roma; ICCU, 1984).  (Return)

6See AACR2 Anglo-American Cataloguing Rules, 2nd ed. (Londra: M. Gorman, P. W. Winkler, 1982): 473-489.  (Return)

7Several works included in some of the manuscript compilations available actually had been copied from seventeenth-century Italian century printed anthologies held in the Mdina Cathedral Museum Archives (ACM, Mus. Pr. 1-159). See Franco Bruni, "Seventeenth-century music prints at Mdina Cathedral, Malta," Early Music, XXII, 3 (1999): 467-479 and Franco Bruni, Stampe musicali italiane alla Cattedrale di Malta. Studio e catalogo della collezione (Mus. pr. 1-159) (Malta: PEG, 1999).  (Return)

 

CATALOGUE OF MUSIC MANUSCRIPTS - CATHEDRAL MUSEUM, MDINA - MALTA

Dr. Franco Bruni

M-MDca, Mus. Ms. 1

AMATO, Vincenzo

[Litanies B.M.V. 4 V (SSAB), org]

Organo / Letania / à 4. / C.C. A B. / di D. Vincenzo / Amato

- ms., 17th cent.; 4 partbooks: S1, S2, A, B, org (4, 4, 4, 4 ff.); 210x150 mm. On each part: di Amato A 4. Figured bass.

M-MDca, Mus. Ms. 2

AMORE, Domenico

[Lamentations. T, instr., G min.]

Lamentazione / Ego vir videns / a Solo Tenore

- ms., 18-19th cent.; score (20 ff.), 210x290 mm; 11 partbooks: 2 T+b, 2 vl1, 2 vl2, vla, 2 vlc obbl, 2 db (5, 4, 2, 3, 2, 3, 3, 2, 4, 4, 3 ff.), 230X320 mm. On f. 1r of the vocal part marked C: Domenico Amore / alla / Chiesa Cattedrale / Ego Vir Videns / Lamentazione del Giovedì Santo. Different copyists.

M-MDca, Mus. Ms. 3

ARCONATI, Paolo

[Salve regina. Antiphon. 3 V (ATB), org]

Salve Regina / A 3. Voci / A. T. B. / Del Arconati

- ms., 17th cent.; 4 partbooks: A, T, B, org (2, 2, 2, 2 ff.), 210x150 mm. Figured bass.

M-MDca, Mus. Ms. 4

ARCONATI, Paolo

[Ave regina caelorum. Antiphon. 3 V (CAT), org]

A. 3. C. A. T. P. Arconati

- ms., 17th cent.; 3 partbooks: C, A, T (2, 2, 2, 2 ff.), 210x155 mm. Figured bass.

M-MDca, Mus. Ms. 5

ARIGONO, Jacopo

[Deus charitas est et qui manet..qui peccavi sana anima mea quia peccavi. Motet. 3 V (ATB), bc]

Concerto à 3. Del Sig.r Jacobo Arigonio / Organ.sta del Imperatore

- ms., 17. sec. 1. metà; 4 partbooks: A, T, B, bc (2, 1, 1, 1 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 6

BONERBA, Pasquale

[Dixit Dominus. Psalm 109. S, A, T, B, choir (SATB), 6 str., org, G]

Organo / Dixit del Sig:re Pasquale Bonerba

- ms., 18th cent.; 16 partbooks: S, A, T, 2 B, choir S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, org (2, 2, 2, 2, 2, 4, 4, 4, 4, 8, 8, 4, 4, 4, 4, 8). Figured bass. Different copyists.

M-MDca, Mus. Ms. 7

BENEVOLI, Orazio

[Misericordias Domini. Motet. 2 V (SS), bc]

Mottetto A. 2. Canti / Misericordias D.ni / Del Sig. Horatio / Benevolo

- ms., 17th cent.; 3 partbooks: S1, S2, bc (2, 2, 2 ff.), 225x160 mm.

M-MDca, Mus. Ms. 8

CAGLIERO, Giovanni

[Vespers for St. Luis. op. 84. 3 V, org/harm, F]

Voce I. / Domine / di / Mons: Giovanni Cagliero.

- ms., 20th cent. first half; 16 partbooks: V1, V2, V3 (Domine ad adjuvandum); V1, V2, V3 (Laudate pueri); V1, V2, V3 (Dixit Dominus); 2 V1, 3 V2, 2 V3 (Magnificat), (2, 2, 2, 2, 2, 2, 4, 4, 4, 5, 2, 4, 3, 2, 4, 2 ff.); 215-290x290-215 mm. The ms. is joint by the relative print: VESPRO DI S. LUIGI / A TRE VOCI / Con l'accompagnamento d'organo e d'harmonium / Di Monsignor / CAGLIERO GIOVANNI / Prop. dell'Editore / N. 489 / TORINO / LIBRERIA SALESIANA EDITRICE / 1897. pp. 72.

M-MDca, Mus. Ms. 9

CAMPOCHIARO, Antonio

[Omnis pulchritudo. Motet. 4 V (SATB), vl1, vl2, vla, bc]

Concerto à 4. Voci, con le Sinfonie / del Campochiaro

- ms., 17 cent.; 8 partbooks: S, A, T, B, vl1, vl2, vla, bc (1, 1, 1, 1, 1, 1, 1, 1 ff.), 245x180 mm. The part of vl2 is in soprano clef and the vla part in F clef.

M-MDca, Mus. Ms. 10

CARISSIMI, Giacomo

[Paratum cor meum Deus. Motet. S, vl/cnto, org]

Voce sola, con un Violino, o Cornetto. del Sig:r Giacomo Carissimi.

- ms., 17 cent.; 3 partbooks: S, vl/cnto, org (2, 1, 1 ff.), 245x180 mm. Figured bass.

M-MDca, Mus. Ms. 11

CARISSIMI, Giacomo

[Salve regina. Antiphon 3 V (SSB), org]

Org. Tribus Vocibus. Del Sig.r Caris:mi

- ms., 17th cent.; 4 partbooks: S1, S2, B, org (2, 2, 1, 2 ff.), 230x165 mm.; figured bass.

M-MDca, Mus. Ms. 12

CARISSIMI, Giacomo

[O ignis sancte. Motet. 2 V (SS), org]

Organo à 2. Canti. Cariss.i

- ms., 17. cent. 2nd half; 3 partbooks: S1, S2, org+V (1, 1, 2 ff.), 250x180 mm. Figured bass. The printed copy is available in the same archives in Mus. Pr. 14 (Rome: A. Belmonte, 1667).

M-MDca, Mus. Ms. 13

CARISSIMI, Giacomo

[Ecce Deus noster. Motet. S, vl, vla, lt/tba]

Voce sola con sinf: / Ecce Deus noster / D. Jacobi Carissimi

- ms., 17. cent. 2nd half; 5 partbooks: S, vl, vla, lt/tba, V+bc (1, 1, 1, 1, 1 ff.), 110-310x150-215 mm. Figured bass.

M-MDca, Mus. Ms. 14

CARISSIMI, Giacomo

[O bone Jesu. Motet. 3 V (SSS), org]

Org. Tribus Can. Del Sig.r Giacomo Carissimi

- ms., 17.th cent.; 5 partbooks: S1, S2, S3, 2 org+V (2, 2, 2, 2, 2 ff.), 235x170 mm.. Figured bass.

M-MDca, Mus. Ms. 15

CARISSIMI, Giacomo

[Emendemus in melius. Motet. 3 V (SAT), bc]

Emendemus à 3. / C. A. T.

- ms., 17th cent.; 4 partbooks: S, A, T, bc (1, 1, 1, 1 ff.); 240x175 mm. Figured bass. The soprano part is Mzs clef and bc in tenor clef.

M-MDca, Mus. Ms. 16a

CARISSIMI, Giacomo

[Audite sancti. Motet. 3 V (SSB), org]

B. 3. V. 2. C. et Basso Organo

- ms., 17th. cent.; 4 partbooks: S1, S2, B, org (1, 1, 1, 1 ff.), 230x175 mm. Figured bass. The printed copy is availbale in the same archives in Mus. Pr. 50 (Rome: V. Mascardi, 1651). Same music in Ms. 16b

M-MDca, Mus. Ms. 16b

CARISSIMI, Giacomo

[Audite si tradiverit. Motet. 3 V (SSB), org]

A 3. Bassoo, è 2. Canti

- ms., 17th. cent.; 4 partbooks: S1, S2, B, org (1, 1, 1, 1 ff.), 230x175 mm. Figured bass. Same music in Ms. 16a.

M-MDca, Mus. Ms. 17

CARROZZA, Pasquale

[Amantissime Jesu. Motet. 4 V (SATB), vla, org]

Amantissime Jesu / Modulatio Quatuor Vocum / Don Paschalis Carrozza Sacerdos Messanensis / Die 12 9bris 1654

- ms., 1654; 6 partbooks: S, A, T, B, vla, org (1, 1, 1, 1, 1, 2 ff.), 245x180 mm. Figured bass.

M-MDca, Mus. Ms. 18

CATALANO, Ottavio

[Domine ad adjuvandum and Dixit Dominus. Verse and Psalm 109. 5 V (SSATB), org]

Domine, et Dixit V. Vocum / D. Ott.i Catalani

- ms., 17th cent.; 6 partbooks: S1, S2, A, T, B, org (1, 1, 1, 1, 1, 2 ff.), 215x155 mm. Figured bass.

M-MDca, Mus. Ms. 19

CELANO, Giuseppe

[Fremunt arma. Motet. 4 V (SSST), org]

Org. 4 Voc. Del Sig:re Giuseppe Celano

- ms., 17th. cent.; 5 partbooks: S1, S2, S3, T, org (4, 4, 4, 2, 2 ff.), 230-240x175 mm. Figured bass.

M-MDca, Mus. Ms. 20

CELANO, Giuseppe

[Aspicite terrarum. Motet. 3 V]

Tenor 3 Voc. Del Sig:re Giuseppe Celano

- ms., 17th. cent.; 2 partbooks: T, B (2, 2 ff.), 230x175 mm. Parts missing.

M-MDca, Mus. Ms. 21

CHERUBINO

[Virginis populi comparavere faustitate. Motet. 2 V, bc]

Virginis populi Mottetto a 2 Soprani D. Cherubino

- ms., 17th cent.; 3 partbooks: S1, S2, bc (2, 2, 2 ff.), 225x165 mm.

M-MDca, Mus. Ms. 22

COSTANZI, Giovanni Battista

[Miserere mei Deus. Psalm 50. 4 V (SATB), choir 4 V (SATB), violetta, db, C min.]

Miserere mei Deus / A' Quattro Voci Concertato e Pieni / Del Sig:r Gio: Batta: Costanzi / Maestro di Cappella di S: Apollinare

- ms., 18 cent.; vocal score (12 ff.), 210x270 mm.; 2 partbooks: violetta, db (2, 2), 225x310 mm.. Pasteboard binding with decorative frame and: Presso Gio: Batta: Cencetti In Roma All'Arco di Parma.

M-MDca, Mus. Ms. 23

DEL VIOLINO, Carlo

[Correte amanti a mirar un core. Madrigal. 3 V (SAT), bc]

Correte Amanti à 3. / C. A. T. / Del S.r Carlo del Violino

- ms., 17th cent.; 4 partbooks: S, A, T, bc (1, 1, 1, 2 ff.), 250x170 mm. Figured bass.

M-MDca, Mus. Ms. 24

DRAGO, Antonio

[Pastori al giubilo sorgete correte. Villanella. 3 V (ATB), bc]

Villanella in Pastorale à 3. V. / Di D. Antonino Dragho

- ms., 17 cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 2 ff.), 240x175 mm. Figured bass.

M-MDca, Mus. Ms. 25

DRAGO, Antonio

[Allegrezza pastori. Nenia pastorale. 4 V (SATB), org]

Nenia Pastorale à 4. Organo.

- ms., 17th. cent.; 5 partbooks: S, A, T, B, bc (2, 2, 1, 2, 3 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 26

FIORAVANTI, Valentino

[L'Isola disabitata. Opera. Simphony. orch. D]

Sinfonia con Violino Oboe / Corni da caccia e Violetta Oblig:a / Del Sig:re Fioravanti

- ms., 19th cent. first half; 7 partbooks: vl1, vl2, ob1, ob2, chn1, 2 b (2, 2, 1, 1, 1, 2, 1 ff.), 230x320 mm. On f. 1r of the organ part: D. Giovanni Portelli / Pro[pietario]

M-MDca, Mus. Ms. 27

[Motets. 3 V (ATB), org]

Motetti del Carissimi / Floridus:

- ms., 17. cent. 2nd half; 4 partbooks: A, T, B, org (16, 16, 16, 14 ff.). Figured bass. This compilation has been partially copied from the printed antology available in Mus. Pr. 55 (Rome: F. de Silvestri - A. Poggioli, 1655).

1. CARISSIMI, Giacomo [Vidi impium super exaltatum]

Del Carissimi

2. C. DURANTE, Silvestro [Adest solemnitas inclyta]

Del Sig:r Mario Sauioni Siluestro Durante.

3. BICILLI, Giovanni [Iubilemus exultemus]

Del Sig:r Gioanni Bicilli:

4. CECCHELLI, Carlo [Omnes sancti]

Cecchelli

5. TRICARICO, Giuseppe [O admirabile nomen Jesu] Pugliese

Tricarico

6. MARGARINI, Francesco; [.Omnes in iubilo]

Del Sig:r Fran:co Margarini

7. FABBRI, Stefano; [.Triumphum laudabilem]

Del Sig:r Stefano Fabri

8. SILVESTRI, Florido de [Iubilemus in templo]

Del Sig:r D: Florido

9. GRAZIANI, Bonifacio [Exaudi Domine]

Del Sig:r Bonifatio Grattiani

10. BENEVOLI, Orazio [Sit mundo letissima]

Del Sig:r Horattio Beneuoli

11. FOGGIA, Francesco [In memoria aeterna

Del Sig:r Fran:co Foggia

12. MARCIANI, Giovanni [Quasi oliva pullulans]

Del Sig:r Giouanni Marciani

13. [Quem vidistis pastores]

Melos rusticum:

M-MDca, Mus. Ms. 28

FOGGIA, Francesco

[Ecce mater pulchrae. Motet. 5 V (SSATB), vl1, vl2, org]

Organo à 5. con Sinf.a Foggia.

- ms., 17th. cent.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, org (2, 2, 1, 1, 1, 1, 1, 3 ff.), 250x180 mm.

Mus. Ms. 29, 30

GALLERANO, Leandro

[Psalms. 8 V, org]

Confitebor et Beatus Vir a 8. Voci / del Gallerano / di [minor] Con.le / S. Fran.co

- ms., 17th. cent.; 1 part: org (2 ff.), 245x170 mm. It includes psalm 110 and 111.

1. [Confitebor tibi..in consilio. Psalm 110. 8 V, org] (ff. 1v-2r)

A 8.

2. [Beatus vir qui timet. Psalm 111. 8 V, org, C] (ff. 1v-2v)

A. 8

M-MDca, Mus. Ms. 31, 31A

[Sacred vocal compositions. 5/8 V, org]

Magnificat A 5 / con ripieni / Te Deus laudamus A 8

- ms., 17th. cent.; 1 bookpart: org (2 ff.), 245x170 mm. Includes two compositions.

1. BRUSCHI, Giulio [Te Deum. Hymn. 8 V, org] (c. 1r)

A .8. del Pruscho

The printed copy is available in Mus. Pr. 10 (Venice: A. Vincenti, 1639).

2. GALLERANO, Leandro [Magnificat. Canticle. 5 V, org]

Magnificat A .5. con Ripieno Gallerano

M-MDca, Mus. Ms. 32

GHIZZOLO, Giovanni

[Magnificat. Canticle. 5 V (SSATB), org]

Magnificat à 5: Voci. / Ghizzolo.

- ms., 17th. cent.; 6 partbooks: S, S/T, A, T, B, org (1, 1, 1, 1, 1, 2 ff.), 250x180 mm. The printed copy is available in Mus. Pr. 78 (Venice: A. Vincenti, 1619).

M-MDca, Mus. Ms. 33

GHIZZOLO, Giovanni

[Mass. choir 1. 5 V (SATBQv), choir 2 ad lib. (SATB), org]

MESSA A 9. e A 5. CONCERTATA / DEL GVIZOLO / ORGANO

- ms., 17. cent. 2nd half; 2 partbooks: choir 1 (Qv=S2), org (I, 4, II; I, 3, II), 200x150 mm. Figured bass. The printed copy is available in Mus. Pr. 78 (Venice: A. Vincenti, 1619).

M-MDca, Mus. Ms. 34

GIANSETTI, Giovanni Battista

[Benignissime Jesu. Motet. 2 V (SMzs), org]

Canto A 2 Del Sig.r Gio: Batt: Giansetti

- ms., 17th cent.; 3 partbooks: S, Mzs, org (4, 4, 6 ff.). Figured bass.

M-MDca, Mus. Ms. 35

GIANSETTI, Giovanni Battista

[Quare Domine faciem tuam. Motet. 3 V (SSB), bc]

A 3. 2. Canti è Basso. Del Sig.r Gio Batt: Giansetti

- ms., 17th cent.; 4 partbooks: S1, S2, B, b+V (2, 2, 2, 6 ff.), 230x170 mm.

M-MDca, Mus. Ms. 36

GRAZIANI, Bonifacio

[Salve regina. Antiphon S, bc]

Canto solo / Salve Regina / di / Bonifacio Gratiani

- ms., 17. cent. 2nd half; 2 partbooks: S, S+bc (1, 4 ff.), 205-245x150-175 mm.

M-MDca, Mus. Ms. 37

GRAZIANI, Bonifacio

[Hic est panis qui de caelo. Motet. 2 V (SS), org]

Organo à 2. Canto. di Boniatio Gratiani.

- ms., 17 cent. 2nd half; 3 partbooks: S1, S2, org (1, 1, 2 ff.), 250x180 mm. Figured bass. The printed copy is available in Mus. Pr. 83 (Rome: G. Fei, 1624).

M-MDca, Mus. Ms. 38a

LEONARDIS, Felice

[Zelo zelatus sum. Introit. T1, T2, B, db, org, F]

Leonardis Introito

- ms., 19th. cent.; vocal score (4 ff.), 3 partbooks: T1, T2, db (1, 1, 1 ff.), 220x290 mm.

M-MDca, Mus. Ms. 38b

LEONARDIS, Felice

[Elias ascendit in verticem. Gradual. T1, T2, B, instr., A]

Leonardis Graduale Luglio 6.1865

- ms., 1865, score (8 ff.), 5 partbooks: T1, T2, vl1, vl2, db (1, 1, 2, 1, 1 ff.), 220x290 mm.; scoring: T1, T2, B, vl1, vl2, fl, cl, hn, org. Parts of fl, cl and hn have not been compiled in the score.

M-MDca, Mus. Ms. 38c

LEONARDIS, Felice

[Elias homo erat simili. Offertorio. T, instr., E]

Leonardis Offertorio

- ms., 19th cent.; partit. (8 ff.), T, vl1, vl2, db (1, 2, 1, 1 ff.), 220x290 mm.; scoring: T, vl1, vl2, fl, cl, hn, org. Parts of fl, cl and hn have not been compiled in the score.

M-MDca, Mus. Ms. 39a

LEONARDIS, Felice

[Masses. Kyrie. T1, T2, B, instr., F]

Kyrie 20 Giugno 1865

- ms., 1865, partit. (10 ff.); 6 partbooks: T1, T2, B, vl1, vl2, db (3, 1, 2, 2, 2, 1 ff.), 225x290 mm.; scoring: T1, T2, B, vl1, vl2, fl, cl1, cl2, hn1, hn2, org.

M-MDca, Mus. Ms. 39b

LEONARDIS, Felice

[Mass. Gloria. T1, T2, B, instr., G]

Leonardis Gloria 22 giugno 65

- ms., 1865-8, score (10 ff.); 6 partbooks: T1, T2, B, vl1, vl2, db (2, 2, 2, 2, 2, 1 ff.), 225x290 mm.; scoring: T1, T2, B, vl1, vl2, fl, cl1, cl2, hn1, hn2, org; in calce alla partit. Cattedrale. See also Mus. Mss. 39c-39g.

M-MDca, Mus. Ms. 39c

LEONARDIS, Felice

[Gloria. Laudamus. T, instr., C]

Leonardis Laudamus 24 Giugno 65

- ms., 1865-8, score (8 ff.); 4 partbooks: T, vl1, vl2, db (2, 2, 2, 1 ff.), 225x290 mm.; scoring: T, vl1, vl2, fl, cl in C, hn1 in C, hn2 in C, org. See also Mus. Mss. 39d-39g.

M-MDca, Mus. Ms. 39d

LEONARDIS, Felice

[Gloria. Domine Deus. T, B1, B2, instr., Eb]

Leonardis Laudamus 24 Giugno 65

- ms., ca. 1865, score (14 ff.); 6 partbooks: T1, T2, B, vl1, vl2, db (2, 2, 2, 2, 2, 1 ff.), 225x290 mm.; scoring:T1, T2, B, vl1, vl2, fl, cl Bb, hn1 in Eb, hn2 in C, org; See also Mus. Mss. 39e-39g.

M-MDca, Mus. Ms. 39e

LEONARDIS, Felice

[Gloria. Qui tollis. T, instr., C min.]

Leonardis qui Tollis 26 Giugno 1865

- ms., 1865, score (10 ff.); 7 partbooks: T, vl1, vl2, fl, cl, hn1+hn2, db (2, 2, 2, 1, 1, 1, 1 ff.), 225x290 mm.; scoring:T, vl1, vl2, fl, cl Sib, hn1in Mib, hn2 in Mib, org; watermark: vedi ms. 38b; PM FABRIANO. in calce alla partit. Cattedrale. Part of fl, cl e hn have been joint later (1900 ca.). See also Mus. Ms. 39f-g.

M-MDca, Mus. Ms. 39f

LEONARDIS, Felice

[Gloria. Qui sedes. Quoniam. B, instr.., A]

Leonardis Qui Sedes e Quoniam 1° Luglio 65

- ms., 1865, score (12 ff.); e partbooks: B, vl1, vl2, db (2, 2, 2, 3 ff.), 225x290 mm.; scoring: B, vl1, vl2, fl, cl in C, hn1in C, hn2 in C, org. See also Mus. Ms. 39g.

M-MDca, Mus. Ms. 39g

LEONARDIS, Felice

[Gloria. Cum sancto spiritu. T1, T2, B, instr., F]

Cum Sancto Spiritu / Tenore Primo / F. Leonardis

ms., ca. 1865, score (8 ff.); 6 partbooks: T1, T2, B, vl1, vl2, db (2, 2, 2, 2, 2, 1 ff.), 225x290 mm.; scoring: T1, T2, B, vl1, vl2, fl, cl in Sib, hn1in F, hn2 in F, org;

M-MDca, Mus. Ms. 40

LORENZANI, Paolo

[Colpe mie venite a piangere. Cantata. A, bc, vl1, vl2]

Cantata Alto solo. / con sinfonia. / Del Sig.r Paulo Lorenzani.

- ms., 17th cent.; score (5 ff.); 3 partbooks: str1, str2, bc (1, 1, 1 ff.), 210x265x160-190 mm.. The two instruments are written in G clef (vl1, vl2?).

M-MDca, Mus. Ms. 41

LUMINARIA, Carlo

[Surgam et circuibo. Motet. 4 V (SATB), bc]

Di Carlo Luminaria A 4

- ms., 17th cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 2 ff.), 220x160 mm. The Canto part is missing.

M-MDca, Mus. Ms. 42

MERCADANTE, Saverio

[Masses. Kyrie. Gloria. Credo. 3 V (TTB), db, org]

Kyrie. / Tenore P.mo / Cav: S. Mercadante

- ms., 19th-20th cent.; 11 partbooks: "Kyrie" T1, T2, B, db; "Gloria" T1, T2, B; "Credo" T1, T2, B, db (2, 2, 2, 2; 5, 5, 5; 6, 5, 5, 5 ff.), 290x215 mm. The ms. is joint by the relative edition: MESSA / A / TRE VOCI / PER / DUE TEN. e BASSO / PER CANTO E PIANOFORTE / ED / ORGANO / DI / Saverio MERCADANTE / N. 42 nette L. 2 / Torino / L. PEROSINO EDITORE / Via Garibaldi N. 6, 275x190 mm. pp. (I) + 60.

M-MDca, Mus. Ms. 43

MERCADANTE, Saverio

[Salve regina. Antiphon T, orch., F]

Salve Regina / del / Cav.re Sav.rio Mercadante

- ms., 19th-20th cent.; 21 partbooks: concertino, T+b, vl1, vl2, vla, fl, ob1+ob2, cl1, cl2 in B b, bsn1, bsn2, hn1in F, hn2 in F, tr1 in Bb, tr2 in Bb, trb1, trb2, trb3, ofi, vlc, db (4, 4, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2, 2 ff.), 215x290 mm.

M-MDca, Mus. Ms. 44

MAZZOCCHI, Virgilio

[Gaudete in domino semper. Motet. 3 V (SSA), org]

Organo à 3 doi Canti et Alto. di Virgilio Mazzocchi M. D. C. D. L. P.

- ms., 17. cent. 2nd half; 4 partbooks: S1, S2, A, org (1, 1, 1, 1 ff.), 240x170 mm. Figured bass. The printed copy is available in Mus. Pr. 103 (Rome: L. Grignani, 1640).

M-MDca, Mus. Ms. 45

MAZZOCCHI, Virgilio

[Vespers. 2 choirs, org]

Organum / Virgilij Mazzocchij / In Vaticana Basilica / Musicae Praefecti / Psalmi Vespertini Binis Choris / Concinendi / Laudate Dominum a 5. 6. e 9. pag. i / Laudate Pueri a 9. / Lauda Jerusalem a 10. (il decimo è nel ten. secondo) / In conuertendo a 10 (il decimo è nel ten. secondo) / Credidi a 8. / Magnificat a 9. /

- ms., 17. cent. 2nd half; 1 bookpart: org (10 ff.), 250x180 mm. Figured bass. The printed copy is available in Mus. Pr. 104 (Rome: L. Grignani, 1648).

1. [Laudate Dominum omnes gentes. Psalm 116. choir 1. (CATBV-nn), choir 2. (CATB), org]

A 6. Con ripieno Sine Intonatione

- Alto in Mzs clef, Tenor in A clef, Bass in T clef, Nonus in G clef (see Mus. Pr. 104).

2. [Laudate pueri. Psalm 112. choir 1. (SATBV-nn), choir 2. (SATB), org]

A 9. Sine Intonatione

3. [Lauda Jerusalem. Psalm 147. choir 1. (SATBV-nn), choir 2. (SATBV-d), org]

A 10. Sine Intonatione

- The V-d part in S clef (see Mus. Pr. 104)

4. [In convertendo. Psalm 125. choir 1. (SATBV-nn), choir 2. (SATBV-d), org]

A 10 Sine Intonatione

- The V-d part in S clef (see Mus. Pr. 104)

5. [Credidi. Psalm 115. choir 1. (SATB), choir 2. (SATB), org]

a 8.

6. [Magnificat. Cantico. choir 1. (SATBV-nn), choir 2. (SATB), org]

a 9. Cum Intonatione

- The V-nn part in S clef (see Mus. Pr. 104).

M-MDca, Mus. Ms. 46

MAZZAFERRATA, Giovanni Battista

[Laudate pueri. Psalm 112. 2 V (SB), vl1, vl2, vla, org]

Laudate Pueri / à 2. C. e B. con Violini. / di Mazzaferrata / Organo.

- ms., 17th cent.; 6 partbooks: S, B, vl1, vl2, vla, org (2, 2, 1, 1, 1, 2 ff.), 295x220 mm. Figured bass.

M-MDca, Mus. Ms. 47

MONTEVERDI, Claudio

[Ecce panis angelorum. Motet. 3 V (SST), vl1, vl2, bc]

A 4. Con 2. Violini. Monte Verde.

- ms., 17th cent.; 6 partbooks: S1, S2, T, vl1, vl2, bc (1, 1, 1, 1, 1, 1 ff.), 215x150 mm. This motet is a spiritual contrafactum of "Chiome d'oro", madrigal for two sopranos, two violins and bc from the 7th book of madrigals by C. Monteverdi.

M-MDca, Mus. Ms. 48A

INSANGUINE, Giacomo ("Monopoli");

[Christus factus est. Gradual. 4 V (SSAB), org, F]

- ms., 18th cent.; score (4 ff.); 5 partbooks: S1, S2, S3, B, db (1, 1, 1, 1, 1 ff.), 220x280 mm. A second version of the gradual is available in Mus. Ms. 48b.

M-MDca, Mus. Ms. 48B

INSANGUINE, Giacomo (Monopoli)

[Christus factus est. Gradual. 4 V (SSAA), org, Mib]

Christus Factus est / Pronobis Obediens / Del Sig.e D: Giacomo Insanguine / D.to Monopoli

- ms., 18. cent.; score (4 ff.); 5 partbooks: S1, S2, A1, A2, 2 db (2, 2, 2, 2, 1, 1 ff.), 220x280 mm. A second version of the gradual is available in Mus. Ms. 48a.

M-MDca, Mus. Ms. 49

MUSCARI [Filippo]

[Quis mihi det dulcissima virgo. Motet. 3 V, org]

Quis mihi det dulcissima Virgo. / à 3. Voci con Sinf.a / Muschari.

- ms., 17th cent.; 1 part: org (2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 50

MUSCARI, Filippo

[Quae est ista quae ascendit. Antiphon. 5 V (SSATB), vla, org]

Que est ista / quinque vocum / Filippi Muscari

- ms., 17th cent.; 8 partbooks: S1, S2, A, T, B, 2 vla, org (1, 1, 1, 1, 1, 1, 2, 2 ff.), 245x185 mm. On the vla part: Filippo Muscari e Carrozza.

M-MDca, Mus. Ms. 51

MUSCARI, Filippo

[Fida sampogna mia. Pastoral dialogue. 3 V (ATB), org]

Fida Sampogna / Dialogo Pastorale à 3. / A. T. B. / Muschari.

- ms., 17 cent.; 4 partbooks: A, T, B, org (2, 2, 2, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 52

MUSCARI, Filippo

[Sdegnar nol posso no. Aria. 3 V (ATB), cemb]

Aria A. 3. Voci / Alto Tenore et Basso / Sdegnar nol posso nò / di / Filippo Muscari

- ms., 17th cent.; 4 partbooks: A, T, B, cemb (1, 1, 1, 2 ff.), 250x185 mm. Figured bass.

M-MDca, Mus. Ms. 53

MUSCARI, Filippo

[Le Rose ch'hai nel seno. Madrigal. 2 V (TB), cemb]

Madrigale / A. 2. tenore et basso / Le rose Ch'hai nel seno / di / Filippo Muscari

- ms., 17th cent.; 3 partbooks: T, B, cemb (1, 1, 1, ff.), 250x185 mm. Figured bass.

M-MDca, Mus. Ms. 54

MUSCARI, Filippo

[Occhi stativi attenti. Canzone. 3 V (ATB), bc]

Canzona A. 3. Voci / Occhi statiui attenti / di / Filippo Muscari

- ms., 17th cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 1, ff.), 250x185 mm. Figured bass.

M-MDca, Mus. Ms. 55

PITONI, Giuseppe Ottavio

[Beatus vir qui non abiit. Psalm 1. 3 V (SAT), org, G]

Beatus vir qui non abijt / A' 3. C. A. T. / Per ogni Tempo / Del Sig.r Ottavio Pitoni / Organo / 1696.

- ms., 1696; 4 partbooks: S, A, T, org (2, 2, 2, 6 ff.), 240x180 mm. Figured bass.

M-MDca, Mus. Ms. 56a

PRINCIPATO, G.

[Manum suam. Lamentation. S/Br, vl1, vl2, db, E min.]

Manum suam. / Lamentazione terza / Del p.mo giorno di Settimana Santa

- ms., 19th cent.; score (12 ff.); 5 partbooks: S, Br (version for baritone), vl1, vl2, db (2, 2, 2, 2, 2 ff.), 230x310 mm. On f. 1r of the score: Del Sig.r Principato Appartiene alla / Santa Chiesa Cattedrale Arcivescovile. Different copyist for the Br part.

M-MDca, Mus. Ms. 56b

PRINCIPATO, G.

[Matribui suis. Lamentation. S, fl, vl1, vl2, db, G min.]

Matribus suis / Lamentazione della Settima Santa / Del secondo giorno

- ms., 19th cent.; Score (5 ff.); 5 partbooks: S, fl, vl1, vl2, db (3, 2, 2, 2, 2, 2 ff.), 230x310 mm. On f. 1r of the score: Del Sig.r Principato Appartiene alla / Santa Chiesa Cattedrale Arcivescovile.

M-MDca, Mus. Ms. 57

[Sacred vocal compositions. choir 1. (SATB), choir 2. (SATB), org]

- ms., 17th cent.; 6 partbooks: choir 1. S, A, B, choir 2. C, B, org (I-10-II, I-10-II, I-10-II, 9-I, I-9, I-9-II ff.), 205x155 mm. Binded parts; on the bindings: MESSA A 8, DEL RADESCA / ORGANO.

1. [Consolamini taurinenses. Motet. choir 1. (SATB), choir 2. (SATB), org]

Alli Molti illustri signori sindici, & conseglieri della città / di Turino. Per la festa de santi protetori di essa citta.

2. RADESCA, Enrico Antonio [Mass VIII tono. choir 1. (SATB), choir 2. (SATB), org]

Messa ottauo Tuono. del Radesca

3. [O quam suavis. Motet. choir 1. (SATB), choir 2. (SATB), org]

De sanctissimo, sacramento.

4. [Gaudete omnes. Motet. choir 1. (SATB), choir 2. (SATB), org]

in omnibus festiuitatibus beate marie Virginis.

- on the B part (choir 2): Alli Molto illustri, & Molto Reuerendi Signori il Capitolo / di Sancta Maria Magiore di Fogia, in festa Beate Marie Virginis.

5. [Ave Sanctissima Maria regina caeli. Motet. choir 1. (SATB), choir 2. (SATB), org]

A 8.

6. MEDICI, Lorenzo [Litanies B.M.V. choir 1. (SATB), choir 2. (SATB), org]

A 8 voce del sig. Laurenti Medici

7. MEDICI, Lorenzo [Gaudens gaudebo. Motet. choir 1. (SATB), choir 2. (SATB), org]

A hotto voce. del Medici

8. [Veni sponsa christi. Motet. choir 1. (SATB), choir 2. (SATB), org]

M-MDca, Mus. Ms. 58a

RIGATTI, Giovanni Antonio

[Confitebor tibi..in consilio. Psalm 110. 6 V (SSATTB), instr., bc]

A 6. Voci, e 2. Violini, con quatro Viole à beneplacito. Rigatti

- ms., 17. cent. 2nd half; 13 partbooks: S1, S2, A, T1, T2, B, vl1, vl2, vla1, vla2, vla3, vla4, bc (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.), 260x190 mm. Another version in Mus. Ms. 58b.

M-MDca, Mus. Ms. 58b

RIGATTI, Giovanni Antonio

[Confitebor tibi..in consilio. Psalm 110. 3 V (AAB), bc]

A 3. Voci. Dui Alti, e Basso

- ms., 17. cent. 2nd half; 4 partbooks: A1, A2, B (2, 2, 2, 2 ff.), 260x190 mm. Another verions in Mus. Ms. 58a.

M-MDca, Mus. Ms. 59

RIGATTI, Giovanni Antonio

[Salve regina. Antiphon. 6 V (SSATTB), org]

Salve Regina. / à 6. Voci.

- ms., 17. cent. 2nd half; 7 partbooks: S1, S2, A, T1, T2, B, org (1, 1, 1, 1, 1, 1, 2 ff.), 250x180 mm. A c. 1v dell'org A 6. Voci. Rigatti. Figured bass.

M-MDca, Mus. Ms. 60

ROVETTA, Giovanni

[Salve regina. Antiphon. A, vl, vla, violetta, org]

Alto solo. con 2. Violini e 3. Viole à beneplacito. Rouetta.

- ms., 17th cent. 2nd half; 5 partbooks: A, vl, vla, vltta, org (V+b), 260x185 mm.

M-MDca, Mus. Ms. 61

SABINO, Francesco

[Franciscus verus Christi pauper. Motet. 3 V (SAT), vl1, vl2, bc]

Franciscus Xpi Pauper à 3. Con Sinf.a / Del S.r Fran.co Sabbino

- ms., 17th cent.; 6 partbooks: S, A, T, vl1, vl2, bc (1, 1, 1, 1, 1, 2 ff.), 250x180 mm.

M-MDca, Mus. Ms. 62

SABINO, Francesco

[Ave virgo gloriosa. Motet. 3 V (SAT), vl1, vl2, bc]

- ms., 17th cent.; 6 partbooks: S, A, T, vl1, vl2, bc, b (1, 1, 1, 1, 1, 1, 2 ff.), 250x180 mm.

M-MDca, Mus. Ms. 63

SABINO, Giovanni Maria

[O quam speciosa. Motet. 3 V (SAB), vl1, vl2, db, bc]

O Qua(m) speciosa es à 3. Con Sinf.e / del S.r D.d Gio: Maria Sabino.

- ms., 17th cent.; 6 partbooks: S, A, B, vl1, vl2, b, bc (1, 1, 1, 1, 1, 1, 2 ff.), 250x180 mm.;

M-MDca, Mus. Ms. 64

SABBATINI, Pietro Paolo

[Litanies B.M.V. 5/6 V (SSATQvB), bc]

Letanie à 5. ò 6. con l'Alto ad libitu[m]. / Del Sabbatini.

- ms., 17th cent.; 7 partbooks: S1, S2, A ad libitum, Vq (T), B, bc (2, 2, 1, 2, 2, 1, 2 ff.), 260x190 mm. Figured bass.

M-MDca, Mus. Ms. 65a

SOPRANO

[Somne laborum dulce. Motet. 2 V (SA), bc]

A 2. Voci Canto, et Alto.

- ms., 17th cent.; 3 partbooks: S, A, bc (1, 1, 1 ff.), 250x180 mm. A second version is Mus. Ms. 65b.

M-MDca, Mus. Ms. 65b

SOPRANO

[Somne laborum dulce. Motet. 2 V (SS), vl1, vl2, bc]

A 2. Soprani e Violini del Sig.r Soprano

- ms., 17th cent.; 5 partbooks: S, S, vl1, vl2, bc (2, 2, 2, 2, 2, ff.), 250x180 mm. Antother version is In Mus. Ms. 65a. The vl part is in S clef, bc in T clef. On f. 1r of the part of vl1: P.a Sinf.a la Pastorale che ua sonata dou'e notata nel part. On f. 1r of the part of vl2: Sinf.a 2.a la pastorale che ua sonata dou'e notata / nel Partimento.

M-MDca, Mus. Ms. 66

FIAMENGO, Francesco

[Poscia ch'el re crudel. Dialogo di Sofronia e Olindo. 4 V (SATB), bc]

Dialogo a quattro voci / Di Sofronia et Olindo / del Tasso

- ms., 17th cent.; 5 partbooks: S, A, T, B, bc (2, 2, 2, 2 ff.), 255x180 mm. Figured Bass.

M-MDca, Mus. Ms. 67

TINAGLIA

[Sempre a te parla la morte. Cantata. S, bc]

Voce sola. Del Tinaglia

- ms., 17th cent.; 1 bookpart: S+b (2 ff.), 260x190 mm. Figured bass.

M-MDca, Mus. Ms. 68

TOZZI, Vincenzo

[Masses. 5 V (SSATB), org]

Organo Messa à 5. Voci d. V. Tozzi.

- ms., 17th cent.; 6 partbooks: S, S, A, T, B, org (4, 4, 4, 4, 4, 4 ff.), 230x170 mm. Figured bass.

M-MDca, Mus. Ms. 69

TOZZI, Vincenzo

[Ave maris stella. Hymn. 8 V (SSAATTBB), vla1, vla2, org1, org2]

Ave maris stella / A. 8. / D. Vincenzo Tozzi

- ms., 17th cent.; 12 partbooks: S1, S2, A1, A2, T1, T2, B1, B2, org1, org2 (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2, 1 ff.), 250x180 mm. All bookparts carry: D.V.T. Figured bass.

M-MDca, Mus. Ms. 70

TOZZI, Vincenzo

[Iste confessor. Hymn. 9 V, org]

Hijmno A. 9. / Iste Confessor. / D. Vincenzo Tozzi

- ms., 17th cent.; 4 partbooks: choir 1. S1, S2, A, org (1, 1, 1, 2 ff.), 250x180 mm. All bookparts carry: D.V.T. Figured bass.

M-MDca, Mus. Ms. 71

TOZZI, Vincenzo

[Salve regina. Antiphon. S, vl1, vl2, bc]

- ms., 17th cent.; 2 partbooks: S, bc (1, 1 ff.), 250x180 mm. String parts are missing. Figured bass.

M-MDca, Mus. Ms. 72

TOZZI, Vincenzo

[Salve regina. Antiphon. 2 V (SS), vl1, vl2, org]

Salue Regina / à 2. Canti con Sinfonia. / Del Tozzi.

- ms., 17th cent.; 5 partbooks: S1, S2, vl1, vl2, org (1, 1, 1, 1, 2 ff.), 250x170 mm. Figured bass.

M-MDca, Mus. Ms. 73-74

[Alma redemptoris mater. Antiphon]

Alma à 3. V. A. T. B. del Sig.r Foggia / Alma à 2. C. del Sig.r .i.Tozzi

- ms., 17th cent.; 6 partbooks: A, T, B (Foggia); S1, S2 (Tozzi); org (Foggia+Tozzi), (1, 1, 1, 1, 1, 2 ff.), 260x190 mm. The org part include both version of the "Alma redemptoris" set to music by F. Foggia and V. Tozzi.

1. FOGGIA, Francesco [Alma redemptoris mater. Antiphon. 3 V (ATB), org]

à 3. V. A. T. e B.

2. TOZZI, Francesco [Alma redemptoris mater. Antiphon. 2 V (SS), org]

A 2. C. del Sig.r Tozzi

M-MDca, Mus. Ms. 75

TOZZI, Vincenzo

[Currite fideles. Motet. 3 V (MzsAB), org]

Currite fideles / A 3. A. Mezzo Canto / e Baritono / del Sig.r Don Vincenzzo (sic) / Tozzi / Di Don Domenico Balzano

- ms., 17th-18th cent.; 4 partbooks: C (Mzs), A, B (Br), org (2, 2, 2, 2 ff.), 200x150 mm. Figured bass. Domenico Balzano, mentioned in the title, was chapel master of the Mdina Cathedral.

M-MDca, Mus. Ms. 76

TOZZI, Vincenzo

[Invicta virgo. Motet. 3 V (STB), bc]

Inuicta Virgo à 3. Voci. / Canto tenore e Basso / D. V.o Tozzi.

- ms., 17th cent.; 4 partbooks: S, T, B, bc (2, 2, 2, 2 ff.) 250x175 mm. Figured bass. All parts carry: D.V.T.

M-MDca, Mus. Ms. 77

TOZZI, Vincenzo

[O lilium convallium. Motet. S, org]

Canto solo / O Lilium Conuallium / Di / D. Vincenzo Tozzi

- ms., 17th cent.; 2 partbooks: S, org (2, 2 ff.) 250x180 mm. Figured bass. Sulle due parti D.V.T. Stesso copista in Mss. 69 e 70.

M-MDca, Mus. Ms. 78

TOZZI, Vincenzo

[In caelestis viridario. Motet. 4 V (SATB), org]

In celestis viridario / Motetto A 4 Voci / Per Il S.mo Rosario / D. Vincenzo Tozzi

- ms., 17th cent.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 79

TOZZI, Vincenzo

[Vidi speciosam. Motet. 3 V (SAB), vl1, vl2, vla, org]

A di 25 Giugno 1650 / Vidi speciosam Mottetto A 3. Voci / Canto Alto Basso. / Con 4 Viole / D. Vincenzo Tozzi

- ms., 1650; 7 partbooks: S, A, B, vl1, vl2, vla, org (2, 1, 1, 1, 1, 1, 2 ff.), 260x180 mm. Figured bass.

M-MDca, Mus. Ms. 80a

[TOZZI, Vincenzo]

[In lectulo meo. Motet. 4 V (SATB), org]

in lectulo meo / A quattro voce / Ca. Al. Te. Ba.

- ms., 17th cent.; 5 partbooks: S, A, T, B, org (2, 1, 1, 1, 2 ff.), 200x150 mm. Figured bassA second version is in Mus. Ms. 80b.

M-MDca, Mus. Ms. 80b

TOZZI, Vincenzo

[In lectulo meo. Motet. 3 V (SAT), org]

in lectulo meo, / a 3 voce, Ca. Al. Te.

- ms., 17th cent.; 4 partbooks: S, A, T, org (2, 1, 1, 2 ff.), 200x150 mm.Figured bass. A second version is in Mus. Ms. 80a. On f. 1r of the org: DVT.

M-MDca, Mus. Ms. 81

TOZZI, Vincenzo

[Nè per pianti e sospiri. Aria. 3 V (ATB), cemb]

Aria A. 3. Voci. / Nè per pianti è sospiri. / Di / D. Vincenzo Tozzi

- ms., 17th cent.; 4 partbooks: A, T, B, cemb (1, 1, 1, 1 ff.), 250x180 mm. All bookparts carry: D.V.T. Figured bass.

M-MDca, Mus. Ms. 82

TOZZI, Vincenzo

[Ah che pallido esangue. Aria. S, bc]

Ah che pallido essangue. / Aria / Alto, ò vero Canto solo. / D. V. T.

- ms., 17th cent.; 2 partbooks: S, bc (2, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 83

TOZZI, Vincenzo

[Due begl'occhi guerrieri. Aria. 3 V (ATB), cemb]

Aria A. 3. Voci Pari / Due begl'occhi guerrieri / Di / D. Vincenzo Tozzi

- ms., 17th cent.; 4 partbooks: A, T, B, cemb (1, 1, 1, 2 ff.), 250x180 mm.; All bookparts carry: D.V.T. Figured bass.

M-MDca, Mus. Ms. 84

TOZZI, Vincenzo

[Stolta è l'alma che crede. Aria. 3 V (ATB), org]

Aria A. 3. Voci / Stolta è l'alma che crede / Di / D. Vincenzo Tozzi

- ms., 17th cent.; 4 partbooks: A, T, B, cemb (1, 1, 1, 1 ff.), 250x180 mm. All bookparts carry: D.V.T. Figured bass.

M-MDca, Mus. Ms. 85

TOZZI, Vincenzo

[Offeso Dio vendetta io chiedo. Aria. A, bc]

Offeso Dio Vendetta. / Aria Alto solo / D.V.T.

- ms., 17th cent.; 2 partbooks: A, bc (2, 2 ff.), 250x180 mm. Figured bass. A second version is in Mus. Ms. 86.

M-MDca, Mus. Ms. 86

TOZZI, Vincenzo

[Offeso Dio vendetta io chiedo. Aria. 2 V (SB), bc]

Aria / A. 2. Canto è Basso / Offeso Dio Vendetta. / Di / D. Vincenzo Tozzi.

- ms., 17th cent.; 3 partbooks: S, B, org (2, 2, 2 ff.), 250x180 mm. Figured bass. A second version is in Mus. Ms. 85.

M-MDca, Mus. Ms. 87

TOZZI, Vincenzo

[Senza Dio regni e tesori son miserie. Aria. S, org]

Aria Canto solo / Senza Dio regni è thesori / Di / Don Vincenzo Tozzi

- ms., 17th cent.; 2 partbooks: S, org (2, 2 ff.), 250x180 mm.

M-MDca, Mus. Ms. 88

TOZZI, Vincenzo

[O martirio d'amor che mi trafiggi. Aria. S, org]

Aria Canto solo / O martirio D'amor / Di / D. Vincenzo Tozzi

- ms., 17th cent.; 2 partbooks: S, org (2, 2 ff.), 250x180 mm.Figured bass.

M-MDca, Mus. Ms. 89

TOZZI, Vincenzo

[Rimembranza di morte. Aria. 3 V (ATB), bc]

Rimembranza di Morte / Aria à 3. A, T, e B. / D.V.T.

- ms., 17th cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 90

TOZZI, Vincenzo

[Chi vide il mio bene. Aria. 2 V (SS), cemb]

Chi vidde il mio bene / Aria Temp.le a 2. voci / D. Vincenzo Tozzi

- ms., 17th cent.; 3 partbooks: S1, S2, cemb (1, 1, 2 ff.), 200x150 mm. Figured bass.

M-MDca, Mus. Ms. 91

TOZZI, Vincenzo

[Qual suono tempestivo. Pastoral Dialogue. 5 V (SATTB), vl1, vl2, bc]

Qual suono. / Dialogo Pastorale à 5. con Sinf.a / D. Vic.o Tozzi.

- ms., 17th cent.; 8 partbooks: S, A, T1, T2, B, vl1, vl2, bc (2, 2, 2, 2, 2, 1, 1, 3 ff.), 250x180 mm.

M-MDca, Mus. Ms. 92

TOZZI, Vincenzo

[Da i confini più vicini. Pastoral Dialogue. 4 V (SATB), org]

Dà i confini più uicini. / Dialogo Pastorale à 4. / di D. Vinc.o Tozzi.

- ms., 17th cent.; 5 partbooks: S, A, T, B, org (2, 2, 2, 1, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 93

TOZZI, Vincenzo

[Ecco già l'antro correte pastori. Pastoral Dialogue. 5 V (SSATB), vl1, vl2, org]

Ecco già l'Antro. / Dialogo Pastorale à 5. con sinf.a / D. Vinc.o Tozzi.

- ms., 17th cent.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, bc (2, 1, 2, 2, 2, 2, 2, 4 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 94

TOZZI, Vincenzo

[O bel suono fermati. Pastoral Dialogue. 5 V (SSATB), vl1, vl2, bc]

Dialogo Pastorale à 5. con sinf.a D. V.o Tozzi.

- ms., 17th cent.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, bc (2, 2, 2, 2, 2, 1, 1, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 95

TOZZI, Vincenzo

[Dormi mio dolce Signore. Nenia. 2 V (S,Mzs), org]

Dormi mio dolce Signore / Nenia à 2. Canto e mezzo Canto / Tozzi.

- ms., 17th cent.; 3 partbooks: S1, Mzs, org (1, 1, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 96

TOZZI, Vincenzo

[Scompagnato sospiro che vieni a me. Madrigal. 5 V (SSATB), bc]

Madrigale à 5. Voci. / Scompagnato sospiro. / D. Vinc.o Tozzi.

- ms., 17th cent.; 6 partbooks: S1. S2, A, T, B, bc (1, 1, 1, 1, 1, 1 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 97

TOZZI, Vincenzo

[Occhi voi foste a me. Madrigal. 5 V (SSATB), bc]

Madrigale à 5. Voci. / Occhi voi foste à me. / di D. V.o Tozzi.

- ms., 17th cent.; 6 partbooks: S1, S2, A, T, B, bc (1, 1, 1, 1, 1, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 98

TOZZI, Vincenzo

[Sommergetevi in pianto occhi languenti. Madrigal. 5 V (SSATB), bc]

Madrigale / Sommergetevi in Pianto à 5. / di D. Vin.o Tozzi.

- ms., 17th cent.; 6 partbooks: S1, S2, A, T, B, bc (1, 1, 1, 1, 1, 1 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 99

TOZZI, Vincenzo

[Dimmi bella hor dì che fai. Madrigale. 3 V (ATB), bc]

Dimmi Bella hor dì che farai. / à 3. A. T. B. / D. V.o Tozzi.

- ms., 17th cent.; 4 partbooks: A, T, B, bc (1, 1, 1, 1 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 100

VANNARELLI, Francesco Antonio

[Litanies B.M.V. 3 V (SSB), org]

Litania B.M.V. de Vannarelli / Tribus vocibus 2. Can. et B.

- ms., 17. cent. 2nd half; 4 partbooks: S1, S2, B, org (2, 1, 1, 1 ff.), 260x190 mm. Figured bass. The printed copy is available in Mus. Pr. 153 (Rome: A. Belmonte, 1668).

M-MDca, Mus. Ms. 101

VERDEROSA (padre)

[Exultent caeli et gaudeant angeli. Pastoral Motet. 4 V (SATB), org]

Pastorale à 4. Voci. / Del P.re Verderosa.

- ms., 17th cent.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.), 235x175 mm. Figured bass.

M-MDca, Mus. Ms. 102

VIGNOLA, Giuseppe

[Mass. Kyrie. Gloria. 5 V (SSATB), vl1, vl2, org, C min.]

Organo / Gloria à 5. Voci / con VV. e Ripieni / Vignola

- ms., 17. cent. 2nd half; 9 partbooks: S1, S2, A, T, B, vl1, vl2, 2 org (4, 3, 4, 2, 2, 2, 2, 4, 4 ff. Figured bass. Different copyists.

M-MDca, Mus. Ms. 103

ZANNETTI, Bernardino

[Dixit dominus. Psalm 109. 5 V (SSATB), choir 5 V (SSATB), orch., org, E min.]

Organo P.o / Dixit a 5. con Ripieni e VV e tromba Di B. Z.

- ms., 18th cent. beginning; 22 partbooks: S1, 2 S2, A1, A2 rip, 2 T1, T2 rip, 2 B1, B2 rip, 2 vl1, 4 vl2, tr1, tr2, db, org/vla, org (3, 2, 3, 3, 2, 3, 2, 2, 3, 2, 2, 3, 2, 2, 3, 2, 2, 2, 2, 2, 4, 2, 4 ff.), 260-310x190-230 mm. Figured bass. Different copyists. On the vla/org part: Bernardino Zannetti.

M-MDca, Mus. Ms. 104a-b

ZANNETTI, Bernardino

[Alma redemptoris mater. Antiphon. T, vl1, vl2, b, G]

Alma Redemptoris Mater a voce sola con VV. di Ber:o Zanetti

- ms., 18 sec. inizio; 2 scores (2, 2 ff.), 190x260 mm.; scoring: T, vl1, vl2, b. Figured bass.

M-MDca, Mus. Ms. 105

ZANNETTI, Bernardino

[Nimis honorati. Gradual. 2 V (SA), org]

Organo / Graduale per la / Festiuità di S.o Mathia Apostolo / a 2 Voci, Canto, et Alto / di Bern:o Zanetti / Anno 1719 nella Notabile

- ms., 1719; 260x190 mm.; 3 partbooks: S, A, org (1, 1, 2 ff.).

M-MDca, Mus. Ms. 106

ZANNETTI, Bernardino

[Si queris miracula. Motet. A, choir 4 V (SATB), vl1, vl2, bc]

Si Queris alto solo / Coro VV. e Ripieni / di Bern:o Zanetti

- ms., 18th cent. first half; 4 partbooks: A solo, vl1, vl2, bc (1, 1, 1, 2 ff.), 4 particelle: S, A, T, B (1, 1, 1, 1 ff.), 265x190 mm.

M-MDca, Mus. Ms. 107

AMATO, Vincenzo

[Magnificat. Canticle. 5 V (SSATB), org]

Organo à 5. Voci. D.V.A.

- ms., 17. cent. 2nd half; 6 partbooks: S1, S2, A, T, B, org (2, 2, 2, 2, 2, 2 ff.), 245x175 mm.; The printed copy is available in Mus. Pr. 4 (Palermo: G. Bisagni, 1656).

M-MDca, Mus. Ms. 108

AMATO, Vincenzo

[Tue promesse son fallaci. Aria. S, bc]

Aria Spirituale. / Canto solo. / D.V.A.

- ms., 17. cent. 2nd half; 2 partbooks: S, bc (2, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 109

AMATO, Vincenzo

[Così vaga così pura. Aria. S, bc]

Aria per Concett.e della B.ma Vergine. / A Voce sola. Canto / D.V.A.

- ms., 17. cent. 2nd half; 2 partbooks: S, bc (1, 1 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 110

AMATO, Vincenzo

[Mondo infame m'hai ingannato. Aria. S, bc]

Aria Spirituale à 2. Canti. / D.V.A.

- ms., 17. cent. 2nd half; 3 partbooks: S, bc (2, 2, 2 ff.), 250x180 mm. Figured bass.

M-MDca, Mus. Ms. 111

[Motets. 4/5 V, org]

Motteti A QVATRO VOCE, / ca. Al. Te. Ba. / ORGANO

- ms., 17. cent. 2nd half; 5 partbooks: S, A, T, B, org (14, 15, 16, 12, 20 ff.), 210x150 mm. Parts bound. Figured bass. Includes 18 motets for S, A, T, B, org:

1. AGOSTINI, Paolo [Peccavimus impie]

A 4. Del Sig. Paolo Agostini, già M. di cap. in S. Pietro

2. [O bone Jesu]

A 4. del Sig.

3. BORGIANO, Domenico [Veni sancte spiritus]

A 4. concertato del Sig. Domenico Borgiano. Romano

4. CRIVELLI, Giovanni Battista [Domine mi rex]

A 4. del Criuelli

5. CRIVELLI, Giovanni Battista [Deus est charitas]

4. del Criuelli

6. CIFRA, Antonio [Non sunt loquele]

A 4. del Sig. Antonio Cifra

- The printed copy is available in Mus. Pr. 121 (Rome: V. Bianchi, 1638).

7. ANTONELLI, Angelo [Amor Jesu dulcissime]

Del Sig. Antonelli, M. di cap. in S. Lorenzo e Damaso, Roma

- The printed copy is available Mus. Pr. 59 (Rome: A. Fei, 1647).

8. AGOSTINI, Paolo [O Jesu cordis mei]

A 4. Del Sig. Paolo Agostini, M. di cap. in S. Pietro

9. COLOMBINI, Francesco [Anima mea liquefacta est]

A. 4. Voce del Colombini

10. COLOMBINI, Francesco [Gaude virgo gloriosa]

A 4. del medesimo Autore

11. TARDITI, Orazio [Date domini eius]

A 4. del Sig. Horatio Tarditi

- The printed copy is available in Mus. Pr. 143 (Venice: A. Vincenti, 1652).

12. GIOVANNONI, Vincenzo [Spargite flores]

A 4. del Sig. Gioannoni orga. in S. Lorenzo, e Damaso

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

13. COLOMBINI, Francesco [O dulcissime Jesu]

A 4. del Colombini.

14. COLOMBINI, Francesco [Jesu sole serenior]

A 4. del medesimo Autore

15. COLOMBINI, Francesco [Hodie Simon Petrus]

A 4. del medesimo

16. [Salve Jesu pastor bone]

A 4 Voce

17. COLOMBINI, Francesco [O domine Jesu Christe. 5 V]

A 5. Canto, Alto, doi Tenor, e Basso.

All bookparts carry: del Colombini.

18. COLOMBINI, Francesco [Te invocamus]

A quatro voce, del Colombini,

M-MDca, Mus. Ms. 112

[Motets. 5 V, org]

Motteti, A CINQUE, / di molti Autori, / ORGANO

- ms., 17. cent. 2nd half; 6 partbooks: S1, S2, A, T, B, org (10, 9, 7, 7, 7 ff.), 210x150 mm. Parts bound. Figured bass. Includes 6 motets and e 2 dialogues for S1, S2, A, T, B, bc.

1. FOGGIA, Francesco [O vos omnes]

M. di cap. in S. ioani, in laterano. Roma Foggia Roma. A cinque voce, doi Canti, Alto Tenore & Basso, del signor don francesco

- The printed copy is available in Mus. Pr. 62 (Rome: G. Fei, 1665).

2. [Venite gentes]

A Cinque voce, doi Canti Alto Tenore & Basso

The org par indicates: viola

3. [Gaudeamus omnes in domino diem]

A Cinque voce due canti Alto Tenore & Basso

4. [O dolor heu dolore crucior. Dialogo]

A 5 concertato in dialogo

5. [Lucia sponsa christi. Dialogo]

A 5. concertato in Dialogo.

6. MAZZOCCHI, Virgilio [O pretiosum]

A cinque voce, del signor Vergilio mazzochi in S. Pietro Roma

7. GRAZIANI, Bonifacio [Venite gentes]

Fatto 1650 / A 5. di D. Bonifacio Gratiani, M. di cap. nel iesu / e seminario Romano

8. GRAZIANI, Bonifacio [O principes attolite]

A 5. del medesimo. Auctore

M-MDca, Mus. Ms. 113

[Motets. 3 V (SAT), org]

MOTETI A TRE VOCE / CANTO, ALTO, TENORE

- ms., 17. cent. 2nd half; 4 partbooks: S, A, T, org (A-9, T-9), 210x150 mm. Parts bound. Figured bass.

1. [Venite gentes]

2. MERULA, Tarquinio [Conceptio tua dei genitrix]

A Tre voce, Canto, Alto Tenore, di Tarquinio Merula

3. MATARON, Aloisio [Dulcis amor iesu]

A Tre voce, Canto Alto tenore, di Musu Mataron

4. CECCHELLI, Carlo [Salve regina]

Del Sig. Carlo Ceccheli nel iesu roma.

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657)

5. [Haec dies quam fecit]

6. [O beatus virum]

7. LUIGI [Salve regina]

A Tre voce, Ca. Al. Te. del sig. Luigio

8. [Placens mihi]

M-MDca, Mus. Ms. 114

[Motets. 4 V (SATB), bc]

MOTTETI A QVATRO VOCE, di molti Autore, / BASSO

- ms., 17. cent. 2nd half;1 parte: B (14 ff.), 210x150 mm. Parts boud. Figured bass.

1. FOGGIA, Francesco [Virginis dei pare]

A quatro voce del Fogia

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657).

2. CECCHELLI, Carlo [O admirabile commercium]

A quatro voce del Cecchelli

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657).

3. MATARON, Aloisio [Gaudeamus omnes in domino diem]

A quatro voce, di musu Mataron

4. [Dominus possedit me]

A Quatro, Voce, Canto Alto Tenore & Basso

5. RINALDI, Andrea [Gaudeamus omnes in Domino..sanctae mariae]

A quatro voce, del Renaldi

- The printed copy is available in Mus. Pr. 124 (Palermo: G. Maringo, 1634).

6. TRIVISIO, Giovanni Battista [Dulcis amor Jesu]

A quatro voce, del Gio. Battista Triuiso

7. [Cantate Domino canticum novum]

8. ANTONELLI, Angelo [Amor Iesu dulcissime;]

A 4. voce, del sig. Antonelli Maestro di Capella di s. Lorenzo, / e Damaso.

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657).

9. DURANTE, Silvestro [Salve mater salvatoris]

A quatro voce, del sig. Siluestro Durante, Ma. di cap. / in sancta Maria in Tresteuere, Roma

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657).

10. GIOVANNONI, Vincenzo [Spargite flores]

Del sig. Gioannoni. Organista in S. Lorenzo, e Damaso

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1657).

11. CIFRA, Antonio [Jubilate Deo omnis terrao]

A quatro del chifra Romano

- The printed copy is available in Mus. Pr. 121 (Rome: L. Grignani - V. Blanco, 1638).

12. [Hodie Christus natus est]

A quatro, voce, del sig.

13. CIFRA, Antonio [Hodie nobis caelorum]

A quatro voce del cifra

- The printed copy is available in Mus. Pr. 121 (Rome: L. Grignani - V. Blanco, 1638).

14. [Venite omnes huc fideles]

A quatro voce, con sinfonia di due violini & viola

15. MERULA, Tarquinio [Conceptio tua dei genitrix]

A quatro voce, Del sig. Tarquinio Merula

16. BORGIANO, Domenico [Veni sancte spiritus]

A quatro, voce, concertato

Another manuscript copy is available in Mus. Ms. 111.

M-MDca, Mus. Ms. 115

[Motets. 2 V (AB), bc]

MOTETI A DVE / VOCE, Alto & Basso, / ORGANO

- ms., 17. cent. 2nd half; 2 partbooks: A, org (3, 2 ff.), 210x150 mm. Parts bound. Figured bass. Includes a dialogue and a motet for A, B, org.

1. CASATI, Gasparo [Peccator ubi es]

di Gasparo Casati, / Dialogo, / A due voce, Alto et Basso

- The printed copy is available in Mus. Pr. 18 (Venice: Gardano, 1650).

2. [Dix mihi o bone Iesu]

A due voce Alto Basso

M-MDca, Mus. Ms. 116

[Motets. 2 V (SS), bc]

MOTETI A DVE SOPRANI / Di Molti Autori / CANTO SECONDO

- ms., 17. cent. 2nd half; 1 bookpart: S2 (14 ff.), 210x150 mm. Part bound. Figured bass. Different copyists. Includes 11 mottetti for S1, S2, org.

1. BORGIANO, Domenico [Beatus vir qui in ventus est sine macula]

del sig. Domenico Borgiano, / Romano

2. F. ATANASIO da Pisticci [Venite angeli venite cantate]

A Doi Canti D. F. Atanatio Da pistici

3. F. ATANASIO da Pisticci [Jubilate Deo omnis terra]

A Due Canti o Tenori, de l'istesso Autore Pistici

4. CIFRA, Antonio [Quae est ista quae progreditur]

A Doi Soprani, del Cifra Romano

- The printed copy is available in Mus. Pr. 121 (Rom: L. Grignani - V. Blanco, 1638).

5. CIFRA, Antonio [Benedicite Dominum omnes angeli]

A Doi Sopra-/ni del medesimo

- The printed copy is available in Mus. Pr. 121 (Rome: L. Grignani - V. Blanco, 1638).

6. CIFRA, Antonio [Misericordias Domini]

A Doi Soprani del medesimo

- The printed copy is available in Mus. Pr. 121 (Rome: L. Grignani - V. Blanco, 1638).

7. CARISSIMI, Giacomo [Dominus illuminatio mea]

Del Carissimi

8. [Dominus Deus salutis meae]

9. [O pia domina Margarita]

A Due Canti

10. CRIVELLI, Giovanni Battista [Salve regina]

Del Crivelli / A Due Canti, O vero Canto & Tenore, questa parte in Tenore

11. [O quam suavis]

A Dui Canti

12. [Decantabat populus Israel]

A Due Canti, o vero Tenore

M-MDca, Mus. Ms. 117

[Motets. 3 V (ATB), org]

MOTTETI A TRE VOCE DI Molti, / Autore, Alto, Tenore, & Basso, / ORGANO,

- ms., 17. cent. 2nd half; 4 partbooks: S, A, B, org (4, 12, 10, 8 ff.), 210x150 mm. Parts bound. The S part includes the part of the Alto transposed in S clef from the motet "Quasi stella matutina" by G. Marciani. Figured bass. Includes 9 motets.

1. TRICARICO, Giuseppe [In voluntate ta domine]

Del sig. Tricarico organista di pucuolo / A Tre Voce, Alto, Tenore e Basso

2. CATALANO, Ottavio [Jesu summa benignitas]

A Tre voce, Al. Te. Ba. del Catalano

3. VANNARELLI, Francesco Antonio [O pretiosum]

Del P. F. Francesco Vannarelli Maestro di capella in S. Apostoli.

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

4. MARCIANI, Giovanni [Quasi stella matutina]

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

5. VALENTINI, Carlo Giovanni [Ave regina caelorum]

Del Sig. Gio. Carlo Valentini canonico di Rieti, e discipolo / del Ceccelli

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

6. [Nigra sum]

Nigra sum

7. [Ut audivit salutanionem]

8. COLOMBINI, Francesco [Beata es virgo Maria]

A 3. Alto, Tenore e basso del Colombini

9. COLOMBINI, Francesco [Anima mea liquefacta est]

A 3. del medesimo Auctore

M-MDca, Mus. Ms. 118

[Motets. 3 V (SSB), org]

MOTTETI A TRE, VOCE, DI MOLTI AVTORI, / A DVE CANTI ET BASSO. / ORGANO.

- ms., 17. cent. 2nd half;2 partbooks: S2, org (23, 16 ff.), 210x150 mm. Parts bound. Figured bass. Includes 17 motets for S, S, B and org.

1. TOZZI, Vincenzo [Guadete cum Maria]

A Tre Voce Due Canti & basso del sig. D. Vicenzo Tozzi

2. FOGGIA, Francesco [Vidi angelum]

ORGANVM TRIBVS VOCIBVS. Doi Canti, e Basso / Del sig. Francesco Fogia Maestro di capella in S. Gio. Laterano.

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

3. CARISSIMI, Giacomo [Alma redemptoris mater]

Roma / Del sig. iacomo Carissimi M. di cappella di S. Apolinare

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

4. BENEVOLI, Orazio [Jubilate filiae Hierusalem]

Del sig. Horatio Beneuoli Maestro di cappela in S. Maria

On the S2 part: Maestro di capella in S. Maria Magiore. Roma- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

5. DURANTE, Silvestro [Anima Christi]

Del sig. Siluestro Durante Maestro di cappella in S. Maria / Trasteuere A Due Canti & Basso

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

6. FOGGIA, Francesco [Regina caeli laetare]

Del sig. francesco Foggia maestro di cappella in s. Gio. / Laterano Roma

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

7. MAZZOCCHI, Virgilio [Domus mea]

A 2 Canti e Tenore. Del sig. Virgilio Mazzocchi Maestro. / di cappella in S. Pietro in Roma

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

8. CECCHELLI, Carlo [Gaudent in caeli]

A 3. Del sig. Carlo Cecchelli. M. di cap. del Giesù, e semenario

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

9. CARPANI, Giovanni Antonio [Liberasti nos domine]

Del Sig. Gio. Ant. Carpani M. di cap. di s. spirito Roma

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

10. FABBRI, Stefano [Domine in furore tuo]

A Due Canti, e Basso. Del sig. Stefano Fabri Maestro. di cappella / in S. Luigi de Franzesi, Roma,

- The printed copy is available in Mus. Pr. 59 (Rome: A. Fei, 1647).

11. BORGIANO, Domenico [Ingredimini fideles]

Del sig. Domenico Borgiano. Romano, Belli & Moderni delanno 1646 / A Tre VOce, Due Canti & Basso

12. BORGIANO, Domenico [Anima christi]

Del Sig. Domenico Borgiano, Romano

13. BORGIANO, Domenico [Benedictus es domino]

De listesso Autore

14. [In caelus hodie]

A Tre Voce. 2. Ca. & Ba. per la fasta (sic) di S.ta Lucia

15. [Vidi spetiosam]

A Due Canti e basso

16. [Vulnerasti cor meum]

17. [Alma redemptoris mater]

M-MDca, Mus. Ms. 119

[Motets. 4 V (SATB), org]

SALMI A QVATRO, / de Molti Autori,

- ms., 17. cent. 2nd half; 2 partbooks: A, B (8, 7 ff.), 210x150 mm. Parts bound. Includes 8 motets.

1. GHIZZOLO, Giovanni [Domine ad adjuvandum]

A Quatro voce, del Guizolo

- The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624).

2. GHIZZOLO, Giovanni [Dixit dominus. Psalm 109

Octauo Tono,

- The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624).

3. MATARON, Aloisio [Confitebor tibi..in consilio]

del sig. Aluigio Mataron

4. GHIZZOLO, Giovanni [Beatus vir qui timet. Psalm 111]

Terzo Tono Beatus vir del Guizolo,

- The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624).

5. FOGGIA, Francesco [Laudate pueri. Psalm 112]

Decimo Tono, Laudate pueri, del Foggia

- The printed copy is available in Mus. Pr. 66 (Rome: I. de Lazaris, 1660)

6. GHIZZOLO, Giovanni [Laudate Dominum omnes gentes. Psalm 116]

Quinto Tono Laudate Dominu(m) omnes / del Guizolo,

- The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624).

7. GHIZZOLO, Giovanni [Magnificat]

Primo Tono, Magnificat del Guizolo,

- The printed copy is available in Mus. Pr. 76 (Venice: A. Vincenti, 1624).

8. MATARON, Aloysio [Lauda jerusalem. Psalm 147]

QVARTI TVONI, / del sig. luigio Mataron

M-MDca, Mus. Ms. 120

[Mass. 8 V (SATB-SATB), org]

Messa à 8.

- ms., 17th cent.; 240x180 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (3, 3, 3, 3, 2, 2, 2, 2, 3 ff.). Figured bass.

M-MDca, Mus. Ms. 121

[Mass. 8 V (SATB-SATB), org]

Messa à .8. Voci.

- ms., 17th cent.; 260x190 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (8, 8, 8, 8, 8, 8, 8, 8, 8, ff.). On f. 1r of the organ part: Si averti che il Crucifixus si concerti a 2. C et 2 Alti. Figured bass.

M-MDca, Mus. Ms. 122

[Mass. 8 V (SATB-SATB), org]

Messa à .8. Voci.

- ms., 17th cent.; 290x210 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (2, 2, 2, 2, 2, 2, 2, 2, 2, ff.). Different copysts.

M-MDca, Mus. Ms. 123

[Mass pastorale. 5/6 V (SSATTB), vl1, vl2, org, G]

Messa Pastorale à 5. ò 6. Voci con Sinf.a

- ms., 17th cent.; 250x180 mm.; 9 partbooks: S1, S2, A, T, T aggiunto, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 1, 1, 2 ff.). On f. 1r of the organ part: si può sonare / la Ciarambella.

M-MDca, Mus. Ms. 124

[Mass. 4 (SATB), vl1, vl2, vla, org, G]

Missa A 4. con due Violini concertata

- ms., 17th cent.; 250x180 mm.; 8 partbooks: S, A, T, B, vl1, vl2, vla/bc, bc (4, 4, 4, 3, 2, 2, 4, 1 ff.). Different copysts. The vla part is in F clef including occasionally the figuring; the bc part includes only "Kyrie" and "Gloria".

M-MDca, Mus. Ms. 125

[Mass. 5 (SSATB]

- ms., 17th cent.; 220x160 mm.; 5 partbooks: S1, S2, A, T, B (4, 4, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 126

[Mass. 3 V (ATB), org]

- ms., 17th cent.; 240x180 mm.; 1 part: org (4 ff.). Figured bass. Vocal parts are missing.

M-MDca, Mus. Ms. 127

[Mass]

- ms., 17th cent.; 210x150 mm.; 3 partbooks: S rip, A rip, T rip (4, 4, 4 ff.). The S rip part originally marked as Mus. Ms. 232.

M-MDca, Mus. Ms. 128

[Vespers. 8 V (SATB-SATB), bc]

Vesperi a 8. Voci.

- ms., 17th cent.; 240x180 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B (4, 2, 2, 2, 2, 2, 2, 2, 2 ff.);

  1. [Domine ad adjuvandum. Verse]
  2. 2.[]

2. [Dixit Dominus. Psalm 109]

Dixit D.nus P.o Tono

M-MDca, Mus. Ms. 129

BONAVENTURA, Rubino

[Vespers. 3/4 V (SSAB), org]

A 3. e 4. voci concer.to

- ms., 17th cent.; 260x190 mm.; 5 partbooks: S1, S2, A a beneplacito, B, org (4, 4, 4, 4, 2 ff.). Figured bass. "Dixit" and "Magnificat" are set to same music. A printed copy of the "Domine ad adiuvandum" is available in Mus. Pr. 135.

  1. [Domine ad adjuvandum. Verse]
  2. [Dixit Dominus. Psalm 109]
  3. [Magnificat. cantico]

M-MDca, Mus. Ms. 130

[Vespers. 1 V (S/A), vl1, vl2, bc]

- ms., 17th cent.; 260x180 mm.; 4 partbooks: S/A, vl1, vl2, bc/b-vla (14, 6, 6, 11 ff.). Figured bass. Includes 9 psalms.

  1. [Laudate pueri. Psalm 147. S, vl1, vl2, bc, D min.]
    Canto con doi violini e Basso
  2. [Nisi dominus. Psalm 126. S, vl1, vl2, bc, D]
    Voce sola a doi violini e basso di viola
  3. [Beatus vir qui timet. Psalm 111. S, vl1, vl2, bc, D min.]
    Voce sola a doi violini e Basso
  4. [Laudate Dominum omnes gentes. Psalm 116. A, vl1, vl2, bc. RDE]
    Alto solo a doi violini e Basso di viola
  5. [Salve regina. Antiphon S, vl1, vl2, bc. D min]
    Voce sola a doi violini e basso di viola
  6. [Confitebor tibi..in consilio. Psalm 110. S, vl1, vl2, bc, D min]
    Voce sola a doi violini e basso di viola
  7. [Confitebor tibi..in consilio. Psalm 110. A, vl1, vl2, bc, D]
    Alto voce sola a doi violini e Basso
    The bc part is missing.
  8. [Laudate pueri. Psalm 112. A, vl1, vl2, bc, D min.]
    Alto voce sola a doi violini e Basso
  9. [Laetatus sum. Psalm 121. S, vl1, vl2, bc, G min.]
    Canto voce sola e doi violini e Basso

M-MDca, Mus. Ms. 131

[Vespers. 4 V (SATB), vl1, vl2, bc]

- ms., 17th-18th cent.; 300x230 mm.; 11 partbooks: S, A, T, B, S rip, A rip, T rip , B rip, vl1, vl2, org (4, 4, 3, 3, 2, 2, 2, 2, 3, 2, 4 ff.). Figured bass.

  1. [Domine ad adjuvandum. Verse. 4 V (SATB), org, G]
  2. [Dixit Dominus. Psalm 109, 4 V (SATB), vl1, vl2, org, G]
  3. [Magnificat. Canticle, 4 V (SATB), vl1, vl2, org, C]

M-MDca, Mus. Ms. 132

[Magnificat. Canticle. 5 V (SSATB), vl1, vl2, org, A]

Magnificat A 5. Voci Concertata Con Violini

- ms., 17th-18th cent.; 220x160 mm.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 2, 4 ff.). Figured bass.

M-MDca, Mus. Ms. 133

[Magnificat. Canticle. 8 V (SATB-SATB), bc], vl1, vl2, org, C]

Magnificat à 8. Voci.

- ms., 17th cent.; 300x210 mm.; partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, vl1, vl2, org 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.). Figured bass. The string parts seem to be joint later.

M-MDca, Mus. Ms. 134

MONTEVERDI, Claudio

[Beatus vir. Psalm 111. 6 V (SSATTB), vl1, vl2, org, C]

Beatus Vir A 6 Voci / Con Violini

- ms., 17th cent.; 220x160 mm.; 9 partbooks: S1, S2, A, T1, T2, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 2, 2, 4 ff.). The psalm has been attributed through the comparison with the relative printed copy of the "Selva morale et spirituale" by Monteverdi available in Mus. Pr. 111.

M-MDca, Mus. Ms. 135

[Miserere mei Deus. Psalm 50. 5 V (SSATB), org]

- ms., 17th cent.; 220x160 mm.; 6 partbooks: S1, S2, A, T, B, org (2, 2, 2, 2, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 136

[Nisi Dominus. Psalm 126. V (SSATB), org, VIII tono]

Nisi Dnus / à 5. Voci.

- ms., 17th cent.; 260x190 mm.; 6 partbooks: S, S, A, T, B (1, 1, 1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 137

[Nisi dominus. Psalm 126. 3 V (ATB), org]

- ms., 17th-18th cent.; 265x190 mm.; 4 partbooks: A, T, B, org (1, 1, 1, 1 ff.). Figured bass.

M-MDca, Mus. Ms. 138

[Laudate pueri. Psalm 147. A, vl1, vl2, vla, org, D]

Laudate Pueri. / Alto solo con sinf.a

- ms., 17th cent.; 250x180 mm.; 5 partbooks: A, vl1, vl2, vla, org (2, 1, 1, 1, 2 ff.). Different copysts. Figured bass.

M-MDca, Mus. Ms. 139

[Laudate pueri. Psalm 147. 3 V (SST), vl1, vl2, org, D]

A 3. Voci. Doi Canti, e Tenore, con sinf.a

- ms., 17th cent.; 250x185 mm.; 6 partbooks: S1, S2, T, vl1, vl2, org (2, 2, 2, 2, 2, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 140

[Laudate pueri. Psalm 147. 3 V (SSB), vl1, vl2, org, G min.]

A 3. 2. C. e B, con violini.

- ms., 17th cent.; 260x195 mm.; 6 partbooks: S1, S2, B, vl1, vl2, org (1, 1, 1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 141

[Laudate pueri. Psalm 147. 3 V (SSB), vl1, vl2, org, G]

Laudate Pueri à 3. Voci con Sinf.a

- ms., 17th cent.; 260x190 mm.; 6 partbooks: S1, S2, B, vl1, vl2, org (1, 1, 1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 142 A

[Laudate Dominum omnes gentes. Psalm 116. Double choir, bc, Bb]

- ms., 17th cent.; 245x175 mm.; 1 part: bc (2 ff.). Figured bass. Vocal parts are missing.

M-MDca, Mus. Ms. 142 B-C

[Jubilate dominum hodie. C]

- ms., 17th cent.; 225x150 mm.; 2 partbooks: vl1, vl2 (2, 2, ff.). Vocal parts missing

M-MDca, Mus. Ms. 142 D

[Confitebor tibi. Psalm 110. A, choir, instr., D]

- ms., 17th cent.; 225x150 mm.; 1 part: vla (2 ff.); scoring: A, choir and instruments.

M-MDca, Mus. Ms. 143

[Laudate Dominum omnes gentes. Psalm 116. 8 V (SATB-SATB), db, org, V tono]

Laudate Dnum omnes gentes. / à otto Voci Quinti toni

- ms., 17th cent.; 230x170 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, bc (1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). The db part has been joint later. On f. 3r of the bc part carries the music of a "Dixit Dominus" for double choir. Figured bass.

M-MDca, Mus. Ms. 144

[Laudate Dominum in sanctis eius. Psalm 150. 2 V (SS), vl1, vl2, bc, G min.]

A 2. Canti, e 2. Violini.

- ms., 18th cent.; 250x180 mm.; 5 partbooks: S1, S2, vl1, vl2, bc (1, 1, 1, 1, 1 ff.). Figured bass.

M-MDca, Mus. Ms. 145

[Lauda Jerusalem. Psalm 147. 8 V (SATB-SATB), org1, org2]

Lauda Jerusalem / 8. Voc.

- ms., 17th cent.; 240x175 mm.; 11 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, 2 org1, org2 (1, 1, 1, 1, 1, 1, 1, 1, 2, 1, 1 ff.). One of the org1 parts has been joint later. Figured bass.

M-MDca, Mus. Ms. 146

[Lauda Jerusalem. Psalm 147. 8 V (SATB-SATB), org]

Lauda Jerusalem. / à 8. Voci.

- ms., 17th cent.; 290x210 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 147

[Lauda Jerusalem. Psalm 147. 8 V (SATB-SATB), org]

Lauda Jerusalem. / à 8.

- ms., 17th cent.; 245x175 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (2, 2, 2, 2, 1, 1, 1, 1, 2 ff.). Vocal parts are written respectively in G, Mzs, A and Br clefs. Figured bass.

M-MDca, Mus. Ms. 148

[Confitebor tibi..in consilio. Psalm 110. 3 V (SAB), org]

Confitebor tibi Dne / à 3. Voci. C. A e B.

- ms., 17th cent.; 295-260x215-185 mm.; 4 partbooks: S, A, B, org (1, 1, 1, 1 ff.). Figured bass.

M-MDca, Mus. Ms. 149

[Confitebor tibi..in consilio. Psalm 110]

- ms., 17th cent.; 250x190 mm.; 1 part: A (4 ff.). Vocal and instrumental parts missing. Includes two versions of Psalm 149. The alto part is identical in both versions.

  1. [Confitebor tibi..in consilio. 3 V (ATB), org]
    A. 3. A.T.B.
  2. [Confitebor tibi..in consilio. 3 V , vl1, vl2, org]
    A 3. con violini

M-MDca, Mus. Ms. 150

[Confitebor tibi Domine rex. Motet. 4 V (SATB), vl1, vl2, vla, bc]

- ms., 17th cent.; 240x170 mm.; 8 partbooks: S, A, T, B, vl1, vl2, vla, bc (1, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 151a

[GRISTI, Pietro, attrib.]

[Motets for San Gregorio. 4-5 V, vl1, vl2, org]

Originale / Mottetti per la Processione / di San Gregorio / 1719

- autograph (?) ms., 1719; 285x200 mm.; score (23 ff.); 230x320 mm.; 7 partbooks: S, A, T, B, vl1, vl2, org (2, 2, 2, 2, 4, 4, 4 ff.). Some amendments are visible on ff. 7r a 9r of the score. Parts written by different copyist. In 1719 don Pietro Gristi was chapel master at the Mdina Cathedral. Includes 5 motets.

  1. [O populi fideles. 4 V (SATB), vl1, vl2, org, D]
    O populi / Fideles / Mottetto / Pmo
  2. [Ad cantus ad plausus. 5 V (SSATB), vl1, vl2, org, A]
    Mottetto / Secondo / Ad cantus
    La parte del canto inizia con un testo diverso "Ad melos ad concentus".
  3. [Veni sponsa christi. 5 V (SSATB), vl1, vl2, org, B min.]
    Mottetto / Terzo / Veni Sponsa / Christi
  4. [Jubilemus omnes. 5 V (SVVVB), vl1, vl2, org, D]
    Mottetto / Quarto / Jubilemus / omnes
  5. [O Doctor optime. 5 V (SATB), vl1, vl2, org, E min.]
    Mottetto / Quinto / O doctor / optime

M-MDca, Mus. Ms. 151b

[Ad Cantus ad plausus. Motet. 2 V (SS), org]

Ad Cantus ad plausus. / à 2. Canti.

ms., 17th cent.; 235x175 mm.; 3 partbooks: S1, S2, org (2, 2, 2 ff.).

M-MDca, Mus. Ms. 152

[Sacred cantatas . 5 V (SSATB), vl1, vl2, org]

- ms., 17th cent.; 250x180 mm.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, org (4, 4, 3, 4, 3, 1, 1, 8 ff.). Includes three cantatas.

  1. [Adiuro vos filiae Jerusalem. 5 V (SSATB), vl1, vl2, org, A min.]
    Prima Cantata.
  2. [Veni propera amica mea. 5 V (SSATB), vl1, vl2, org, D min.]
    2.da Cantata.
  3. [Surgite eamus. 5 V (SSATB), vl1, vl2, org]
    3.a Cantata.

M-MDca, Mus. Ms. 153

[Amici nostri audite nos. Motet. 4 V (SATB), bc]

Amici nostri audite nos.

- ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, bc+B (1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 154

[Ave Maria. Motet. T, vl1, vl2, bc, A min.]

Ave Maria à voce sola con 2. Violini / Tenore

- ms., 17th cent.; 250x180 mm.; 4 partbooks: T, vl1, vl2, bc (2, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 155a

[MAROTTA, Erasmo attrib.]

[Ave, que est ista. Salutatio Angelica. Dialogue. 2-3 V (SAB), org]

Salutatio Angelica / à 2. Voci.

- ms., 17th cent.; 245-230x175 mm.; 6 partbooks: 2 S, A+S, B+bc, 2 org (1, 1, 1, 1, 2, 2 ff.). One of the Cantus part has a different copyst. The dialogue is divided in two sections: the first one for S, A and the second one for S, S, B. The two soprano parts include the music of the first and last part of the dialogue ("Ave gratia plena..", "Dabit illi dominus.."); the bass is included only in the final verse "Dabit illi dominus deus..". On f. 1v of the bass part is also included the organ part indicating A due Alti. o Tenori. One of the organ part carries same music one tone lowered. The organ part correponding to the verse "Dabit illi" is identical to the same part available in Mus. Ms. 155b. In the 1709 music inventory, held in the Mdina Cathedral Archives, an omonymous work is attributed to Marotta.

M-MDca, Mus. Ms. 155b

[Ave, que est ista. Salutatio Angelica. Dialogo. 2 V (SAB), org]

- ms., 17th cent.; 260x190 mm.; 3 partbooks: S, A, org (1, 1, 1 ff.). The music included in both vocal parts ends with the verse of the Soprano "Ecce ancilla domini.."; the org part includes also the music of the last verse "Dabit illi dominus deus"; the music of the last section is identical to the same section in Mus. Ms. 155a. Probably the original ms. is the one found in Mus. Ms 155a while the three parts marked as Mus. Ms. 155b have been joint in a second time.

M-Mdca, ACM, Mus. Ms. 156a

[Ave regina caelorum. Motet. 4 V (SATB), org]

Ave regina caelorum / a 4.o Voci

- ms., 17th-18th cent.; 215x170 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 1 ff.). Figured bass.

M-MDca, Mus. Ms. 156b

[Benedicite gentes. 3 V (SAB), org]

Benedicite gentes / à 3. C. A. e B.

- ms., 17th cent.; 250x175 mm.; 4 partbooks: S, A, B, org (1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 157

BALZANO, Domenico

[Chi mi soccorre olà. Gioco a Tresette con Filli. A, bc]

Gioco a Trisette con Filli.

- ms. prob. autogr., 17th-18th cent.; 210x150 mm.; spartito (4 ff.). On f. 4v: D. Dom.co Balzano. The composition is divided in instrumental "passacaglie" interwoven by the following arias: "Chi mi soccorre olà?", "Fatto schiavo a due luci serene", "Come voglio li frutti sperare", "Se si perde con vezzosa".

M-MDca, Mus. Ms. 158

[Curre ad virginem. Motet. S, vl1, vl2, vla, org, G min.]

- ms., 17th cent.; 255x195 mm.; 5 partbooks: S, vl1, vl2, vla, org (2, 1, 1, 1, 1 ff.). Figured bass. On the organ part: A voce sola con violini.

M-MDca, Mus. Ms. 159

[Da pacem domine. Motet. 8 V (SATB-SATB), org]

Da Pacem dne à 8. 1667

- ms., 1667; 255x175 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (1, 1, 1, 1, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 160

[Dalle celesti sfere. Cantata. S, choir, bc]

- ms., 17th-18th cent.; 200x275 mm.; vocal score (6 ff.). The vocal score suggests the presence of the choir. Figured bass.

M-MDca, Mus. Ms. 161

[BALZANO, Giuseppe attrib.]

[Det tuba clangore ad arma ad iras. Motet. 8 V (SSAATTBB), vl1, vl2, vla, org, F]

A 8. con instr.ti / Xaverius

- ms., 17-18; 250xx180 mm.; 12 partbooks: S1, S2, A1, A2, T1, T2, B1, B2, vl1, vl2, vla, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). Figured bass. The 1709 music inventory records an omonymous work for double choir and strings by G. Balzano.

M-MDca, Mus. Ms. 162

[Dilexit deum. Motet. 3 V]

Altus 3 Voc.

- ms., 17th cent.; 230x170 mm.; 1 part: A. Vocal parts missing.

M-MDca, Mus. Ms. 163

[BALZANO, Giuseppe attrib.]

[Ecce servus Dei. Motet. 4 V (SSAT), vl1, vl2, org, A]

Ecce servus Dei. / à 4. con 2. Violini.

- ms., 17. cent. 2nd half;215x155 mm.; 7 partbooks: S1, S2, A, T, vl1, vl2, org (1, 1, 1, 1, 1, 1, 2 ff.); Figured bass. The 1709 music inventory records an omonymous work by G. Balzano.

M-MDca, Mus. Ms. 164

[BALZANO Domenico attrib.]

[Motets for San Gregorio]

- ms., 1700; 295-270x210-195 mm.; 4 partbooks: choir 1 T, S2, choir 2 A, org (2, 1, 1, 2+2 ff.); On f. 1v of the T (choir 1): 1700. Different copyists, The partbooks include: A (incomplete) "Ecce sacerdos", "O populi fideles"; S2 "O populi fideles", "Himnum dicite"; T choir 1 "Sancta Maria", "Ecce sacerdos", "Himnum dicite", "O populi fideles", "Jubilemus omnes", "O doctor optime"; org (fasc. 1) "Ecce sacerdos", "Himnum dicite", (fasc. 2) "Iste est qui ante", "Jubilemus omnes", "O doctor optime", "O populi fideles". The vocal partbooks of "Jubilemus omnes" and "O Doctor optime" are to be found in Mus. Ms. 172. The date 1700 suggests D. Balzano as the probable composer of the cycle. Includes 7 motets.

  1. [Sancta Maria]
  2. [Ecce sacerdos]
  3. [Himnum dicite. 8 V (SATB-SATB)]
  4. [Populi fideles. 8 V (SATB-SATB)]
  5. [Jubilemus omnes. 8 V (SATB-SATB)]
  6. [O Doctor optime. 8 V (SATB-SATB)]
  7. [Iste est qui ante]

M-MDca, Mus. Ms. 165

[BALZANO Domenico]

[Ego ille quondam opulentus. Motet. 8 V (SATB-SATB), vl1, vl2, org]

A 8. con sinfonie

- ms., 17th-18th cent.; 250x180 mm.; 11 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 3 ff.); On the partbooks: A 8. Con Sinfonie. Figured bass. The 1709 music inventory records an omonymous work by D. Balzano.

M-MDca, Mus. Ms. 166

[Eia Pastores surgite. Motet. 5 V (SSATB), vl1, vl2, vla, org, G]

Pastorale à 5. Voci con sinf.a

- ms., 17th-18th cent.; 250x180 mm.; 9 partbooks: S1, S2, A, T, B, vl1, vl2, vla, org (1, 1, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 167

[Electa ex milibus. Motet]

- ms., 18th cent.; 210x150 mm.; 1 parte: bc (2 ff.).

M-MDca, Mus. Ms. 168

[Gaudete ed exultate celebrantes solemnitatem. Motet. 3 V (SAT), 3 instr/choir 3 V (SAB)]

Cantilena à 3. Voci.

- ms., 17th-18th cent.; 240x175 mm.; 6 partbooks: (parte necessaria) S, A, T; (Choro per strumenti, o Voci à beneplacito) S, A, B (1, 1, 1, 1, 1, 1 ff.). The parts a beneplacito may be played alternatively by three voices or instruments.

M-MDca, Mus. Ms. 169

[Motets. 2 V (MzsT), bc]

Hor chi gratie desia. / Giesù mio. / à 2. Voci.

- ms., 17th-18th cent.; 300x210 mm.; 3 partbooks: Mzs, T, bc (1, 1, 1 ff.). Includes 2 motets.

  1. [Hor chi gratie desia.]
  2. [Giesù mio lo conosco.]

- Only the organ part is available while the Mzs part is incomplete.

M-MDca, Mus. Ms. 170

[Iste homo. Motet. 3 V (SSS), bc]

- ms., 17th-18th cent.; 200x135 mm.; 4 partbooks: S1, S2, S3, bc (2, 2, 2, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 171

[BALZANO Giuseppe attrib.]

[Jubila propera. Dialogo di Jesus e Anima. 2 V (SS), vl1, vl2, bc/cemb, C]

Dialogo / à due Canti e 2 Violini. / Cembalo

- ms., 1693; 240x175 mm.; 5 partbooks: S (Anima, S (Jesus), vl1, vl2, cemb (2, 2, 1, 1, 4 ff.). Figured bass. A c. 4r del cemb: 1693. The year 1693 suggests G. Balzano as the probable composer.

M-MDca, Mus. Ms. 172

[Motets for San Gregorio. 8 V (SATB-SATB)]

- ms., 17th-18th cent.; 260x190 mm.; 8 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B (2, 2, 2, 2, 2, 2, 2, 2 ff.). Same music in Mus. Ms. 164. Include 3 motets for San Gregorio:

  1. [Jubilemus omnes]
  2. ]
    3.
  3. [O Doctor optime]
  4. [Iste est qui ante]

M-MDca, Mus. Ms. 173

[BALZANO Domenico attrib.]

[Litaniae Beatae Mariae Virginis. Litanies. S, choir (STB), org]

Litaniae / Ad honorem Beatae Mariae / semper Virginis / Vulgo nuncupata / la litania spagnuola. / Voce sola Canti / contexta / cum tribus vocibus concentus / et repieni / 1700

- ms., 1700; 220x160 mm.; 5 partbooks: S, choir S2, T, B, org (2, 2, 2, 2, 2 ff.). The organ part was originally marked as Mus. Ms. 233. The year 1700 suggests D. Balzano as the probable composer.

 

M-MDca, Mus. Ms. 174

[Laetabunda et laudans. Motet. 3 V (SSS), vl1, vl2, vla, org, C min.]

A 6. Tre Canti, Doi Violini, e Viola

- ms., 17th cent.; 250x190 mm.; 7 partbooks: S1, S2, S3, vl1, vl2, vla, org (2, 2, 2, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 175

[Maria gratias tibi humanum genus. Motet. S, bc]

A V.ce sola con sinfonia

- ms., 17th cent.; 230x170 mm.; spartito (4 ff.).

M-MDca, Mus. Ms. 176

[Non t'amo più. Aria napoletana. 3 V (ATB), bc]

Aria a 3 Voci ATB / Napolitana / Non t'amo più

- ms., 17th cent.; 240x180 mm.; 4 partbooks: A, T, B, bc (1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 177

[O anima miseranda. Motet. 2 V (SA), org]

O Anima miseranda

- ms., 17th cent.; 230x170 mm.; 3 partbooks: S, A, org (2, 2, 2 ff.).

M-MDca, Mus. Ms. 178

[O dies felicissimae. Motet. 2 V (SS), org]

A 2. Canti.

- ms., 17th cent.; 250x180 mm.; 3 partbooks: S, S, org (2, 2, 1 ff.).

M-MDca, Mus. Ms. 179

[O giorni miei ridenti. Madrigal. 3 V (ATB), bc]

Madrigale a 3. voci. / O giorni miei ridenti

- ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B, bc (1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 180

[O jucunda dies. Motet. 3 V (SSB), org]

O Iucunda dies / Concerto a 3. Voci.

- ms., 17th cent.; 240x180 mm.; 3 partbooks: S, S, B, org (1, 1, 1, 2 ff.). The title O Iucunda dies has been joint recently.

M-MDca, Mus. Ms. 181

[Chi lo sa me lo dica. Dialogue. 3 V (SSB), bc]

Dialogo A 2. Homo, e Voce

- ms., 17th cent.; 240x170 mm.; vocal score (6 ff.); 3 partbooks: S, S, B (2, 1, 1 ff.).

M-MDca, Mus. Ms. 182

[Motets. 2 V (SA), org]

- ms., 17th cent.; 260x190 mm.; 3 partbooks: S, S, org (8, 8, 5 ff.). Includes 8 motets.

  1. [O regina caeli. 2 V (SA) org]
    A 2 C. e A.
  2. [Ave dulcissima Maria. 2 V (AT), org]
    A due. / Alto, e Tenore
  3. [Gaudete ed exultate. 2 V (AT), org]
    A 2. Alto, e Tenore
  4. [Magnificat. Canticle. 2 V (SA), org]
    A 2. Alto, e / Canto.
  5. [Gaudia felices. 2 V (SS), org]
    A 2. Canti
  6. [Una sit vox. 2 V (SA), org]
    A 2. C. et Al.
  7. [Diem festum veneremur. 2 V (ST), org]
    A 2 C. e T.
  8. [Inter ethereos. 2 V (SA), org]
    A 2 C. ed A.

M-MDca, Mus. Ms. 183

[O virgines beatae. Dialogo. 3 V (SAT), bc]

- ms., 17th cent.; 260x190 mm.; 4 partbooks: S, A, T, bc (1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 184

[Peccator crud' e rio. Madrigal. 3 V (ATB), bc]

Peccator crud'e rio. / a 3. A. T. B.

- ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, bc (1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 185

[Motets]

- ms., 17th cent.; 200x150 mm.; 2 partbooks: S, A (2, 2 ff.). Parts missing. Includes two motets.

  1. [Plaude terra canite populi]
  2. [Exultate dulces paradisi]

M-MDca, Mus. Ms. 186

[Quid esset mundus. Motet. 3 V (SSB), org]

A 3. Voci 2. C. et Basso.

- ms., 17th cent.; 200x150 mm.; 4 partbooks: S1, S2, B, org (2, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 187

[Quis est hic Johannes. Dialogo per la natività di S. Giovanni Battista. 3 V (SST), org]

Dialogo a 3. Due Canti, e Tenore / per la Natività di / S. Gio. Batta.

- ms., 17th cent.; 250x180 mm.; 4 partbooks: S1, S2, T, bc (1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 188

[Quid est o mortales. Pastoral Motet. 3 V (ATB), org]

Pastorale a 3. A.T.B.

- ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B, org (2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 189

[MUSCARI Filippo attrib.]

[Quis mihi det dulcissima virgo. Motet. 3 V (ATB), vl1, vl2, vla]

A 3. Voci con sinf.a

- ms., 17th cent.; 250x180 mm.; 6 partbooks: A, T, B, vl1, vl2, vla (2, 2, 1, 1, 1, 1 ff.). The vla part has been joint later. The 1709 music inventory records an omonymous work attributed to F. Muscari.

 

M-MDca, Mus. Ms. 190

[Sassosa rupe. Sonetto. 4 V (SATB), bc]

Sonetto a. 4. Voci.

- ms., 17th cent.; 250x180 mm.; 5 partbooks: S, A, T, B, bc (1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 191

[Tribularer. Motet. 3 V (ATB), bc]

Tribularer a 3.

- ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B, bc (1, 1, 1, 1 ff.). The capital letter in the bass part is decorated.

M-MDca, Mus. Ms. 192

[Veni domine Jesu. Motet. 2 V (SS), org]

Tribularer a 3.

- ms., 17th cent.; 160-250x220-180 mm.; 3 partbooks: S1, S2, org (1, 1, 1 ff.).

M-MDca, Mus. Ms. 193

[BALZANO Giuseppe attrib.]

[Pugnantum proceres trepidi. Motet. 4 v (SATB), choir4 V (SATB), vl1, vl2, bc]

Mottetto per S. Franc.co Borgia A 4. Vo[ci] / 1688

- ms., 1688; 300x220 mm.; score (5 ff.). The ms. is partially damaged and incomplete. The year 1688 suggests G. Balzano as probable composer.

M-MDca, Mus. Ms. 194

[Motets 3 V (SATB), 3 V (ATB), bc]

Mottetti per ogni tempo

- ms., 17th cent.; 240x170 mm.; 4 partbooks: A, T, B, bc (18, 18, 18, 18 ff.). Parts bound. A loose sheet includes the bass part of the "Surrexit", while the Bass partbook carries same music written in Tenor clef. Includes 28 motets.

  1. [Fallax gratia]
  2. [Responde mihi]
  3. [Tollite portas]
  4. [O sanctorum virtus]
  5. [Admiramini gentes]
  6. [Surrexit dominus]
  7. [Viri sancti]
  8. [Sancti tui domini]
  9. [Gloriosus N.]
  10. Protector noster]
  11. [Verbera carnificum]
  12. [O quam magnificata]
  13. [Felix namque]
  14. [Domine non sum dignus]
  15. [Jubilate et gaudete]
  16. [Psallemus domine]
  17. [Ego autem in domino]
  18. [Ecce agnus dei]
  19. [Hic est veri Martin]
  20. [Gaudeamus et cantemus]
  21. [Si que est parvulus]
  22. [O dulcis Jesum]
  23. [O felix iucunditas]
  24. [Jubilate deo]
  25. [Ecce quam bonum]
  26. [Panem caeli dedit]
  27. [Amici nostri audite]
  28. [Salvos nos fac domine]

M-MDca, Mus. Ms. 195

[Motets. 3 V (ATB), org]

- ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B org (12, 12, 12, 12 ff.); Includes 18 motets.

  1. [Cum complerentur]
  2. [Hic est ratrum amator]
  3. [Charitas dei diffusa]
  4. [O quam pretiosa est]
  5. [O altitudo divitiarum]
  6. [Cibavit Dominus beatum]
  7. [iste est]
  8. [Expectans expectavi]
  9. [Audi filia]
  10. [Salvos nos fac Domine]
  11. [Gaude dei genitrix]
  12. [Florete martires]
  13. [Venite et videte]
  14. [Tu Florete martires]
  15. [Tu Domine eripuisti]
  16. [Domine qui mihi]
  17. [Desiderium animae eius]
  18. [percussit Saul mille]

M-MDca, Mus. Ms. 196

[Responsories for Christmas. 6 V (SSATTB), org]

Responsorii Pastorale

- ms., 17th cent.; 260x190 mm.; 8 partbooks: S1, S2, A, T1, T2, B, db,org (4, 4, 4, 4, 4, 4, 4, 2 ff.). The db part has been joint in the 18th cent.; on f. 2v of the same part a music fragment for kbd with alphabetic notation has been joint. On the partbooks: Responsorii à 6. Voci. Includes 7 responsories

  1. [Hodie nobis caelorum]
  2. [Hodie nobis de caelo]
  3. [O magnum mysterium]
  4. [Beata dei genitrix]
  5. [Sancta et immaculata]
  6. [Beata viscera Mariae]
  7. [Verbum caro]

M-MDca, Mus. Ms. 197

[Lectiones for Christmas. 1 V, b]

- ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, b (2, 2, 2, 2 ff.). Includes the three lectiones for the first nocturne of the Christmas feast.

  1. [Primo tempore alleviata est terra. T, b]
    Primo Notturno Lettione prima
  2. [Consolamini, consolamini popule. S, b]
    Lettione seconda.
  3. [Consurge, consurge, induere. A, b]
    Lettione terza

M-MDca, Mus. Ms. 198

[Passio Domini nostri Jesu Christi secundum Matthaeum. Turba. Dominica in Palmis. 4 V]

- ms., 17th cent.; 240x175 mm.; 4 partbooks: S, A, T, B;. Includes 20 polyphonic interventions of the Turba from St. Matthew’s Passion..

M-MDca, Mus. Ms. 199

[Responsories. Nocturnes of Feria V (in Coena Domini), VI (in Parasceve), Sabato Sancto. 4 V]

ms., 17th cent.; 235x180 mm.; 1 part: S (7 ff.). Vocal parts missing. Includes 27 responsories for the nocturnes of Thrusday, Friday and Saturday of the Holy Week.

  1. [In monte Oliveti]
    Responsorio in Coena Dni à 4 / P.°
  2. [Tristis est]
    2.°
  3. [Ecce vidimus]
    3°
  4. [Amicus meus]
    In secundo Nocturno / 4.°
  5. [Judas mercator]
    5°
  6. [Unus ex discipulis]
    6°
  7. [Eram quasi agnus]
    In 3° nocturno / 7.°
  8. [Una hora]
    8°
  9. [Seniores]
    9°
  10. [Omnes amici]
    Feria Sexta / P.°
  11. [Velum templi]
    2.°
  12. [Vinea mea]
    3.°
  13. [Tamquam ad latronem]
    4.°
  14. [Tenebrae factae sunt]
    5.°
  15. [Animam meam]
    6.°
  16. [Tradiderunt]
    7.°
  17. [Jesum tradidit]
    8°
  18. [Caligaverunt]
    9°
  19. [Sicut ovis]
    Sabbato Sancto / P.°
  20. [Jerusalem]
    2.°
  21. [Plange quasi virgo]
    3.°
  22. [Recessit pater noster]
    In Secondo Nocturno / 4.°
  23. [O vos omnes]
    5.°
  24. [Ecce quomodo]
    6.°
  25. [Astiterunt reges]
    In Tertio Nocturno / 7.°
  26. [Aestimatus sum]
    8.°
  27. [Sepulto Domino]
    9.°

M-MDca, Mus. Ms. 200

[Responsories. Nocturnes for Feria V (in Coena Domini), VI (in Parasceve), Sabato Sancto. 4 V]

ms., 17th cent.; 235x175 mm.; 15 partbooks: Feria V S, A, T, B, org (4, 4, 4, 4, 4 ff.), Feria VI + Sabato Santo 2 S, 2 A, 2 T, 2 B, org (6, 4, 6, 4, 6, 4, 6, 4, 6 ff.), Sabato Sancto S, A, T, B (3, 3, 3, 3, 4 ff.). Some parts are very damaged. Includes 27 responsories for the nocturnes of Thrusday, Friday and Saturday of the Holy Week.

  1. [In monte Oliveti]
    Responsoria in Cena Dni à 4 / R. P.um In Monte oliveti.
  2. [Tristis est]
    R. 2.um
  3. [Ecce vidimus]
    R. 3.um
  4. [Amicus meus]
    R. 4.um
  5. [Eram quasi agnus]
    R. 5.um
  6. [Una hora]
    R. 6.um
  7. [Seniores]
    R. 7.um
  8. [Judas mercator]
    R. 8.um
  9. [Unus ex discipulis]
    R. 9.um
  10. [Omnes amici]
    R. Feriae Sextae in Paraasceve. / R. P.um
  11. [Velum templi]
    R. 2.um
  12. [Vinea mea]
    R. 3.um
  13. [Tamquam ad latronem]
    R. 4.um
  14. [Tenebrae]