CATALOGUE OF MUSIC MANUSCRIPTS - CATHEDRAL MUSEUM, MDINA - MALTA

M-MDca, Mus. Ms. 120

- ms., 17th cent.; 240x180 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (3, 3, 3, 3, 2, 2, 2, 2, 3 ff.). Figured bass.

M-MDca, Mus. Ms. 121

- ms., 17th cent.; 260x190 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (8, 8, 8, 8, 8, 8, 8, 8, 8, ff.). On f. 1r of the organ part: Si averti che il Crucifixus si concerti a 2. C et 2 Alti. Figured bass.

M-MDca, Mus. Ms. 122

- ms., 17th cent.; 290x210 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (2, 2, 2, 2, 2, 2, 2, 2, 2, ff.). Different copysts.

M-MDca, Mus. Ms. 123

- ms., 17th cent.; 250x180 mm.; 9 partbooks: S1, S2, A, T, T aggiunto, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 1, 1, 2 ff.). On f. 1r of the organ part: si può sonare / la Ciarambella.

M-MDca, Mus. Ms. 124

- ms., 17th cent.; 250x180 mm.; 8 partbooks: S, A, T, B, vl1, vl2, vla/bc, bc (4, 4, 4, 3, 2, 2, 4, 1 ff.). Different copysts. The vla part is in F clef including occasionally the figuring; the bc part includes only "Kyrie" and "Gloria".

M-MDca, Mus. Ms. 125

- ms., 17th cent.; 220x160 mm.; 5 partbooks: S1, S2, A, T, B (4, 4, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 126

- ms., 17th cent.; 240x180 mm.; 1 part: org (4 ff.). Figured bass. Vocal parts are missing.

M-MDca, Mus. Ms. 127

- ms., 17th cent.; 210x150 mm.; 3 partbooks: S rip, A rip, T rip (4, 4, 4 ff.). The S rip part originally marked as Mus. Ms. 232.

M-MDca, Mus. Ms. 128

- ms., 17th cent.; 240x180 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B (4, 2, 2, 2, 2, 2, 2, 2, 2 ff.);

1. [Domine ad adjuvandum. Verse]
2. 2.[]

2. [Dixit Dominus. Psalm 109]

M-MDca, Mus. Ms. 129

[Vespers. 3/4 V (SSAB), org]

- ms., 17th cent.; 260x190 mm.; 5 partbooks: S1, S2, A a beneplacito, B, org (4, 4, 4, 4, 2 ff.). Figured bass. "Dixit" and "Magnificat" are set to same music. A printed copy of the "Domine ad adiuvandum" is available in Mus. Pr. 135.

1. [Domine ad adjuvandum. Verse]
2. [Dixit Dominus. Psalm 109]
3. [Magnificat. cantico]

M-MDca, Mus. Ms. 130

- ms., 17th cent.; 260x180 mm.; 4 partbooks: S/A, vl1, vl2, bc/b-vla (14, 6, 6, 11 ff.). Figured bass. Includes 9 psalms.

1. [Laudate pueri. Psalm 147. S, vl1, vl2, bc, D min.]
   Canto con doi violini e Basso
2. [Nisi dominus. Psalm 126. S, vl1, vl2, bc, D]
   Voce sola a doi violini e basso di viola
3. [Beatus vir qui timet. Psalm 111. S, vl1, vl2, bc, D min.]
   Voce sola a doi violini e Basso
4. [Laudate Dominum omnes gentes. Psalm 116. A, vl1, vl2, bc. RDE]
   Alto solo a doi violini e Basso di viola
5. [Salve regina. Antiphon S, vl1, vl2, bc. D min]
   Voce sola a doi violini e basso di viola
6. [Confitebor tibi..in consilio. Psalm 110. S, vl1, vl2, bc, D min]
   Voce sola a doi violini e basso di viola
7. [Confitebor tibi..in consilio. Psalm 110. A, vl1, vl2, bc, D]
   Alto voce sola a doi violini e Basso
   The bc part is missing.
8. [Laudate pueri. Psalm 112. A, vl1, vl2, bc, D min.]
   Alto voce sola a doi violini e Basso
9. [Laetatus sum. Psalm 121. S, vl1, vl2, bc, G min.]
   Canto voce sola e doi violini e Basso

M-MDca, Mus. Ms. 131

- ms., 17th-18th cent.; 300x230 mm.; 11 partbooks: S, A, T, B, S rip, A rip, T rip , B rip, vl1, vl2, org (4, 4, 3, 3, 2, 2, 2, 2, 3, 2, 4 ff.). Figured bass.

1. [Domine ad adjuvandum. Verse. 4 V (SATB), org, G]
2. [Dixit Dominus. Psalm 109, 4 V (SATB), vl1, vl2, org, G]
3. [Magnificat. Canticle, 4 V (SATB), vl1, vl2, org, C]

M-MDca, Mus. Ms. 132

- ms., 17th-18th cent.; 220x160 mm.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 2, 4 ff.). Figured bass.

M-MDca, Mus. Ms. 133

- ms., 17th cent.; 300x210 mm.; partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, vl1, vl2, org 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.). Figured bass. The string parts seem to be joint later.

M-MDca, Mus. Ms. 134

[Beatus vir. Psalm 111. 6 V (SSATTB), vl1, vl2, org, C]

- ms., 17th cent.; 220x160 mm.; 9 partbooks: S1, S2, A, T1, T2, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 2, 2, 4 ff.). The psalm has been attributed through the comparison with the relative printed copy of the "Selva morale et spirituale" by Monteverdi available in Mus. Pr. 111.

M-MDca, Mus. Ms. 135

- ms., 17th cent.; 220x160 mm.; 6 partbooks: S1, S2, A, T, B, org (2, 2, 2, 2, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 136

- ms., 17th cent.; 260x190 mm.; 6 partbooks: S, S, A, T, B (1, 1, 1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 137

- ms., 17th-18th cent.; 265x190 mm.; 4 partbooks: A, T, B, org (1, 1, 1, 1 ff.). Figured bass.

M-MDca, Mus. Ms. 138

- ms., 17th cent.; 250x180 mm.; 5 partbooks: A, vl1, vl2, vla, org (2, 1, 1, 1, 2 ff.). Different copysts. Figured bass.

M-MDca, Mus. Ms. 139

- ms., 17th cent.; 250x185 mm.; 6 partbooks: S1, S2, T, vl1, vl2, org (2, 2, 2, 2, 2, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 140

- ms., 17th cent.; 260x195 mm.; 6 partbooks: S1, S2, B, vl1, vl2, org (1, 1, 1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 141

- ms., 17th cent.; 260x190 mm.; 6 partbooks: S1, S2, B, vl1, vl2, org (1, 1, 1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 142 A

- ms., 17th cent.; 245x175 mm.; 1 part: bc (2 ff.). Figured bass. Vocal parts are missing.

M-MDca, Mus. Ms. 142 B-C

- ms., 17th cent.; 225x150 mm.; 2 partbooks: vl1, vl2 (2, 2, ff.). Vocal parts missing

M-MDca, Mus. Ms. 142 D

- ms., 17th cent.; 225x150 mm.; 1 part: vla (2 ff.); scoring: A, choir and instruments.

M-MDca, Mus. Ms. 143

- ms., 17th cent.; 230x170 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, bc (1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). The db part has been joint later. On f. 3r of the bc part carries the music of a "Dixit Dominus" for double choir. Figured bass.

M-MDca, Mus. Ms. 144

- ms., 18th cent.; 250x180 mm.; 5 partbooks: S1, S2, vl1, vl2, bc (1, 1, 1, 1, 1 ff.). Figured bass.

M-MDca, Mus. Ms. 145

- ms., 17th cent.; 240x175 mm.; 11 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, 2 org1, org2 (1, 1, 1, 1, 1, 1, 1, 1, 2, 1, 1 ff.). One of the org1 parts has been joint later. Figured bass.

M-MDca, Mus. Ms. 146

- ms., 17th cent.; 290x210 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 147

- ms., 17th cent.; 245x175 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (2, 2, 2, 2, 1, 1, 1, 1, 2 ff.). Vocal parts are written respectively in G, Mzs, A and Br clefs. Figured bass.

M-MDca, Mus. Ms. 148

- ms., 17th cent.; 295-260x215-185 mm.; 4 partbooks: S, A, B, org (1, 1, 1, 1 ff.). Figured bass.

M-MDca, Mus. Ms. 149

- ms., 17th cent.; 250x190 mm.; 1 part: A (4 ff.). Vocal and instrumental parts missing. Includes two versions of Psalm 149. The alto part is identical in both versions.

1. [Confitebor tibi..in consilio. 3 V (ATB), org]
   A. 3. A.T.B.
2. [Confitebor tibi..in consilio. 3 V , vl1, vl2, org]
   A 3. con violini

M-MDca, Mus. Ms. 150

- ms., 17th cent.; 240x170 mm.; 8 partbooks: S, A, T, B, vl1, vl2, vla, bc (1, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 151a

[Motets for San Gregorio. 4-5 V, vl1, vl2, org]

- autograph (?) ms., 1719; 285x200 mm.; score (23 ff.); 230x320 mm.; 7 partbooks: S, A, T, B, vl1, vl2, org (2, 2, 2, 2, 4, 4, 4 ff.). Some amendments are visible on ff. 7r a 9r of the score. Parts written by different copyist. In 1719 don Pietro Gristi was chapel master at the Mdina Cathedral. Includes 5 motets.

1. [O populi fideles. 4 V (SATB), vl1, vl2, org, D]
   O populi / Fideles / Mottetto / Pmo
2. [Ad cantus ad plausus. 5 V (SSATB), vl1, vl2, org, A]
   Mottetto / Secondo / Ad cantus
   La parte del canto inizia con un testo diverso "Ad melos ad concentus".
3. [Veni sponsa christi. 5 V (SSATB), vl1, vl2, org, B min.]
   Mottetto / Terzo / Veni Sponsa / Christi
4. [Jubilemus omnes. 5 V (SVVVB), vl1, vl2, org, D]
   Mottetto / Quarto / Jubilemus / omnes
5. [O Doctor optime. 5 V (SATB), vl1, vl2, org, E min.]
   Mottetto / Quinto / O doctor / optime

M-MDca, Mus. Ms. 151b

ms., 17th cent.; 235x175 mm.; 3 partbooks: S1, S2, org (2, 2, 2 ff.).

M-MDca, Mus. Ms. 152

- ms., 17th cent.; 250x180 mm.; 8 partbooks: S1, S2, A, T, B, vl1, vl2, org (4, 4, 3, 4, 3, 1, 1, 8 ff.). Includes three cantatas.

1. [Adiuro vos filiae Jerusalem. 5 V (SSATB), vl1, vl2, org, A min.]
   Prima Cantata.
2. [Veni propera amica mea. 5 V (SSATB), vl1, vl2, org, D min.]
   2.da Cantata.
3. [Surgite eamus. 5 V (SSATB), vl1, vl2, org]
   3.a Cantata.

M-MDca, Mus. Ms. 153

- ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, bc+B (1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 154

- ms., 17th cent.; 250x180 mm.; 4 partbooks: T, vl1, vl2, bc (2, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 155a

[Ave, que est ista. Salutatio Angelica. Dialogue. 2-3 V (SAB), org]

- ms., 17th cent.; 245-230x175 mm.; 6 partbooks: 2 S, A+S, B+bc, 2 org (1, 1, 1, 1, 2, 2 ff.). One of the Cantus part has a different copyst. The dialogue is divided in two sections: the first one for S, A and the second one for S, S, B. The two soprano parts include the music of the first and last part of the dialogue ("Ave gratia plena..", "Dabit illi dominus.."); the bass is included only in the final verse "Dabit illi dominus deus..". On f. 1v of the bass part is also included the organ part indicating A due Alti. o Tenori. One of the organ part carries same music one tone lowered. The organ part correponding to the verse "Dabit illi" is identical to the same part available in Mus. Ms. 155b. In the 1709 music inventory, held in the Mdina Cathedral Archives, an omonymous work is attributed to Marotta.

M-MDca, Mus. Ms. 155b

- ms., 17th cent.; 260x190 mm.; 3 partbooks: S, A, org (1, 1, 1 ff.). The music included in both vocal parts ends with the verse of the Soprano "Ecce ancilla domini.."; the org part includes also the music of the last verse "Dabit illi dominus deus"; the music of the last section is identical to the same section in Mus. Ms. 155a. Probably the original ms. is the one found in Mus. Ms 155a while the three parts marked as Mus. Ms. 155b have been joint in a second time.

M-Mdca, ACM, Mus. Ms. 156a

- ms., 17th-18th cent.; 215x170 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 1 ff.). Figured bass.

M-MDca, Mus. Ms. 156b

- ms., 17th cent.; 250x175 mm.; 4 partbooks: S, A, B, org (1, 1, 1, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 157

[Chi mi soccorre olà. Gioco a Tresette con Filli. A, bc]

- ms. prob. autogr., 17th-18th cent.; 210x150 mm.; spartito (4 ff.). On f. 4v: D. Dom.co Balzano. The composition is divided in instrumental "passacaglie" interwoven by the following arias: "Chi mi soccorre olà?", "Fatto schiavo a due luci serene", "Come voglio li frutti sperare", "Se si perde con vezzosa".

M-MDca, Mus. Ms. 158

- ms., 17th cent.; 255x195 mm.; 5 partbooks: S, vl1, vl2, vla, org (2, 1, 1, 1, 1 ff.). Figured bass. On the organ part: A voce sola con violini.

M-MDca, Mus. Ms. 159

- ms., 1667; 255x175 mm.; 9 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, org (1, 1, 1, 1, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 160

- ms., 17th-18^th cent.; 200x275 mm.; vocal score (6 ff.). The vocal score suggests the presence of the choir. Figured bass.

M-MDca, Mus. Ms. 161

[Det tuba clangore ad arma ad iras. Motet. 8 V (SSAATTBB), vl1, vl2, vla, org, F]

- ms., 17-18; 250xx180 mm.; 12 partbooks: S1, S2, A1, A2, T1, T2, B1, B2, vl1, vl2, vla, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). Figured bass. The 1709 music inventory records an omonymous work for double choir and strings by G. Balzano.

M-MDca, Mus. Ms. 162

- ms., 17th cent.; 230x170 mm.; 1 part: A. Vocal parts missing.

M-MDca, Mus. Ms. 163

[Ecce servus Dei. Motet. 4 V (SSAT), vl1, vl2, org, A]

- ms., 17. cent. 2nd half;215x155 mm.; 7 partbooks: S1, S2, A, T, vl1, vl2, org (1, 1, 1, 1, 1, 1, 2 ff.); Figured bass. The 1709 music inventory records an omonymous work by G. Balzano.

M-MDca, Mus. Ms. 164

[Motets for San Gregorio]

- ms., 1700; 295-270x210-195 mm.; 4 partbooks: choir 1 T, S2, choir 2 A, org (2, 1, 1, 2+2 ff.); On f. 1v of the T (choir 1): 1700. Different copyists, The partbooks include: A (incomplete) "Ecce sacerdos", "O populi fideles"; S2 "O populi fideles", "Himnum dicite"; T choir 1 "Sancta Maria", "Ecce sacerdos", "Himnum dicite", "O populi fideles", "Jubilemus omnes", "O doctor optime"; org (fasc. 1) "Ecce sacerdos", "Himnum dicite", (fasc. 2) "Iste est qui ante", "Jubilemus omnes", "O doctor optime", "O populi fideles". The vocal partbooks of "Jubilemus omnes" and "O Doctor optime" are to be found in Mus. Ms. 172. The date 1700 suggests D. Balzano as the probable composer of the cycle. Includes 7 motets.

1. [Sancta Maria]
2. [Ecce sacerdos]
3. [Himnum dicite. 8 V (SATB-SATB)]
4. [Populi fideles. 8 V (SATB-SATB)]
5. [Jubilemus omnes. 8 V (SATB-SATB)]
6. [O Doctor optime. 8 V (SATB-SATB)]
7. [Iste est qui ante]

M-MDca, Mus. Ms. 165

[Ego ille quondam opulentus. Motet. 8 V (SATB-SATB), vl1, vl2, org]

- ms., 17th-18th cent.; 250x180 mm.; 11 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B, vl1, vl2, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 3 ff.); On the partbooks: A 8. Con Sinfonie. Figured bass. The 1709 music inventory records an omonymous work by D. Balzano.

M-MDca, Mus. Ms. 166

- ms., 17th-18th cent.; 250x180 mm.; 9 partbooks: S1, S2, A, T, B, vl1, vl2, vla, org (1, 1, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 167

- ms., 18th cent.; 210x150 mm.; 1 parte: bc (2 ff.).

M-MDca, Mus. Ms. 168

- ms., 17th-18th cent.; 240x175 mm.; 6 partbooks: (parte necessaria) S, A, T; (Choro per strumenti, o Voci à beneplacito) S, A, B (1, 1, 1, 1, 1, 1 ff.). The parts a beneplacito may be played alternatively by three voices or instruments.

M-MDca, Mus. Ms. 169

- ms., 17th-18th cent.; 300x210 mm.; 3 partbooks: Mzs, T, bc (1, 1, 1 ff.). Includes 2 motets.

1. [Hor chi gratie desia.]
2. [Giesù mio lo conosco.]

- Only the organ part is available while the Mzs part is incomplete.

M-MDca, Mus. Ms. 170

- ms., 17th-18th cent.; 200x135 mm.; 4 partbooks: S1, S2, S3, bc (2, 2, 2, 2 ff.). Figured bass.

M-MDca, Mus. Ms. 171

[Jubila propera. Dialogo di Jesus e Anima. 2 V (SS), vl1, vl2, bc/cemb, C]

- ms., 1693; 240x175 mm.; 5 partbooks: S (Anima, S (Jesus), vl1, vl2, cemb (2, 2, 1, 1, 4 ff.). Figured bass. A c. 4r del cemb: 1693. The year 1693 suggests G. Balzano as the probable composer.

M-MDca, Mus. Ms. 172

- ms., 17th-18th cent.; 260x190 mm.; 8 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B (2, 2, 2, 2, 2, 2, 2, 2 ff.). Same music in Mus. Ms. 164. Include 3 motets for San Gregorio:

1. [Jubilemus omnes]
2. ]
3. [O Doctor optime]
4. [Iste est qui ante]

M-MDca, Mus. Ms. 173

[Litaniae Beatae Mariae Virginis. Litanies. S, choir (STB), org]

- ms., 1700; 220x160 mm.; 5 partbooks: S, choir S2, T, B, org (2, 2, 2, 2, 2 ff.). The organ part was originally marked as Mus. Ms. 233. The year 1700 suggests D. Balzano as the probable composer.

M-MDca, Mus. Ms. 174

- ms., 17th cent.; 250x190 mm.; 7 partbooks: S1, S2, S3, vl1, vl2, vla, org (2, 2, 2, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 175

- ms., 17th cent.; 230x170 mm.; spartito (4 ff.).

M-MDca, Mus. Ms. 176

- ms., 17th cent.; 240x180 mm.; 4 partbooks: A, T, B, bc (1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 177

- ms., 17th cent.; 230x170 mm.; 3 partbooks: S, A, org (2, 2, 2 ff.).

M-MDca, Mus. Ms. 178

- ms., 17th cent.; 250x180 mm.; 3 partbooks: S, S, org (2, 2, 1 ff.).

M-MDca, Mus. Ms. 179

- ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B, bc (1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 180

- ms., 17th cent.; 240x180 mm.; 3 partbooks: S, S, B, org (1, 1, 1, 2 ff.). The title O Iucunda dies has been joint recently.

M-MDca, Mus. Ms. 181

- ms., 17th cent.; 240x170 mm.; vocal score (6 ff.); 3 partbooks: S, S, B (2, 1, 1 ff.).

M-MDca, Mus. Ms. 182

- ms., 17th cent.; 260x190 mm.; 3 partbooks: S, S, org (8, 8, 5 ff.). Includes 8 motets.

1. [O regina caeli. 2 V (SA) org]
   A 2 C. e A.
2. [Ave dulcissima Maria. 2 V (AT), org]
   A due. / Alto, e Tenore
3. [Gaudete ed exultate. 2 V (AT), org]
   A 2. Alto, e Tenore
4. [Magnificat. Canticle. 2 V (SA), org]
   A 2. Alto, e / Canto.
5. [Gaudia felices. 2 V (SS), org]
   A 2. Canti
6. [Una sit vox. 2 V (SA), org]
   A 2. C. et Al.
7. [Diem festum veneremur. 2 V (ST), org]
   A 2 C. e T.
8. [Inter ethereos. 2 V (SA), org]
   A 2 C. ed A.

M-MDca, Mus. Ms. 183

- ms., 17th cent.; 260x190 mm.; 4 partbooks: S, A, T, bc (1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 184

- ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, bc (1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 185

- ms., 17th cent.; 200x150 mm.; 2 partbooks: S, A (2, 2 ff.). Parts missing. Includes two motets.

1. [Plaude terra canite populi]
2. [Exultate dulces paradisi]

M-MDca, Mus. Ms. 186

- ms., 17th cent.; 200x150 mm.; 4 partbooks: S1, S2, B, org (2, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 187

- ms., 17th cent.; 250x180 mm.; 4 partbooks: S1, S2, T, bc (1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 188

- ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B, org (2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 189

[Quis mihi det dulcissima virgo. Motet. 3 V (ATB), vl1, vl2, vla]

- ms., 17th cent.; 250x180 mm.; 6 partbooks: A, T, B, vl1, vl2, vla (2, 2, 1, 1, 1, 1 ff.). The vla part has been joint later. The 1709 music inventory records an omonymous work attributed to F. Muscari.

M-MDca, Mus. Ms. 190

- ms., 17th cent.; 250x180 mm.; 5 partbooks: S, A, T, B, bc (1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 191

- ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B, bc (1, 1, 1, 1 ff.). The capital letter in the bass part is decorated.

M-MDca, Mus. Ms. 192

- ms., 17th cent.; 160-250x220-180 mm.; 3 partbooks: S1, S2, org (1, 1, 1 ff.).

M-MDca, Mus. Ms. 193

[Pugnantum proceres trepidi. Motet. 4 v (SATB), choir4 V (SATB), vl1, vl2, bc]

- ms., 1688; 300x220 mm.; score (5 ff.). The ms. is partially damaged and incomplete. The year 1688 suggests G. Balzano as probable composer.

M-MDca, Mus. Ms. 194

- ms., 17th cent.; 240x170 mm.; 4 partbooks: A, T, B, bc (18, 18, 18, 18 ff.). Parts bound. A loose sheet includes the bass part of the "Surrexit", while the Bass partbook carries same music written in Tenor clef. Includes 28 motets.

1. [Fallax gratia]
2. [Responde mihi]
3. [Tollite portas]
4. [O sanctorum virtus]
5. [Admiramini gentes]
6. [Surrexit dominus]
7. [Viri sancti]
8. [Sancti tui domini]
9. [Gloriosus N.]
10. Protector noster]
11. [Verbera carnificum]
12. [O quam magnificata]
13. [Felix namque]
14. [Domine non sum dignus]
15. [Jubilate et gaudete]
16. [Psallemus domine]
17. [Ego autem in domino]
18. [Ecce agnus dei]
19. [Hic est veri Martin]
20. [Gaudeamus et cantemus]
21. [Si que est parvulus]
22. [O dulcis Jesum]
23. [O felix iucunditas]
24. [Jubilate deo]
25. [Ecce quam bonum]
26. [Panem caeli dedit]
27. [Amici nostri audite]
28. [Salvos nos fac domine]

M-MDca, Mus. Ms. 195

- ms., 17th cent.; 250x180 mm.; 4 partbooks: A, T, B org (12, 12, 12, 12 ff.); Includes 18 motets.

1. [Cum complerentur]
2. [Hic est ratrum amator]
3. [Charitas dei diffusa]
4. [O quam pretiosa est]
5. [O altitudo divitiarum]
6. [Cibavit Dominus beatum]
7. [iste est]
8. [Expectans expectavi]
9. [Audi filia]
10. [Salvos nos fac Domine]
11. [Gaude dei genitrix]
12. [Florete martires]
13. [Venite et videte]
14. [Tu Florete martires]
15. [Tu Domine eripuisti]
16. [Domine qui mihi]
17. [Desiderium animae eius]
18. [percussit Saul mille]

M-MDca, Mus. Ms. 196

- ms., 17th cent.; 260x190 mm.; 8 partbooks: S1, S2, A, T1, T2, B, db,org (4, 4, 4, 4, 4, 4, 4, 2 ff.). The db part has been joint in the 18^th cent.; on f. 2v of the same part a music fragment for kbd with alphabetic notation has been joint. On the partbooks: Responsorii à 6. Voci. Includes 7 responsories

1. [Hodie nobis caelorum]
2. [Hodie nobis de caelo]
3. [O magnum mysterium]
4. [Beata dei genitrix]
5. [Sancta et immaculata]
6. [Beata viscera Mariae]
7. [Verbum caro]

M-MDca, Mus. Ms. 197

- ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, b (2, 2, 2, 2 ff.). Includes the three lectiones for the first nocturne of the Christmas feast.

1. [Primo tempore alleviata est terra. T, b]
   Primo Notturno Lettione prima
2. [Consolamini, consolamini popule. S, b]
   Lettione seconda.
3. [Consurge, consurge, induere. A, b]
   Lettione terza

M-MDca, Mus. Ms. 198

- ms., 17th cent.; 240x175 mm.; 4 partbooks: S, A, T, B;. Includes 20 polyphonic interventions of the Turba from St. Matthew’s Passion..

M-MDca, Mus. Ms. 199

ms., 17th cent.; 235x180 mm.; 1 part: S (7 ff.). Vocal parts missing. Includes 27 responsories for the nocturnes of Thrusday, Friday and Saturday of the Holy Week.

1. [In monte Oliveti]
   Responsorio in Coena Dni à 4 / P.°
2. [Tristis est]
   2.°
3. [Ecce vidimus]
   3°
4. [Amicus meus]
   In secundo Nocturno / 4.°
5. [Judas mercator]
   5°
6. [Unus ex discipulis]
   6°
7. [Eram quasi agnus]
   In 3° nocturno / 7.°
8. [Una hora]
   8°
9. [Seniores]
   9°
10. [Omnes amici]
    Feria Sexta / P.°
11. [Velum templi]
    2.°
12. [Vinea mea]
    3.°
13. [Tamquam ad latronem]
    4.°
14. [Tenebrae factae sunt]
    5.°
15. [Animam meam]
    6.°
16. [Tradiderunt]
    7.°
17. [Jesum tradidit]
    8°
18. [Caligaverunt]
    9°
19. [Sicut ovis]
    Sabbato Sancto / P.°
20. [Jerusalem]
    2.°
21. [Plange quasi virgo]
    3.°
22. [Recessit pater noster]
    In Secondo Nocturno / 4.°
23. [O vos omnes]
    5.°
24. [Ecce quomodo]
    6.°
25. [Astiterunt reges]
    In Tertio Nocturno / 7.°
26. [Aestimatus sum]
    8.°
27. [Sepulto Domino]
    9.°

M-MDca, Mus. Ms. 200

ms., 17th cent.; 235x175 mm.; 15 partbooks: Feria V S, A, T, B, org (4, 4, 4, 4, 4 ff.), Feria VI + Sabato Santo 2 S, 2 A, 2 T, 2 B, org (6, 4, 6, 4, 6, 4, 6, 4, 6 ff.), Sabato Sancto S, A, T, B (3, 3, 3, 3, 4 ff.). Some parts are very damaged. Includes 27 responsories for the nocturnes of Thrusday, Friday and Saturday of the Holy Week.

1. [In monte Oliveti]
   Responsoria in Cena Dni à 4 / R. P.um In Monte oliveti.
2. [Tristis est]
   R. 2.um
3. [Ecce vidimus]
   R. 3.um
4. [Amicus meus]
   R. 4.um
5. [Eram quasi agnus]
   R. 5.um
6. [Una hora]
   R. 6.um
7. [Seniores]
   R. 7.um
8. [Judas mercator]
   R. 8.um
9. [Unus ex discipulis]
   R. 9.um
10. [Omnes amici]
    R. Feriae Sextae in Paraasceve. / R. P.um
11. [Velum templi]
    R. 2.um
12. [Vinea mea]
    R. 3.um
13. [Tamquam ad latronem]
    R. 4.um
14. [Tenebrae]
    R. 5.um
15. [Animam meam]
    R. 6.um
16. [Tradiderunt]
    R. 7.um
17. [Jesum tradidit]
    %. 8.um
18. [Caligaverunt]
    R. 9.um
19. [Sicut ovis]
    R.a Sabbati Sancti / R. P.um
20. [Jerusalem]
    R. 2.um
21. [Plange quasi virgo]
    R. 3.um
22. [Recessit pastor noster]
    R. 4.um
23. [O vos omnes]
    R. 5.um
24. [Ecce quomodo]
    R. 6.um
25. [Astiterunt reges]
    R. 7.um
26. [Aestimatus sum]
    R. 8.um
27. [Sepulto Domino]
    R. 9.um
28. [Sicut ovis]
    Sabbato Sancto / P.°
29. [Jerusalem]
    2.°
30. [Plange quasi virgo]
    3.°
31. [Recessit pastor noster]
    In Secundo Nocturno / 4.°
32. [O vos omnes]
    5°
33. [Ecce quomodo]
    6.°
34. [Astiterunt reges]
    In Tertio Nocturno. / 7°
35. [Aestimatus sum]
    8°
36. [Sepulto Domino]
    9°

M-MDca, Mus. Ms. 201

[Passio Domini nostri Jesu Christi sec. Johannem. 3 V (TTA), choir (SATB), org]

- ms., 17th cent 2. parte; 8 partbooks: T (Evangelist), T (Cristo), A (Fariseo), choir (Turba) S, A, T, B, bc+V (6, 2, 1, 2, 2, 2, 2, 14 cc.), 150-300x210 mm. On 2v of the S part (turba) is also included the part of the "Ancilla" 109, 110. Composition attributed by Prof. Roberto Pagano in 1978.

M-MDca, Mus. Ms. 202

- ms., 17th cent.; 205x150 mm.; 2 partbooks: A, b (1, 2 ff.). On the b part: Dopo l'epistola il celebrante insonerà 3. volte l'alleluia, 3 volte [...] risponderà il choro, e canterà quel che siegue. Includes the alleluiatic verse, the tractus, two antiphons and psalm 116.

1. [Confitemini...quoniam. Versus alleluiatico]
2. [Laudate Dominum. Tratto]
3. [Alleluia. Antiphon]
4. [Laudate Dominum. Salmo 116]
5. [Vespere autem sabbati. Antiphon]

M-MDca, Mus. Ms. 203a

- ms., 17th cent.; 110-150x150-205 mm.; 10 partbooks: A, T, B, 2 vl1, 2 vl2, 3 org (2, 2, 2, 1, 1, 1, 1, 1, 1, 1 ff.). The S part is missing. Another version is available in Mus. Ms. 203b.

M-MDca, Mus. Ms. 203b

- ms., 17th cent.; 240x180 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 1 ff. Another version is available in Mus. Ms. 203a. Parts restored.

M-MDca, Mus. Ms. 204

- ms., 17th cent.; 250x180 mm.; 8 partbooks: choir1 S, A, T, B, choir2 S, A, T, B (1, 1, 1, 1, 1, 1, 1, 1 ff.). Includes 2 hymns.

1. [O Gloriosa domina]
2. [Ave Maris stella]

M-MDca, Mus. Ms. 205

[Te splendor et virtus. 4 V (SATB), org]

- ms., 17th cent.; 250x180 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 1 ff.). The 1709 music inventory includes an omonymous work by G. Bazano.

M-MDca, Mus. Ms. 206

- ms., 17th cent.; 110x175 mm.; 3 partbooks: S1, S2, T (1, 1, 1 ff).

M-MDca, Mus. Ms. 207

- ms., 17th cent.; 130x180 mm.; 7 partbooks: 2 S, A, T, B, 2 b (1, 1, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 208

[Jesu redemptor omnium. Hymn.4 V (SATB)]

- ms., 17th cent.; 145x290 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). The 1709 music inventory includes an omonymous work by G. Bazano.

M-MDca, Mus. Ms. 209

- ms., 17th cent.; 220x160 mm.; 4 partbooks: S, A, T, B, bc (1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 210

- ms., 18th cent.; 260x195 mm.; 4 partbooks: S, vl1, vl2, org (1, 1, 1, 1 ff.)

M-MDca, Mus. Ms. 211a

- ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). A second copy is in Mus. Ms. 211b. Includes 5 antiphons for the vespers of Whitsunday.

1. [Cum complerentur]
2. [Spiritus Domini]
3. [Repleti sunt]
4. [Fontes et omnia]
5. [Non vos relinquam]

M-MDca, Mus. Ms. 211b

- ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). A second copy is in Mus. Ms. 211a. Includes 5 antiphons for the vespers of Whitsunday.

1. [Cum complerentur]
2. [Spiritus Domini]
3. [Repleti sunt]
4. [Fontes et omnia]
5. [Non vos relinquam]

M-MDca, Mus. Ms. 211c

- ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, B (2, 2, 2, 2 ff.). A second copy is in Ms. 211d. Includes 5 antiphons for All Saints.

1. [Vidi turbam magnam]
2. [Et omnes angeli]
3. [Redemisti nos]
4. [Benedicite Dominum]
5. [Hymnus omnibus]
6. [Angeli archangeli]

M-MDca, Mus. Ms. 211d

- ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, 2 B (1, 1, 2, 1, 1 ff.). A second copy is in Ms. 211c. S and A parts are incomplete. Includes 5 antiphons for All Saints.

M-MDca, Mus. Ms. 212

- ms., 17th cent.; 235x175 mm.; 3 partbooks: A1, A2, org. Decorated capital letter.

M-MDca, Mus. Ms. 213a

- ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, 2 B (1, 1, 1, 1, 2 ff.). A second copy is in Ms. 213b. One of the B parts is incomplete. Includes 5 antiphons for Christmas’ vespers.

1. [Rex pacificus]
2. [Magnificatus est]
3. [Completi sunt ]
4. [Scitote]
5. [Levate capita]
6. [Cum ortus fuerit]

M-MDca, Mus. Ms. 213b

- ms., 17th cent.; 300x210 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). A second copy is in Ms. 213a. The S part is incomplete. Includes 5 antiphons for Christmas’ vespers.

M-MDca, Mus. Ms. 214

- ms., 17th cent.; 250x180 mm.; 4 partbooks: S, A, T, B, b (1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 215

- ms., 17th cent.; 235x170 mm.; 4 partbooks: S, A, T, B, b (1, 1, 1, 1 ff.). Decorated capital letters. Includes one antiphon and one psalm.

1. [Jubilate Deo. Antiphon]
2. [Exurgat Deus. Salmo 67]

M-MDca, Mus. Ms. 216

- ms., 17th cent.; 235x170 mm.; 2 partbooks: B, vocal score (1, 1 ff.)

M-MDca, Mus. Ms. 217

- ms., 17th cent.; 145x210 mm.; 4 partbooks: S, A, T, B (1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 218

- ms., 17th cent.; 250x180 mm.; 3 partbooks: S, A, T (1, 1, 1 ff.). Bass part missing.

M-MDca, Mus. Ms. 219

- ms., 17th cent.; 180x255 mm.; 2 partbooks: S, bc (2, 2 ff.).

M-MDca, Mus. Ms. 220

- ms., 17th cent.; 240x190 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 221

- ms., 17th cent.; 250-65x190 mm.; 4 partbooks: A, T, B, org (1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 222a

- ms., 17th cent.; 250x180 mm.; 6 partbooks: S1, S2, A, T, B, org (1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 222b

- ms., 17th cent.; 250x180 mm.; parte: T2. Parts missing.

M-MDca, Mus. Ms. 223a

- ms., 17th cent.; 220-265x160-185 mm.; 4 partbooks: B1, B2, vl1, vl2 (1, 1, 1, 1 ff.). The bc part is missing.

M-MDca, Mus. Ms. 223b

- ms., 17th cent.; 260x190 mm.; 3 partbooks: S, A, T (1, 1, 1 ff.).

M-MDca, Mus. Ms. 224

- ms., 17th-18th cent.;285x210 mm.; 4 partbooks: S1, S2, vl1, bc (2, 2, 1, 2 ff.). The vl2 part is missing.

M-MDca, Mus. Ms. 225a

- ms., 17th cent.; 205x150 mm.; 5 partbooks: S, A, T, B, bc (2, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 225b

- ms., 17th cent.; 205x150 mm.; 2 partbooks: A, B (2, 2 ff.). The third voice is missing.

M-MDca, Mus. Ms. 226

- ms., 17th cent.; 245x180 mm.; 3 partbooks: S, T, org (1, 1, 2 ff.)

M-MDca, Mus. Ms. 227

- ms., 17th cent.; 205x150 mm.; 4 partbooks: S, A, T, org (1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 228

- ms., 1742 sec.; 225x300 mm.; 2 partbooks: S, org (2, 1 ff.) On f. 1r of S: Dec. 1742.

M-MDca, Mus. Ms. 229

- ms., 18th cent.;290-310x230 mm.; 2 partbooks: S, S+bc (2, 2 ff.). Different copysts.

M-MDca, Mus. Ms. 230

- ms., 18th cent.;210-150 mm.; 2 partbooks: B, bc (1, 1 ff.).

M-MDca, Mus. Ms. 231

- ms., 17th cent.; 210-150 mm.; 4 partbooks: S, A, B, org (2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 232

see: M-MDca, Mus. Ms. 127

M-MDca, Mus. Ms. 233

see: M-MDca, Mus. Ms. 173

M-MDca, Mus. Ms. 234

- ms., 17th cent.; 240x175 mm.; 1 part: T. Other parts missing.

M-MDca, Mus. Ms. 235

- ms., 17th cent.; 205x150 mm.; vocal score (2 ff.).

M-MDca, Mus. Ms. 236a

- ms., 17th cent.; 265x190 mm.; 1 part: S1+T1 (1 f.). Includes two versions of the "Salve Regina". Parts missing.

1. [Salve Regina]
   A 2. Canti
2. [Salve Regina]
   A. 2. Tenori

M-MDca, Mus. Ms. 237b

- ms., 17th cent.; 275x215 mm.; vocal score (2 ff.). The composition is incomplete.

M-MDca, Mus. Ms. 237a

- ms., 17th-18th cent.; 275x190, 230x295 mm.; 7 partbooks: S, A, T, 3 B, org (1, 1, 1, 1, 1, 1, 2 ff.). Parts show different copysts and dates.

M-MDca, Mus. Ms. 238

[Christus. Gradual. Verse. 2 V (SS), vlc, db,b, Bb min.]

- ms., 18th cent.; 220x300 mm.; 6 partbooks: S1, S2, 2 db,vlc, vocal score (1, 1, 1, 1, 1, 2 ff.). Different copysts.

M-MDca, Mus. Ms. 239

[Alleluiatic verses and Sequence for Whitsunday]

- ms., 1786; 220x300 mm.; vocal score (4 ff.), 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db,org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.). The first alleluiatic verse is missing in both vocal parts.

1. [Emitte spiritum. Alleluiatic verse. S, choir 4 V (SATB), org, D]
2. [Veni sancte spiritus. Alleluiatic verse. Coro 3 V (SAT), org, G]
3. [Veni sancte spiritus. Sequence. Coro 4 V (SATB), orch., org, D]

M-MDca, Mus. Ms. 240

[Vesper. 8 V (SSAATTBB), org]

- ms., 17th cent 2. metà; 205x150 mm.; 1 part: org (4 ff.). Vocal parts missing.

1. [Domine ad adjuvandum. Verse]
2. [Dixit dominus. Psalm 109]
3. [Magnificat. Canticle]

M-MDca, Mus. Ms. 241

[Motets. 3 V, bc]

- autograph (?), ms. 1652; 250x180 mm.; 4 partbooks: T1+A, T2, B+A, bc (1, 1, 1, 1 ff.). Includes two motets.

1. [Beatus vir qui inventus. 3 V (TTB), org]
2. [Dormi o gran bambino. 3 V (ATB), org]

M-MDca, Mus. Ms. 242

[Venite omnes. Motet. 2 V (SA), vla]

- ms., 1680; 205x150 mm.; 3 partbooks: S, A, vla (2, 2, 2 ff.); On f. 3r of the vocal parts: D. Dom.co Balzano.