[Ouvertures. orch., org, D]

- autograph ms.,1782; 223x300 mm., score (20 ff.); 7 partbooks: vl1, vl2, ob1, ob2, hn1, hn2, b (4, 2, 1, 2, 1, 1, 2 2 ff.). On the ob2 part: Overtura / con organo o clarinetto obbligato. A 19^th century arrangement is available in Mus. Ms. 336.

M-MDca, Mus. Ms. 336

[Ouvertures. orch., org, D]

- ms., XIX sec.; 223x300 mm., score (20 ff.); 7 partbooks: vl1, vl2, fl, cl, hn1, hn2, db (3, 3, 2, 2, 2, 2, 3 ff.). The original orchestral arrangement, dated 1782, is available in Mus. Ms. 335.

M-MDca, Mus. Ms. 337

[Symphonies. orch., org, C]

- autograph ms.,1797; 220x310 mm., score (21 ff.); 6 partbooks: vl1, vl2, ob1, ob2, bsn, db/org (2, 2, 1, 1, 1, 2 ff.) On the partbooks: 1797.

M-MDca, Mus. Ms. 338

[Symphonies. orch., org, D]

- autograph ms.,1799; 200x315 mm., score (14 ff.); 11 partbooks: 2 vl1, 2 vl2, ob obbl, ob2, hn1, hn2, vlc, db, bc (2, 2, 2, 2, 4, 2, 2, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 339

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1768; 210x270 mm., score (65 ff.); 24 partbooks: Kyrie + Gloria (cum sancto spiritu) S, A, 2 T, 2 B; "Domine Deus" S, A, B; S solo (Gratias), S solo (Qui tollis), S solo (Quoniam), A solo (Qui sedes), B solo (Qui tollis), 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, org (4, 4, 4, 4, 4, 4, 1, 1, 1, 2, 1, 2, 1, 1, 10, 10, 10, 10, 4, 6, 2, 2, 8, 8 ff.).

M-MDca, Mus. Ms. 340

[Masses 4 V (SATB), orch., org]

- ms., 1772; 220x315 mm., score (1-2, 69, 3-4 ff.); 21 partbooks: S, A, T, B (Kyrie. Gloria. cum sancto spiritu), S, A (Domine Deus), B solo (Quoniam), S, A, T (Qui tollis); 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, 2 db, org (5, 4, 4, 4, 1, 2, 2, 1, 1, 1, 8, 8, 8, 8, 4, 4, 4, 4, 8, 8 ff.). Score bound in parchment.

M-MDca, Mus. Ms. 340b

[Masses. 4 V (SATB), orch., org]

- ms., 18th cent. 2nd half; 300x220 mm.; 3 partbooks: vlta, vlc, db.

M-MDca, Mus. Ms. 341

[Masses. 8 V (SATB-SATB), orch., org]

- partially autograph ms., 1775; 430x270 mm., score (1-2, 94, 3-4 ff.); 38 partbooks: choir 1 S, A, T, B, choir 2 S, A, T, B; Domine Deus S, A; Qui tollis S1, S2, A, T, B1, B2; Gratias S solo, Domine deus S solo, Qui sedes S solo, Quoniam B solo, B solo + b; choir 1 vl1, vl2, hn1, hn2, org; choir 2 vl1, vl2, hn1, hn2, tr1 (cor-cac), tr2 (cor-cac), ob1, ob2, bsn, db, org/db, org (6, 6, 5, 6, 4, 5, 5, 6, 2, 2, 2, 2, 2, 2, 2, 2, 4, 4, 3, 4, 2, 2, 12, 12, 6, 6, 12, 12, 12, 2, 2, 4, 4, 6, 6, 12, 12, 12, 12 ff.). Parts of T choir 1 and S choir 2 are damaged. On f.94v of the score: Gratia vel re, vel verbis, vel habetur amore Re nequeo, et verbis, cuncta repentat amor.

M-MDca, Mus. Ms. 342

[Masses. 8 V (SATB-SATB), orch., org]

- partially autograph ms., 1776; 430x270 mm., score (91 ff.); 53 partbooks: choir 1 2 S, 2 A, 2 T, 2 B, choir 2 2 S, 2 A, 2 T, 2 B; Gratias S solo, Domine Deus S, A; Domine Deus B solo; Qui tollis S, A, T, B; Quoniam B solo; Qui tollis S, A, T, B; choir 1 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org; choir 2 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org, org (final fugue) (4, 4, 4, 4, 4, 4, 4, 4, 3, 2, 2, 3, 2, 2, 2, 2, 4, 4, 4, 4, 4, 4, 4, 4, 4, 2, 2, 2, 2, 8, 12, 11, 12, 12, 5, 5, 5, 5, 11, 13, 10, 12, 12, 12, 12, 6, 5, 6, 6, 10, 10, 10, 2 ff.). On f.90v of the score: Finis Laus deo B. M. V. D. G. die 23 Januarii 1776.

M-MDca, Mus. Ms. 343

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1777; 235x320 mm., score (103 ff.); 33 partbooks: 2 S, 2 A, 2 T, 2 B; Domine Deus 2 S solo; Qui tollis 2 S1, 2 S2; Qui sedes 2 S solo; Quoniam 2 B solo; 2 vl1, 2 vl2, 2 ob1, 2 ob2, hn1, hn2, cor1+cor2, bsn, vlc, db, org (4, 4, 4, 4, 4, 2, 4, 3, 3, 1, 2, 2, 2, 2, 3, 1, 4, 1, 9, 9, 9, 9, 5, 4, 5, 4, 4, 4, 4, 8, 8, 8, 8 ff.).

M-MDca, Mus. Ms. 344

[Masses. Credo. 4 V (SATB), orch., org]

- partially autograph ms., 1778; 230x320 mm., score (24 ff.); 12 partbooks: S, A, T, B, vl1, vl2, fl1 picc, fl2 picc, cor-cac1, cor-cac2, 2 org (4, 2, 2, 2, 4, 4, 2, 2, 2, 2, 4, 2 ff.).

M-MDca, Mus. Ms. 345

[Masses. 3 V (SSB), orch., org]

- partially autograph ms., 1779; 225x310 mm., score (74 ff.); 21 partbooks: S1, S2, B; Domine Deus B solo; Qui tollis S1, S2; Qui sedes S solo; Quoniam B solo; 2 vl1, 2 vl2, ob1, ob2, cor-cac1, cor-cac2, vlc, 2 vlc+ob (Quoniam), db, org (4, 4, 4, 2, 5, 5, 2, 2, 8, 8, 8, 8, 4, 3, 2, 2, 3, 3, 8, 8, 8 ff.).

M-MDca, Mus. Ms. 346

[Masses. Credo 4 V (SATB), orch., org]

- partially autograph ms., 1780; 230x320 mm., score (20 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 347

[Masses. 4 V (SATB), org]

- partially autograph ms., 1786; 225x310 mm., score (72 ff.); 4 partbooks: S, A, T, B (16, 16, 16, 16. The date 1786 is reported on the binding. Score and parts bound.

1. 1. [Masses]
   Originale Azopardi / Messa Breve P.a / Appartiene alla S. Chiesa Cattedrale / Arcivescovile

2. [Masses]
   Originale Azopardi / Messa Breve 2.a

3. [Masses]
   Originale Azopardi / Messa Breve 3.a

M-MDca, Mus. Ms. 348

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1782; 230x310 mm., score (72 ff.); 15 partbooks: S, A, T, B; Domine Deus B solo; Qui tollis S solo; Qui sedes S solo; vl1, vl2, 2 hn1, hn2, cor1+cor2 bsn, org (4, 4, 4, 4, 2, 3, 3, 7, 7, 3, 1, 7, 9 ff.).

M-MDca, Mus. Ms. 349a

[Masses. Credo 4 V (SATB), orch., org]

- autograph ms.,18th cent. 2nd half; 235x330 mm., 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 349b

[Masses. Credo 4 V (SATB), orch., org]

- autograph ms.,1780; 230x320 mm., score (18 ff.): vl1, vl2, ob1, ob2, hn1, hn2, S, A, T, B, bc.

M-MDca, Mus. Ms. 350

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1785; 230x310 mm., score (84 ff.); 19 partbooks: S, A, T, B; Domine Deus S solo; Qui tollis S, A, T, B; Qui sedes S solo; Quoniam S solo; vl1, vl2, ob1, ob2, tr1, tr2, vlc, org (4, 4, 4, 4, 2, 2, 1, 1, 1, 2, 2, 11, 10, 4, 4, 4, 4, 8, 8 ff.).

M-MDca, Mus. Ms. 351

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1786; 230x310 mm., score (57 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (4, 4, 4, 4, 6, 4, 4, 4, 3, 3, 6, 6 ff.). On f. 51v of the score: 18 10bre 1786.

M-MDca, Mus. Ms. 352

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1787; 230x310 mm., score (112 ff.); 26 partbooks: 2 S, 2 A, 2 T, B; Gratias agimus S solo; Domine Deus S1, S2; Qui tollis S, A, T, B; Qui sedes S solo; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 1, 4, 4, 4, 4, 2, 2, 1, 4, 1, 1, 4, 10, 9, 9, 9, 6, 5, 5, 5, 8, 8, 1 ff.). Organ part damaged.

M-MDca, Mus. Ms. 353

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1790; 230x310 mm., score (155 ff.); 27 partbooks: S, 2 A, 2 T, B; Gratias agimus S solo; Domine Deus S1, S2; Qui tollis S, A, T, B; Qui sedes S solo; 2 vl1, 2 vl2, ob1, ob2, ob solo, tr1, tr2, bsn, vlc, db, org (5, 5, 4, 4, 5, 4, 6, 4, 2, 2, 2, 2, 2, 2, 4, 15, 13, 13, 13, 7, 5, 6, 6, 9, 9, 8, 10 ff.).

M-MDca, Mus. Ms. 354

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1791; 230x310 mm., score (152 ff.); 19 partbooks: S, A, T, B; Gratias agimus S solo; Qui tollis S1, S2, T, B; Qui sedes S solo; 2 vl1, vl2, ob1, ob2, ob obbl, bsn, db, org (6, 6, 5, 6, 4, 2, 2, 2, 2, 4, 10, 10, 10, 8, 6, 2, 9, 10, 10 ff).

M-MDca, Mus. Ms. 355

[Requiem Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1792; 230x310 mm., score (152 ff.); 30 partbooks: 2 S, A, 2 T, 2 B, B rip; Oro suplex S solo; Juste judex S solo; Preces mea S solo; Qui Mariam A solo; Tuba mirum T solo; Quantus tremor B solo; 3 vl1, 3 vl2, vlta, fl-tr1, fl-tr2, hn1, hn2, bsn, vlc, 2 db, org (8, 9, 9, 7, 8, 8, 10, 6, 2, 2, 2, 2, 2, 2, 12, 12, 12, 12, 12, 12, 10, 7, 6, 6, 6, 1, 10, 9, 8, 11, 11 ff.).

M-MDca, Mus. Ms. 355a

ms., 19-20 sec. 1 part: cor. Title and composer not specified.

M-MDca, Mus. Ms. 356

[Requiem Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1792; 230x310 mm., score (79 ff.), vocal score (32 ff.); partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db (6, 10, 6, 4, 10, 10, 5, 4, 4, 4, 7 ff.); lettere. A second copy of this work is available in the Archives of the "Commissariato della Terra Santa", Valletta, Malta.

M-MDca, Mus. Ms. 357

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1792; 235x315 mm., score (147 ff.); 27 partbooks: S, A, T, B; Domine Deus S, A,; Qui tollis S, A, T, B; Qui sedes S solo; Quoniam S solo; 2 vl1, 2 vl2, ob1, ob2, ob obbl (Qui sedes), hn1, hn2, 2 bsn, vlc, vlc obbl (Qui sedes), db, org (5, 6, 4, 4, 2, 2, 2, 2, 2, 2, 3, 3, 11, 10, 11, 11, 8, 7, 2, 6, 6, 10, 2, 10, 2, 10, 10 ff.). The vlc and ob ("Qui sedes") parts are written by another copyst and carry the initials: A.B.

M-MDca, Mus. Ms. 358

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1794; 235x315 mm., score (190 ff.); 24 partbooks: S, A, T, B; Gratias agimus S solo; Domine Deus S1, S2; Qui tollis S, A, T, B; Qui sedes S solo; Quoniam B solo; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (5, 5, 5, 5, 5, 2, 2, 2, 2, 3, 2, 3, 6, 15, 15, 15, 15, 10, 9, 8, 8, 11, 10, 12 ff.).

M-MDca, Mus. Ms. 359

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1795; 230x310 mm., score (100 ff.); 27 partbooks: S, A, T, B; Gratias agimus S solo; Domine Deus S, A, T, B; Qui tollis S1, S2; Qui sedes S solo; Quoniam B solo; 2 vl1, 2 vl2, vl obbl (Qui sedes), ob1, ob2, cl (Qui tollis), hn1, hn2, bsn, bsn obbl (Quoniam), vlc, db, org (5, 5, 5, 6, 3, 2, 2, 2, 2, 3, 3, 3, 4, 14, 13, 14, 14, 3, 10, 6, 3, 8, 8, 11, 3, 13, 12, 12 ff.). On the score, horn parts are alternated with those of the trumpets.

M-MDca, Mus. Ms. 359a

[Compositions. Eb]

- ms., 18th cent. 2nd half; 230x310 mm.; 1 part: cl. Handriting is identical to Francesco Azzopardi’s autographs.

M-MDca, Mus. Ms. 360

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1796; 230x310 mm., score (170 ff.); 22 partbooks: 2 S, A, T, B, B2; Gratias agimus B solo; 2 vl1, 2 vl2, 2 ob1, 2 ob2, tr1 (cor-cac), 2 tr2 (cor-cac), vlta, vlc, db, org (5, 5, 5, 5, 6, 3, 4, 14, 14, 14, 14, 9, 7, 5, 6, 7, 4, 4, 12, 12, 1, 2 ff.) Org and db parts are damaged. On the score, horn parts are alternated with those of the trumpets.

M-MDca, Mus. Ms. 361

[Masses. 8 V (SATB-SATB), orch., org]

- partially autograph ms., 1798; 430x270 mm., score (87 ff.); 43 partbooks: Kyrie e Gloria choir 1 S, A, T, B, vl1, vl2, ob1, ob2, cor1, cor2; Cum sancto spiritu S, A, T, B, vl1, vl2, ob1, ob2, cor1, cor2; Kyrie e Gloria choir 2 S, A, T, B, vl1, vl2, cl1, cl2, tr1, tr2; Cum sancto spiritu S, A, T, B, vl1, vl2, cl1, cl2, tr1, tr2, vlc, db, org (4, 3, 3, 4, 5, 5, 4, 4, 3, 3, 3, 4, 4, 4, 5, 6, 4, 3, 3, 4, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 6 ff.) On the score, a clarino part is joint.

M-MDca, Mus. Ms. 362

[Masses. Credo 4 V (SATB), orch., org]

- partially autograph ms., 1800; 240x325 mm., score (34 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (2, 2, 2, 2, 3, 4, 4, 3, 2, 2, 2, 2, 2, 2, 2, 4 ff.).

M-MDca, Mus. Ms. 363

[Masses. 2/3 V (SSB), orch., org]

- partially autograph ms., 1803; 230x320 mm., score (31 ff.); 9 partbooks: S1, S2, B, vl1, vl2, ob1, ob2, cor1+cor2, db (4, 4, 4, 4, 4, 2, 2, 2, 4 ff.).

M-MDca, Mus. Ms. 364

[Masses. Credo 4 V (SATB), orch., org]

- partially autograph ms., 1804; 240x315 mm., score (34 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 4, 4, 4, 4, 2, 2, 2, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 364

[Masses. Sanctus 4 V (SATB), orch., org]

- partially autograph ms., 1804; 240x315 mm., score (21 ff.); 12 partbooks: S, A, T, B, 2 vl1, 2 vl2, cl1, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.). Damaged score.

M-MDca, Mus. Ms. 365

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1805; 230x310 mm., score (92 ff.); 21 partbooks: S, A, T, B; Domine Deus B solo; Qui tollis S, A, 2 T, B; Qui sedes S solo; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, db, org (4, 4, 4, 4, 2, 2, 2, 2, 2, 2, 2, 8, 8, 8, 8, 6, 4, 4, 4, 6, 6 ff.).

M-MDca, Mus. Ms. 366

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1806; 235x315 mm., score (116 ff.); 24 partbooks: S, A, T, B; Domine Deus S, A, T, B; Qui tollis S1, S2; Qui sedes S solo; 2 vl1, 2 vl2, vl (Qui sedes), ob1, ob2, ob (Qui sedes), hn1, hn2, vlc, db, org (4, 4, 4, 4, 2, 2, 2, 2, 2, 2, 4, 9, 9, 9, 9, 2, 6, 4, 2, 4, 4, 8, 8, 10 ff.). On the ob obbl part: Oboe in vece del violino. On the score the duet "Qui tollis" is accompanied by a clarino.

M-MDca, Mus. Ms. 367

[Masses. Credo 4 V (SATB), orch., org]

- ms., 18th cent. 2nd half; 225x310 mm., 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 368

[Masses . 4 V (SATB), org]

- ms., 18^th cent. 2nd half /19th-20th cent.; 205x275 mm.; score (77 ff.); 305x215 mm.; 4 partbooks: S, A, T, B (8, 15, 16, 12, 16 ff.). The 19/20^th cent. score is bound. Damaged parts.

1. [Masses]
   Messa P.a

2. [Masses]
   Messa 2.da

3. [Masses]
   Messa 3.a

M-MDca, Mus. Ms. 369

[Masses. 4 V (SATB), orch., org]

- partially autograph ms., 1776; 220x280 mm., score (62 ff.); 24 partbooks: S, A, T, B; Gratias agimus S solo; Domine Deus S, A; Qui tollis S, A, T, B; Qui sedes S solo; Quoniam B solo; 2 vl1, 2 vl2, ob1, ob2, cor1, cor2 (4, 4, 4, 4, 2, 1, 1, 1, 1, 1, 1, 2, 2, 10, 10, 10, 10, 4, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 370

[Nunc scio vere. Introit. 4 V (SATB), db, org, C]

- partially autograph ms., 1785; 235x315 mm., score (4 ff.); 6 partbooks: S, A, T, B, db, org (1, 1, 1, 1, 1, 2 ff.) On the partbooks: Azupardi.

M-MDca, Mus. Ms. 371

[Terribilis est. Introit. 4 V (SATB), org, Bb]

- ms., 1787; 230x315 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.)

M-MDca, Mus. Ms. 372

[Vidimos stellam. Gradual. 4 V (SATB), orch., org, A]

- partially autograph ms., 1787; 230x315 mm.; score (16 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 2, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 373

[Benedicta et venerabilis. Gradual. 4 V (SATB), orch., org, A]

- partially autograph ms., 1787; 230x315 mm.; score (14 ff.); 17 partbooks: 2 S, A, T, B, B rip, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, 2 db, org (2, 2, 1, 2, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 374

[Tecum principium. Gradual. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1787; 230x315 mm.; score (16 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 375

[Viderunt omnes. Gradual. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1787; 230x315 mm.; score (16 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 2, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 376

[Ascendit Deus. Gradual. 4 V (SATB), orch., org, C]

- partially autograph ms., 1788; 230x315 mm.; score (14 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, 2 db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 377

[Sederunt principes. Gradual. 4 V (SATB), orch., org, D]

- partially autograph ms., 1789; 230x315 mm.; score (13 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (2, 2, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 378

[Benedicta et venerabilis. Gradual. 4 V (SATB), org, Eb]

- ms., 18th cent. 2nd half; 230x315 mm.; 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 379

[Locus iste. Gradual. 4 V (SATB), orch., org, D]

- partially autograph ms., 1787; 230x315 mm.; score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 380

[Timete Dominum. Gradual. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1787; 230x315 mm.; score (13 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 381

[Propter veritatem. Gradual. 4 V (SATB), orch., org, D]

- partially autograph ms., 1788; 230x315 mm.; score (15 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (2, 2, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 382

[Qui operatus est. Gradual. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1788; 230x315 mm.; score (14 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, bsn, db, org (2, 1, 2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2 ff.). Same music in Mus. Ms. 388.

M-MDca, Mus. Ms. 383

[Constitues eos. Gradual. 4 V (SATB), orch., org, A]

- partially autograph ms., 1788; 230x315 mm.; score (16 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 384

[Justus ut palma. Gradual. 4 V (SATB), orch., org, D]

- partially autograph ms., 1801; 230x315 mm.; score (16 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, 2 db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 385

[Prius quam te formarem. Gradual. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1805; 230x315 mm.; score (17 ff.); 14 partbooks: S, A, T, B, 2 vl1, vl2, ob/clnto, ob2, hn1, hn2, vlc, db, org (2, 1, 2, 1, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.). On the partbooks: 1805.

M-MDca, Mus. Ms. 386

[Sacerdotes eius. Gradual. 4 V (SATB), orch., org, A]

- partially autograph ms., 1808; 230x315 mm.; score (15 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 2, 2, 2, 1, 1, 1, 1, 1, 2 f.). Two loose sheets include liturgical indications.

M-MDca, Mus. Ms. 387

[Constitues eos. Gradual. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 18th-19th cent.; 230x315 mm.; score (19 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob2, hn1, hn2, clnto, vlc, db, org (2, 1, 2, 1, 2, 2, 2, 2, 1, 1, 1, 2, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 388

[Qui operatus est. Gradual. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1788; 230x315 mm.; score (14 ff.); 4 partbooks: S, A, T, B (2, 1, 2, 1 ff). The score is not complete (only the voices, bc and partially the first violin have been compiled). Same music in Mus. Ms. 382.

M-MDca, Mus. Ms. 389

[Gradual and Offertory for St Anna. 4 V (SATB), org]

- partially autograph ms., 1804; 225x315 mm.; vocal score (8 ff.); 5 partbooks: S, A, T, B, org (2, 2, 2, 2, 2 ff).

1. [Dilexisti justitiam. Gradual. F]
   Graduale

2. [Filiae regum. Offertory. G]
   Offertorio

M-MDca, Mus. Ms. 390

[Gradual and Offertory for SS. Fabiano e Sebastiano. 4 V (SATB), org]

- autograph ms.,1807; 235x320 mm.; vocal score (7 ff.); 5 partbooks: S, A, T, B, org (2, 2, 2, 2, 1 ff); Org part is damaged.

1. [Gloriosus Deus. Gradual. G]
   Graduale

2. [Laetamini in Domino. Offertory. Bb]
   Offertorio

M-MDca, Mus. Ms. 391

[Gradual and Offertory for St Agata. 4 V (SATB), org]

- partially autograph ms., 1808; 235x320 mm.; vocal score (8 ff.); 6 partbooks: S, A, T, B, db, org (2, 2, 2, 2, 2, 2 ff).

1. [Adiuvabit eam. Gradual. Bb]
   Graduale

2. [Afferentur regi. Offertory. Bb]
   Off:

M-MDca, Mus. Ms. 392

[Gradual, Alleluiatic verse, Offertory and Communio fr St Cecilia]

- partially autograph ms., 18th-19th cent.; 235x320-160 mm.; vocal score (8 ff.); 7 partbooks: S solo, S1, S2, A, B, db, org (1, 1, 1, 1, 1, 1, 2 ff.). Handwriting identical to Azopardi’s manuscripts.

1. [Audi filia et vide. Gradual. S, T, org, db, Bb]

2. [Alleluia...Quinque prudentes virgines. Alleluiatic verse. 4 V (SATB), db, org, Bb]
   
   Off:

3. [Afferentur. Offertory. S, db, org, C]

4. [Confundantur. Communio. S, db, org, C]

M-MDca, Mus. Ms. 393

[Veni sancte spiritus. Sequence. 4 V (SATB), orch., org, G]

- partially autograph ms., 1782; 230x320 mm.; score (12 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 394

[Victimae paschali laudes. Sequence. 4 V (SATB), orch., org, A]

- partially autograph ms., 1786; 230x320 mm.; score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 395

[Laeta quies magni ducis. Sequence. 4 V (SATB), orch., org, A]

- partially autograph ms., 1788; 230x320 mm.; score (16 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 396

[Lauda Sion. Sequence. 4 V (SATB), orch., org, A]

- partially autograph ms., 1793; 235x320 mm.; score (52 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (4, 4, 4, 4, 4, 4, 3, 3, 2, 2, 4, 4 ff.).

M-MDca, Mus. Ms. 397

[Veni sancte spiritus. Sequenza. 4 V (SATB), orch., org, F]

- partially autograph ms., 1798; 230x320 mm.; score (18 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 398

[Terra tremuit. Offertory. 4 V (SATB), orch., org, Eb]

- partially autograph ms., 1788; 230x315 mm.; vocal score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 399

[Angelus Domini. Offertory. S, orch., org, Eb]

- partially autograph ms., 1788; 230x315 mm.; score (14 ff.); 9 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, db, org (3, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 400

[Ascendit Deus. Offertory. S, orch., org, Eb]

- partially autograph ms., 1788; 230x315 mm.; score (13 ff.); 14 partbooks: 2 S, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, 3 db, org (3, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 401

[Sacerdotes Domini. Offertory. S, orch., org, C]

- partially autograph ms., 1788; 230x320 mm.; score (16 ff.); 8 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, org (4, 2, 2, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 402

[Confirma hoc Deus. Offertory. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1788; 230x320 mm.; score (13 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 403

[Intonuit de coelo. Offertory. 4 V (SATB), orch., org, D]

- partially autograph ms., 1788/1832; 230x320 mm.; score (12 ff.); 12 partbooks: S, 2 A, T, B, vl1, vl2, ob1, hn1, hn2, db, org (2, 1, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2 ff.). Org part is dated 1832.

M-MDca, Mus. Ms. 404

[Reges Tharsis. Offertory. 4 V (SATB), orch., org, F]

- partially autograph ms., 1789; 230x320 mm.; score (13 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 405

[Sacerdotes Domini. Offertory. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1791; 230x320 mm.; score (6 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 406

[Beata virgo Maria. Offertory. 4 V (SATB), orch., org, D]

- partially autograph ms., 1787; 235x320 mm.; score (16 ff.); 15 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, bsn, 2 db, 2 org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 3, 2 ff.).

M-MDca, Mus. Ms. 406a

- ms., 18th cent.; 235x320 mm.; vocal score (4 ff.).

M-MDca, Mus. Ms. 407

[Laetentur caeli. Offertory. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1788; 235x320 mm.; score (14 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 1, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 408

[Tui sunt caeli. Offertory. 4 V (SATB), orch., org, A]

- partially autograph ms., 1788; 235x320 mm.; score (19 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 1, 2, 2, 2, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 409

[Elegerunt apostoli Stephanum. Offertory. S, 4 str., org, C]

- partially autograph ms., 1769; 230x320 mm.; score (8 ff.); 6 partbooks: S, vl1, vl2, ob, db, org (4, 2, 2, 2, 2, 1, 2 ff.).

M-MDca, Mus. Ms. 410

[Ave Maria. Offertory. 4 V (SATB), orch., org, F]

- partially autograph ms., 1789; 230x320 mm.; score (8 ff.); 9 partbooks: fl-tr, 2 vl1, 2 vl2, hn1, hn2, db, org (2, 2, 2, 2, 2, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 411

[Beata es virgo. Offertory. S, orch., org, Bb]

- partially autograph ms., 1791; 230x315 mm.; score (20 ff.); 15 partbooks: S, 3 vl1, 3 vl2, ob1, ob2, hn1, hn2, vlc, db, 2 org (4, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 412

[Justorum animae. Offertory. S, orch., org, Bb]

- partially autograph ms., 1787; 230x315 mm.; score (12 ff.); 9 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 413

[Domine Deus in simplicitate. Offertory. 4 V (SATB), orch., org, C]

- partially autograph ms., 1787; 235x310 mm.; score (14 ff.); 14 partbooks: S, A, T, B, vl1, vl2, ob obbl, ob rip, ob2, hn1, hn2, bsn, db, org (1, 1, 1, 1, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff.). On the score, horn parts are indicated as trombe.

M-MDca, Mus. Ms. 414

[Assumpta est Maria. Offertory. S, 3 str., org, Bb]

- partially autograph ms., 1788; 235x310 mm.; score (8 ff.); 5 partbooks: S, vl1, vl2, db, org (4, 2, 2, 1, 2 ff.).

M-MDca, Mus. Ms. 415

[Mihi autem. Offertory. S, orch., org, Eb]

- partially autograph ms., 1788; 235x310 mm.; score (20 ff.); 13 partbooks: S, 2 vl1, 2 vl2, vlta, ob1, ob2, hn1, hn2, vlc, db, org (4, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). On f.19r-20v of the score is included a fragment of the hymn "Sancte Paule" (soprano part).

M-MDca, Mus. Ms. 416

[Consitues eos. Offertory. S, orch., org, C]

- partially autograph ms., 1788; 235x310 mm.; score (22 ff.); 13 partbooks: 2 S, 2 vl1, 2 vl2, ob obbl, hn1, hn2, bsn, vlc, db, org (4, 4, 2, 2, 2, 2, 2, 1, 1, 2, 2, 2, 4 ff.).

M-MDca, Mus. Ms. 417

[Consitues eos. Offertory. S, orch., org, A]

- partially autograph ms., 1793; 235x310 mm.; score (20 ff.); 13 partbooks: S, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (4, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 418

[Mihi autem. Offertory. 4 V (SATB), orch., org, A]

- partially autograph ms., 1801; 235x310 mm.; score (23 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 419

[Justus ut palma. Offertory. S, orch., org, Eb]

- partially autograph ms., 1801; 235x310 mm.; score (18 ff.); 11 partbooks: S, vl1, vl2, vl3, ob, clnto, hn1, hn2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 2, 2, 2 ff.) ff.).

M-MDca, Mus. Ms. 420

[Veritas mea. Offertory. S, orch., org, Eb]

- partially autograph ms., 1801; 235x310 mm.; score (20 ff.); 12 partbooks: S, 2 vl1, 2 vl2, clnto1, ob2, hn1, hn2, 2 db, org (3, 2, 2, 2, 2, 2, 2, 1, 1, 2, 2, 2 ff.). On the score the clnto and ob parts are both indicated as clarinetti.

M-MDca, Mus. Ms. 421

[In virtute tua. Offertory. S, orch., org, Eb]

- partially autograph ms., 1805; 235x310 mm.; score (16 ff.); 10 partbooks: S, 2 vl1, vl2, clnto, ob, hn1, hn2, db, org (3, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 422

[Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, G]

- partially autograph ms., 1772; 230x320 mm.; score (8 ff.); 17 partbooks: S, A, 2 T, 2 B, 2 vl1, 2 vl2, ob, hn1, hn2, bsn, 2 db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 423

[Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, Eb]

- partially autograph ms., 1778; 230x320 mm.; score (8 ff.); 17 partbooks: S, A, T, B, 2 vl1, 3 vl2, ob1, ob2, hn1, hn2, vlc, 2 db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 424

[Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, G]

- partially autograph ms., 1782; 230x320 mm.; score (8 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). Damaged score.

M-MDca, Mus. Ms. 425

[Domine ad adiuvandum. Verse.4 V (SATB), orch., org, F]

- partially autograph ms., 1783; 230x320 mm.; score (7 ff.); 6 partbooks: T, vl1, vl2, ob2, cor1, cor2 (1, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 426

[Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, D]

- partially autograph ms., 1786; 230x320 mm.; score (8 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 427

[Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, C]

- partially autograph ms., 1789; 230x320 mm.; score (14 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 428

[Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, G]

- partially autograph ms., 1791; 230x320 mm.; score (12 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 429

[Domine ad adiuvandum. Verse. 4 V (SATB), orch., org, C]

- partially autograph ms., 1793; 230x320 mm.; score (10 ff.); 12 partbooks: S, A, T, B, vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 430

[Domine ad adiuvandum. Verse. 4 V (SATB) orch., org, D]

- partially autograph ms., 1800; 230x320 mm.; score (10 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 431

[Gloria patri. Doxology. S, orch., org, F]

- ms., 1772; 290x210 mm.; 13 partbooks: S, 2 vl1, 2 vl2, fl-tr1, fl-tr2, hn1, hn2, vlc, 2 db, org (2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2 f.).

M-MDca, Mus. Ms. 432

[Gloria patri. Doxology. S, orch., org, Eb]

- partially autograph ms., 1783; 230x320 mm.; score (14 ff.); 11 partbooks: vl1, vl2, ob, hn1, hn2, cor1 d'eco, cor2 d'eco, bsn, vlc, db, org (2, 2, 1, 1, 1, 1, 1, 2, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 433

[Gloria patri. Doxology. T, choir (SATB), orch., org, G]

- partially autograph ms., 1789; 230x320 mm.; score (12 ff.); 18 partbooks: S, A, T, B, 2 vl1, 2 vl2, 2 fl-tr1, 2 fl-tr2, hn1, hn2, bsn, vlc, db, org (1, 1, 2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 434

[Gloria patri. Doxology. 4 V (SATB), orch., org, C]

- partially autograph ms., 18th cent. 2nd half; 230x320 mm.; 13 partbooks: S, A, T, B, 2 vl1, 2 vl2, fl-tr, cor1+cor2, vlc, db, org (1, 1, 1, 1, 2, 1, 2, 1, 1, 1, 1, 1, 2 ff.) .

M-MDca, Mus. Ms. 435

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, D]

- ms., 1772; 210x310 mm.; score (I-II, 36, III ff.); 13 partbooks: S, A, T, B; Tecum principium 2 S solo; De torrente T, B; 3 vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 1, 1, 1, 1, 6, 6, 6, 6, 6, 4, 4, 4, 4, 6, 6, 6 ff.). Score bound with parchmen.

M-MDca, Mus. Ms. 436

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, C]

- partially autograph ms., 1776; 220x310 mm.; score (70 ff.); 18 partbooks: S, A, T, B; De torrente S solo; Tecum principium B solo; 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (4, 4, 4, 4, 4, 2, 6, 6, 5, 6, 5, 4, 4, 4, 6, 6, 6, 6 ff.).

M-MDca, Mus. Ms. 437

[Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, Eb]

- ms., 1777; 220x310 mm.; 15 partbooks: S, A, T, B; Tecum principium B solo; De torrente S solo; vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 4, 6, 6, 4, 4, 4, 4, 6, 6, 6 ff.).

M-MDca, Mus. Ms. 438

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, D]

- partially autograph ms., 1780; 220x310 mm.; score (53 ff.); 13 partbooks: S, A, T, B; Tecum principium S solo; De torrente S solo; vl1, vl2, ob1, ob2, cor1, db, org (4, 4, 4, 4, 4, 4, 4, 4, 3, 4, 4, 4, 5 ff.). On the score: Corni, o Trombe in D.A .G .re. Damaged score (the final "Amen" is missing).

M-MDca, Mus. Ms. 439

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, G]

- partially autograph ms., 1780; 220x310 mm.; score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 440

[Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, F]

- partially autograph ms., 1784; 220x310 mm.; 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 441

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, C]

- partially autograph ms., 1787; 220x310 mm.; score (25 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, vlc, org (2, 2, 4, 2, 3, 3, 2, 2, 2, 3, 4 ff.) The horn parts are indicated on the score as Trombe.

M-MDca, Mus. Ms. 442

[Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, Bb]

- partially autograph ms., 1788; 220x310 mm.; score (25 ff.); 21 partbooks: 2 S, 2 A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, 2 cor1, 2 cor2, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 3, 3, 3, 3, 2, 2, 1, 1, 2, 1, 3, 3, 6 ff.). On the organ part: Giuseppe Agius Mauro Pa[vone].

M-MDca, Mus. Ms. 443

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, G]

- partially autograph ms., 1789; 220x310 mm.; score (85 ff.); 20 partbooks: S, A, T, B; Tecum principium S solo; Juravit Dominus S1, S2; De torrente S solo; 2 vl1, 2 vl2, ob1, ob2, ob2 (De torrente), hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 2, 2, 4, 8, 8, 8, 8, 4, 4, 1, 4, 4, 6, 6, 8 ff.). The score includes a basson part.

M-MDca, Mus. Ms. 444

[Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, G]

- partially autograph ms., 1790; 230x310 mm.; score (100 ff.); 20 partbooks: S, S rip, A, T, B; Virgam virtutis S solo; Juravit Dominus B solo; Dominus a dextris S1, S2, B; De torrente S solo; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 2, 3, 4, 4, 4, 4, 2, 2, 2, 4, 8, 8, 8, 8, 6, 4, 4, 4, 8, 8, 7 ff.). The score includes a few passages for flute traversiere and basson.

M-MDca, Mus. Ms. 445

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, D]

- partially autograph ms., 1792; 230x310 mm.; score (105 ff.); 19 partbooks: S, A, T, B; Juravit Dominus S1, S2; De torrente S solo; Tecum principium B solo; 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, vlc, db, org (4, 4, 4,4 2, 2, 4, 4, 8, 8, 8, 8, 6, 5, 5, 4, 6, 6, 6 ff.). The score includes the basson part; the trumpets are sometimes substituted by the horns.

M-MDca, Mus. Ms. 446

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, D]

- partially autograph ms., 1794; 230x310 mm.; score (116 ff.); 22 partbooks: S, A, T, B; Juravit Dominus S, A, T, B; Tecum principium S solo; De torrente S, B; 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (4, 3, 3, 4, 2, 2, 2, 2, 4, 3, 2, 9, 8, 8, 8, 7, 5, 4, 4, 8, 8, 7, 8 ff.). On the score the trumpets are sometimes substituted by the horns.

M-MDca, Mus. Ms. 447

[Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, C]

- partially autograph ms., 1800; 230x310 mm.; score (34 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, vlc, db, org (2, 2, 2, 2, 3, 3, 2, 2, 2, 2, 2, 2, 4 ff.) On the score the trumpets are sometimes substituted by the horns.

M-MDca, Mus. Ms. 448

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, F]

- partially autograph ms., 1805; 230x310 mm.; score (67 ff.); 19 partbooks: S, A, T, B; Juravit Dominus S1, S2, B; De torrente S solo; Gloria patri S solo; 2 vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (3, 3, 3, 3, 2, 2, 1, 3, 2, 7, 7, 7, 4, 4, 3, 4, 5, 6 ff.). The score includes a clarinetto part.

M-MDca, Mus. Ms. 449

[Dixit Dominus. Psalm 109. 4 V (SATB) orch., org, C]

- partially autograph ms., 18th cent. 2nd half; 230x310 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 450

[Dixit Dominus. Psalm 109. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 18th cent. 2nd half; 230x310 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 451

[Confitebor tibi...in consilio. Psalm 110. S, orch., org, Bb]

- partially autograph ms., 1776; 230x310 mm., score (29 ff.); 13 partbooks: S, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (8, 4, 4, 4, 4, 2, 2, 2, 2, 5, 4, 4, 5 ff.).

M-MDca, Mus. Ms. 452

[Confitebor tibi...in consilio. Psalm 110. S1, S2, orch., org, Bb]

- partially autograph ms., 1778; 230x310 mm., score (21 ff.); 10 partbooks: S1, S2, 2 vl1, 2 vl2, bsn, vlc, db, org (4, 4, 4, 4, 4, 4, 3, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 453

[Confitebor tibi...in consilio. Psalm 110. 4 V (SATB), orch., org, C]

- partially autograph ms., 1780; 230x310 mm., score (18 ff.); 10 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, db, org (1, 1, 2, 1, 2, 2, 1, 1, 2 ff.). The score includes two trumpets.

M-MDca, Mus. Ms. 454

[Confitebor tibi...in consilio. Psalm 110. S, orch., org, C]

- partially autograph ms., 1780; 230x310 mm., score (42 ff.); 13 partbooks: S, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (10, 6, 6, 6, 6, 3, 3, 3, 3, 6, 6, 6, 6 ff.). The score includes the violetta and two horns.

M-MDca, Mus. Ms. 455

[Confitebor tibi...in consilio. Psalm 110. S, orch., org, Eb]

- partially autograph ms., 1783; 230x310 mm., score (45 ff.); 13 partbooks: S, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, db, org (10, 4, 4, 4, 4, 1, 1, 1, 1, 4, 4, 4, 4 ff.). The score includes two horns instead of two trumpets.

M-MDca, Mus. Ms. 456

[Confitebor tibi...in consilio. Psalm 110. S1, S2 orch., org, A]

- partially autograph ms., 1786; 230x310 mm., score (20 ff.); 10 partbooks: S1, S2, 2 vl1, 2 vl2, bsn, vlc, db, org (4, 4, 4, 4, 4, 4, 4, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 457

[Confitebor tibi...in consilio. Psalm 110. S, 4 V (SATB), orch., org, Eb]

- partially autograph ms., 1787; 230x310 mm., score (18 ff.); 22 partbooks: 2 S, 2 A, 2 T, 2 B, 3 vl1, 2 vl2, ob1, 2 ob2, cor1+2, 2 vlc, 2 db, org (2, 1, 2, 1, 2, 1, 2, 1, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 1, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 458

[Confitebor tibi...in consilio. Psalm 110. 4 V (SATB), orch., org, A]

- partially autograph ms., 1792; 230x310 mm., score (18 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, cor1+2, vlc, 2 db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 459

[Confitebor tibi...in consilio. Psalm 110. S, 4 V (SATB), orch., org, A]

- partially autograph ms., 1791; 230x310 mm., score (42 ff.); 15 partbooks: S, A, T, B, 2 vl1, vl2, ob1, ob2, hn1, hn2, fl-tr, bsn, db, org (4, 2, 2, 2, 4, 4, 4, 4, 2, 2, 2, 1, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 460

[Confitebor tibi...in consilio. Psalm 110. S, 4 V (SATB), orch., org, A]

- partially autograph ms., 1793; 230x310 mm., score (36 ff.); 18 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob1 (Gloria), ob2, hn1, hn2, bsn, vlc, vlc (Gloria), db, org (4, 2, 2, 2, 4, 4, 4, 4, 2, 1, 2, 1, 1, 3, 4, 1, 4, 4 ff.).

M-MDca, Mus. Ms. 461

[Confitebor tibi...in consilio. Psalm 110. S, 4 V (SATB), orch., org, A]

- partially autograph ms., 1793; 230x310 mm., score (16 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 462

[Credidi. Psalm 115. 4 V (SATB), archi, org, Bb]

- partially autograph ms., 1770; 230x290-310 mm., score (16 ff.); 11 partbooks: S, A, T, B, 2 vl1, 2 vl2, vlc, db, org (1, 1, 1, 1, 2, 2, 2, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 463

[Credidi. Psalm 115. 4 V (SATB), orch., F]

- autograph ms.,1786; 230x310 mm., score (12 ff.): 4 voices, vl1, vl2, ob1, ob2, hn1, hn2, bc. Only the vocal parts and the bc have been notated.

M-MDca, Mus. Ms. 464

[Laudate pueri. Psalm 112. S, orch., G]

- partially autograph ms., 1775; 230x310 mm., score (36 ff.); 10 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, vlta, db, org (4, 5, 4, 3, 3, 2, 2, 4, 4, 2 ff.) The score includes two trumpets and two flautini.

M-MDca, Mus. Ms. 465

[Laudate pueri. Psalm 112. S, orch., Eb]

- partially autograph ms., 1776; 230x310 mm., score (20 ff.); 9 partbooks: S, vl1, vl2, fl-tr1, fl-tr2, hn1, hn2, db, org (4, 4, 4, 2, 2, 1, 1, 2, 4 ff.).

M-MDca, Mus. Ms. 466

[Laudate pueri. Psalm 112. 4 V (SATB), orch., org, G]

- partially autograph ms., 1780; 230x310 mm., score and vocal score (9, 4 ff.); 21 partbooks: 2 S, 2 A, 2 T, 2 B, 2 vl1, 2 vl2, 2 ob1, 2 ob2, 2 cor1+cor2, db, 2 org (1, 1, 1, 1, 1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2, 2 ff.). On f.1r of the vocal score: Padrone Giuseppe .i.Agius.

M-MDca, Mus. Ms. 467

[Laudate pueri. Psalm 112. 4 V (SATB), orch., org]

- ms., 1782; 230x310 mm.; 18 partbooks: S, S solo+b, S solo+b (Excelsus), A, T, B, vl1, vl2, ob1, ob2, cor1, cor2; "Suscitans a terra" ob1, ob2, cor1, cor2; vlc, db, org (4, 8, 4, 4, 3, 4, 6, 7, 2, 2, 2, 2, 1, 1, 1, 1, 6, 6, 6 ff.). Includes two versions of psalm 112: first version in D to be found on ff.1v-2r and 6v (doxology) of org, vl1, vl2, db and vlc parts; a second version in G is to be found on f.2v of the same parts. The canto parts correspond to the second version. Other vocal parts include the music for the first version. The 4 oboe parts as well as the horn parts include respectively the first and second version of the Psalm.

M-MDca, Mus. Ms. 468

[Laudate pueri. Psalm 112. S, orch., Bb]

- partially autograph ms., 1781; 230x310 mm., score (27 ff.); 10 partbooks: S, vl1, vl2, ob1, ob2, hn1, hn2, bsn, vlc, org (8, 3, 4, 2, 2, 2, 2, 4, 4, 4 ff.). The score inlcudes a violetta part (in alto clef).

M-MDca, Mus. Ms. 469

[Laudate pueri. Psalm 112. S, orch., Bb]

- partially autograph ms., 1783; 230x310 mm., score (34 ff.); 7 partbooks: S, vl1, vl2, ob, cor1+cor2, bsn, vlc (4, 6, 6, 2, 2, 4, 4 ff.).

M-MDca, Mus. Ms. 470

[Laudate pueri. Psalm 112. T, 4 V (SATB), orch., org, A]

- partially autograph ms., 1786; 230x310 mm., score (26 ff.); 25 partbooks: 2 S rip, 2 A rip, T solo, 2 T rip, 2 B rip, 3 vl1, 3 vl2, 2 ob1, ob2, hn1, hn2, bsn, vlc, db, 2 org (2, 2, 2, 2, 3, 4, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 1, 2, 2, 2, 2, 2, 2, 4, 6 ff.).

M-MDca, Mus. Ms. 471

[Laudate pueri. Psalm 112. S, 4 V (SATB), orch., org, C]

- partially autograph ms., 1787; 230x310 mm., score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 472

[Laudate pueri. Psalm 112. S, 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1789; 230x310 mm., score (75 ff.); 20 partbooks: S solo, S solo (Quis sicut); S, A, T, B; (Suscitans) S1, S2; 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (4, 3, 2, 2, 2, 2, 2, 2, 10, 8, 8, 10, 4, 4, 4, 6, 6, 6, 5 ff.). The final missing sheets of the org part have been replaced with 19^th cent. music sheets. On the score the oboe is sometimes substituted by a traversiere flute.

M-MDca, Mus. Ms. 473

[Laudate pueri. Psalm 112. S, 4 V (SATB), orch., org, C]

- partially autograph ms., 1793; 230x310 mm., score (76 ff.); 16 partbooks: S solo, A, T, B, 2 vl1, vl1 (Quis sicut), 2 vl2, ob1, ob2, tr1, tr2, bsn, db, org (5, 4, 4, 4, 5, 5, 5, 5, 4, 4, 3, 3, 5, 5, 6 ff.).

M-MDca, Mus. Ms. 474

[Laudate pueri. Psalm 112. S, 4 V (SATB), orch., org, G]

- partially autograph ms., 1796; 230x310 mm., score (53 ff.); 15 partbooks: S solo, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (5, 2, 2, 2, 4, 4, 4, 4, 2, 2, 2, 2, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 475

[Laudate pueri. Psalm 112. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1800; 230x310 mm., score (20 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 476

[Nisi Dominus. Psalm 126. 4 V (SATB), orch., org, Bb]

- ms., 1777; 230x310 mm.; 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 477

[Nisi Dominus. Psalm 126. 2 V (SA), vl1, vl2, db, org, F]

- partially autograph ms., 1780; 230x310 mm.; 6 partbooks: S, A, vl1, vl2, db, org (2, 2, 2, 2, 2, 1 ff.).

M-MDca, Mus. Ms. 478

[Nisi Dominus. Psalm 126. 4 V (SATB), orch., org, A min.]

- partially autograph ms., 1781; 230x310 mm.; 10 partbooks: S, A, T, B, vl1, vl2, ob1, bsn, vlc, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 479

[Nisi Dominus. Psalm 126. 4 V (SATB), orch., org, A]

- partially autograph ms., 1791; 230x310 mm., score (10 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 480

[Nisi Dominus. Psalm 126. 4 V (SATB), orch., org, F]

- partially autograph ms., 1800; 230x310 mm., score (10 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 2, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 481

[Nisi Dominus. Psalm 126. A, T, archi, F]

- partially autograph ms., 18^th cent. 2^nd half.; 210x290 mm., score (12 ff.); 6 partbooks: S, A, vl1, vl2, vlc, db (2, 2, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 482

[Domine probasti me. Psalm 138. 4 V (SATB), orch., org, D]

- partially autograph ms., 1772; 230x320 mm., score (38 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, bsn, db, org (4, 4, 4, 4, 4, 4, 2, 2, 2, 2, 2, 4, 4 ff.). The first five bars have been erased on the score. On the score trumpets are sometimes substituted by the horns.

M-MDca, Mus. Ms. 483

[Domine probasti me. Psalm 138. 4 V (SATB), orch., org, D]

- partially autograph ms., 1800; 230x320 mm., score (35 ff.); 10 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1, cor2 (2, 2, 2, 2, 4, 4, 2, 2, 1, 1 ff.).

M-MDca, Mus. Ms. 484

[Domine probasti me. Psalm 138. 4 V (SATB), orch., org, D]

- ms., 1819; 230x320 mm.; 10 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 485

[Beatus vir. Psalm 111. 4 V (SATB), orch., org, F]

- partially autograph ms., 1775; 230x320 mm., score (14 ff.); 18 partbooks: S, A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (1, 1, 1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 486

[Beatus vir. Psalm 111. 4 V (SATB), orch., org, D]

- partially autograph ms., 1778; 230x320 mm., score (24 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, bsn, org (1, 1, 1, 4, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 487

[Beatus vir. Psalm 111. S, orch., C]

- partially autograph ms., 1783; 230x320 mm., score (43 ff.); 10 partbooks: S solo, vl1, vl2, ob1, ob2, hn1, hn2, vlc, bsn/db, org (10, 4, 6, 2, 2, 2, 2, 4, 4, 4 ff.). A reduction for 4 voices and orch. is in Mus. Ms. 487a. This arrangement presents different music in the doxology.

M-MDca, Mus. Ms. 487a

[Beatus vir. Psalm 111. 4 V (SATB), orch., C]

- partially autograph ms., 1783; 230x320 mm., score (11 ff.); 17 partbooks: S (Gloria et divitiae), A, T, B, vl1, 2 vl1 (Gloria et divitiae patri), vl2, 2 vl2 (Gloria et divitiae), ob1, ob2, hn1, hn2, vlc (Gloria et divitiae), bsn/db (Gloria et divitiae), org (Gloria et divitiae) (1, 2, 2, 2, 4, 1, 1, 6, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.). The music in S, vl1 and vl2 parts ("Gloria et divitiae") has been transposed in A min. tonality while all other parts are in G min. A reduction for Soprano and orch. is Mus. Ms. 487.

M-MDca, Mus. Ms. 488

[Beatus vir. Psalm 111. B, 4 V (SATB), orch., org, F]

- partially autograph ms., 1777; 230x320 mm., score (15 ff.); 9 partbooks: S, A, T, B, vl1, vl2, ob1, db, org (1, 1, 1, 1, 2, 2, 1, 2, 2 ff.)

M-MDca, Mus. Ms. 489

[Beatus vir. Psalm 111. B, 4 V (SATB), orch., org, F]

- partially autograph ms., 1793; 230x320 mm., score (22 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (2, 2, 2, 3, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 490

[Beatus vir. Psalm 111. B, 4 V (SATB), orch., org, F]

- partially autograph ms., 2. metà 18th cent.; 230x320 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, cor1+cor2, bsn/db, vlc, db, (1, 1, 1, 1, 1, 2, 2, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 491

[Laetatus sum. Psalm 121. 4 V (SATB), archi, org, D]

- partially autograph ms., 1776; score (16 ff.), 210x285 mm.; 10 partbooks: S, A, T, B, 2 vl1, 2 vl2, db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 2 ff.).

M-MDca, Mus. Ms. 492

[Laetatus sum. Psalm 121. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1781; 230x330 mm.; 8 partbooks: S, A, T, B, vl1, vl2, ob1, bsn (1, 1, 1, 1, 2, 2, 1, 1 ff.). On the ob part is to be found a fragment of a soprano part on the text "E' nato pastori lo dio degl'amori" to be dated between end of 17^th and beginning of 18^th cent.

M-MDca, Mus. Ms. 493

[Laetatus sum. Psalm 121. 4 V (SATB), orch., org, G]

- partially autograph ms., 1787; 230x330 mm.; 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 494

[Laetatus sum. Psalm 121. 4 V (SATB), orch., org, G]

- partially autograph ms., 1800; 230x330 mm.; score (13 ff.): S1, S2, A, B, vl1, vl2, ob1, ob2, hn1, hn2, bc.

M-MDca, Mus. Ms. 495

[Lauda Jerusalem. Psalm 147. 4 V (SATB), orch., org, G]

- partially autograph ms., 1772; 220x290 mm.; score (16 ff.); 18 partbooks: 2 S, A, T, 2 B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, vlc, db, org (1, 1, 1, 1, 1, 1, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2, 2 ff.). On f.16v of the score: Finis Laus Deo.

M-MDca, Mus. Ms. 496

[Lauda Jerusalem. Psalm 147. S, orch., org, Bb]

- partially autograph ms., 1781; 230x310 mm.; score (24 ff.); 9 partbooks: S, vl1, vl2, mand1, mand2, fl-tr, bsn, db, org (6, 3, 4, 4, 3, 4, 4, 4, 4 ff.). The score includes the parts of two horns and one violetta.

M-MDca, Mus. Ms. 497

[Lauda Jerusalem. Psalm 147. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1781; 230x290 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1+tr2, db, org (2, 1, 2, 2, 2, 2, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 498

[Lauda Jerusalem. Psalm 147. S, choir 4 V (SATB), orch., org, A]

- partially autograph ms., 1791; 230x310 mm.; score (25 ff.); 12 partbooks: S solo, A rip, T rip, B rip, vl1, vl2, ob1, ob2, hn1, hn2, db, org (4, 2, 2, 2, 4, 4, 2, 2, 2, 2, 2, 4 ff.).

M-MDca, Mus. Ms. 499

[Lauda Jerusalem. Psalm 147. 4 V (SATB), orch., org, C]

- partially autograph ms., 1800; 230x310 mm.; score (11 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc (2, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 500

[Laudate Dominum. Psalm 116. 4 V (SATB), orch., org, G]

Azopardi / Laudate Dominum. / 177[7]

- partially autograph ms., 1777; 220x280 mm.; score (12 ff.); 19 partbooks: 2 S, 2 A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 501

[Laudate Dominum. Psalm 116. 4 V (SATB), orch., org, G]

- partially autograph ms., 1778; 230x310 mm.; score (12 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, bsn, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 502

[Laudate Dominum. Psalm 116. 4 V (SATB), orch., org, Bb]

- ms. 18th-19th cent.; 230x310 mm.; 7 partbooks: S, A, T, B, vl1, vl2, ob (1, 1, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 503

[In exitu. Psalm 113. 4 V (SATB), orch., org, C]

- partially autograph ms., 1773; 230x310 mm.; score (24 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (3, 2, 2, 2, 2, 2, 1, 1, 1, 1, 4, 3 ff.). The score includes also two trumpet parts.

M-MDca, Mus. Ms. 504

[In exitu. Psalm 113. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1787; 230x310 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 2, 2 ff.). The org part is bound with a 17^th century music fragment carrying a figured continuo part.

M-MDca, Mus. Ms. 505

[In convertendo. Psalm 125. 4 V (SATB), orch., org, F]

- partially autograph ms., 1786; 230x310 mm.; 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, vlc, db (1, 1, 1, 1, 2, 2, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 506

[In convertendo. Psalm 125. 4 V (SATB), orch., org, Eb]

- partially autograph ms., 1801; 230x310 mm.; 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 2, 1, 2, 2, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 507

[Beati omnes. Psalm 127. S, orch., org, G]

- partially autograph ms., 1776; 230x310 mm.; 13 partbooks: S solo, vl1, vl2, mand1 (or vl1 pizzicato), mand2 (o vl2 pizzicato), ob obbl, ob1, ob2, hn1, hn2, bsn, db, org (6, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 508

[Memento domine. Psalm 131. 4V (SATB), orch., org, C]

- partially autograph ms., 1773; 210x290 mm.; 9 partbooks: S, T, B, vl1, vl2, ob1, ob2, vlc, org (2, 2, 2, 2, 2, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 509

[De profundis. Psalm 129. S, orch., org, Eb]

- partially autograph ms., 1781; 230x310 mm.; 9 partbooks: S solo, vl1, vl2, fl-tr1, fl-tr2, hn1, hn2, db, org (4, 4, 3, 2, 2, 2, 2, 2, 3 ff.).

M-MDca, Mus. Ms. 510

[Vespers. 4 V (SATB), org]

- partially autograph ms., 1784-6; 230x310 mm.; score (86 ff.); 5 partbooks: S, A, T, B, org (I,22,II; I,16,II; I,20,II; I-II,28,III-IV, I-II,20,III-IV ff.). Bound score. Includes 12 compositions.

1. [Dominun ad adjuvandum. Verse]
   Originale Azopardi / Domine. / 1784
2. [Dixit dominus. Psalm 109]
   Originale Azopardi / Dixit / 1784
3. [Dixit dominus. Psalm 109]
4. [Dixit dominus. Psalm 109]
5. [Credidi. Psalm 115]
6. [Credidi. Psalm 115]
7. [Credidi. Psalm 115]
8. [Beatus vir. Psalm 111]
9. [Laudate dominum. Psalm 116]
10. [Magnificat. Canticle]
11. [Magnificat. Canticle]
12. [Magnificat. Canticle]

M-MDca, Mus. Ms. 511

[Vespers. 4 V (SATB), org]

- partially autograph ms., 1780; 230x310 mm.; score ( ff.); 5 partbooks: S, A, T, B, org (I,36,II; 34, 17, 18, I,32 ff.). Bound score. On f.72v of the score is included an index. Includes 11 compositions.

1. [Dominun ad adjuvandum] 1r-2v
   Originale Azopardi / Domine. / 1780

2. [Dixit dominus. Psalm 109]
   Originale Azopardi / Dixit Breve / 1780

3. [Confitebor tibi...in consilio. Psalm 110]
   Originale Azopardi / Confitebor / 1780

4. [Beatus vir. Psalm 111]
   Originale Azopardi / Beatus vir / 1780

5. [Laudate pueri. Psalm 112]
   Originale Azopardi / Laudate pueri / 1780

6. [Laudate dominum. Psalm 116]
   Originale Azopardi / Laudate Dominum. / 1780

7. [In exitu. Psalm 113]
   Originale Azopardi / In exitu / 1781

8. [Laetatus sum. Psalm 121]
   Originale Azopardi / Letatus. / 1781.

9. [Nisi dominus. Psalm 126]
   Originale Azopardi / Nisi Dnus / 1781.

10. [Lauda Jerusalem. canticle]
    Originale Azopardi / Ladua Jerusalem / 1781

11. [Magnificat. canticle]
    Originale Azopardi / Magnificat / 1781.

M-MDca, Mus. Ms. 512

[Magnificat. Canticle. 4 V (SATB), orch., org, G]

- partially autograph ms., 1772; 230x310 mm.; score (24 ff.); 24 partbooks: S solo, B solo, 2 S, 2 A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, 2 cor1, 2 cor2, bsn, 2 db, org (1, 1, 2, 2, 2, 2, 2, 2, 2, 2, 4, 4, 4, 4, 1, 1, 1, 1, 1, 1, 4, 4, 4, 4 ff.). On f.23v of the score an incomplete orchestration of the verse "Suscepit Israel" for 4 voices. strings and bc is included.

M-MDca, Mus. Ms. 513

[Magnificat. Canticle. 4 V (SATB), orch., org, F]

- partially autograph ms., 1781; 230x310 mm.; score (22 ff.); 13 partbooks: S solo ("Suscepit"), S solo ("Sicut locutus"), S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, vlc, org (1, 1, 2, 2, 2, 2, 4, 4, 1, 1, 1, 2, 4 ff.).

M-MDca, Mus. Ms. 514

[Magnificat. Canticle. 4 V (SATB), orch., org, F /Bb]

- partially autograph ms., 1781; 230x320 mm.; score (30 ff.); 37 partbooks: 2 S solo ("Suscepit"), 2 S solo ("Sicut locutus"), 3 S, 2 A, 2 T, T rip, 2 B, B rip, 4 vl1, 4 vl2, 2 ob1, 2 ob2, 2 cor1, 2 cor2, bsn, vlc, 3 db, org (1, 2, 1, 2, 4, 3, 2, 3, 2, 4, 3, 2, 3, 3, 2, 4, 5, 4, 4, 4, 4, 4, 4, 2, 2, 2, 2, 2, 2, 2, 2, 3, 4, 4, 4, 3, 8 ff.).

M-MDca, Mus. Ms. 515

[Magnificat. Canticle. 4 V (SATB), orch., org, F]

- partially autograph ms., 1784; 230x310 mm.; score (24 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, 2 db, org (4, 2, 2, 2, 2, 2, 2, 1, 1, 1,1 2, 2 ff.).

M-MDca, Mus. Ms. 516

[Magnificat. Canticle. 4 V (SATB), orch., org, Bb]

- partially autograph ms., 1786; 230x310 mm.; score (27 ff.); 12 partbooks: S solo ("Suscepit Israel"), S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 2, 2, 2, 4, 4, 2, 2, 2, 2, 4 ff.).

M-MDca, Mus. Ms. 517

[Magnificat. Canticle. 4 V (SATB), orch., org, F]

- partially autograph ms., 1800; 230x310 mm.; score (41 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (4, 4, 4, 4, 4, 4, 4, 4, 2, 2, 2, 2, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 518

[Egregie doctor. Hymn. 4 V (SATB), orch., org, G]

- partially autograph ms., 1776; 230x310 mm.; score (8 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 519

[Decora lux. Hymn. 4 V (SATB), orch., org, C]

- partially autograph ms., 1785; 230x310 mm.; score (12 ff.); 17 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, 2 db, 2 org (1, 1, 1, 1, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On the score the trumpets substitute the horns.

M-MDca, Mus. Ms. 520

[Decora lux. Hymn. S, 4 V (SATB), orch., org, C/F]

- partially autograph ms., 1772; 220x290 mm.; score (18 ff.): S solo; S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, b.

M-MDca, Mus. Ms. 521

[Te Joseph celebrent. Hymn. 4 V (SATB), orch., org, A min.]

- partially autograph ms., 1787; 230x310 mm.; score (12 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, vlc, db, org (1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 522

[Ut queant laxis. Hymn. 4 V (SATB), 3 str., org, G]

- partially autograph ms., 18. sec. 2. metà; 230x310 mm.; 8 partbooks: S, A, T, B, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 1 ff.). Handwriting identical to F. Azopardi’s.

M-MDca, Mus. Ms. 523

[Ut queant laxis. Hymn. 4 V (SATB), A min]

- partially autograph ms., 18. sec. 2. metà; 230x310 mm.; 10 partbooks: 2 S, 2 A, 2 T, 2 B, vl1, vlc (1, 1, 1, 1, 1, 1, 1, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 524

[Laudibus cives. Hymn. 4 V (SATB), orch., org, A min.]

- partially autograph ms., 1787; 230x310 mm.; score (8 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, db, org (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.). The oboe parts have been notated in pencil in a later period. Similar music in Mus. Ms. 525.

M-MDca, Mus. Ms. 525

[Laudibus cives. Hymn. 4 V (SATB), orch., org, A min.]

- partially autograph ms., 1790; 230x310 mm.; score (16 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 2, 2 ff. ). Similar music in Mus. Ms. 524.

M-MDca, Mus. Ms. 526

[Te spelendor et virtus. Hymn. 4 V (SATB), vlc, G]

- partially autograph ms., [1782]; 230x310 mm.; score (4 ff.); 5 partbooks: S, A, T, B, vlc (1, 1, 1, 1, 1 ff.). Same music in Mus. Ms. 527-8

M-MDca, Mus. Ms. 527

[Coelestis urbis. Hymn. 4 V (SATB), orch., G]

- partially autograph ms., 1782; 230x310 mm.; score (10 ff.); 16 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, bsn, db, vlc, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 2, 2, 2 ff.). Same music in Mus. Ms. 526-8.

M-MDca, Mus. Ms. 528

[Iste confessor. Hymn. 4 V (SATB), G]

- partially autograph ms., [1782]; 230x310 mm.; vocal score (4 ff.); 4 partbooks: S, A, T, B (1, 1, 1, 1 ff.). Same music in Mus. Ms. 526-7.

M-MDca, Mus. Ms. 529

[Ave Maris stella. Hymn. 4 V (SATB), orch., D]

- partially autograph ms., 1772; 230x310 mm.; score (21 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, tr1, tr2, bsn, db, org (1, 1, 1, 1, 2, 2, 2, 1, 1, 2, 2, 2 ff.). On the score the trumpets substitute the horns.

M-MDca, Mus. Ms. 530

[Ave Maris stella. Hymn. 4 V (SATB), orch., D]

- partially autograph ms., 1779; 230x310 mm.; score (8 ff.); 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, 2 cor1+cor2, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 531

[Ave Maris stella. Hymn. 4 V (SATB), orch., D]

- partially autograph ms., 1801; 230x310 mm.; score (20 ff.); 10 partbooks: S, A, T, B, vl1, vl2, ob1, cor1+cor2, db, org (2, 2, 2, 2, 2, 2, 2, 2, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 532

[Salutis humanae sator. Hymn. 4 V (SATB), orch., G , D]

- partially autograph ms., 1773; 230x310 mm.; score (10 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 533

[Salutis humanae sator. Hymn. 4 V (SATB), 3 str., D]

- partially autograph ms., 1795; 230x310 mm.; score (7 ff.); 8 partbooks: S, A, T, B, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 2 ff.). On f. 1v of the db part some theoretical explanation with musical examples are included.

M-MDca, Mus. Ms. 534

[Salutis humanae sator. Hymn. 4 V (SATB), org., F]

- partially autograph ms., 18th cent. 2nd half; 230x160-310 mm.; 5 partbooks: S, A, T, B, b+voices (1, 1, 1, 1, 1 ff.).

M-MDca, Mus. Ms. 535

[Veni creator spiritus. Hymn. 5 V (SSATB), orch., G]

- partially autograph ms., 1776; 230x310 mm.; 21 partbooks: S1, S2, A, 2 T, 2 B, 2 vl1, 2 vl2, ob1, ob2, 2 cor1, 2 cor2, bsn, vlc, db, org (2, 2, 1, 1, 1, 1, 1, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 536

[Veni creator spiritus. Hymn. 4 V (SATB), orch., G]

autograph ms.,1782; 230x310 mm.; score (10 ff.): S, A, T, B, vl1, vl2, fl-tr1, fl-tr2, hn1, hn2, b. Final sheets of the score missing. Same music in Mus. Ms. 537.

M-MDca, Mus. Ms. 537

[Veni creator spiritus. Hymn. 4 V (SATB), orch., G]

ms., 1782; 230x310 mm.; score (16 ff.); 14 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.). The autograph copy is in Mus. Ms. 537.

M-MDca, Mus. Ms. 538

[Veni creator spiritus. Hymn. 4 V (SATB), 4 str., G]

- partially autograph ms., 1790; 230x310 mm.; score (18 ff.); 8 partbooks: S, A, T, B, bsn, vlta1+vlta2, vlc, db (2, 2, 2, 2, 2, 3, 2, 2 ff.). Similar vocal parts in Mus. Ms. 535. The score includes only the vocal parts.

M-MDca, Mus. Ms. 539

[Veni creator spiritus. Hymn. 5 V (SSATB), orch., Bb]

- partially autograph ms., 1806; 230x310 mm.; score (16 ff.); 11 partbooks: S1, S2, A, T, B, vlta1, vlta2, bsn, vlc, db, org (2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2 ff.).

M-MDca, Mus. Ms. 540

[Pange lingua. Hymn. 3 V (SSB), orch., G min.]

- partially autograph ms., 1803; 230x310 mm.; score (16 ff.); 8 partbooks: S1, S2, B, vl1, vl2, ob1, db, org (2, 2, 2, 2, 2, 1, 2, 2 ff.).

M-MDca, Mus. Ms. 541

[Pange lingua. Hymn. 4 V (SATB), orch., G min.]

- partially autograph ms., 18th-19th cent.; 230x310 mm.; score (18 ff.); 14 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, cor1+cor2, 2 bsn, vlc, db, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 542

[Invicte martir unicum. Hymn. 4 V (SATB), orch., G]

- partially autograph ms., 1787; 230x310 mm.; score (12 ff.); 16 partbooks: vl1, vl2, ob1, ob2, hn1, hn2, db, org (2, 2, 1, 1, 1, 1, 1, 2 ff.); S, A, T, B ("Placare Christi"); S, A, T, B ("Crudelis herodes") (1, 1, 1, 1, 1, 1, 1, 1 ff.). Vocal parts include alternatives texts to be sung with same music.

M-MDca, Mus. Ms. 543

[Jesu redemptor omnium. Hymn. 4 V (SATB), orch., C]

ms., 1787; 230x310 mm.; 12 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, tr1, tr2, 2 db (1, 1, 1, 1, 2, 2, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 544

[Hymn and Responsory. Dominica in palmis. 4 V (SATB), org, D min.]

- partially autograph ms., 1795; 230x310 mm.; score (6 ff.); 5 partbooks: S, A, T, B, org (1, 1, 1, 1, 2 ff.); GFA, etc.

1. [Gloria, laus, et honor. Hymn. 4 V (SATB), org, D min.]

2. [Ingrediente domino. Responsorio. 4 V (SATB), org, D min.]

Followed by the verse "Cumque audisset".

M-MDca, Mus. Ms. 545

[Turba. Passio Domini nostri Jesu Christi secundum Matthaeum. Dominica in palmis. 4 V (SSTB), org, D]

- ms., 18^th cent.; 230x310 mm.; score (8 ff.); 5 partbooks: S, A, T, B, vlc (2, 2, 2, 2, 2 ff.). Attribution based on the 1809 inventory listing all Azopardi’s music. Includes 20 interventions of the turba.

M-MDca, Mus. Ms. 546a/1

[Vau. Et egressus est. Lamentations. Lectio II Feria V. S, bc]

- ms., 1783 sec.; 230x310 mm.; 2 vocal scores (4, 4 ff.). The vocal scores are indentical.

M-MDca, Mus. Ms. 546a/2

[Jod. Manun suam. Lamentations. Lectio II Feria V. S, bc]

autograph ms., 1783/18th cent.; 230x310 mm.; 2 vocal scores (4, 4 ff.). One score is autograph (1783, sigla C1). On f.1r of the score: A.M.P.

M-MDca, Mus. Ms. 546b

[Christus factus est. Antiphon. 4 V (SATB), 5 str., Bb min.]

- partially autograph ms. 1789; 230x310 mm.; score (4 ff.); 9 partbooks: S, A, T, B, vl1, vlta1+2, 2 db, org (1, 1, 1, 1, 1, 2, 1, 1, 2 ff.). Only vocal parts have been notated on the score.

M-MDca, Mus. Ms. 547a

[De lamentatione Jeremiae prophetae. Lamentations Feria VI. S, bc, C min.]

- partially autograph ms. 1789; 230x310 mm.; 4 vocal scores (4, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 547b

[Lamed. Matribus suis. Lectio II. Lamentations. Feria VI. S, bc, C min.]

- partially autograph ms., 1783; 230x310 mm.; 4 scores (4, 4, 4, 4 ff.) On the title the indication Tenore has been joint later.

M-MDca, Mus. Ms. 547c

[Christus factus est. Antiphon. 4 V (SATB), 6 str., F min.]

- partially autograph ms. 1801; 230x310 mm.; score (6 ff.); 10 partbooks: 2 S, A, T, B, vl1, vlta1+2, vlc, db, org (1, 1, 1, 1, 1, 1, 2, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 548

[Turba. Passio Domini nostri Jesu Christi secundum Joannem. Feria VI. 4 V (SSTB), 4 str.]

ms., 18th cent.; 230x310 mm.; 8 partbooks: S1, S2, T, B, vl1, vl2, db, org (1, 1, 1, 1, 1, 1, 1, 2 ff.). Attribution based on the 1809 inventory listing all Azopardi’s music. Includes 14 interventions of the turba.

M-MDca, Mus. Ms. 549a

[Misericordia Domini. Lamentations Sabato Sancto. S, bc, C min.]

autograph ms.,1783; 230x310 mm.; 2 vocal scores (4, 4 ff.). On f.1r: Arcaro. Pasquale Arcaro was a castrato employed in the Cathedral music chapel between 1780 and 1790.

M-MDca, Mus. Ms. 549b

[Aleph. Quomodo. Lamentations Sabato Sancto. S, bc, C min.]

- partially autograph ms., 1783; 230x310 mm.; 5 scores (4, 4, 4, 2, 4 ff.). On f.11r of the scores: Ten.

M-MDca, Mus. Ms. 549c

[Incipit oratio Jeremiae prophetae. Lamentations Sabato Sancto. B, bc, D min.]

- partially autograph ms., 18. sec.; 230x310 mm.; 2 scores (2, 2 ff.); 1 part: B (1 f.).

M-MDca, Mus. Ms. 549d

[Christus factus est. Antiphon. 4 V (SATB), 5 str., C min.]

- partially autograph ms. 1783; 230x310 mm.; vocal score (4 ff.); 9 partbooks: S, A, T, B, vl1, vl2, vlta1+2, 2 db (1, 1, 1, 1, 1, 1, 2, 1, 1 ff.).

M-MDca, Mus. Ms. 550

[Vespers for Holy Saturday. 4 V (SATB), vl1, vl2, org]

- partially autograph ms., 18th cent. 2nd half; 230x310 mm.; score (16 ff.); 7 partbooks: S, A, T, B, vl1, vl2, org (3, 3, 3, 3, 3, 3, 2 ff.) Attribution based on the 1809 inventory listing all Azopardi’s music. Include 5 compositions.

• [Alleluia. Verse. Eb , F , G]

• [Confitemini...quoniam. Alleluiatic verse. D]

• [Laudate dominum. Tractus. B min.]

• [Alleluia. Verse. G]

• [Laudate dominum. Tractus. E min.]

• Follows "Gloria patri" and "Alleluia".

M-MDca, Mus. Ms. 551

[Responsories. Matin of Feria V (in Coena Domini). 4 V (SATB), 3 str.]

- ms. 1782 sec.; 270x190 mm., score (46 ff.); 310x220 mm.; 7 partbooks: S, A, T, B, vl2, vla1, db (8, 6, 8, 6, 7, 5, 7, 6 ff.). Same music in Mus. Ms. 551a.

1. [In monte Oliveti. G min.]
   Respons.rio 1. / del / 1. Notturno.
2. [Tristis est. A min.]
   Respons.rio 2. / del / 1. Notturno.
3. [Ecce vidimus. D min.]
   Respons.rio 3. / del / 1. Notturno.
4. [Amicus meus. C min.]
   Respons.rio 1. / del / 2. Notturno.
5. [Judas mercator. E min.]
   Responsorio 2. / del / 2. Notturno.
6. [Unus ex discipulis. B min.]
   Responsorio 3. / del / 2. Notturno.
7. [Eram quasi agnus. G min.]
   Responso. 1. / del / 3. Notturno.
8. [Una hora. A min.]
   Responsorio 2. / del / 3. Notturno.
9. [Seniores. F]
   Responsorio 3. / del / 3. Notturno.

M-MDca, Mus. Ms. 551a

[Responsories. Matins of Feria V (in Coena Domini). 4 V (SATB), 3 str.]

- ms. 19 sec.; 270x190 mm., score (46 ff.); 310x220 mm.; 7 partbooks: S, A, T, B, vl1, vl2, db (6, 5, 6, 5, 8, 7, 7 ff.). On the score the term violetta is written next to the violin staves. Same music in Mus. Ms. 551. Manuscript donated to the Cathedral by Mro Paul Nani in 1979.

1. [In monte Oliveti. G min.]
   Primo Notturno Res. N. 1
2. [Tristis est. A min.]
   Responsorio N. 2.
3. [Ecce vidimus. D min.]
   Responsorio N. 3.
4. [Amicus meus. C min.]
   Secondo Notturno Res. N. 1
5. [Judas mercator. E min.]
   Responsorio secondo
6. [Unus ex discipulis. B min.]
   Responsorio N. 3
7. [Eram quasi agnus. G min.]
   Terzo Notturno Res. N. 1
8. [Una hora. A min.]
   Responsorio N. 2.
9. [Seniores. F]
   Responsorio N. 3

M-MDca, Mus. Ms. 552

[Responsories. Matin of Feria VI (in Parasceve. 4 V (SATB), orch.]

- partially autograph ms., 1783; 270x190 mm., 2 scores (28, 26 ff.); 310x220 mm.; 8 partbooks: S, A, T, B, vl1, vl2, vlta1+vlta2, vlc (5, 5, 6, 6, 5, 6, 10, 6 ff.). Same music available in the Archive of the "Commissariato della Santa Terra", Valletta, Malta.

1. [Omnes amici. F min.]
   Resp. P.mo / del P. Nott.
2. [Velum templi. Eb]
   Resp. 2. / del P. / Nott.
3. [Vinea mea. C min.]
   Resp. 3.o / del P.mo / Nott.
4. [Tamquam ad latronem. Bb]
   Resp. / P.mo del / 2. Nott.
5. [Tenebrae factae sunt. C min.]
   Res. 2.o / del 2. Nott.
6. [Animam meam. Eb]
   Res. 3.o / del 2. / Nott.
7. [Tradiderunt G min.]
   Res. p.o / del 3. / Nott.
8. [Jesum tradidit. C min.]
   Res. 2.o / del 3. Nott.
9. [Caligaverunt. C min.]
   Res. 3.o / del 3. Nott.

M-MDca, Mus. Ms. 553

[Responsories. Matin of Sabato Sancto. 4 V (SATB), orch.]

- ms., 1785; 270x190 mm.; vocal score (22 ff.); 310x220 mm.; 8 partbooks: S, A, T, B, vl1, vl2, db, org (7, 6, 6 6, 5, 6, 6, 6 ff.). Same music avaialble in the Archive of the "Commissariato della Santa Terra", Valletta, Malta.

1. [Sicut ovis. C min.]

2. [Jerusalem. F min.]

3. [Plange quasi virgo. Bb min.]

4. [Recessit pater noster. G min.]]

5. [O vos omnes. Eb]

6. [Ecce quomodo. C min.]

7. [Astiterunt reges. Bb]

8. [Aestimatus sum. Eb]

9. [Sepulto Domino. F min.]

M-MDca, Mus. Ms. 554

[Popule meus. Reproach. 4 V (SATB), orch., C min.]

- partially autograph ms., 1794; 230x310 mm.; score (58 ff.); 9 partbooks: S, A, T, B, vl1, vl2, vlta1+vlta2, vlc, org (5, 5, 5, 5, 5, 5, 10, 4, 6 ff.). The score includes only the violette parts.

M-MDca, Mus. Ms. 555

[Vexilla regis. Hymn. 4 V (SATB), orch., G min.]

- partially autograph ms., 1792-19 sec.; 230x310 mm.; score (12 ff.); 10 partbooks: 2 S, A, T, 2 B, vl1, vl2, db, org (1, 1, 1, 1, 1, 2, 1, 1, 1, 2 ff.) On the Bass part (19^th cent.): quando si canta senza accompagnamento. The score includes 2 horns and 2 oboes.

M-MDca, Mus. Ms. 556

[Te Deum. Hymn. 4 V (SATB), orch., C]

- partially autograph ms., 1775; 230x310 mm.; 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, tr1, tr2, bsn, vlc, org (2, 2, 2, 2, 3, 3, 3, 3, 2, 2, 2, 2, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 557

[Te Deum. Hymn. 4 V (SATB), orch., G]

- partially autograph ms., 1776; 230x310 mm.; score (40 ff.); 18 partbooks: S1, S2, A, T1, T2, B; A rip, T, rip, B rip, vl1, vl2, ob1, ob2, hn1, hn2, cor1/tr1, cor2/tr2, db, org (4, 3, 4, 4, 4, 4, 2, 2, 2, 4, 4, 2, 2, 2, 2, 2, 4, 4 ff.); the autograph score includes: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, tr1, tr2, bsn, b. The second vocal parts have been joint later for an alternative performance for 6 voices. On the score some Alto passages are written in Soprano clef.

M-MDca, Mus. Ms. 558

[Te Deum. Hymn. 4 V (SATB), orch., F]

- partially autograph ms., 1798; 230x310 mm.; score (48 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, hn1, hn2, ob1/cl1, ob2/cl2, vlc, db, org (4, 4, 3, 4, 4, 4, 4, 4, 3, 3, 4, 3, 4, 4, 4 ff.).

M-MDca, Mus. Ms. 559

[Sancte Paule. Antiphon. 4 V (SATB), orch., Bb]

- partially autograph ms., 1780; 230x310 mm.; score (6 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On f.1r of the score: Doppo il Te Deum B dicono le seguenti risposte [...] doppo questo B sona l'organo sin a tanto, che finisce l'osculo, e poi B dice l'Antiphona Sancte Paule et. c. On f.6r: doppo questa Antiphona B F A Benedizione e doppo B sona nuovam.te l'organo sin'a tanto che s'incomincia Terza.

M-MDca, Mus. Ms. 560

[Vade Anania. Antiphon. S, orch., Bb]

- partially autograph ms., 1803; 230x310 mm.; score (9 ff.); 10 partbooks: S, vl1, vl2, ob1, ob2, cor1, cor1+cor2, vlc, db, org (2, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On the org part: Per A Translazione della Reliquia nella Festa della Conversione di S. Paolo.

M-MDca, Mus. Ms. 561

[Gloriosi principes. Antiphon. 4 V (SATB), 3 str., Bb]

- partially autograph ms., 1800-1832; 230x310 mm.; score (6 ff.); 7 partbooks: S, A, T, B, vl1, vl2, org (1, 1, 1, 1, 1, 1, 2 ff.). On f.1r of the score: Ricopiate nel 1832 [...].

M-MDca, Mus. Ms. 562

[Petrus apostolus. Antiphon. 4 V (SATB), orch., Bb]

- partially autograph ms., 1808; 230x310 mm.; score (8 ff.); 15 partbooks: S, A, T, B, 2 vl1, 2 vl2, ob1, ob2, hn1, hn2, vlc, db, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.). On f. 1r of the organ part: Nella traslazione della reliquia per A vigilia de SS. Pietro e Paolo; a matita segue: e dopo A processione.

M-MDca, Mus. Ms. 563

[Joseph filii david. Antiphon. 4 V (SATB), orch., Eb]

- partially autograph ms., 1784; 230x310 mm.; score (8 ff.); 11 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, org (1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2 ff.).

M-MDca, Mus. Ms. 564

[Sacerdos et pontifex. Antiphon. 4 V (SATB), orch., G]

- partially autograph ms., 1780; 230x310 mm.; score (8 ff.); 13 partbooks: S, A, T, B, vl1, vl2, ob1, ob2, hn1, hn2, 2 vlc, org (2, 2, 2, 2, 2, 2, 1, 1, 1, 1, 2, 1, 2 ff.). On f. 9v of the score: Doppo quest'Antiphona B cantano quei salmi che ordinerà il Mro di Ceremonie, cioè salmi d'allegrezza, come per esempio il Benedictus.

M-MDca, Mus. Ms. 565

[Sacerdos et pontifex. Antiphon. 4 V (SATB), orch., G]

- partially autograph ms., 1808; 230x310 mm.; score (8 ff.)